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Lot 247
1951 Festival of Britain: A large collection of ephemera and souvenirs, including Arts Council Splendid Occasions brochure, Industry in the Exhibitions booklet, 25 From 51 Paintings from the Festival of Britain, concert programme, Odeon & Gaumont Screen Entertainment guide, I'm A Londoner programme, P&B Festival Knitting book, Guide to London, BR Excursions timetable, Dunlop & Associated Companies photographic folio and An Industrial Commonwealth book by the Owen Organisation, with further invitations, compliments slips etc. UK P&P Group 1 (£16+VAT for the first lot and £2+VAT for subsequent lots)
Lot 460
AR * Bawden (Edward, 1903-1989). P.B.F.A. Cat, 1983, linocut on thick handmade laid paper, signed and numbered '84/100' in pencil, a rich and deep impression, large margins, some areas of spotting, image size 33 x 25 cm (13 x 10 ins), sheet size 49 x 34 cm QTY: (1)NOTE:Edward Bawden was the last artist to redesign the Provincial Booksellers Fairs Association's (PBFA) logo. His 1983 design incorporates his cat Emma Nelson reclining on an open book. The logo is still in use by the PBFA.
Lot 51
* Cavalieri (Giovanni Battista de', 1526–1597). A collection of 44 engravings from Antiquarum Statuarum urbis Romaquae in publicis privatisque locis visuntur, Icones, 1561-1594, 44 engravings on laid paper, some plates with a Figure of Justice watermark (related to Le Briquet 11773, dated 1575), some with an Initials BS watermark with Flower (close to Le Briquet 9674, dated 1548-1556), blank margins to each (except 12 plates trimmed to platemark), most with contemporary or near contemporary price in brown ink to top edge of the sheet verso, three plates with extensive contemporary annotation in brown ink to verso, sheet size 25.5 x 20.5 cm (10 x 8 ins), the 12 trimmed plates 20.5 x 14 cm (8 x 5 1/2 ins) and similarQTY: (44)NOTE:Brunet, I, 320; Cicognara 3492; Olschki, Choix 16668.The series Antiquarum Statuarum urbis Romae was issued in four books between 1561 and 1594, according to Michael Bury (The Print in Italy, British Museum, 2001, page 224): Book 1 was first published before 1561/2, Books 1 and 2 were issued together before 1584, and Books 3 and 4 in 1594. 'Il est difficile de dire rien de bien exact sur le nombre et l’ordre de ces planches qui ont été publiées à plusieurs reprises sans numérotage et sans table' (Brunet).
Lot 226
* Woodlock (David, 1842-1929). Cornish Homestead, watercolour on paper, depicting a young woman sitting against a wall, apples in her basket on her knee, a cockerel, hen and chicks in the foreground, signed in red to lower right, mount aperture 27.5 x 23 cm (10 7/8 x 9 ins), framed and glazed (54 x 48 cm), together withThe Village Street, watercolour and pencil, depicting a young woman wearing a red bonnet, reading a book, walking down a colourful village street, mount aperture 24 x 34.5 cm (9 1/2 x 13 5/8 ins), framed and glazed (50 x 59 cm)QTY: (2)NOTE:David Woodlock trained at the Liverpool Academy of Arts, and then under John Finnie at Liverpool School of Art. In 1872 he helped found the Liver Sketching Club and would also become a member of the Liverpool Academy of Arts. In 1880 he began to exhibit in London, he showed at the Royal Academy of Arts from 1888 and in 1897 became President of the Liver Sketching Club. During the 1910s he spent time living in Warwickshire, which inspired some of his most characteristic images of half-timbered cottages set in flower-filled gardens.
Lot 266
AR * Banting (John, 1902-1972). Composite, For Social Service, circa 1933, cynotype in blue, depicting a surreal image a large rams skull atop a monument, two figures in the background, trimmed to edges, 22.6 x 14.5 cm (8 7/8 x 5 3/4 ins), mounted (32.5 x 24.5 cm)QTY: (1)NOTE:Provenance: Purchased by the current vendor from Alexander Postan in 1973.John Banting was a London born artist initially connected to the Bloomsbury circle. In 1930 he went to Paris where he came in contact with André Breton and the Surrealist movement. Upon his return to London, he started experimenting with a new printing method called the cyanotype process. Banting produced a large number of blueprints from which two main groups can be distinguished: an album of twelve blueprints made in 1931 and a manuscript album entitled For Social Service which included twenty-three blueprints, of which only ten copies were apparently produced in 1933. In 1946, this album was published in facsimile under the title A Blue Book of Coversation.
Lot 429
* Leighton (Clare, 1898-1989). Trolling for the Bluefish, circa 1950s, wood engraving on japon, signed, titled and numbered 'V/50', with margins, old tape to two corners, minimally tipped to backing board, very light spotting, image size 5.3 x 12.1 cm (2 1/4 x 4 3/4 ins), sheet size approx. 12 x 18.5 cm (4 3/4 x 7 1/4 ins), window mountedQTY: (1)NOTE:Provenance: Patricia Jaffé (née Milne-Henderson, 1935-2018), art historian.An apparently unrecorded issue printed in colour, separate from the standard edition of 75 published and numbered with Arabic numerals, rather than Roman and Arabic. The image was later published in Leighton's book Where Land meets Sea: The Tide Line of Cape Cod (1954).
Lot 184
* Engleheart (George, 1753-1829). Portrait of Henry Salkeld, aged 48, 1829, fine miniature watercolour on paper, with contemporary ink title pasted to verso 'The Portrait of Henry Salkeld. Aged 48. Drawn in the year 1829, by his dear friend Geroge Engleheart. Aged 78.', with additional pasted presentation slip to verso form H. Burton-Jones to Arthur Jaffé 'To Mr Arthur Jaffe a small token of my appreciation of the good work he is doing in the interest of Miniature lovers present & future, H. Burton-Jones', 100 x 80 mm (4 x 3 1/4 ins), gilt frame, glazedQTY: (1)NOTE:Provenance: Arthur Jaffé (1880-1954); Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent.International lawyer Arthur Jaffé was an eminent scholar and collector of miniature paintings. He was an authority on John Smart, and spent many years researching the miniaturist, with the intention of writing a catalogue raisonné of the artist’s works. Although he died before the task could be completed, the body of work he had produced formed the basis of Daphne Foskett’s book, John Smart. The Man and his Miniatures, published in 1964.Henry Salkeld married Anne Gibson in 1808, and lived in Thames Ditton, Surrey.
Lot 391
* Keen (Henry Weston, 1899-1935). Odalisque, a small collection of 45 lithographs (some duplicates), mostly all with artist's ink stamp to lower right margin, one signed in pencil to lower margin, subjects including: nudes, animals, still life, topography etc., largest image 35 x 19 cm (13 3/4 x 7 1/2 ins), sheet size 44 x 29.5 cm (17 1/4 x 11 5/8 ins)QTY: (1 folder)NOTE:Henry Keen was a book illustrator and lithographer whose powerful symbolist style and decadent imagery is reminiscent of the work of Aubrey Beardsley and Sidney Sime. He exhibited lithographs at the Senefelder Club in London, and did a great deal of illustrative work for The Bodley Head, as well as for other publishers. After his death in 1935 a memorial exhibition of his work was held at the Twenty-One Gallery in London.
Lot 408
AR * Brangwyn (Frank, 1867-1956). L'Ombre de la Croix, 1931, 73 etchings, a complete set of artist's proofs, on cream Japan paper, 11 signed and one initialled in pencil to lower margin, all but one with pencilled page number to lower margin, all with wide margins, sheet sizes 393 x 280 mm and smaller, all but one tipped (top corners only) into individual window mounts, the whole contained in two near contemporary handmade cardboard slipcases (some wear), each with ink manuscript labels on spineQTY: (1)NOTE:Provenance: From the Brangwyn family estate in Belgium. Apparently this was Brangwyn's own personal copy for proof checking and annotating with the relevant page numbers.In 1931 Brangwyn produced 73 etchings for the book L’Ombre de la Croix (The Shadow of the Cross) by Jérôme & Jean Tharaud. The book described the lives of Jewish people in contemporary Europe, with many illustrations based around the town of Belz in Poland. Brangwyn seems to have etched a majority of the plates from photographs.
Lot 44
* German Nazarene School. The Coronation of Saint Nicholas of Tolentino, after Raphael, attributed to Joseph von Fuhrich (1800-1876), pencil on laid paper, 23.2 x 15.3 cm (9.2 x 6.1 ins), laid down on modern backing paper, hinge-mounted in modern window mount, inscribed in pencil to lower margin by Michael Jaffé 'Joseph Fuhrich (Keith Andrews)', (mount size 46 x 32 cm), together with Design for a stained glass window, attributed to Johan Anton Alban Ramboux (1790-1866), pencil on cream wove paper, depicting a saint in church robes holding a book and thin staff, within an arched surround, with landscape in the background, pencil annotations in German to right blank margin, sheet size 22.4 x 20 cm (8.85 x 7.9 ins), tipped-on to later grey backing paper, window-mounted, with two small strips of old backing card mounted below with further pencil inscriptions (one giving the name Palma Vecchio), and pencil attribution to the window mount by Michael Jaffé 'Ramboux cf. rare article in Wallraf-Richartz Jahrbuch'QTY: (2)NOTE:Provenance: Michael Jaffé (1923 –1997), art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent.The first work depicts the lower portion of Raphael's early Baronci altarpiece, The Coronation of Saint Nicholas of Tolentino (1501), showing the saint standing within an arched architectural chapel, flanked by angels with the devil sprawled at his feet. This Nazarene drawing is almost certainly a copy after the version of Raphael's Baronci altarpiece commissioned in 1791 from the artist Ermenegildo Costantini (active 1776–1791) to replace the Raphael which was largely destroyed in an earthquake of 1789 (Copy of Lower Part of Raphael’s Coronation of Saint Nicholas of Tolentino, 1791, now in the Pinacoteca Comunale, Città di Castello) The present drawing may date from Fuhrich's time in Rome between 1827 and 1829.The pencil inscription in German to the right blank margin of the second drawing reads: 'Nasenflugel zu breit / Augen grossartiger / besonders das obere Augenlid / im .... breiter', translating as: 'side of the nose too wide / eyes greater / especially the upper eyelid / in .... wider'. Ramboux trained initially at the Munich Academy in 1815, and then resided in Rome for extended spells between 1817 and 1827, and 1829 to 1841. In 1844 he became curator of the Wallraf Collection at Cologne.
Lot 231
* Blake (William, 1757-1827). So the Lord blessed the latter end of Job more than the beginning, 1825, engraving on Chine collé off-white wove paper, a fine crisp impression, marked Proof to lower right corner, published by the artist, March 8, 1820-1825, the full sheet, plate size 215 x 166 mm (8 1/2 x 6 5/8 ins), sheet size 380 x 252 mm (15 x 9 /78 ins), tab-mounted with archival tissue to top margin, window-mounted, framed and glazedQTY: (1)NOTE:Provenance: Private collection, Ross-on-Wye, Herefordshire.Bindman 646; Binyon 126, iii; Russell xxii. Published in an edition of 215 impressions, by Blake and John Linnell.Plate 21 from Blake's remarkable series of engravings entitled Illustrations of the Book of Job.This final plate in the sequence represents Job's forgiveness by God. The long night is over and the sun rises. The whole family is reunited in harmony, and sing the praises of the Lord with musical instruments which were formerly on the tree. The three arts join in celebration. One daughter on the right plays a lyre (representing music), another daughter in the centre sings from a scroll (representing poetry), and a third holds a drawing book (representing painting).
Lot 17
* Wright of Derby (Joseph, 1734-1797). Portrait of John Harrison, surgeon of Derby, circa 1781, oil on canvas, half-length in three-quarter profile to left, wearing a plain dark vest, coat, and white cravat, 74 x 61 cm (29 x 24 ins), gilt moulded frameQTY: (1)NOTE:Provenance: Nathaniel Curzon, Esq., 1870; thence by descent to John Curzon of Lockington Hall, Derby (Derby Art Gallery labels for Joseph Wright of Derby exhibition loans for 1934 & 1947 to verso); acquired by the current owner's family at Christie's, King Street, London, 21 March 1975, lot 81. Literature: Benedict Nicolson, Joseph Wright of Derby, 1968, vol. 1, pp. 69-70, 200-201; vol. 2, p. 122, plate 199. 'Not only is the portrait listed in the Account Book among portraits of c. 1781, it also belongs stylistically to this date or slightly earlier. The subject must therefore be wrongly identified as John Harrison, clock-maker and inventor of a marine chronometer who died in March 1776 before Wright got back from Bath. Wright calls him a doctor, so he is probably the "surgeon in Wardwick", Mr. John Harrison, in whose house the daughter of Edward Wilmot of Duffield died (see Derby Mercury, 24th September 1786). He is described in Derby Mercury, 11th October 1781 as having died: "surgeon aged 64..." The portrait could show a man of c. 56.' (Nicolson, ibid., pp. 201-203). John Harrison (circa 1723-1787), surgeon of Derby, was appointed the first surgeon to Derby Gaol, on compulsion by Act of Parliament, in 1774, Timothy Pitman becoming a partner in this role in 1784. A notice in the Derby Mercury (13 December 1771) advertises the resumption of Harrison's inoculation service 'for the Season, to Inoculate as usual, on Mr. Sutton's Plan'. A mezzotint engraving from this portrait was engraved by John Raphael Smith (1751-1812), circa 1781
Lot 188
* English School. An album of watercolour views, early 19th century, comprising 23 watercolour drawings (one leaf detached), 14 tipped-in watercolour drawings (a few detached), and 3 leaves of pencil sketches (rectos only), most captioned, few dated (1831, 1843 & similar), views include many scenes in the Gardens of Versailles, several scenes in and around Ryde, the crater of Vesuvius, The Man Face Rock on the coast of Malabar, A View taken from Mount Ephraim Tunbridge Wells (1824) by Colonel Caldwell, and other scenes (named and unnamed), rear pastedown with booksellers ticket: Muller, Rue de l'Orangerie, no.57, a Versailles, half green vellum (worn, spine repaired), slim oblong 4to, together with an album of pencil sketches by Mary Thing, early 19th century, 34 tipped-in pencil sketches, 3 tipped-in watercolour drawings, 2 on board the remainder on paper, all of picturesque scenery, including old buildings and street scenes, rustic landscapes, ruins, castles, cottages, etc., few detached, dusty, variable spotting and toning, various sizes (26.5 x 37 cm and smaller), front pastedown with contemporary ink manuscript inscription: This book of Mary Thing's drawings belongs to her Uncle & Aunt Wood Broadwater but is lent to her for a time, July 20 1827, half red-brown morocco, hinges broken, worn, oblong folioQTY: (2)
Lot 398
* Nash (Paul, 1889-1946). The Two Angels, Heaven, and Boredom, from Abd-er-Rahman in Paradise, 1927, three wood engravings, two on pale cream thin japon (likely from the first edition of 12 proofs on white japon, according to Postan), one on very thin japon trimmed to the blockmark (from the second issue as noted by Postan), 'The Two Angels' - large margins, minimally tipped on to mount with tape, image size 7 x 5 cm (2 3/4 x 2 ins), sheet size 25.5 x 19 cm, 'Heaven' - trimmed to image, tipped onto backing board with adhesive, two small creases lower left, two small areas of spotting, image size 13.5 x 9.5 cm (5 1/4 x 3 3/4 ins), 'Boredom' - large margins, minimally tipped on to mount with tape, slightly mount stained, image size 14 x 9.5 cm (5 1/2 3 3/4 ins), sheet size 25.5 x 19 cm, uniformly framed and glazed. QTY: (3)NOTE:Jules Tellier's Les deux paradis d'Abd-er-Rhaman was first published in Paris in 1921; its story concerns a man who must choose between Christian and Muslim heavens. The English version was translated by Brian Rhys, with four illustrations by Paul Nash, and published by The Golden Cockerel Press in 1928. Nash's engravings are fine examples of his work, and are described by Clare Colvin in Paul Nash Book Designs as "the climax of Nash's representational wood engravings".Literature: Postan The Complete Graphic Work of Paul Nash - W80, W81, W83. Postan notes: "Two editions: the first as 12 proofs on white japon; the second on fine japon trimmed to the blockmark and mounted as the first illustration to Abd-er-Rhaman in Paradise, Golden Cockerel Press, 1928, in an edition of 400 copies."
Lot 413
* Leighton (Clare, 1898-1989). The Lily, circa 1934, wood engraving on japon, signed, titled and numbered 'VIII/50', with margins, two small areas of tape residue to extreme edge of sheet on recto, minimally tipped to backing board, image size 12.7 x 10.2 cm (5 x 4 ins), sheet size 17.7 x 16 cm (7 x 16 1/4 ins), window mounted QTY: (1)NOTE:Provenance: Patricia Jaffé (née Milne-Henderson, 1935-2018), art historian.An apparently unrecorded issue printed in colour, separate from the standard edition of 30 published in 1934 and numbered with Arabic numerals, rather than Roman and Arabic. The image was later published in Leighton's book Four Hedges (1935).
Lot 9
* Venetian School. Saint Mark the Evangelist, circa 1730-1750, oil on an oval sheet of copper, a miniature study of St Mark wearing flowing red and blue robes, sat holding a quill and volume, a cherub above his left shoulder holds a scroll reading 'Pax tibi Marce, Evan[gelista meus]', with the Lion of St Mark in the background, eight small punched holes at four regular intervals around margin, sheet size approx. 15.5 x 12 cm (6 x 4 3/4 ins), framed in a later black wooden frame (19.5 x 16 cm)QTY: (1)NOTE:“Pax tibi Marce, evangelista meus” – “Peace be with you, Mark, my evangelist” – according to legend, these words were uttered by an angel who appeared to Saint Mark in a dream, after landing on an island in the Venetian lagoon. They are written on a book held open by the paw of a winged lion, the symbol of the Evangelist, in the coat of arms of the Republic of Venice, and form the city’s motto.
Lot 169
* Miers (John, 1756-1821). Portrait of John Small, circa 1790, oval head and shoulders silhouette portrait, painted in black and gold on paper, profile to right, 80 x 65 mm (3 1/4 x 2 1/2 ins) mount aperture, period ebonised wood frame with inset oval gilt metal surround, and hanging loop, glazed, original printed label to reverse 'Miers, Profile Painter & Jeweller, 111 Strand, London opposite Exeter Change', inscribed to verso in brown ink in a contemporary hand 'John Small', overall size 15 x 12.5 cm, together with another similar head & shoulders silhouette painted in black and gold of a fashionable lady, profile to left, unsigned, 98 x 75 mm (4 x 3 ins), with ink annotation to backing paper verso by Arthur Jaffé 'Bought at sale of late Mr & Mrs G. P. Walker, chairman of John Walker Whiskey Distillers of Heatherwood, Putney Heath, 12/II/1941. Remounted. No name of sitter of artist inside. A. J. 13/2/1941' QTY: (2)NOTE:Provenance: Arthur Jaffé (1880-1954); Estate of Michael Jaffé (1923-1997) art historian and former director of the Fitzwilliam Museum, Cambridge; thence by descent. International lawyer Arthur Jaffé was an eminent scholar and collector of miniature paintings. He was an authority on John Smart, and spent many years researching the miniaturist, with the intention of writing a catalogue raisonné of the artist’s works. Although he died before the task could be completed, the body of work he had produced formed the basis of Daphne Foskett’s book, John Smart. The Man and his Miniatures, published in 1964.
Lot 395
* Nash (Paul, 1889-1946). Five Illustrations from Cotswold Characters, 1921, a complete set of five woodcuts on wove paper from the edition of 9, each signed and dated in pencil to lower right, sheet one and four inscribed 'proof' in pencil, the other three numbered 'No VI of 9' or 'VI of 9' in pencil, in very good condition (Thesiger Crowne with inky fingerprint to lower left portion of sheet), partial 'Danehurst Parchment' watermark to all, each tipped minimally onto backing board with tape, 'William Weston Gallery' label to verso of backing board, each image 7.5 x 7.5 cm (3 x 3 ins), all sheets 18 x 11 cm (7 x 4 1/4 ins), displayed in a multi-aperture mount (42 x 59.5 cm)QTY: (5)NOTE:Illustrations: Thesiger Crowne, The Mason. Simon Rodd, The Fisherman. Rufus Clay, The Foreigner. Pony, The Footballer. Joe Pentifer and Son.John Drinkwater's book Cotswold Characters was first published by Yale University Press in 1923, and included Paul Nash's first ever illustrations for a book.Literature: Postan The Complete Graphic Work of Paul Nash - W14, W15, W16, W17, W18. Dodgson The Print Collector's Quarterly (Volume 15) - 14, 15, 16, 17, 18.
Lot 364
* Motley Group. Costume Design for The Innocents, circa 1950, pencil and watercolour on buff paper, heightened with white, signed 'Motley. 60' in pencil bottom left, a design for the character Miss Giddens, with pencil annotations detailing character, costume and fabric 'Miss Giddens / Blouse - picking roses. Pale pink muslin', some toning to top of paper, sheet size approx. 29 x 23 cm (11 1/2 ins x 9 ins), framed and glazed (35 x 29 cm) QTY: (1)NOTE:The Motley Group consisted of Margaret Harris, her sister Sophia Harris, and Elizabeth Montgomery. Between 1932 and 1976 they designed sets and costumes for numerous plays, opera, ballet, and films. Their designs were used in productions in the West End and on Broadway, and also by the RSC, English National Opera, and at the Metropolitan Opera in New York. The University of Illinois' Rare Book and Manuscript Library holds the largest collection of works relating to the group: the Motley Collection of Theatre and Costume Design. The collection comprises over 5,000 items from more than 150 productions. This includes five similar designs for the character of Miss Giddens (Inventory Numbers 520703-001 to 005 respectively). The Innocents is a play written by William Archibald, based on Henry James' 1898 novella The Turn of the Screw. The original production opened on Broadway at the Playhouse Theatre on February 1, 1950, and subsequently opened in the West End at Her Majesty's Theatre on July 3, 1952.
Lot 510
David Attenborough Signed Hardback Book, Life On Air Revised and Updated. Signed on title page by David Attenborough. Page 1 dedicated to James from mum and dad. 448 pages. Good Condition. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 509
David Attenborough Signed Hardback Book, The Life Of Birds. Special Edition Signed in Pen on first page. 276 pages. Good Condition. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £5.99, EU from £7.99, Rest of World from £9.99
Lot 446
SCOTTISH HISTORICAL/GLASGOW Mackie, Charles The Castles, Palaces & Prisons of Mary of Scotland C. Cox, London, 1849, bound in half brown Morocco Turner, Sir George Mary Stuart: Forgotten Forgeries Rich & Cowan Ltd., London, 1934, second edition The London Magazine: and Monthly Chronologer for 1746 T. Astley, London Eadie, Robert (illus.) Glimpses of Glasgow Foreword by Robins Millar, H. & J. Pillans & Wilson, Glasgow and Edinburgh, no date The Book of the Jubilee: In Commemoration of the Ninth Jubilee of the University of Glasgow 1451-1901 James Maclehose and Sons, Glasgow, 1901 Together with further titles concerning Mary Queen of Scots and historic Glasgow etc. Condition Report:Available upon request
Lot 445
Fox, Adam The College of SS Mary and Nicholas Lancing Fox F.S.A., W.H. (illus.), Meyers, Brooks & Company (pub.), Enfield, 1912, Edition Deluxe, no. 9 of 50 copies Sherie, Ernest F. (illus.) The Lancing Sketch Book W.H. Beynon & Co., Cheltenham, no date Du Maurier, George (illus.) "Society" Pictures from "Punch" Bradbury, Agnew & Co., London, no date circa-1885 Together with two mounted Rennie Mackintosh botanical prints and two period engineering diagram (7) Condition Report:Available upon request
Lot 444
Irving, Joseph The Book of Dumbartonshire: A History of the County, Burghs, Parishes, and Lands, Memoirs of the Families, and Notices of Industries Carried On in the Lennox District. W. and A.K. Johnston, Edinburgh and London, 1879, three volume set bound in gilt red cloth, no. 368 of 400 copies Condition Report:Available upon request
Lot 143
A House Of Commons letter dated 17th September 1992 to Captain Alan Park, signed by Winston Churchill. a letter from the White House dated February 11th 1986 to Captain Park from Larry Speakes Deputy Press Secretary, various other envelopes addressed to Captain Park from the White House and the Leader of the Opposition House of Commons signed John Major dated 1997, and a leather-bound book containing various notes
Lot 259
A selection of ephemera and other items associated with journalist and local resident Herbert Francis B Cornwall (born 27th April 1915, died ?), ephemera includes various documents relating to Herbert's life and career, birth certificate, various military related ephemera including Soldier's Service and Pay Book, including a selection of photographs relating to Herbert stationed in Iran, Iraq and India, there is also a considerable amount of items relating to his work as a journalist both locally and nationally, and various references to work associated with his family tree and close relatives
Lot 285
After Sir William Russell Flint. A collection of prints, comprising female reclining, in pink dress, 14.5cm x 26cm, female reclining, purple dress, 12cm x 27cm, semi nude female posing, 18cm x 26cm, semi nude female in ruins, 25cm x 19cm, lady in flowing dress reclining, 28cm x 16cm, and semi nude female in flowing dress reading book, 28cm x 27cm, framed. (6)
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288280 item(s)/page