An antique 19th Century Swedish upholstered shell back lounge chair / easy chair or bedroom chair having a shaped scroll shell back with button backrest. Upholstered in a rich damask pink silk with acanthus leaves and botanical detailing. All raised on turned wooden legs with white ceramic castors. In very good condition with some minor wear to the legs. A great example. Measures 91cm x 61cm x 70cm.
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A pair of antique 19th Century Swedish upholstered shell back lounge chairs / easy chairs or bedroom chairs having a shaped backrest. Upholstered in a rich yellow damask silk with gold layered border and botanical detailing. All raised on turned wooden legs with brass castors. In very good condition with some minor wear to the legs. Measures approx; 78cm x 51cm x 60cm.
Clem Spencer (Plymouth), 'Radford Lake, Plymstock' oil on canvas, signed, 40cm x 60cm, framed. Provenance; this artwork has been consigned from the studio of the late artist. Clem Spencer was an elected a member of the Society of Botanical Artists in 1987 and of the Society of Floral Painters in 1996.
Clem Spencer (Plymouth), signed limited edition prints including 'Wren' 155/450 and 'Blackbird' 152/450, signed, framed and glazed (2). Provenance; this artwork has been consigned from the studio of the late artist. Clem Spencer was an elected a member of the Society of Botanical Artists in 1987 and of the Society of Floral Painters in 1996.
A significant Derby botanical plate painted by William Billingsley, circa 1790Made in Chelsea style with a moulded 'feathered edge' picked out in brown and turquoise, painted with a leafy spray of yellow flowers and a smaller spray of purple flowers curving around the cavetto, 21.5cm diam, partially erased crown, crossed batons and D mark, long-tailed 7 in puce inside footrim, impressed G beside footrimFootnotes:ProvenanceKenneth C Klepser CollectionDavid Lyndsay CollectionThis plate is illustrated alongside three other so-called 'Klepser' plates by W D John, William Billingsley (1968), illustration 27. Another was sold by Bonhams on 2 November 2011, lot 172. They are marked with a partially obscured crossed batons mark.Two suggestions have been made with regard to the 'Klepser' group. Firstly, that they are part of a dozen plates referred to in the London Day Book for 1787 as being ordered by Lord Hawke. Secondly, that they are the Chelsea 'replacement' plates which Samuel Keys attributed to William Billingsley in his 'Recollections' of 1837. These possibilities are discussed by Stephen Mitchell, The Marks on Chelsea-Derby (2007), pp.130-3.For further information on this lot please visit Bonhams.com
Germany, Third Reich, Gothe Medal for Arts and Sciences, 70mm, silver, the edge engraved ‘Wilhelm Benecke’, with silver and Prussian State Mint marks to edge, in fitted embossed case of issue, extremely fine £600-£800 --- Professor Dr. Friedrich Wilhelm Benecke received his doctorate from the University of Strasbourg in 1892, and through various roles in botany rose to become Director of the Berlin Botanical Institute. He was awarded the Gothe Medal for Arts and Sciences on 23 September 1943.
Six Chinese studies watercolour on paper, including five botanical studies, each measuring 22cm x 30cm and a study of a yak on a mountain, 24cm x 31.5cm (6) Condition: all with minimal wear and slight foxing. Some display wear and scuffs to frames as expected. Some joints to the frames loose.
Large quantity of Chinese & Asian art reference books to include Cloisonné: Chinese Enamels from the Yuan, Ming and Qing Dynasties, edited by Béatrice Quette; The art of contemplation : religious sculpture from private collections by Li, Yumin; Connoisseur's Guide to Chinese Ceramics; A connoisseur's guide to Chinese ceramics by Mitchell Tzu Lao;Chinese Painting: An Expression of a Civilization by Nicole Vandier-Nicolas; Gems of Chinese art from the Asian art museum of San Francisco; Oriental Lacquer Art and Technique by K Herberts; Homage to Heaven Homage to Earth: Chinese Treasures of the Royal Ontario Museum; China: 5,000 Years: Innovation and Transformation in the Arts by Sherman Lee; Masterpieces of the Ho-Am Art Museum, antique art. 2 Volume Set; Mounted Oriental Porcelain in the J. Paul Getty Museum by Sr. Francis Watson, Gillian Wilson, Anthony Derham; The World of Khubilai Khan: Chinese Art in the Yuan Dynasty by James C. Y. Watt; Tang China Vision and Splendour of a Golden Age by Edmund Capon; Korea: Keramiek/Ceramics by Jan Van Alphen; Arts de la Corée; War & Ritual: Treasures from the warring states, 475-221 B.C by Yeo Seng Teck; Treasures from the Han; An album of Chinese art: From the National Gallery of Victoria by Mae Anna Pang; An Exhibition of Tang Sancai Pottery: Selected from the Collection of Alan and Simone Hartman by Margaret Medley; Chinese Ornament The Lotus and the Dragon by Jessica Rawson; Chine connue & inconnue; A botanical excursion in the Kempe collection Unknown Binding by Bo Gyllensvärd; Chinese Bronzes: The Natanael Wessen Collection by Jan Wirgin Karlgren Bernhard; Yixing Stoneware from the Mr & Mrs Gerard Hawthorn collection catalogue and others
Miscellaneous books comprising Burnet, Gilbert. Some Passages of the Life and Death of John Earl of Rochester. London: R. Chiswel, 1680. 8vo, contemporary calf, neatly rebacked; Simson, Robert. Elements of the Conic Sections. Glasgow, 1817, first English edition, 14 folding plates, contemporary sheep, rubbed; M'Lehose, W.C. The Correspondence between Burns and Clarinda. 1843, 8vo, additional engraved title, frontispiece, original blindstamped maroon cloth; Chambers, Robert. The Life and Works of Robert Burns. 1896, 4 volumes, 8vo, plates, green half morocco gilt; Chambers, Robert. The Life and Works of Robert Burns. [n.d.], 4 volumes in 2, 8vo, Library Edition, contemporary green half calf gilt, morocco labels; Mudie, Robert. Gleanings of Nature. 1838, Large 8vo, uncoloured plates, 14 hand-coloured botanical plates, original brown blindstamped cloth, rubbed; Philidor, A.D. Analysis of the Game of Chess. 1819. 12mo, frontispiece, 1 plate, illus., original cloth-backed boards; [Anon.] The Spirit of British Wit. Leith: W. Reid, 1813, 12mo, frontispiece, original cloth-backed boards; Lillo, George. The London Merchant or the History of George Barnwell. London, 1788. 8vo, frontispiece, early 20th century half calf, some spotting; D'Ancemont. The Historical and Unrevealed Memoirs of the Political and Private Life of Napoleon Buonaparte. Portland Place, May 1820. 12mo, 3 frontispiece plates (2 folding), contemporary green half morocco gilt, slightly rubbed; Buchanan, George. Buchanan's History of Scotland. 1722. 2 volumes, 8vo, engraved plates, contemporary panelled calf, rebacked; [Murray, Hugh] Adventures of British Seamen in the Southern Ocean. Edinburgh, 1827. 12mo, 2 plates, contemporary calf, gilt arms on sides, slightly rubbed; [W.M. Abbot & Co., Furniture Makers, Ripon, Yorkshire] Album of photographic postcard illustrating Productions, c.1959, 4to, cloth, repaired; sold not subject to return (18)
Scottish Highland Tours & Steam-Boat Guides 31 volumes, including [Homer, Philip Bracebridge] Observations on a Short Tour made in the Summer of 1803 to the Western Highlands of Scotland... London: Sael and Co., 1804. 12mo, original boards, in clamshell box; The Traveller's Guide through Scotland. Edinburgh: J. Thomson Jun. & Co., 1808. Fourth edition, 8vo, contemporary calf; Keddie, William Highland Tour, Glasgow to Oban. Glasgow: Maclure and Macdonald, [n.d,] 8vo, 19th century green half calf gilt; and two further copies in half calf and original green cloth gilt; The Scottish Tourist... A Guide to the Scenery and Antiquities of Scotland and the Western Islands. Edinburgh: Stirling, Kenney, & Co., 1838. Seventh edition, 8vo, original red straight-grained morocco gilt; The Scottish Tourist... A Guide to the Scenery and Antiquities of Scotland and the Western Islands. Edinburgh: Stirling, Kenney, & Co., 1831. Fourth edition, 8vo, later green quarter calf gilt; [Spencer] Journal of a Tour to Scotland. Oxford: Munday and Slatter, 1816. 8vo, original boards with later paper spine; McNayr, James A Guide from Glasgow. Glasgow: the Courier Office, 1797. 8vo, contemporary tree calf gilt; Anderson, George and Peter Guide to the Highlands and Islands of Scotland. London: John Murray, 1834. 8vo, original green cloth gilt; Balfour, J.H. Account of a Botanical Excursion to the Mull of Cantyre and the Island of Islay. Glasgow: Bell & Bain, 1845. 8vo, upper cover inscribed by Balfour to Dr Blackie, original wrappers, slipcase; MacLean, Lachlan An Account of the Surname of Maclean, or Macghillean... Xenia: The Aldine Publishing House, 1914. 8vo, original green cloth gilt; 'W.P. and A.I.' A Botanical Tour of the Highlands of Perthshire. London: William Pamplin, 1857. 8vo, original green cloth gilt; Menmuir, Henry A Walking Tour in the Scottish Highlands. Edinburgh, 1912. 8vo, original green cloth gilt; Thomson, Robert A Cruise in the Western Hebrides... Glasgow: A. Cochrane, 1891. 8vo, inscribed by the author, original brown cloth gilt; and 16 others (31)
Butterflies and Botanical Themed Cigarette Trade Cards and Silks, various sets comprising Players Butterflies (2), Wills Butterflies and Moths L40, Gallaher Butterflies and Moths, Kensitas Silk Flowers (47 with printed backs), Wills Roses A Series (2), Roses 2nd Series (2), Trees L40, Roses L40, Alpine Flowers, Flower Culture in Pots, Gossage Bodyguard Soap Butterflies and Moths, Millhoff De Reske Roses L25, CWS Wayside Flowers, Carreras Orchids and Orchids L24, F-G, (18 Sets)
Staffordshire Regiment: a Flight Barr & Barr Worcester lidded ice bucket, urn shaped on a square foot with twin handles, the lid with a botanical finial and lifting to reveal a removable liner, decorated in gold and green and transfer printed to each side with a crowned Staffordshire knot within a wreath, c. 1820.
A collection of stoneware flagons to include Bottomley and Hey Botanical Brewers of Radford Notts, R Stevens EXors Wine and Spirit merchants from Watton Norfolk, a handleless example by Pearsons of Chesterfield and an unmarked plain jar (4). Condition as expected. Generally good though they have been stored outside so there are some hairlines/ cracks from frost. 32cm tallest.
SIX VARIOUS PORCELAIN BOTANICAL PLATES, each painted depicting a different specimen, named verso, within underglaze blue borders with gilt floral detail, WITH TWO MATCHING TWO HANDLED SERVING PLATES, pattern number 5499, plates 23cm wide; AND A PORCELAIN BOTANICAL OVAL DISH, POSSIBLY COALPORT, depicting a spray of flowers, within underglaze blue borders with gilt floral and scrolling detail and further floral reserves, pattern number 690, 28cm wide (9)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Chorozema example with two over painted glaze chips to design; Calandrina example with chip to underside of rim; Capania example with chip to underside of rim; Lychnis example with large star crack, held together with tape. All undersides inscribed with in UV pen with postcode.
TWO 19TH CENTURY LITHOGRAPHS, "THE WEST FRONT OF BOLTON ABBEY" AND "KIRKSTALL ABBEY, YORKSHIRE", by Day & Haghe, pub. R. Sunter, 1845, framed; together with A FRAMED BOTANICAL PRINT, "FRITILLARIA". (3)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Image of views 48cm x 30cm. The entire picture including frame 67cm x 52cm. Image of Fritillaria 49cm x 33cm, including frame 67cm x 49cm
Darren Yeadon (b.1970) Fish Signed, Carrara marble, 31cm high See illustration Brought up by the sea in Whitby, Darren Yeadon began his work as a quarryman and stonemason. He developed a real flair and interest in carving stone and three-dimensional forms. Suffering a life-threatening road accident in his mid-twenties caused him to readdress his approach to life and kindled his intense fascination and appreciation of nature and the beauty of our time on earth. He began carving rocks and off cuts from the quarry developing a strong personal style and dedication. He soon began to receive commissions and was sent to Italy to find a marble for a client. Seeking to develop a further understanding of the material he went to live in Carrara preferring the quarries used by Michelangelo. Now established in both Pembrokeshire and Whitby, he continues to work from his studio in many types of stone and regularly goes over to Italy to source Carrara marble. He has held exhibitions at the Staithes Gallery Whitby, Tenby Museum, the Houses of Parliament and the Pembrokeshire Botanical Gardens currently hold a number of his works.
MOORE (T), BRITISH WILD FLOWERS, with 24 hand coloured plates at the back, green cloth, new edition, Reeve & Co, 1867; CORKE (H), WILD FLOWERS AS THEY GROW, five vols, colour plates, green cloths with gilt lettering, Cassell, 1912, with a selection of other botanical books, local interest books and ephemera including an 18th century John Cary map of Cheshire, dated in in 1789 to the lower right (Qty)
A collection of 19th century and later ceramics to include a pair of Davenport Botanical plates, painted with a garland of flowers and ferns against a turquoise and gilt ground, diameter 23.5cm, with a Coalport blue bat wing pattern tea cup and saucer, a George Jones Crescent China tea cup and saucer, each painted with roses and signed W. Birbeck, the cup and saucer with differing maker's marks, a Continental coffee cup and saucer painted with floral sprays, an early 19th century coffee can painted with purple flowers, an ironstone coffee can with moulded and printed detailing, a Coalport gilt and blue coffee can, a Continental jug, a Spode Imari pattern scent bottle and stopper and a 19th century Rockingham style sugar bowl and cover (14).Additional InformationThe Davenport plate with some minor rubbing to the gilding at the edge but essentially good but the bat wing cup does not ring, perhaps with a little glazing, the bat wing saucer with a few light glaze scratches, the George Jones saucer with some rubbing to the gilding, the cup with minor rubbing, both are clearly signed, the Spode scent bottle and stopper with age wear rubbing to the gilding around the rim and the foot and also to the stopper, the scent bottle is moulded with a bird sitting on a perch, the early 19th century coffee can has hairline cracks and crazing to the base and some staining in the glaze to the base, it also has a hairline crack to one side, the moulded ironstone coffee can is slightly irregular in shape and with general light age wear, the Continental coffee cup and saucer and similar jug with general rubbing to the gilt detailing throughout, the sugar bowl and cover with three small chips to the internal edge of the rim and some rubbing to the gilt detailing.
Six 19th century ironstone moulded dessert dishes comprising an example painted with floral sprigs against a gilt deep blue ground, diameter 21.5cm, impressed china mark verso, a pair of similar moulded Botanical dessert plates, one decorated with a daffodil, the other with a Chinese aster, both titled in iron red verso and one with a label for Valerie Howard, Camden St, London, another moulded Botanical plate decorated with a central floral spray, two shaped dishes one decorated with violets and titled in iron red verso, the other painted with a floral spray but untitled verso, together with another ironstone dish of shaped oval form painted with a central floral spray and with gilt and moulded detailing, length 27cm (7).Additional InformationThe blue ground dessert plate is the only one to bear a impressed ironstone china mark verso, this has some light glaze scratches, so rubbing to the gilding and general glaze imperfections, the pair of Botanical plates with some glaze imperfections and some light rubbing to gilding, the similar moulded plate with some rubbing to the gilding and a couple of small nicks at the rim, no marks verso on this one either, the violet decorated shaped dish with the label for Valerie Howard verso, this with some rubbing to gilding and glaze imperfections, the other same shape dish with a restored hairline crack to the handle section, there is an imperfection in the gilt edge moulding here on the rim and other glaze imperfections throughout, the unmarked shaped oval dish with wear to gilding throughout and painting to the flowers is a little dull in appearance, as is the gilding, some glaze imperfections throughout.
Johann Wilhelm Weinmann (German, 1683-1741). Phytanthoza Iconographia. Four botanical engravings with hand colouring, published c1740. Papaver Sativum (Opium Poppy) pl 796, Ipeca Cuannha (Iris) pl 606, Iris Anglicum pl 611 and Papaver Erraticum (Peony) pl 790. Each approx. 33 x 22cm. Framed and glazed.
Basilius Besler (German, 1561-1629). Florigium. Two hand coloured botanical engravings, published 1613. The first depicts Fruticans Hispanica and Althaea Vulgaris (varieties of Mallow), the second Papaver Corniculatum, Flos Pallidus and Trinitatus (Sea Poppy and Wild Pansy). Each 39 x 49cm. Framed and glazed.
Scrap Albums. An early 20th century scrap album, possibly compiled by Dorothy Amy Netherwood, c.1911-1917, containing 10 watercolour drawings, 4 pencil sketches, 1 sketch in pen & coloured inks, 3 in pen & black ink, and one (of HMS Dreadnought) in graphite & grey/black watercolour, most signed and dated (in different hands), several heightened with bodycolour, some with (often partly erased) pencil scribbles, plus a few chromolithographs, etc., original green straight-grained morocco, rubbed and somewhat marked, oblong 8vo, together with: A scrap album, possibly compiled by 'M.G.W.', mostly 1830-1848, containing approx. 22 drawings in watercolour, wash, pen & ink, and/or pencil, some heightened with bodycolour, plus 10 miniature Baxter's Patent Oil prints, 12 engravings, 2 botanical paper collages, 1 highly coloured aquatint, and 2 hand-coloured lithographs, etc., original maroon straight-grained morocco gilt, rubbed with a little wear to extremities, rear cover stained, 4to, with: Album, c.1860s-1880s, compiled by Eliza Mary Weatherall, signed and dated 1st September 1861 on preliminary blank, comprising: gilt-stamped title page (gutter strengthened on verso), one pen & black ink sketch, and two watercolours (one of a harbour scene believed to be after J.M.W. Turner), with approx. 42 pages of ink manuscript poems and verses, in different hands, original dark green morocco gilt, rubbed and faded, some wear to extremities, 4toQty: (3)
* Botanical Watercolours. Cypripedium Veitchii, Dendrobium Formosum, Zygopetalum Maxillaria, & Dendrobium Brymerianum 1879-87, together 4 original watercolours on buff or pale brown wove paper, each signed with initials E.W.P., and inscribed 'Cypripedium Veitchii, Aug. 6 1879', 'Dendrobium Hormosum, Dec 1881', 'Zygopetalum Maxillaria, Aug. 1883', & 'Dendrobium Brymerianum, March 27 1887', each 36.5 x 26.5 cm mount aperture, matching modern frames, glazedQty: (4)
An Irish Florilegium, Charles Nelson, Illustrations by Wendy Walsh, Thames & Hudson, 1983, First Edition, in Dust Jacket. With 48 hand-tipped colour plates of botanical illustrations by Wendy Walsh and loosely inserted is original card listing the details of the 48 colour Plates. As new condition. Works of Botanical Interest Published before 1800 Held in Irish Libraries – Occasional Papers 1, E. Charles Nelson, National Botanic Gardens, No date, First Edition, Softcover in printed typescript, good condition. The preface by Nelson sets out the background to undertaking this work. (2)

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