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A 19th Century Mahogany Footstool, with ball and claw feet, another decorated with blind fretwork and a demi-lune side table, 113cm by 45cm by 81cm

After Charles Johnson Payne "Snaffles" (1884-1967)"The Informers"Signed in pencil, with the Snaffles blind bit stamp, a colour reproduction, 44cm by 55.5cmSome time staining. Staining to mount, particularly around the edges. Areas of sporadic tiny sized foxing spots of varying strengths to sheet. General dirt and debris trapped beneath the glass. Not examined out of the frame.

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

DEATH NYC Signed Fine Art Print with COA , DEATH NYC is a New York City-based street artist. Her pseudonym is an acronym for 'Don't Easily Abandon the Hope'. Print is blind stamped, comes with Certificate of Authenticity signed DEATH NYC and Gold Seal Sticker, Size: 45 x 32 cm, Hand Signed, Excellent Condition, Sold Unframed

Master Of Delft - Healing of the blind of Bethsaida / Description: Christ heals the blind Bethesda. Three scenes from the story of the healing of the blind man. Blind man being led to Christ by a young boy. Christ lays his hands on blind eyes. The Cured man walks away . This is a full page incunabula woodcut, from a very early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". This is a full page incunabula woodcut, from a very early edition of Ludolphus de Saxonia, "Dat Boeck vanden leven ons lief heeren Ihesu Christi". The first edition was published in 1487 in Antwerp, followed by the 1488 edition in Delft, 1495 and 1499 in Zwolle and again in Antwerp in 1510. The woodcut here on auction is attributed to the second master of Delft, alias the Master of the Virgo inter Virgines) and dated 1480-1500. The woodcut was already used in the edition of 22 May 1488. In fact the fresh impression still with complete intact borderlines makes it very plausible our woodcut belongs to the early edition of 22 May 1488. / Dimensions: 17,50 x 14,50 cm / Condition: Excellent impression with unbroken woodcut borderlines tipped with corners on a support sheet. Nice period hand coloring. Gothic Dutch letterpress on the backside in two columns. / Literature: Conway 1884 (Conway 21.12:11) ---"The guilder compass" (1951). Botke, K. --- Prof. Henri Defoer, history of the woodcuts from the Ludolphus editions. ( Jaarboek voor Nederlandse boekgeschiedenis 24/2017) / Medium: Colored woodcut /Circa: 1480-1503 260

Matthäus Merian - Wirtemberg Castle - Unknown Proof state (RRRR) / Description: Proof state unknown to Wüthrich (!). Very atmospheric etching of the residence of the house of Württemberg near Stuttgard build in the 1520's. This etching (Wüthrich.529) in an extremely rare unfinished proof state preceding the first state, before adding of: 1. Three birds in the sky central left of the castle, 2. A stake on the castle wall lower rightr, 3 a shimney on the castles lower roof top at right, 4. two walkers on the path leading down from the castle gate. This excellent early impression before any number and still with square plate borders must be one of the very first impressions of this print and is of the uppermost rarity. The proof state was only printed in a few copies and probably no other has been preserved. (Wüthrich- 529). Matthäus Merian I (1593-1650), born in Basel, Switzerland moved to Oppenheim in 1617 and when the city of Oppenheim was destroyed in 1620 by fire during the Spanish occupation he moved back to Basel. Merian married the daughter of Theodor de Bry in 1617. In his early works in his twenties, he showed a great talent for free landscape etching after his own designs close to his contemporain Jan van de Velde but also influenced by Flemish artists such as the master of the small landscapes and he made even work after Jan Breughel the younger. The landscape art from his early period deserves more attention as it is far superior to his later work. Wütrich mentions: 'Because of the overly tight cross layers in the foreground, most of the known prints are very defective and have numerous blind spots. Clear prints are early prints and rare.' So a proof state like the one here on aucton is of the uppermost rarity and very valuable to enjoy in it's superb quality. RRRR / Dimensions: 13,60 x 17,00 cm / Condition: An early outstanding, richly inked and luminous impression on a full sheet of laid paper. Excellent condition with no folds, tears or stains. Old number in sepia ink in the upper right margin. A rare print, certainly in this very early outstanding printing condition. / Literature: Wüthrich 1966-1996 (Merian) - 529 - (proof state, preceding state I and II) RRRR / Medium: Etching /Circa: Circa 1620-1622 360

A BLIND BARGAINLobby Card (11" x 14")Very Fine Goldwyn, 1922There are a few repaired pinholes around the border, but this card is very clean.The story of Blind Bargain, a cinematic treasure released in 1922, is known as a gripping narrative and enchanting history. This silent film masterpiece stars the legendary Lon Chaney, whose versatile talent and transformative performances captivated an entire generation.This lot will be auctioned on Friday, April 19th. The auction will begin at 9:30am PST and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on April 18th.

A Lionel Edwards (British, 1878-1966) limited edition print. 'Blackmoor Vale Hunt', 366/500, with blind stamp (lower left), 41cm x 52cm, framed and glazed

Estienne (Henri, editor) Conciones sive orationes ex Graecis Latinisque historicis excerptæ, first edition, title with large woodcut printer's device, woodcut decorative initials, index ff. A1-6 bound at end, lacking final blank, faded ink stamp of a religious institution to to outer margin of title, small hole to lower margin of P1, occasional staining to inner gutters, occasional spotting, washed, antique style ornately blind-stamped panelled calf, gilt spine in compartments, [Adams C2486 (issue with pp.278 [288]); Renouard, Estienne, 133:3; Schreiber 176], folio, [Geneva], Henri Estienne, 1570. *** Examples of speeches of Greek and Roman historians to be used in the instruction of lawyers and politicians, amongst others. Translations of texts are made by the humanists Lorenzo Valla, Francesco Filelfo and Angelo Poliziano. Authors include Herodotus, Thucydides, Xenophon and Tacitus.Provenance: Peter Scupham; The Cantley Library / Bagman of Cantley (modern bookplates to front pastedown). 

London.- Cooke (George) Views in London and its Vicinity, 39 engraved plates by Cooke after Callcott, Harding, Cotman & others as called for in list of plates, tissue guards, foxing, engraved pictorial book-plate of George Smith of Liverpool, unusual contemporary half morocco with gilt tooling to corners and edge of backstrip, spine gilt, g.e., rubbed, 1830 § Shepherd (Thomas H.) & others. Views of London, including the Royal Palaces, engraved vignette title and plates after Shepherd & others, no text, tissue guards browned, original red blind-stamped cloth with title "Mighty London or the World's Metropolis" in gilt to upper cover, g.e., [c.1855] § Rock & Co. [Views of London], 15 engraved plates, no text, original blind-stamped cloth, a little faded, [c.1851], all rubbed; and 4 others with views of London, v.s. (7)*** The second and third include views of both the Thames Tunnel and Crystal Palace.

London.- Archer (John Wykeham) Vestiges of Old London: A Series of Etchings from Original Drawings, 37 etched plates, all hand-coloured, tissue-guards, frontispiece trimmed and tipped into blank leaf, bound in striking blue morocco, by Stikeman & Co. of New York, covers with panel of interwoven strapwork & leaves in blind with small gilt dots within tooled foliate & ruled border in gilt, spine in compartments in gilt & blind and five raised bands, tan morocco doublures with gilt floral corner-pieces & red & green morocco onlays and gilt ruled & tooled border, blue silk moiré endpapers (front detached), signed at foot of rear doublure, g.e., joints a little worn with bump to foot of spine, folio, 1851.*** A handsome hand-coloured copy of this work published in the year of the Great Exhibition, and mainly illustrating the poorer areas of London not depicted elsewhere.

Hieronymus (Sophronius Eusebius ) [Omnium operum], vol. 6&7 (of 9) in 1, woodcut decorative initials, final f. of both vol. blank, wormed, occasional staining, contemporary blind-stamped pigskin over wooden boards, metal clasps, black lettering to upper cover, wormed, lower cover small piece from wood at head, [VD 16 ZV 7940], folio, [Basel], [Johann Froben & others], 1516.

Barrow (Isaac) Several Sermons against Evil-Speaking, occasional faint staining, E1 with tiny rust-hole not affecting text, publisher's advertisements at end, later calf, rubbed and worn, cracked hinges, small loss to spine extremities, bumping to corners, for Brabazon Aylmer, 1678 § The Mirrour of Mercy; or, An unparallel'd Instance of Victorious Grace, in the Conversion and Salvation of  one of the chief of Sinners .., early ink signature to title, one marginal ink note, previous owner's ink notes to final blank, spotting and staining, ex-library with usual label and faint ink-stamp to title, later morocco-backed boards, library blind-stamp to upper cover, rubbed and worn, Nottingham, by John Collyer, and sold by S. Gunter ..., 1722 § Leighton (John) A Cordial for Dropping Sinners ..., trimmed, occasionally affecting catchword, spotting, modern endpapers, later half-calf, for the Author, and to be sold by Jonathan Greenwood, 1691 § Whitlock (John) The Great Duty, and Comfortable Evidence [Keeping our selves from iniquity.], previous owner's ink signatures to title, signatures and shorthand to title verso and H4 verso, E2 misbound after E4, ex-library with usual label and occasional ink-stamps, chipping and fraying to title fore-edge, later endpapers, modern cloth, bumping to corners and extremities, for Thomas Parkhurst ..., 1698; v.s. (4).

Bindings.- The Book of Common Prayer, ruled throughout in red, some worming, occasional spotting or light staining, lightly browned, contemporary blind-stamped black morocco, tooled in gilt with cottage roof design, spine in compartments, upper joint split and with rudimentary tape repairs, leather missing from uppermost spine compartment, corners worn, rubbed and scuffed, g.e., Charles Bill, 1692; and 2 others, Bindings, v.s. (3) sold not subject to return. 

Russia.- Perry (Capt. John) The State of Russia, Under the Present Czar, first edition, engraved folding map by Herman Moll, bookplate, ink inscription and Christ Church library stamp to front free endpaper, some light browning and spotting, contemporary panelled calf, decorated in blind with floral motifs, expertly rebacked with original backstrip laid down, spine gilt in compartments, red morocco spine label, extremities very slightly rubbed, spine sunned, Benjamin Tooke, 1716 § Voyages in the Arctic Seas from 1821 to 1825, for the Discovery of a North West Passage to the Pacific Ocean, 4 wood-engraved plates, sticker to front pastedown, contemporary ink ownership inscription to head of title, the odd spot, contemporary calf, rebacked, a little rubbed, Dublin, R. Napper, 1830; Arctic Travels; Or, an Account of the Several Land Expeditions to Determine the Geography of the Northern Part of the American Continent, 6 wood-engraved plates, light foxing, later calf-backed boards, spine sunned, Dublin, Thomas White, 1830, 8vo & 12mo (3)

Performed at asylums and workhouses.- Wardle (J.H.) Six Comic Illustrations as given on very many occasions Gratuitously for Charitable and Other Purposes at Readings and Concerts &c., manuscript, 33pp., including title, 20 pencil illustrations, original red pebbled cloth, gilt, stained, including some ink, rubbed, 4to, [?Nottingham], [c.1880].  *** A collection of charmingly illustrated comic skits and monologues, apparently performed at a number of locations, including the lunatic asylum Sneinton (near Nottingham), the Union Workhouse in Nottingham, and the Midland Institution for the Blind. Includes ‘The Humours of A Country Fair’, which promises attractions including a giant, a combat between English Bulldogs and a Scotch Lion, and another wild beast described as a 'Ryonocery'. 

Wales.- Hoare (Sir Richard Colt) A Collection of Forty-Eight Views of Noblemen's and Gentlemen's Seats...in North and South Wales, 48 engraved plates, most by W.Byrne after Moses Griffiths & Colt Hoare, text browned but plates generally clean, slight worm track to lower margin at beginning, contemporary ink inscription "Chadwick Worcester College Oxford" to front free endpaper and another "H.L. 1828" to front pastedown, handsome contemporary burgundy straight-grain morocco with foliate border in gilt & blind and central vignette of ecclesiastical ruin in gilt, spine gilt, g.e., a little rubbed, [cf. Abbey, Scenery 393, 16 plates only by Griffiths], oblong 4to, John & Josiah Boydell, [c.1806]. *** A compilation of Moses Griffiths's Gentlemen's Seats, etc. in North Wales of 1792 with additional plates of South Wales by Colt Hoare.

Lowe (E. J.) The Conchology of Nottingham, illustrations, ex-library with occasional ink-stamps, new endpapers, modern cloth, slight bumping to corners and extremities, 1853 § Swinnerton (H. H.) Fossils: The New Naturalist, first edition, frontispiece, plates and illustrations, ex-library with usual labels, ink-stamps and blind-stamps, original cloth, slight bumping to corners and extremities, dust-jacket, creasing to edges, 1960 § Miall (L. C.) The Geology Natural History and Pre-Historic Antiquities of Craven in Yorkshire, one map and one plate, abrasion mark to front free endpaper where signature removed, ex-library with occasional ink-stamps, cracked hinges, original cloth, defective backstrip but holding firm, rubbed, Leeds, Joseph Dodgson, 1878; and anothers, folio & 8vo (4).

Neurology & Psychiatry.- Willis (Thomas) De anima brutorum quæ hominis vitalis ac sensitiva est, exercitationes duæ, first octavo edition, initial imprimatur f., 6 (of 8) engraved plates, most folding, 3 plates torn without loss, occasional spotting or light staining, lightly browned, upper hinge split, later blind-stamped calf, gilt spine in compartments and with black morocco label, head of spine and corners worn, little stained, rubbed, [G&M 1544; Hunter & MacAlpine pp 187-92; Wing W2826], 8vo, Richard Davis, 1672. sold not subject to return.  *** Published shortly after the quarto first edition of the same year. There are two imprint variants, London (as here) and Oxford. 

Law.- Azo (Porcius) Brocardica, sive generalia juris. A multis et magni nominis juris interpretibus, woodcut decorative initials, woodcut printer's device to final verso, α10 blank, occasional early ink marginalia and underlining, piece cut from outer margin of title (presumably removing an ownership signature), affecting part of 4 lines of privilege verso, R2 lower margin little trimmed, the odd short marginal tear, ink private ownership stamp below colophon, occasional spotting or mostly light staining (including the odd instance of ink), lightly browned, ornately blind-stamped panelled pigskin over boards, upper cover with central portrait of Lady Justice, lower cover with central portrait of Lucretia (in Roman legend the wife of Collatinus, first Consul of Rome; she committed suicide in 509 BC), both enclosed by rolls featuring medallion portraits, spine in compartments and with ink title at head, spine with closed vertical split and small rudimentary repair at foot, marked, little bowed and soiled, rubbed, [VD 16 A 4530], 8vo, Basel, [Eusebius Episcopius & Heirs of Nikolaus Episcopius], 1567.  *** Legal handbook by this professor of Law at Bologna. It provides arguments for and against common problems in civil and canon law. Provenance: 'Caspar Heuchelin'; ‘A F Ruhler’ 'W. Ashburner Firenze, 1907' (contemporary and later ink and pencil inscriptions to title; the third's stamp at end); LA Law Library (large bookplate to front pastedown). 

A Victorian walnut mural cupboard enclosed by a pair of blind fret carved doors, 24" high, together with a 1920s oak barleytwist lamp table.

Two side chairs, circa 1780, one with arched back over blind fret carved front legs and splayed back legs united by an H-frame stretcher upholstered in a pink fabric, the other with a curved back over a serpentine front seat rail upholstered in studded leather77 x 57 x 62cm 94 x 58 x 64cmChair with serpentine front structurally weak with some forward backward movement, historic worm to the seat rails, splits to the rear section of the side rails, fabric very tattyThe other also with historic worm to the seat rails, the front rail has been replaced, so too have the blocks, stains to the leatherSee photos

§ Charles Johnson Payne 'Snaffles' (British, 1884-1967) Oh! To Be in England; together with A Sight to Take Home and Dream Aboutsigned in pencil and with blind stampcolour prints,51cm x 66cm (2)

A pair of modern Eastern stained hardwood two drawer bedside chests with blind drawer to top, set on bracket feet

A 1.52m retro teak effect kneehole dressing table with detached oblong mirror, central blind frieze drawer and four flanking short drawers, set on moulded legs

A modern wall or post mounted exterior blind-spot mirror

An 84cm 19th Century mahogany Pembroke table with blind drawer to one end, set on square tapered legs with brass caps and casters

An Edwardian mahogany six-drawer music chest with blind fretwork decoration, height 94cm, width 55cm, depth 39cm, together with an Edwardian mahogany elbow chair.

A George III mahogany serving table, the crossbanded top above a blind fretwork frieze, on channel moulded block legs, height 79cm, width 152.5cm, depth 76cm (some faults and possibly reduced in height).

Michael Jackson (British, 1961), Blue and Gold Macaw, signed l.r., colour print, No.71/500, blind stamp l.l., 55 by 40cm, framed

A pedal harp by Sebastian & Pierre Erard, 19th Century, gilt wood and birds eye maple in the Gothic revival style with portrait panels of Saints and blind tracery, eight pedals, engraved 'Sebastian & Pierre Erard's Patent, No.6049, 175cm high

SELTENE IKONE MIT DEM EHRHAFTEN PHILIPP KOSELSKI, BLIND VON GEBURT, DER ZUR GOTTESMUTTER BETET UND GEHEILT WIRD Russland, Anfang 19. Jh. Holztafel mit einer Rückseiten-Querleiste. Ölmalerei. 28,8 x 21,2 cm. Min. rest.

Various vintage trading cards, to include: - A retail box containing various 1997 Batman and Robin and Batman Returns trading cards, with two celluloid examples. - A retail box containing 24 sealed blind packs of Dick Tracy movie cards and stickers, by Topps - A sealed box of 1992 Legends of Indy Racing Collectors Cards, limited edition of 3000 cases, by Grand Stand Sports- A sealed box of 1997 Star Trek: The Next Generation Seson Six trading cards, by SkyBox

W.B. Yeats. Poems. 1920. Fine original blind stamped cloth with gilt spine designed by Althea Gyles. Attractive Cambridge school award book plate inside front cover

Bindings] The Penny Magazine of the Society for the Diffusion of Knowledge. 1832 to 1837, 6 vols., quarto, numerous excellent woodcut illustrations, finely bound in contemporary half dark blue morocco with spines nicely decorated in blind and gilt. Very attractive. [6 items]

The Mirror Wall by Richard Murphy. Dublin, Wolfhound Press. 1989. Handwritten poem and signed by the author. limited to 100 numbered copies, hand bound at Museum Bookbindings in full leather, with an illustration of an Indian lady blind-stamped on upper cover. Near fine.

SUMMONED BY BELLS. BETJEMAN, JOHN. Published by John Murray, Albemarle Street., London, 1960. FIRST EDITION. Bound in original bell pattern blind stamped green cloth

Vinyl Records - 12” Singles - Drum n Bass, House, Acid, Trance, Garage House, Trip Hop, Hardstyle, Breakbeat, including Loop 7 – The Theme – SR12262; Massive* – Unfinished Sympathy (Nellee Hooper Remixes) – WBRR 2; Three 'N One – Reflect – FX301; Jaydee – Plastic Dreams (Revisited) – RS 97117; Placebo /Timo Maas – Special K - FLOORTP14; U.S.U.R.A. – Open Your Mind '97 – ORBIT0156; White Noise (10) – Colossus / Colossal – SIPOW001; Vengaboys – Up & Down – Time 119; Total Ka-Os – Something Old School – SR EP5; Agnelli & Nelson – El Niño – 0091570 EXT; Chicane – Offshore – 0091000 EXT; Capricorn – 20 Hz – TR 005-8; Brooklyn Bounce – The Real Bass – 006413-0 CLU; Sil – Windows '98 – HOOJ 60; Who's That Girl! – Holiday – FESX 11; DJ Syro – This Way I Get There – ST28007; Defective Audio – Pure Energy – SPINBALL001; Audio Matic – Space Breakz / Louder Than Bombs – OCT 07; Chicane – Sunstroke – 0091120 EXT; Transa – Enervate – PERF155T; Apollo Four Forty – Krupa; Amoeba Assassin – Rollercoaster; Mutiny – The Virus; Kym Sims – Too Blind To See It; Afrika Bambaataa Vs. Carpe Diem – Got To Get Up; Robert Miles – One And One (Remixes); Funky Phantom – Get Up; Atlantic Ocean – Waterfall; We In Music – Grandlife, promo; Livin' Joy – Where Can I Find Love; Robert Miles Featuring Kathy Sledge – Freedom; Poltergeist – Vicious Circles; Trickster (CMV's) – Move On Up - (Lisa Marie Experience / Footlclub / Z Factor Mixes); Lisa Stansfield Vs The Dirty Rotten Scoundrels – People Hold On (The Bootleg Mixes); Mitch & Mart – Riser / Textured, red vinyl; Juno Reactor – Jungle High; Tilt Feat. Zee – Butterfly; Adventures Of Stevie V. – Dirty Cash (Money Talks); Old Skool Orchestra – B-Boy Hump; Pizzaman – Sex On The Streets; Smooth Touch Featuring Althea McQueen – Come And Take A Trip; Partizan – Keep Your Luv; Mother's Pride – Floribunda (Andy Mowat Remixes); IMF – Theme From Mission Impossible; Charlotte – Someday; (45)

Miscellaneous – Doyle (James E.), A Chronicle of England BC155 – AD1485, London, Longman, Green, Longman & Roberts, 1864 4to, 462pp, numerous coloured illus. after the author, gilt edges, embossed bevelled boards with gilt Plantagenet Royal Arms to the front board, gilt titles to spine, covers rubbed; Ashton (John), The Chap Books of the Eighteenth Century with Facsimiles Notes and Introduction, London, Chatto & Windus, 1882 12mo, 486pp, numerous engravings, bound embossed black and gilt on green boards, gilt titles to spine; Hoppus’s Practical Measurer or Measuring made easy to the Meanest Capacity by a new Set of Tables, London, John Smith n. d. (c. 1832) 7 x 3in (178 x 76mm) 205pp, fold-out engraved frontis, blind embossed black boards gilt spine titles; Betsworth (John), Correct Tables of Interest Calculated on an Enlarged Plan and in a Most Exact Manner from £1 to £1,000 etc., London, T. Hughes n. d. (c.1820) 32mo, unpaginated tables, brown boards; Calendar and Diary designed Albert Richardson, Plaistow, Curwen Press, 1922 32mo., unused, unpaginated, coloured illus., bound oatmeal boards, priced label; Anon., The Cyclist’s Pocket Touring Maps of Britain, in 14 sections, London, The Cyclist, 1939, seven folded and hard bound in pairs with black boards each numbered in green, all in slip case printed with key to the sections (6)

BERNHARD HOETGER (1874-1949) 'MÄDCHEN MIT REIF', CIRCA 1901 bronze, signed in the bronze with monogram 19cm high  Note: After studying at the Düsseldorf Art Academy under Karl Janssen, Bernhard Hoetger travelled to Paris and settled there from 1900 to 1907. He became acquainted with artists such as Paula Modersohn-Becker, Käthe Kollwitz, Karl Hofer and Henri Rousseau. He was most interested by Rodin's work, which strongly influenced his visual language in this early phase. As early as 1901, Hoetger achieved his artistic breakthrough with the sculpture “L'Aveugle (The Blind Man)”. This led to the first contact with Julius Meier-Graefe, director of the Art Nouveau gallery "La Maison Moderne", who included Hoetger's sculptures in the gallery's sales catalogue alongside works by George Minne, Charpentier and others. His time in Paris, during which the present example was also created, ended in 1909 with Hoetger's appointment as a professor at the Darmstadt artists' colony.

After William Russel Flint, limited edition print blind stamp, semi clad female sat on beach and a group of nude females in various poses, framed and glazed 47x64cm and 54x70cm; After William Russel Flint signed print of semi clad female on beach, blind stamped, signed lower right, framed and glazed, 47x62cm 

RUSSIA. Vasilii Vasilievich. Silver 1 denga, ND (1425-1462). the blind. Near Extremely Fine. Reference: Huletzky/Petrunin 561-562Diameter: 13 mm.Weight: 0.49 g.Composition: Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

RUSSIA. Vasilii Vasilievich. Silver 1 denga, ND (1425-1462). the blind. Very fine. Reference: Huletzky/Petrunin 561-562Diameter: 13 mm.Weight: 0.49 g.Composition: Silver.PLEASE NOTE: 6% Buyer Premium + VAT on this lot. Additional 6% fee charged on the Saleroom. Delivery cost will be added to your order.

DICKENS, CHARLES. Pictures from Italy by Charles Dickens. The Vignette Illustrations on Wood by Samuel Palmer. Bradbury & Evans [London, 1846]. Publisher's advertisements at beginning and end; half-title. Wood-engraved vignette title. Original publisher's blue blind-stamped cloth, spine gilt. Tear to corner of at least one page, otherwise excellent copy.

George III mahogany hanging corner cupboard, blind carved frieze, panelled door, width 78cm, height 104cm.

A pair of three light figural porcelain candelabra, Blind Man's Buff, naturalistic floral and foliate base, fixed sconces, crossed swords mark, 29cm.Condition report:Item 1 - repair to man's arm, repair to base, losses to branches and leavesItem 2 - losses to woman's fingers, losses to leaves, chips to leaves on sconcesBoth items may have had their sconces repaired.Please see additional uploaded images.

A Sanderson Regular Whole Plate Camera, double extension, body G, some light wear, bellows G, with Beck Series III No 8 Neostigmar lens, serial no 150846, barrel G, elements F, some fungus, in Thornton Pickard roller blind shutter, shutter draw string broken, untested, with DDS

A Mahogany and Brass Half Plate Camera, double extension, body G, some tarnishing to brass, bellows G, with Taylor & Hobson Cooke Series III 6½ x 4¾ Focus 7,57 inches lens, serial no 3990. barrel G, elements G, in Thornton Pickard roller blind shutter, shutter fires, camera comes from a smoking environment, tobacco smell

A Thornton Pickard Imperial Triple Extension Mahogany and Brass Half Plate Camera, body G, bellows P-F, with Thornton Pickard Beck f/8 Symmetrical lens, barrel G, ding to front rim, elements F-G, in Thornton Pickard roller blind shutter, shutter missing cocking clip, shutter cocks and fires

A Restored 17cm x 23¼cm Tailboard Camera, appears stripped & re stained, new pieces front panel, black canvas bellows, red corners, with unmarked f/8 & f/11 brass lens, some separation to front element on f/8 lens, f/11 lens, some oxidation to aperture leaves, fungus, in Inst Pose roller blind shutter, shutter not working

A Thornton Pickard College Quarter Plate Mahogany & Brass Camera, body G, solder repair to back focusing wheel, bellows P. with f/8 lens, in Thornton Pickard roller blind shutter, shutter sticking, barrel G, elements G, three DDS, camera comes from a smoking environment, tobacco smell

A Mahogany and Brass Half Plate Camera double extension, body G, some tarnishing to brass, bellows P, with Beck f/8 Symmetrical lens, barrel G, ding to rear edge, elements G, in Thornton Picard roller blind shutter, shutter cocks & fires

A Thornton Pickard Victo Triple Extension Half Plate Mahogany and Brass Camera, body G-VG, bellows G, with Beck f/8 Symmetrical lens, barrel G, elements G, in Thornton Pickard roller blind shutter, shutter cocks and fires, with quick release cable

A PAIR OF WILLIAM IV OAK GOTHIC REVIVAL HALL CHAIRSIN THE MANNER OF A.W.N. PUGIN, C.1830each with a pinnacle back with scrolling foliate finials above a solid seat, the rails with Gothic quatrefoil blind fretwork, the legs with lancet panels (2)120.5cm highProvenancePurchased from G.D. Blay Antiques, West Street, Dorking, 9th June 2002, for £4,000.The selected contents of Dinton Hall, Buckinghamshire.

A pair of painted wood and fibreboard pedestal cupboards, late 20th century; with opposing blind fret-carved stylised foliate doors and sides, on moulded plinth bases; 75cm high, 57cm wide, 56cm deep