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A Coalport botanical plate, c1810, painted with a double specimen in rose border and gilt, 21cm diam, painted title in blue script Anemone, a contemporary cushion shaped dessert dish painted with a specimen of the dingy flowered glyceine and a dessert plate, painted with a version of a Spode rose pattern, c1820 (3) Provenance: Sir Roy Strong
FOUR 'TEMPLE OF FLORA' BOTANICAL ENGRAVINGS AFTER PHILIP REINAGLE, EARLY 19TH CENTURY by Thomas Sutherland, William Stadler and James Caldwell, hand-coloured aquatints, comprising: a 'Group of Auriculas', the 'Queen Flower', 'Large Flowering Sensitive Plants', 'The Narrow-leaved Kalmia', mounted in glazed gilt frames (4) 50 x 39cm (max) Provenance By repute, Sharrow Hall, Ripon. Literature Dr Robert John Thornton, 'The Temple of Flora', or 'Garden of Nature' (London, 1810-1812). These two works were published as part of Sir Robert Thornton's famous 'The Temple of Flora', described as 'the most strikingly beautiful set of flower plates ever to be printed in England' (Alan Thomas, Great Books and Book Collectors, p.144).
Miscellaneous Tokens and Checks, Leisure: Athenæum, uniface brass, 32mm (W 2791; D & W 95/371; cf. DNW 127, 2987); Botanical Gardens, uniface brass (4), 32mm (2), 24mm (3) (W 1396, 1398; D & W 95/372, –; cf. DNW 127, 2987), together with a 1996 reproduction sold in aid of the Friends of the Botanical Gardens, Sheffield, 31mm; Royal Parisian Concert Hall, brass Sixpences (2, one centrally pierced), both 26mm (W 841; TC p.12; cf. DNW 136, 1339); T[homas] Youdan, brass (4), all 32mm (W 838; TC p.11; D & W 95/374; TC p.11; cf. DNW 127, 2987) [13]. Generally fine to very fine, Parisian Concert Hall better £120-£150 --- Thomas Youdan (1816-76), philanthropist, town councillor and a guardian of the Workhouse, was the proprietor of the Casino, later known as the Surrey Music Hall, 66 Westbar, destroyed by fire in 1865
CWS - Cooperative Wholesale Society - An original antique vintage 19th Century Advertising point of sale shop display plate with notation reading E&S CWS Drink & Enjoy Pure Cocoa in blue with botanical border relief moulded detailing. Some discolouration and heavy crazing throughout with minor chip and hairline cracks to underside. Measures approx; 24cm wide.
Shirley Keeble 'Wain Wood, Bluebell Glade 2' signed l.r., watercolour and gouache image 28 x 34.5cm framed 45 x 51.5cm Shirley Keeble is a member of the Society of Botanical Artists and of the United Society of Artists, she specialises in watercolour, mixed media and acrylics. Her motivation for painting is colour and light – particularly in woodland landscapes, seascapes and flowers. Her works are included in collections around the world, including the UK, France, USA, Cyprus, Brunei & Saudi Arabia. She has had exhibitions at the Mall Galleries, the Grosvenor Art Gallery, Hatfield House, the British Water Colour Society, and the Hay Hill Gallery. Some of her flower paintings have been exhibited in New York.
COLUBRINUM LIGNUM - A 18TH CENTURY BOTANICAL ENGRAVING Subject: Colubrinum Lignum Year: 1757 Publisher: Jacob Trew, Nuremberg, Germany Framing: In a new gold-colour wooden frame 37cm x 24cm Condition: Beautiful original colours, some ink-handwriting translating the printed wordings Additional Information: A print from Herbarium Selectum Emendatum et Auctum designed by Elizabeth Blackwell (1701 -1758) Her work , 'A Curius Herbal' published in 1737-1739, was designed, engraved and hand-coloured by her alone. With some 500 plates it is considered a jewel of artistry and a testament to the fortitude, industry and entrepreneurship of a modern woman. The beautiful folio edition by Trew has allowed more passionate botanists and collectors to admire and enjoy her superb work
ULMARIA - AN 18TH CENTURY BOTANICAL ENGRAVING Subject: Ulmaria Year: 1757 Publisher: Jacob Trew, Nuremberg, Germany Framing: In a new gold-colour wooden frame 37cm x 24cm Condition: Beautiful original colours, some ink-handwriting translating the printed wordings Additional Information: A print from Herbarium Selectum Emendatum et Auctum designed by Elizabeth Blackwell (1701 -1758) Her work , 'A Curius Herbal' published in 1737-1739, was designed, engraved and hand-coloured by her alone. With some 500 plates it is considered a jewel of artistry and a testament to the fortitude, industry and entrepreneurship of a modern woman. The beautiful folio edition by Trew has allowed more passionate botanists and collectors to admire and enjoy her superb work
A collection of Victorian ceramics, to include Spode Chinese rose pattern dinner wares, including tureen and cover, two serving platters, two cups and two saucers, six bowls, and nine plates of various sizes, a Spode twin handled mantel vase/platter, and a number of Victorian hand painted botanical plates, plus a dessert dish.
A group of 19th century ceramics, to include a pair of Staffordshire flatback dogs with copper lustre detail and separate cast front leg, small pair of globular vases with twin handles and three bun feet, each decorated in the Willow pattern, an Amherst Japan Ironstone footed bowl, further footed dish, decorated in the style of Minton with botanical study within a blue border, three plates also decorated with botanical studies, Staffordshire teacup and saucer, etc.
Portmeirion Botanical Garden tea wear, comprising of cafeteria, tea pot, eleven tea cups and saucers, milk jug, two mugs, twelve plates of various sizes, a tray and two ramekins, Crown Staffordshire Tobago pattern coffee set, comprising of coffee pot, sugar bowl, milk jug and six cups and saucers.
A Derby Botanical shaped circular plate, Lathyrus Articulatus/Jointed-podded Lathyrus, the wrythen border with a gilt bellhusk bands, gilt line rim, 22.5cm diam, titled, blue crown, crossed batons over D, pattern no 141, c. 1795; a similar soup plate, Mountain Primula, 21cm diam, titled in red script only, c. 1807, [2]
A Meissen botanical model, of a tulip, painted in naturalistic tones, in a banded jardinière, twin mask handles, 9cm high, underglaze blue crossed swords over 4, Marcolini period, late 18th/early 19th century; a German porcelain tri-ovoid specimen spill vase, painted in the 18th century Chinoiserie taste, 12cm high, R mark in puce, 19th century; a leaf stand, 10.5cm wide, [3]
A Collection of Six 19th Century Horticultural Medals, comprising:- two bronze Royal Botanical Society of London 1839 medals after Wyon, one dated 1853, the other dated 1890 and set with a later suspender mount; a Royal Horticultural Society bronze medal after Wyon for the Royal Mint 1836; a Royal Horticultural Society large bronze medal, the obverse with two classical maidens adorning a statue with fruit, SOC. HORT. LOND. INST. 7 MART 1804, the reverse with a greenhouse below ALIENIS MENSIBUS AESTAS.; a silver coloured metal pendant medallion to the Waverley Pansy Society 1885; a silver coloured metal medal for the Royal Wordsley Root Show 1876 (6)
Victor Skellern (1909 - 1966) designer and artistic director for Wedgwood from 1934-1965: two bound scrapbooks housing hand coloured botanical engravings after James Sowerby,(1757-1822) each inscribed in pencil, the albums with ex Libris to front pages - Victor Skellern A.R.C.A. FSIA, dated 1947, each 24 x 38cm
A group of Derby yellow ground botanical dessert and dinner wares, c.1790-1810,each piece painted with a titled botanical specimen, comprising a wine cooler painted with a large blue Iris and Amaranthus, 15.5 cm high, a navette shaped tureen, 22 cm wide, four 25 cm diameter and two 22.5cm diameter plates, blue and worn gilt marks,
A quantity of late 18th and early 19th century tea bowls and saucers, many of the Newhall type, including floral examples, chinoiserie style examples, etc, also together with a 19th century botanical with painted floral design and relief moulded floral border, two white and gilt dessert serving dishes, etc (a collection) (some items af)
A pair of 20th Century retro vintage Italian Murano glass and bronze table centrepiece lamps candelabra lights having four griffin heads with glass grape bunches hanging from the open jaws. The base of Rococo influence with scrolls and repousse botanical detailing's. No major damage some minor wear to the grapes in places but overall good examples. Great display pieces. Measures approx; 55cm x 43cm.

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15716 item(s)/page