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v 12 bts Réserve du Ch. Mouton 2001 Bordeaux Superieur 10 i.n, 1 vts, 1 ts

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux i.n

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux 11 i.n, 1 ts

v 12 bts Ch. La Croix Moniduc 2005 oc Bordeaux 11 i.n, 1 ts

v 12 bts Moulin D'Issan 2005 oc Bordeaux Superieur 1 hf, 6 hf/i.n, 5 i.n

v 12 bts Moulin D'Issan 2005 oc Bordeaux Superieur 5 hf/i.n, 7 i.n

v 12 bts Moulin D'Issan 2005 oc Bordeaux Superieur 6 hf/i.n, 6 i.n

v 12 bts Ch. de Bel 2006 Bordeaux Superieur i.n

v 12 bts Ch. de Bel 2006 Bordeaux Superieur i.n

v 12 bts Ch. de Bel 2006 Bordeaux Superieur i.n

1 bt Ch. Courmey 1er Cru Côtes de Bordeaux 1997 Liquoreux hf 1 bt Jurançon Viguerie Cuvée Royale Sélection de Grains Nobles 1990 vts Above two bottles

1 bt Ch. Rocher-Calon 1964 Montagne-St-Émilion ts sl bs 1 bt Ch. Bellegrave 1975 St-Émilion ts, vsl bs/vsl cdl 1 bt Ch. Pichon Lalande 1986 Pauillac, 2me Cru Classé ts, vsl dstl 1 bt Ch. Milon 1990 St-Émilion Grand Cru i.n 1 bt Ch. Peybonhomme Les Tours 1995 Premières Côtes de Blaye Cru Bourgeois i.n 1 bt Ch. L'Enclos 2006 Pomerol i.n 1 bt Harrods Claret Bordeaux NV Maison Sichel 1 bt Ch. Le Barrail 2010 Médoc Above eight bottles

2 bts Ch. Smith-Haut-Lafitte 1984 Graves Léognan ts bs 1 bt Ch. La Louvière 1986 Pessac-Léognan Grand Vin de Graves vts 1 bt Ch. Graville-Lacoste 1988 Graves ms 1 bt Ch. Bonnet 1988 Entre-Deux-Mers i.n, vsl bs 1 bt Ch. Haut-Redon 1990 Entre-Deux-Mers ts, sl bs, vsl foil damage 2 bts Le Sec de Rayne Vigneau 2010 Bordeaux Blanc Sec 4 bts Le 'G' de Ch. Guiraud 2011 Bordeaux Blanc Sec 1 bt Le 'G' de Ch. Guiraud 2012 Bordeaux Blanc Sec Above 13 bottles

1 bt Premières Côtes de Bordeaux NV Peter A Sichel vsl bs 1 bt Harrods Sauvignon Blanc Bordeaux NV Maison Sichel 1 bt Ch. de Rousse 1995 Juraçon i.n Above three bottles

Claret - a case of six bottles of 2003 Château Rouquette Bordeaux, 75cl, unopened in branded packing case en suite, [1]

Wine - 1986 Château Patache d'Aux Médoc, 75cl, 12%, label fair-good, level at neck, seal intact, (1); two bottles of 1988 Château Croiz Moulinet Bordeaux, 75cl, 12%, labels good, levels just below neck, seals intact, (2); 1985 Château Pédesclaux Pauillac, 75cl, labels good, level at base of neck, seals intact, (1); 1987 Château la Tour de l'Ange Mâcon Villages, 75cl, 12.5%, labels good, level just below neck, seals intact, (1); 1985 Château De Conti Cabernet Sauvignon, 750ml, 12%, labels good, level just short of neck, seal intact, (1); 2003 Château Les Joyeuses Bordeaux, 750ml, 12.5%, labels good, level mid-neck, seal intact, (1), [7]

CHARLES MOZLEY (1915-1991). 'The Chateau of Bordeaux', a series of 21 original hand printed lithographs, framed and glazed, 33.5 x 48.5 cm

Jean Gabriel Domergue, 1889 Bordeaux – 1962 ParisBADENDE NACKTE SCHÖNHEIT Öl auf Hartfaser. 32,5 x 24 cm. Rechts unten signiert. In dekorativem Rahmen. Vor türkisfarbenem wellenartigem Hintergrund das Dreiviertelportrait einer jungen nackten schlanken Dame mit langen blonden Haaren. Sie hat leuchtend rote Lippen und mit ihren funkelnden dunklen Augen blickt sie voller Interesse aus dem Bild auf den Betrachter heraus. Kleine Retuschen. (1320643) (18))

Juan de Zurbarán, 1620 – 1649 SevillaBODEGóN MIT GRANATÄPFELN Öl auf Leinwand. Doubliert. 34,5 x 39 cm. In plastisch beschnitztem Holzrahmen.Juan wurde in Llerena, 130 Kilometer nördlich von Sevilla, als Sohn des Malers Francisco de Zurbarán geboren, bei dem er seine Ausbildung erhielt. Um 1629, als Juan etwa neun Jahre alt war, zog die Familie nach Sevilla, wo sein Vater die Kunstszene bis Mitte des 17. Jahrhunderts beherrschte. 1641 heiratete Juan Mariana de Quadros, die wohlhabende Tochter eines Prokuristen der Real Audiencia von Sevilla, die ihm eine beträchtliche Mitgift einbrachte und mit der er zwei Kinder hatte (geboren 1642 und 1644). Tragischerweise fanden Leben und Karriere von Juan ein jähes Ende: Er starb 1649 im Alter von nur neunundzwanzig Jahren als Opfer der Pestepidemie, die Sevilla heimsuchte und fast die Hälfte der Bevölkerung der Stadt auslöschte. Juans Gemälde sind äußerst selten. Obwohl er (wie sein Vater) religiöse Werke gemalt haben soll, sind diese nicht erhalten geblieben, und er ist heute ausschließlich als Stilllebenmaler bekannt. Es wurden weniger als zwanzig Gemälde von Juans Hand identifiziert, von denen nur drei signiert sind. Trotz ihrer Seltenheit wird Juans Stillleben eine wich-tige Rolle bei der Entwicklung der Bodegón Tradition des Goldenen Zeitalters in Spanien zugewiesen. Die signierten Werke befinden sich in einer Privatsammlung in Bordeaux, im Museum in Kiew (datiert 1640) und in der Gösta Serlachius Fine Arts Foundation in Mänttä in Finnland (datiert 1643). Trauben und Granatäpfel wie sie hier zu finden sind, gehören zum Repertoir des begehrten Malers. Ein weiteres Gemälde mit Granatäpfeln befindet sich in der Sammlung Abelló.Literatur: Rafael Romero Asenjo, El bodegón español en el siglo XVII desvelando su naturaleza oculta, 2009, S. 188, Abb. 45, mit Roentgenfotografie Abbildung 46. Museo de Bellas Artes de Murcia, Maestros del Barroco espanol, S. 68 f. (1320681) (13)Juan de Zurbarán,1620 – 1649 SevillaBODEGÓN WITH POMEGRANATEOil on canvas. Relined.34.5 x 39 cm.In three-dimensionally carved wooden frame.Literature: Rafael Romero Asenjo, El bodegón español en el siglo XVII desvelando su naturaleza oculta, 2009, p. 188, ill. 45, with x-ray photography ill. 46. Museo de Bellas Artes de Murcia, Maestros del Barroco espanol, pp. 68.

A Second War 1944 D.F.M. group of five awarded to Lancaster Wireless Operator, Flight Sergeant D. S. Nicholls, Royal Air Force Volunteer Reserve, who flew in at least 45 operational sorties, 26 of which were with 97 (Straits Settlements) Squadron - a “marker” squadron. Earlier in his tour, during one of his seven trips to Berlin and back, ‘whilst over the target, their aircraft was attacked by an enemy aircraft, and whilst the pilot was still taking evasive action, the rear gunner’s oxygen failed and he lost consciousness. F/S Nicholls went back and rendered aid, but in doing so suffered severe frost bite to his hands. When he was quite sure the rear gunner was recovered, he returned to his post and carried out his duties as wireless operator for the remainder of the journey home.’ Distinguished Flying Medal, G.VI.R. (1321716. F/Sgt. D. S. Nicholls. R.A.F.); 1939-45 Star; Air Crew Europe Star, 1 clasp, France and Germany; Defence and War Medals 1939-45, with M.I.D. oak leaf, mounted for display; together with the related miniature awards, these lacking M.I.D. emblem, generally very fine or better (5) £1,600-£2,000 --- D.F.M. London Gazette 12 December 1944. The original Recommendation, dated 9 September 1944, states: ‘This wireless operator has now completed 45 operational sorties, of which 26 have been with the Path Finder Force. F/S Nicholls is the wireless operator of a first-class marker crew, and as such has done some outstanding work. Throughout his tour he has displayed exceptional keenness, and this combined with his outstanding skill and courage, has set an excellent example to all W/T operators on this Squadron. On one occasion early in December 1943 [16 December 1943], this N.C.O. was the wireless operator in an aircraft attacking Berlin. Whilst over the target, their aircraft was attacked by an enemy aircraft, and whilst the pilot was still taking evasive action, the rear gunner’s oxygen failed and he lost consciousness. F/S Nicholls went back and rendered aid, but in doing so suffered severe frost bite to his hands. When he was quite sure the rear gunner was recovered, he returned to his post and carried out his duties as wireless operator for the remainder of the journey home. For his unswerving devotion to duty, his skill and courage, he is well worthy of the non-immediate award of the Distinguished Flying Medal.’ M.I.D. London Gazette 1 January 1945. Douglas Sylvester Nicholls was born in St. Austell, Cornwall, in 1923. He enlisted in Royal Air Force Volunteer Reserve in 1941, and carried out initial training as a Wireless Operator. He flew in 19 operational sorties between December 1943 - March 1944, including: Berlin (7); Leipzig (2); Frankfurt; Stettin; Brunswick; Magdeburg; Stuttgart (3); Schweinfurt; Augsburg and Marignane. Having advanced to Flight Sergeant, Nicholls was posted for operational flying to 97 (Straits Settlements) Squadron (Lancasters), Coningsby, in April 1944. The Squadron was employed as a “marker” squadron for No. 5 Group. He flew in at least 26 operational sorties with the Squadron, including: Brunswick (2); Schweinfurt; Clerment-Ferrand; Toulouse; Louailles; Annecy; Amiens; Maisy; St. Pierre-du-Mont, 6 June 1944; Argentan, 6 June 1944; Rennes, 8 June 1944; Poiters; Creil; Culment-Chalindrey; Nevers; Courtrai; Donges; Stuttgart; Siracourt; Givors; Stettin; Bordeaux; Darmstadt; Brest and Deelen. Sold with copied research.

A bottle of 1983 Mouton-Cadet, Baron Philippe De Rothschild Bordeaux wine, together with a bottle of vintage Coteaux Champenois and a part bottle (unopened) 1937 Dezaley.

ANTIQUE FRENCH BELLOWS ON CAST IRON STAND FROM A VINYARD IN FRANCE ENGRAVED 'VIVEZ RUE DES DOUVES BORDEAUX', 67CM HIGH

VERLET, RAOUL CHARLES (Angouleme 1857-1923 Cannes), Skulptur: "La Douleur D'Orphée" / Das Leid des Orpheus / Orphée et Cerbère, Bronze, hellbraun patiniert mit grünen Akzentuierungen, Guss zwischen 1887 (Entwurfsjahr) und 1892 (Auflösung der Gießerei F. Barbedienne), vertieft signiert "Raoul Verlet", Gießerstempel "F. Barbedienne Fondeur Paris" (1810-1892) und gestempeltes Emblem "A. Collas Reduction Mecanique". Auf Terrainplinthe mit Felsen der aus den vom Höllenhund Kerberos bewachten Pforten der Unterwelt in bewegter und verzweifelter Darstellung hervortretende Orpheus, der den Verlust seiner Geliebten Eurydike in großer Geste betrauert; zu den Füßen des Sängers und Dichters eine Lyra. Die ebenso lebendige wie dramatische Skulptur stellte Verlet in größerer Ausführung auf dem Pariser Salon 1887 aus und erhielt dafür den "Prix du Salon". Die Gießerei Barbedienne fertigte Abgüsse des Modells in verschiedenen Größen. Verlet studierte zunächst Bildhauerei in Bordeaux und schließlich an der Ecole des Beaux Arts in Paris. Rechter Oberarm mit Gießernaht oder Reparaturstelle; unter Schwarzlicht unauffällig. Maße ca.: H. 82 x B. 36 x T. 26 cm (Patina partiell berieben).

A set of 4 design chairs, with red leather lining, designer: Louis van Teefelen, for: WebeSerie van 4 teakhouten stoelen bekleed met bordeaux leer afgezet met siernagels, ontwerper: Louis van Teefelen voor Webe

A set of six Victorian enamel on copper wine labels, probably Samson, Hock, Sherry, Port, Whisky, Claret and Bordeaux, 5cm wide

Eight bottles of 2016 Château D’Auvion Médoc, together with three bottles of Chateau Pey La Toue Bordeaux, and three bottles of Château Florie-Aude Bordeaux (14)

Artist: Keith Haring (American, 1958 - 1990). Title: "Skeleton [Untitled 1985]". Medium: Color offset lithograph. Date: Composed 1985. Printed 1985. Dimensions: Overall size: 7 1/2 x 8 in. (190 x 203 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Wide margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29206-1-600]

Artist: Andy Warhol (American, 1928 - 1987). Title: "Baron Philippe Rothschild". Medium: Color offset lithograph with gold and blind embossing. Date: Composed c1975. Dimensions: Overall size: 6 x 4 in. (152 x 102 mm).Lot Note(s): Signed in black marker, center left. Edition unknown, presumed very small. Very light cream wove paper with gold embossing and letterpress. Full margins. Fine impression. Very good to fine condition with crisp corners; the label has never been affixed to a bottle. Literature/catalogue raisonne: Paul Marechal, “Andy Warhol Ephemera…Catalogue Raisonne, 1950-1987.” Lyon, France: Les amis du Musee de l’Imprimerie, 2018, Section 14, no.53. Comment(s): A limited number of these labels were printed exclusively for distribution to friends, suppliers, etc., and were not intended to be used on the bottle. Chateau Mouton Rothschild is a wine estate located in the village of Pauillac in the Medoc, 30 miles northwest of the city of Bordeaux, France. It produces one of the world's greatest clarets. In 1946 the vineyard began the tradition of having each year's label designed by one of the world's great artists or sculptors of the day (Picasso, Chagall, Miro, etc.). For the 1975 vintage label, Warhol juxtaposes two different images of Baron Philippe Rothschild. Image copyright © Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York. [28401-1-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Black and Red [Untitled 1983]". Medium: Color offset lithograph. Date: Composed 1983. Printed 1985. Dimensions: Overall size: 7 1/2 x 8 in. (190 x 203 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29207-1-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Dove of Peace [Untitled 1985]". Medium: Color offset lithograph. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 7 3/8 x 7 3/4 in. (187 x 197 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Wide margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29210-1-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Five Eyes [Untitled 1985]". Medium: Color offset lithograph. Date: Composed 1985. Printed 1985. Dimensions: Overall size: 6 3/8 x 7 3/4 in. (162 x 197 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29211-1-800]

Artist: Keith Haring (American, 1958 - 1990). Title: "Nursing [Untitled 1984]". Medium: Color offset lithograph. Date: Composed 1984. Printed 1985. Dimensions: Overall size: 6 1/4 x 7 7/8 in. (159 x 200 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream wove paper. Ample margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29209-1-400]

Artist: Keith Haring (American, 1958 - 1990). Title: "Red X [Untitled 1985]". Medium: Color offset lithograph. Date: Composed 1985. Printed 1985. Dimensions: Overall size: 7 9/16 x 7 9/16 in. (192 x 192 mm).Lot Note(s): Signed by Haring in black marker, lower right. Edition unknown, presumed very small. Light cream smooth wove paper. Wide margins. Fine impression. Fine condition. Comment(s): Rare. No auction records located. Issued to promote the “Keith Haring: Peintures, Sculptures, et Dessins” exhibition at the capc Musee d’art contemporain, Bordeaux, France. Apparently there were very small quantities of this lithograph printed for distribution at the opening night reception and they went quickly. The exhibition ran from December 15th 1985 to February 23, 1986. Printed by l’Imprimerie Union, Paris. Image copyright © The Keith Haring Foundation. [29208-2-600]

5 boxed Subbuteo table football teams including Bordeaux, Avencis, etc

[s and 1970s] Niele Toroni, lot of 4 (1) 11 Documents photographiques réunis par Niele Toroni. Bruxelles, Daled & Gevaert, 1975. Staple bound, 24 pp. Artists' book/catalogue featuring typical Toroni works made with brush No.50 at intervals of 30 cm. Scarce. (2) Niele Toroni. Brussels, Galerie des Beaux-Arts Galerij Marie-Puck Broodthaers, 1993. Catalogue containing mounted photographic images.(3) Niele Toroni. Catalogue Raisonnable - Suite No 2. Amsterdam and The Hague, Stedelijk Museum and Haags Gemeentemuseum, 1994. Text by Marja Bloem and Franz Kaiser in French, Dutch and English, 60 pp. Cover partly sunned, interior mint. (4) Marie-Laure Von Bernadac, Niele Toroni. Bordeaux, CapcMusee d'Art Contemporain de Bordeaux, 1998. 28 x 22 cm, 155 pp. Cover with moderate spotting, from the private collection of Rudi Fuchs (name on first page). (total 4)

[s and up] New Wilds and Figuration Libre Galerie Swart Amsterdam, 2 booklets from 1982: Figuration Libre (Di Rosa, Combas et al) and Mülheimer Freiheit (Dahn, Dokoupil et al). (2) Louis Jammes présente Robert Combas, Francois Boisrond, Herve di Rosa, Remy Blanchard. Paris, Galerie Gaston Nelson, 1983. Great booklet, illustrations only, 12 pp. 3) Groninger Museum catalogue Blanchard, Boisrond, Combas, Di Rosa, 1983. Interviews with the artists, profusely illustrated, 98 pp. Text in French and Dutch. (4) Paul Maenz, 2 magazines with exhibition overviews of gallery seasons 1981/82 and 1984/85. (5) Robert Combas catalogue published by CapC Bordeaux/Stedelijk Museum Amsterdam 1987, 98 pp. (6) Exhibition catalogue Elvira Bach. Munich, Edition Pfefferle, 1985. All books used, with moderate aging. (total 8)

Béatrix, Alcide. Une Partie d’Echecs (Eassai didactique). Bordeaux, Pechade, 1906. 8°. 4 unn. Bll. Orig. geheftet. (75) * Nicht bei Linde – N. Mit eigenhändiger Widmung von Alcide Béatrix auf Vorderumschlag. Kleinschrift mit einem Schachgedicht. Zustand: Exlibris auf Innenumschlag. Innen gebräunt. Umschlag verblichen und wenig fleckig. Rücken mit Papierstreifen erneuert.

Azevedo, Moyse. Jeu des échecs. Parties de Joachim Grecco dit Le Calabrois, suivies des cent parties désespérées de Stamma; arrangées avec une notation très - facile, et les positions figurées de chaque renvoi; ... 2 Teile in 1 Band. Bordeaux, Faye, 1833. 8°. Mit vielen Diagrammen. 88, 80 Seiten. Grauer Halbleinenband mit goldgeprägtem Titeldruck auf Rücken. (Als aufgeschnittene Broschur gebunden) (81) * Van der Linde I, 366; Linde - N. 410; Kieler Schachkatalog 2633. Doublette aus der Schachbuchsammlung Lothar Schmid. Erste Ausgabe mit der eigenhändigen Unterschrift des Verfassers auf S. 6. Die seltene Ausgabe in französischer Sprache enthält kommentierte reizvolle Partien von Grecco und Stamma. Zustand: Exlibris auf Innendeckel. Vorsätze erneuert. Innen etwas gebräunt und fleckig, teilweise stärker. Einband etwas angestaubt und gering bestoßen.

Bread.- Parmentier (Antoine-Augustin) Le parfait boulanger ou traité complet sur la fabrication & le commerce du pain, first edition, title with woodcut arms, woodcut head- and tail-pieces, spotting and some damp-staining, lightly browned, contemporary mottled calf, richly gilt spine in compartments and with red morocco label, upper joint starting, but holding firm, head of spine worn, corners repaired with cloth, rubbed, [Bitting p.357; Cagle 374; Oberlé Fastes 813; Vicaire 656], 8vo, Paris, Royal Printers, 1778.⁂ First edition of this comprehensive treatise on bread-making and the sale of the product. It includes a history of bread-making in the introduction. In 1780 Parmentier and Antoine Alexis Cadet de Vaux opened a free school of bakery in Paris. Provenance: Gayet, bookseller, Bordeaux (label to front pastedown).

2 Wandteller im Wiener StilKlösterle. Imitierte Bindenschildmarke und Prägemarke "TK", 1839 - 1870. Polychrom bemalt, goldstaffiert. Ø 20 cm. Teller mit türkis-, bordeaux- und beigefarbenem Teilfond mit vegetabiler Goldmalerei auf der Fahne, im Spiegel jeweils die Darstellung einer mythologischen Szene Minimal berieben.

CABIÉ, Louis Alexandre(1854 Dol-de-Bretagne - 1939 Bordeaux) Provence SüdfrankreichÖl/Leinwand. Links unten signiert. Datiert: 1924. 60 x 92 cm. Gerahmt82 x 114 cm. Sonnige Landschaft mit Gebäuden hinter Bäumen unter blauem Himmel Minimale Altersspuren. Französischer Landschaftsmaler, Schüler Harpignies. Literatur : Thieme/Becker.

HOMANN, Johann Baptist(1664 Oberkammlach - 1724 Nürnberg) Landkarte der französischen Region AquitanienKolorierter Kupferstich. Platte: 49,5 x 59,5 cm, Blatt: 54 x 62,5 cm. Detailreiche historische Karte der französischen Region Aquitanien, figürliche Titelkartusche "Tabula Aquitaniae Complectens Gubernationem Guienna et Vasconiae [...]", Beikartusche mit Umrissen von Bayonne, Blaye und einer Stadtansicht von Bordeaux Hinterklebte Bugfalte, griffspurig. Deutscher Kartograf, Kupferstecher, Verleger und Globenhersteller; bedeutendster deutscher Herausgeber von Atlanten und Landkarten im 18. Jh.

Circle of FRANCISCO DE GOYA Y LUCIENTES (Fuendetodos, Zaragoza, 1746 - Bordeaux, France, 1828)."Portrait of Charles IV.Oil on canvas. Re-retouched.It presents repainting, old restorations and a Carlos IV style frame from the end of the 19th century with damages.Measurements: 126 x 94 cm; 145 x 113 cm (frame).Dressed in a maroon silk suit, embroidered in silver, the monarch holds the command staff of captain general with his hand, barely visible in the composition, while he rests the other on his waist. The cross and the sash of the Order of Charles III, as well as that of San Gennaro of Naples, hang glittering above his costume. The golden fleece can also be seen. Next to the monarch, an ermine-skinned table supports the royal crown, which is the only element outside the figure of the monarch. The work follows the aesthetic models imposed by Francisco de Goya, who painted several portraits of the monarch. The painting is a reflection of the picture painted by Goya in 1789, which belongs to the Museo del Prado collection and is called Carlos IV de Rojo.It was conceived as a companion piece to the portrait of Queen consort Maria Luisa, both commissioned by the Academy in March. It was Jovellanos who entrusted the task to Goya who, as a court painter, produced several versions of the works. In this particular case, despite the similarities with the Prado work, certain differences can be recognised. Firstly, the large green curtain in this case is reduced to a kind of curtain, where the colour is spread evenly, thus avoiding the marked folds. Furthermore, in this case, the monarch carries the baton of command and a highly decorative waistcoat.Charles IV was King of Spain and of the Spanish Empire from 1788 to 1808. The Spain inherited by Charles IV showed few signs of instability, but during his reign, Spain entered into a series of unprofitable alliances and his regime constantly sought cash to meet the demands of war. His son and heir, Ferdinand, led the failed Conspiracy of El Escorial and subsequently forced Charles to abdicate after the Tumult of Aranjuez in 1808, along with the dismissal of his prime minister Manuel de Godoy. Summoned to Bayonne by Napoleon Bonaparte, who forced Ferdinand VII to abdicate, Charles IV also abdicated, paving the way for Napoleon to place his older brother Joseph Bonaparte on the Spanish throne. However, Charles IV's reign proved to be an important turning point in Spanish history.

Mixed French wines. Château D’Aiguilhe, Comtes de Neipperg, Côtes de Castillon 1996, six bottles; Château Cartier, St Emilion Grand Cru 1998, two bottles (labels stained); Château Jouanin, Bordeaux Supérieur, Côtes de Castillon 1988, one bottle; Le Ventabren, Domaine des Escaravailles, Côtes du Rhone 2006, one bottle (10)

RED WINE; eleven bottles 2002 Chateau de Marze Bordeaux Superieur (11).

A LARGE FOLIO OF MAPS INCLUDING MAP OF THE WORLD DRAWN AND ENGRAVED FROM D’ANVILLES TWO SHEET MAP; WILTONIA WILSHIRE (QUANTITY)Together with a map of Cambridgeshire after Sutton Nicholls, a town plan of Bordeaux after W.B. Clarke engraved by J. Henshall, A New Map of Scotland by Captain Armstrong, A map of the East Indies by Herman Moll, L’Amerique Meridionale, along with further maps of Europe, Persia, Asia, Africa, New England and regional England and France(quantity)Condition reportAll unframed.  Numerous tears, staining and foxing throughout, some sheets in fragments.

Six bottles of French red wine:  1980 Chateau de Belcier Bordeaux; 1995 Chateau du Hureau Saumur-Champigny; 2001 Chateau Frederic Bordeaux; 2001 Domaine de Telarie; 2002 & 2003 Chateau Fontaine Bellevue Bordeaux

ARMCHAIRS, a pair, French bobbin turned beech framed upholstered, stamped to base 'Atelier du fauteuil Bordeaux', 99cm H x 62cm. (2)

Twelve bottles of 1989 Chateau Meaume Bordeaux Superieur red wine

TML English pewter coffee pot, a John Bordeaux studio pottery lidded trinket dish, a Tamsin Watkins-Jones studio pottery lidded trinket dish, a vintage Boots Superviewer slide viewer, assorted china, glassware, treen and household items (5 boxes)

Chateau Puygueraud, Francs Cotes de Bordeaux, 2016 (12, boxed)

A selection of red Bordeaux wines comprising Chateau Gazin, Pomerol, 1987 (2) and Chateau Cantemerle, Grand Cru Classe, Medoc, 1996 (2), four bottles in total

English Actor Sir John Gielgud Personally Signed Theatre Character Sheet. Signed in blue fountain pen. Production is Richard of Bordeaux. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A great running and driving P5B Coupé project on offer at No Reserve. Finished in Bordeaux Red with a magnolia leather interior Owned by our custodian since 1977 and his father prior Recommissioned in 2017 by Myddlewood Garage of Shrewsbury Just 85,000 miles and is running and driving under its own steam with the V8 sounding sweet A surprisingly solid and usable example looking probably worse than it is With some remarkable recent results for these cars, this could be a worthwhile project Viewing is highly recommended and vehicles will be available for viewing at the venue on Thursday 16th and Friday 17th June between 10am and 5pm, and then from 9am on Saturday 18th ahead of the auction which begins at 10.30am.SpecificationMake: ROVERModel: P5BYear: 1969Chassis Number: 84501961BRegistration Number: WEH 989GTransmission: AutomaticEngine Number: 84005345BDrive Side: Right-hand DriveOdometer Reading: 84881 MilesMake: RHDClick here for more details, condition report and images

Fünf Flaschen Bordeaux: Paar Magnum Chateau des Jaques 1986 & 1988; Paar Chateau Dauzac, Grand cru classé, 1979 & 1981; Chateau la tour carnet 1978.