We found 6105 price guide item(s) matching your search

Long black evening skirt made by G J of Winchester, full skirt of dotted black net over acetate lining (size 14), a black frilled lace blouse with gold trim and a black sequinned bolero waistcoat (small). (3)

Vintage Costume - Horrockses taffeta dress, 1940's floral dress, 1940's house coat, Edwardian lace blouse, Laura Ashley evening dress made in Great Britain, etc.

A small collection of lace garments to include a brown lace chocolate dress 1930, a lace blouse, tiny hole on back, an ochre coloured longline 1920s lace jacket and cotton lace waistcoat 1920/30 (4)

*Hope (Laura Elizabeth Rachel, 1858-1929). Margaret, 1928, pastel oval head and shoulders portrait of a young girl with fair hair cut in a bob and wearing a blue blouse with collar, signed, titled, and dated, 38 x 33.5cm (15 x 13.25ins), gilt moulded oval frame (partially damaged), glazed, with old newspaper notice of the artist's death on verso Laura Hope was a portrait painter and book illustrator, who exhibited at the principal London galleries, particularly known for her paintings of children and fairy subjects. The newspaper cutting on the verso states that she 'studied painting in London, being advised by John Millais, and working in Mr. Cope's studio, and exhibited at the New Gallery, the Dudley Gallery, and other exhibitions.' It also states that she was a member of the Pastel Society and painted between 700 and 800 portraits, including two of the Queen of Spain as a child, the daughters of the Duke and Duchess of Connaught at Osborne in 1891 for presentation to Queen Victoria, and two portraits of Queen Mary in 1903. (1)

Various designer clothing, Ralph Lauren, textured blouse, Armani jumpers, Boss, cardigans, pair of Karen Millen brown suede calf length boots, size 5 (a quantity)

WW2 SOE / RAF Escape and Evasion compass buckle. A scarce example of the Battledress Blouse metal buckle. A sliding cover conceals a compass swinger. VGC.

Parachute Regiment WWII Uniform comprising battle dress blouse trousers, shirt and tie with Kings Own and Parachute Regiment cloth shoulder badges (worn by 14816357 Pte K.W. Jamison)

Parachute Regiment WWI Uniform comprising battle dress blouse 1943 pattern, with Parachute Regiment and Pegasus shoulder badges, matching trousers dated May 1945 (worn by 14816357 Pte K.W. Jamison)

Parachute Regiment post WWII Uniform comprising battle dress blouse 1951, Parachute Regiment and Pegasus cloth shoulder badges and trousers 1953 (both 1949 pattern) original labels present but detached (worn by 14816357 Pte K.W. Jamison) shirt and tie

World War II blue hospital 'battle tunic' Four buttons with hook fastening at the collar, 2 pockets, waist belt and button cuffs. Labelled inside as made by L.Harris Ltd 1945 with "Blouse Hospital A.T.S. Size No.4" Mint, unworn condition.

Louis Léopold Boilly (1761-1845, FR), attribué à, "Portrait d'enfant en blouse verte". Huile sur carton, n.s. 27.5x21.5 cm Condition: Nombreux repeints.Tableaux - EncadrésPaintingsGemälde

A Simon & Halbig, Kammer & Reinhardt bisque head doll, with sleeping flirty blue eyes, jointed composition toddler body, hairline to the forehead 43cm, together with a Sebreuder Heubach bisque head doll with open mouth, sleeping eyes, wig, silk skirt and white work embroidery blouse, No. 8192, 38cm. (2)

Military Interest, Jerry Can Marked Motor Tug MK.7, Belgium Steel Helmet And A Battledress Blouse dated 1942 Size 7

A Chanel silk vintage blouse in beige, together with a Christian Dior silk skirt, floral pink on beige, Size 8, and a Tibi silk top in blue, Size 6, (slight damage)

Vintage Costume - Edwardian skirt; Laura Ashley blouse, made in Wales; 1960's psychedelic two piece outfit; 1930's satin wedding dress; nylon negligée; etc.

A WW2 1940 patent battle dress blouse with soldiers side hat, service and pay books etc.

Ladies Vintage Jackets incl. Gerard Darel, James Meade, Country Casuals, Columbia Minerva purple cardigan & white cotton blouse

A collection of day wear comprising a Hartnell shift dress with black spots on a white ground and matching jacket, both bearing labels to the interior inscribed "Hartnell 26 Bruton Street W1A", an Yves Saint Laurent Rive Gauche purple skirt (size 42), a Gesrech dress with black and white spots on a red ground (size 40), a mid 20th Century Belinda Belleville orange, yellow and turquoise striped dress (size 12) and an Yves Saint Laurent Rive Gauche skirt and blouse (size 40), the blue ground with orange, yellow and blue flowers

LATE 19TH AND EARLY 20TH DRESS, INCLUDING A BLACK OVER COAT AND BLOUSE, GLOVES AND CHILDREN'S CLOTHING, TWO ARTIER - BRESSON PARIS BOXES, ETC

A British Army Captain's blouse, a Captain's jacket for the Royal Corps of Signals, and a leather belt

18th-19th century AD. A pair of large wooden female figures with hair parted in the middle and pulled back to a pony tail; bindi to the centre of the forehead and large earrings; series of necklaces to the chest and with bracelets and anklets; wearing a short blouse and with long flounced skirt; hands held to stomach and socketted for insertion of separate object; bodies twisted as if dancing and covered in polychrome decoration; metal hook to the back for display. 9.69 kg total, 60cm (24"). Property of an American gentleman; acquired 1970s-1990s.[2] Fine condition, legs repaired.

1960's Pierre Cardin ready to wear by Berg of Mayfair green wool skirt suit with Joan, Market St label Nottingham. Together with green Hardy Amies ready to wear 1960's shift dress with matching jacket also from Joan, Market St, Nottingham and a vintage wool 1940's/50's adele skirt suit with matching brown blouse. (3) (B.P. 24% incl. VAT) CONDITION REPORT: Condition report and measurements available on request.

Collection of vintage tops and jumpers (50's/60's) to include: a short sleeve ruffle collar blouse, a cotton striped spaghetti strap top by Kay Sport, a multicolour check blouse, a green patterned short sleeve shirt by Continental and two vintage jumpers (one pink and one green with shell buckle on collar). (6) (B.P. 24% incl. VAT) CONDITION REPORT: Condition report and measurements available on request.

Late Victorian/Edwardian clothing to include: a linen striped blouse with cellulose buttons, a cotton green paisley pattern blouse with lace around the collar and crochet cuffs and a brown velvet jacket with lattice work effect decoration, ribbons on shoulders and puff sleeves. (3) (B.P. 24% incl. VAT) CONDITION REPORT: The two blouses both have multiple rust stains and some small holes in places. Both have 34.5cm/13.5" waist measurements but are different lengths (shorter is 19.5"/50cm and longer 53cm/21") Brown velvet jacket is generally in good condition for age. it is missing some buttons and has two white marks on the back. Measurements: waist 36cm/14", shoulders 42cm/16.5", length 48cm/19" All measurements approximate and taken with garment lying flat.

Collection of vintage clothing (60's-80's) to include: black Mansfield original by Frank Russell double breasted skirt suit, pink and white knitted double breasted skirt suit labelled 'Cascais by Protextil, Made in Portugal' an Alexander Milnes plaid wool belted skirt suit with blue sleeveless blouse, heavy geometrically patterned green devore velvet skirt suit with pink lining, a long blue Jean Allen check belted pencil skirt, and a striped Jaeger calf length skirt. (4 suits + 2 skirts) (11 items total) (B.P. 24% incl. VAT) CONDITION REPORT: Condition report and measurements available on request.

Edwardian Welsh costume comprising: a long red and black striped wool overcoat, cream and navy striped wool underskirt with cotton top, red and white striped cotton overskirt, silky patterned piece of fabric with shell buttons probably waistcoat front, cotton and lace bloomers, white cotton blouse/undershirt, black blouse, striped wool jacket and black wool peacoat, paisley patterned square of fabric. (10) (B.P. 24% incl. VAT) CONDITION REPORT: General wear and tear with age. Peacoat missing buttons, has a tear to the lining and a repair to the underarm lining, otherwise good. overcoat - generally good condition, stitching on one cuff loose and hole and repairs on right sleeve, buttons on back mismatched. wool skirt - has multiple holes in wool and some small rust stains on cotton. red and white overskirt - multiple very small stains and a few very small holes and one small tear. ,bloomers - small brown stains. striped jacket - missing fastening at top otherwise good condition. black blouse - two small tears to back, otherwise good. Cotton blouse, fabric and waistcoat front - all good condition, with no obvious damage. All garments are of a small size.

Seven vintage embroidered blouses to include: a short sleeve blouse with pale blue embroidery, a cream silk long sleeve blouse with geometric decoration and shell buttons, a white linen sleeveless blouse with embroidered clovers, a pink linen sleeveless blouse with white embroidery and crochet work, a short sleeve cream silk blouse with grey embroidered flowers and a Chinese style collar, a short sleeve beige cotton blouse with embroidered vines and grapes and a cream short sleeve blouse with pale grey embroidered flowers and grapes. (7) (B.P. 24% incl. VAT) CONDITION REPORT: All modern size 8-14 UK, too many to measure separately. All are in good general condition. Blouse with Chinese style collar has pen mark on back of collar, all other silk blouses have very minor staining. Linen blouses no obvious damage.

Collection of vintage tops (50's-70's) to include: two Elsie Whiteley blouses; one white lace with long sleeves and the other cream lace with ruffle, a Lynette Claire white sheer sleeve ruffle collar blouse, a white ruffle blouse, a 50's fruit print cotton short sleeve blouse, a 60's orange colour print ruffle 3/4 sleeve blouse, a gold brocade sleeveless top, a white sleeveless floral design beaded top by global and a cream crochet sleeveless top by J Oscar Sharpe. (9) (B.P. 24% incl. VAT) CONDITION REPORT: Condition report and measurements available on request.

Collection of vintage clothing to include; a multicolour paisley pattern bolero, a cream silky florally embossed tied top, a pink long sleeve silk blouse, a sleeveless pink Macclesfield silk blouse, a multicolour psychedelic print long sleeve top and a black ground silk and sequin jacket with floral decoration. (6) (B.P. 24% incl. VAT) CONDITION REPORT: Condition report and measurements available on request.

A Jeanna Francis skirt and blouse, a burgundy kaftan with gold detail, and a floral silk kaftan by Mascot (4).

Liberty blouse and skirt (small)

A gaberdine 1930s wool coat with very large buttons and belt and large lapels and a taffeta Edwardian blouse and a crepe late 1920 dress and a black silk 1918-1922 dress with low waist and carol buttons a parasol 1906-10 damaged on umbrella part

Various designer clothing, Ralph Lauren clothing, textured blouse, Armani jumpers, Boss, cardigans, pair of Karen Millen brown suede calf length boots, size 5. (a quantity)AUCTIONEER ANNOUNCE: AMENDED DESCRIPTION

A Third Reich field grey short tunic or blouse, of an Artillery Leutnant, with silver bullion breast eagle, Iron Cross ribbon in lapel, and manufacturers stamped size numbers in the lining. Basically GC (some wear)

An ERII Q Master’s khaki jacket of The Black Watch, with insignia and pair tartan trews; 3 “Blouse. Battle Dress. 1949 Pattern”, one with officer’s insignia; and a quantity of other uniform, etc. GC to VGC

Ladies Emilio Pucci Firenze Vintage blouse. Size16 

Assorted Late 19th Century and Later Costume and Textiles, including white cotton baby gown, cotton underskirt with lace insertions and others, Victorian black silk jacket, cotton muslin blouse embroidered with spots and trimmed with silk ruffles, white cotton long sleeved dress with pleated bodice and skirt, lime green cut velvet stole with tassel trim etc (one box)

A collection of vintage clothing To include an Yves Saint Laurent sheer polka dot blouse, size 42, a Albert Nipon black pleated button front dress, a pair of Mr Freedom trousers in a vibrant red and purple, together with a Lanvin dress in muted browns, greens and purple with velvet cuffs, size 40. (4) CONDITION REPORT: Pleated bottom front dress - good condition, no visible signs of wear or fadingYSL blouse - Two large rips to the shoulders of the blouseLanvin dress - small moth hole to right arm, approx 3 small moth holes to front of dresscolour vibrantno bobblingright velvet cuff need re stitchingMr Freedon trousers - colour still vibrant, staining spots to right hand back pocket,staining to back of left legstain to bottom of left legAll items have a faint musty smell.

A mixed group of vintage clothing To include two examples of Isa Weg silk blouses, one in vibrant turquoise and red, and the other in vibrant purple and red, both size 40, A Flora Kung silk blouse in turquoise, size 10, a Flora Kung silk jacket in striped turquoise and black, size 10, together with a polka dot skirt, size 8, and a plain turquoise skirt, size 6, a Flora Kung multi coloured polka dot skirt, size 10, a vibrant pink Flora Kung silk top, size 10, together with a Jacques Molko silk blouse in maroon, size 38. (9)

WW1 WAAF Working Dress Blouse blue grey, woollen, single breasted, short battle dress. Closed collar. Lower extended belt. Pleated chest pockets with buttoned flaps. Internal issue label 'WAAF Blouse Size 5' dated 1941.

1944 Dated RAF War Service Dress Battle Dress Blouse blue grey, woollen, single breasted, closed collar jacket. Pleated chest pockets with buttoned flaps. Lower extended belt. Both sleeves with RAF eagles over braid Sergeant stripes. Internal issue label 'War Service Dress Blouse' dated 1944. Together with a pair of post WW2 RAF woollen service dress trousers ... Pair webbing gaiters.

A collection of 1930s silk and other nightgowns to include a Victorian cotton example, to/w black taffeta skirt, silk blouse and other garments

A lady's cream wool suit by Nolan Miller Dynasty Collection having short fitted edge to edge jacket, matching trousers and gold lame tie neck blouse, all size 8 (possibly USA size)

Vintage Costume - a Canton embroidered silk shawl; a Louis Feraud silk dress; a Gina Fratini evening dress; 1950's cocktail dress; an Edwardian blouse, etc

Royal Army Chaplains Department Officers Insignia, being embroidered cloth shoulder title and three maroon backed officers rank pips, still attached to the original shoulder boards and section of Battle Dress Blouse. (2 items)

Scarce WW2 Printed No12 Commando Cloth Shoulder Title, red No12 COMMANDO on navy blue cloth backing. Title is faded and shows evidence of being removed from a battle dress blouse.

WW2 23rd Field Regiment Royal Artillery Battle Dress Blouse, complete with embroidered cloth regimental shoulder titles, embroidered cloth formation signs for the 23rd Field Regiment RA, medal ribbons for 1939-45 star, Burma star, Defence medal and 1939-45 War medal. Battle dress has been tailored with open collar. Original 1941 dated Rego Clothiers Ltd size label to the interior. Some wear but generally good condition.

WW2 Glamorganshire Home Guard Battle Dress Blouse, 1937 pattern battle dress blouse with concealed button front. Painted Home Guard cloth shoulder title and printed black on khaki GLN county designation formation sign, no numbers ever appear to have been present. Embroidered rank pips for a Captain. 1940 dated size label to the interior. Some areas of moth damaged but generally remains in good condition.

WW2 Royal Armoured Corps 11th Armoured Division Battle Dress Blouse, khaki wool 1940 pattern battle dress blouse with embroidered regimental shoulder titles, woven formation sign and sergeants rank chevrons. Attached to the shoulder is yellow/black/red twist cord lanyard. 1939-45 star medal ribbon above breast pocket. Original 1945 dated size label to the interior and War Department ink stamp with “Z” date letter. Some scattered moth and one formation sign removed from arm.

1945 Royal Welch Fusiliers British Army of the Rhine (B.A.O.R) Majors Battle Dress Blouse, 1940 pattern example complete with embroidered regimental shoulder titles, BAOR embroidered formation sign, Majors rank crown to the shoulder board. Regimental distinction, black ribbons to the collar. Medal ribbons for WW2 North West Europe service above breast pocket. Complete with its 1945 dated label to the interior and War Department ink stamp with letter “Z” above. Some light moth nips but generally a good example.

WW2 1/4th Battalion South Lancashire Regiment 55th (West Lancashire) Infantry Division Officers Battle Dress Blouse, 1937 pattern battle dress blouse with concealed button front. Embroidered white on red regimental shoulder titles with embroidered 55th Infantry division formation sign, three red felt brigade bars and silk regimental ribbon. Officers rank pips for Lieutenant. Battle dress with original tailors label to inside, details not clear. Ink stamped to the inside with War Department broad arrow and date letter “Q” for 1940. Battle dress shows service wear but generally a good example. The 1/4th Territorial Battalion was raised in 1939 as a 2nd Line Territorial Army battalion, later re-designated the 1/4th Battalion. Both the 1/4th and 2/4th battalions served in the 164th Infantry Brigade, attached to the 55th (West Lancashire) Division. The battalion was one of the first to land at Sword Beach during the Normandy landings on 6th June 1944. They served as normal infantrymen for the duration of the Battle of Normandy until being withdrawn, with the rest of the division, to England in September 1944.

An Edwardian white worked blouse, 1920's silk jumper and two petticoats

A mixed group of WWII period and later military dress including two green combat shirts, a khaki bush jacket and blouse (label to jacket with broad arrow stamp), a pair of blue dress trousers (label to trousers with broad arrow stamp), a matching blouse and cap with RAF badge and buttons, also a pair of green padded trousers with internal stamped label in Cyrillic (8).

[§] HENRI MATISSE (FRENCH 1869-1954) SEATED YOUNG WOMAN WITH A BOUQUET OF FLOWERS 1923, signed in pencil to margin and numbered 47/60, lithograph 29cm x 20.5cm (11.5in x 8in) Note: 'What I dream of is an art of balance, of purity and serenity devoid of troubling or disturbing subject matter...like a comforting influence, a mental balm - something like a good armchair in which one rests from physical fatigue.' Henri Matisse is generally considered one of the most important artists of the twentieth century, and a leading figure in modern art. He made prints throughout his career, starting working in lithography in 1906, and returning to it again and again. The offered work dates from a particularly productive period, when from 1922-25 Matisse created fifty lithographs, mainly of women and decorative patterns. Artistically, Matisse viewed printmaking as an extension of drawing, and thus a direct expression of the artist's thoughts. Formally, it was an opportunity to re-focus on line and composition. The painterly qualities of lithography particularly suited Matisse's technique, and his interest in rich detail and texture. In fact, Matisse preferred a version of lithography called transfer lithography where instead of drawing directly onto the stone, the artist was able to utilise transfer-paper, drawing directly onto the paper, the image was then transferred onto the stone and printed. This meant the image was not reversed and often the grain of paper was captured within the image. Seated Young Woman with a Bouquet of Flowers reflects Matisse's key interests in print-making. The subject is a young woman, surrounded by decorative patterns. He creates a bold composition, by angling different patterns against each other. There are the expected visual patterns - the floral pattern in the sitter's blouse, and on the vase, and the bold horizontal striping of the blinds behind her, but these are juxtaposed with patterning created by the artist to add depth and texture, his graphic mark-making in the table surface and the distant sky. It has been suggested that even when working in monochromatic prints, Matisse's works have the sense of being colourful. That is true here. We can easily imagine the bold colours that would feature in an oil painting version, especially in the bold patterning, yet the monochromatic simplicity allows Matisse's compositional insight, and ability to manipulate the qualities of lithography, to really shine.

A Sixth Sense ladies' full-length coat and matching scarf, a Delbury ladies' coat, a Kenneth Ross ladies' blouse, and a group of vintage evening bags

AFTER EVE ARNOLD (AMERICAN 1912-2012), Marilyn Monroe wearing a Stetson and white blouse, a limited edition print of a black and white photograph, No.323/495, numbered and signed in pencil, in card mount, unframed, approximately 49.5cm x 34cm

A German bisque shoulder dollWith auburn wig, fixed brown eyes, open mouth and impressed mark Made in Germany with porcelain lower arms and calf skin body and limbs in cream blouse, rust checked skirt and rust coloured cape with hood, height 40cm.

Shantung Chives blouse

Various designer clothing, Ralph Lauren clothing, textured blouse, Armani jumpers, Boss, cardigans, etc. (a quantity)

A fine black Chantilly lace shawl, 190cm x 190cm, along with black shawl with black and cream checked border, a black net stole with deep cream embroidery and a cream net blouse with cream tamboured net and coffee soutache braid decoration (4)