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1994 TVR 3000S V8 Transmission: manualMileage:69360Small scale car producers TVR played the 'Lotus alternative' roll throughout the 1960s and '70s with a range of pretty, curvaceous fiberglass coupé bodies sitting on a steel tube backbone chassis. Into the early 1980s and TVR caught up with the Origami trend for more angular bodies and though still dynamically excellent machines, the uncompromising styling of the Tasmin and its brethren proved to have a relatively short shelf life. For the V8 S they tweaked the engine up to 3.9 litres with a 10.5:1 compression ratio, popped on gas flowed heads with free breathing manifolds and inserted a high lift cam. The resultant 240 bhp and 270 lb/ft of torque propelled the roadster, via a Rover five-speed gearbox and a limited slip differential, to 60 in five seconds and on to 150mph while giving it real world 50 to 70 in top gear performance that was superior to an Aston Martin Virage or Ferrari Testarossa. 'Boom', as they say these days. This nice British classic is presented in Cooper Green with cream interior and has only had four owners from new which is rare for these sports cars. It was originally owned by BP International and is supplied with a comprehensive service history with many stamps in the book and its servicing has mainly been carried out by TVR dealerships until 2000 when it was followed by many TVR and sports car specialists. More recently it has been looked after by Automark (specialist tuning company). It has the desirable targa top which provides open top motoring and its four litre V8 is mated to a five-speed gearbox. The car drives well according to the owner, with its manual gearbox a joy to use and looking good on its original wheels and it also comes with a spare key and a fresh MoT test certificate. Super British sports car with traditional brutish V8 - great!
Quantity of Budgie leaflets and catalogues. Budgie fold out full colour cataloue showing the early range including all the Noddy related vehicles, 4 Large A4 size colour catalogues, one for Flare import corporation U.S.A. Also a small amount of leaflets and small fold up leaflets that were issue in the boxes with the models. Also includes a Budgie models hard back book by Robert Newsom. There are also 2 possibly complete rolls of original self adhesive period stickers, BP and National. An interesting lot £60 - 80
4 Matchbox Superfast Series. 57E Wild Life Truck. Rola.Matics example in white Zebra stripes livery, red glazing, clear canopy, with lion and unpainted base. 63D Freeway Gas Tanker in green and white BP Super livery. 68E Chevrolet Van in orange with blue glazing, blue/red stripes and unpainted base. Plus a 71E Cattle Truck, metallic orange with yellow plastic body, green glazing unpainted base with 2 cattle. All boxed, minor wear/light damage to one. Vehicles VGC-Mint. £50-70
4 Tri-ang Minic clockwork vehicles. A post war articulated milk Tanker (71M), with a blue standard type cab and a white Minic Dairies tank. A post war articulated pantechnicon (30M). With a blue standard type cab, with black mudguards, a green trailer with Minic Transport transfers. Both with plated wheels and black rubber tyres. A post war articulated Shell-BP tanker (31M). Green forward control tractor unit with red tank with Shell BP Fuel Oil transfers, with cast wheels. Plus an articulated Watneys Barrel Lorry (119M). Dark green standard type cab, with 'Watneys' and red barrel to roof. Wooden barrel style trailer, with red cast wheels. All with black rubber tyres. QGC-GC some age wear. £60-80
3 Tri-ang Minic clockwork vehicles. A Pre-war fixed Petrol Tanker with standard type cab (15M). In 'Shell-BP' green and red livery with petrol can. Running tin man and 'Lubricate with Shell Oils' to tank end. Plus a Post-war fixed Petrol Tanker (15M) also in green and red livery with 'LBros' Triangle with tank sides. Together with a Post-war forward control example (15M) in green and red 'Shell' livery. GC-VGC, some age wear. £70-90
Quantity of OO gauge railway including Lima Hornby etc. 4 diesel freight/passenger locomotives- Class 45 1-Co-Co-1 The Royal Marines, RN45048. A Western Co-Co, Western Renown, D1071. A North British Hydraulic Bo-Bo, RN6142 and a Class 87 Bo-Bo electric City of London, RN87005. All in BR blue livery. Together with 28 tank wagons- 2 axle BP and Shell/BP and 3 axle IMS. VGC some light wear, rusty pantograph to one locomotive. £80-100
Henry VII, Facing Bust issue, Penny, Sovereign type, Durham, Bp Fox, no mm. (S 2233); Profile issue, Halfgroat, York, Abp Bainbridge, mm. martlet (S 2262); Elizabeth I, Sixth issue, Shilling, mm. tun (S 2577); Sixpence, 1592, mm. tun (S 2578B); Seventh issue, Sixpence, 1602, mm. 2 (S 2585); together with other hammered silver coins of Elizabeth I (4) [9]. Fair to fine £60-£80
Henry VII, Pennies (2), both Sovereign type, York, Abp Rotherham, no mm., single pillar, 0.65g/12h, 0.64g/11h (N 1728; S 2236-7); Henry VIII, Second coinage, Penny, Durham, Bp Wolsey, mm. crescent on obv. only, tw by shield, 0.61g/1h (N 1811; S 2352) [3]. Fair to good fine, first slightly bent £100-£120
A collection of Medals, Badges and Fobs, three HM Silver Fobs Midland Scottish Railway Cricket, Two Silver & Gold Football Fobs, ARP Badge, George VI Special Constable Medal to W Hurst, four RAF Cap Badges, military brass button polisher, LMS Railway Service Badge, assortment of Car Badges including Shell, BP, Meccano, Hornby etc and a 1983 Coin Year Set
A late Victorian/early 20th century gold and diamond three stone gypsy ring. The three graduated old-cut diamonds approx. 0.34cts, 0.17cts & 0.24cts (0.75cts total), all flush set to a tapering band stamped 'C18' and with a maker's mark '(?)BP&Co', size V, 6.9 grams gross Condition Report: Diamonds measure; centre 4.25mm x 4.1mm x 3mm; L.3.6mm x 3.4mm x 2.2mm;R.3.6mm x 3.6mm x 2.8mm;. Colour about J/K.Clarity about VS or better - mounted limitations apply..
Quantity of Unboxed Dinky Toys Commercial Delivery Vans, 450 Trojan Van Esso, 451 Trojan Dunlop, 452 Trojan, Chivers Jellies,454 Trojan Cydrax, 455 Trojan Brooke Bond, 470 Austin A40 Van, Shell BP, 471 Austin A40 Van ‘Nestles’ 472 Austin A40 Van ‘Raleigh Cycles’ 480 Bedford CA van Kodak, 481 Bedford CA van ‘Ovaltine’ and 482 Bedford CA van ‘Dinky Toys, all in fair to good original condition. (11 items)
Three Tri-ang Minic Articulated lorries, 40M pre-war articulated lorry with cases, petrol can and white tyres, condition: good to fair some paint chips to cab and rear slight fading to colour, pre-war 30M articulated pantechnicon, green cab with petrol can and red back with Minic Transport transfers, condition: fair, some paint loss and scratches to transfers, tyres replaced, 31M articulated Shell BP Fuel Oil tanker, blue cab and red tanker, condition: good to fair, all in working order, (3 items).
Three Tri-ang Minic Articulated lorries, 40M pre-war articulated lorry with cases, petrol can and white tyres, condition: good to fair some paint chips to cab and rear slight fading to colour, pre-war 30M articulated pantechnicon, green cab with petrol can and red back with Minic Transport transfers, condition: fair, some paint loss and scratches to transfers, tyres replaced, 31M articulated Shell BP Fuel Oil tanker, blue cab and red tanker, condition: good to fair, all in working order, (3 items).
Five Tri-ang Minic trucks, 49ME pre-war Searchlight lorry, condition: fair to good, tyres replaced and 15M pre-war BP Shell tanker, condition, fair some loss to transfers, 21M pre-war Transport van, blue cab and red back, condition, generally good, scratches to rear door and some rubbing to cab roof and chrome wings, two 21M Minic Transport vans, condition: one good, some small loss to transfers and other fair to poor, all working order, 20M Army tank, condition: fair lacks tracks and spring broken and an empty 40M mechanical horse and trailer with cases box, (7 items).
Shani Rhys James Breakfast, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Shani Rhys James String of Pearls, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Shani Rhys James Grumpy Face, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Shani Rhys James Sideways Glance, 2022 Indian Ink on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Painter living in Wales since the 80's Education Saint Martins London Select Exhibitions/Awards Gold Medal Eisteddfod, Hunting Observer first prize, BP portrait second prize , Jerwood Painting Prize MBE and other awards and fellowships Gallery Representation Connaught Brown London , Martin Tinney Cardiff Statement about AOAP Submitted Artwork Ink images You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Haydn Cottam Tear Away, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Haydn Cottam's paintings often depict landscapes, which come from the experience of walking or cycling. The more recent work has an intimate feel and sometimes implied narrative created through atmospheric light, a sense of foreboding or contemplation. Scenes bear a silent witness to an event, which the viewer can direct. This may also be a formal construct, which pays tribute to the landscape that he has either journeyed through or delighted in. After graduating from St. Martins College of Art in the 80s and having worked and exhibited with painters such as Gavin Lockheart and Peter Doig in both California and London, Haydn concentrated on figurative work. In 1990 he was commended in the BP Portrait Award and in 1991 followed this success with winning the BP Travel Award. In 1995 he was the winner of The Carole Foundation at the Mall Galleries in London. The move from figure painting to landscape was gradual and reflects a general desire to be near open spaces and away from the urban environment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Haydn Cottam Jonnie Walker, 2022 Oil on Paper Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About Haydn Cottam's paintings often depict landscapes, which come from the experience of walking or cycling. The more recent work has an intimate feel and sometimes implied narrative created through atmospheric light, a sense of foreboding or contemplation. Scenes bear a silent witness to an event, which the viewer can direct. This may also be a formal construct, which pays tribute to the landscape that he has either journeyed through or delighted in. After graduating from St. Martins College of Art in the 80s and having worked and exhibited with painters such as Gavin Lockheart and Peter Doig in both California and London, Haydn concentrated on figurative work. In 1990 he was commended in the BP Portrait Award and in 1991 followed this success with winning the BP Travel Award. In 1995 he was the winner of The Carole Foundation at the Mall Galleries in London. The move from figure painting to landscape was gradual and reflects a general desire to be near open spaces and away from the urban environment. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Ishbel Myerscough Me, 2022 Oil Paint on Paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About Ishbel Myerscough is recognised for her highly detailed and meticulously observed portrayal of her subject matter, which over the past three decades has primarily included herself, her close friend and fellow artist Chantal Joffe, and their families. Myerscough combines a focused study of youth and coming-of-age with adult experiences of parenthood, desire and bereavement, evoking the complex cycle of human experience. Myerscough studied at Glasgow and the Slade Schools of Art, and works in London. In 1995 she won the National Portrait Gallery's annual BP Portrait Award competition and as a result was commissioned to paint Helen Mirren's portrait for the collection and subsequently Sir Willard White. Her portrait Two Girls (1991), was displayed in the exhibition Self at the Turner Contemporary, Margate, UK in 2015 and at the National Portrait Gallery, London, until November 2016. Her work was presented in a joint display Friendship Portraits: Chantal Joffe and Ishbel Myerscough at the National Portrait Gallery in 2015, capturing their very particular artistic collaboration; and was included in the exhibitions Only Connect, Royal Academy of Arts, Keeper's House, London; and Relating Narratives - A Common World of Women, The Horse Hospital, London, 2018. Education 1987-91 Glasgow School of Art 1993-95 Slade School of Art, London Select Exhibitions/Awards 2020 Grief, Longing and Love, Flowers Gallery, Cork Street, London 2016 Up Close, Flowers, New York 2011 Life, Flowers Central, London 2000 Drawings, Anthony Mould Contemporary, London Ishbel Myerscough, Anthony Mould, Cork Street, London 1996 A Second View, Anthony Mould Contemporary, London 1992 A First View, Anthony Mould Contemporary, London 1995-6 Robert and Susan Summers Residency, Connecticut, USA 1995 Hopkins Rootstein Foundation Travel Scholarship to New York National Portrait Gallery, BP Portrait Award, First prize You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardizes the charitable work we do. Anyone found doing will subject to legal action.
Sara Lavelle Woman in Blue, 2019 Oil on Card Signed on Verso 15 x 10cm (5¾ x 3¾ in.) About I am an artist based in London. Drawing upon a fascination with human psychology, philosophy and spirituality, my work has a predominant focus on figuration. I move freely between commissioned pieces and self initiated projects. Education 2015 - 2018 BA, University of Brighton (1st Class) 2017 Artist Exchange, Minneapolis College of Art and Design 2014 - 2015 Foundation Diploma, Falmouth University (Distinction) Select Exhibitions/Awards 2020 (Postponed) Solo show, Rathbone Place, London. (Postponed) Seemingly Unfinished, Kulturfolger, Swizerland. (Postponed) Autumn Exhibition, Morgan's Gallery, Falmouth. (Postponed) Graduating in Paint, London Atelier of Representational Art, London. 2019 The anonymous heART project, Heart Research UK, Leeds A Year On; Winner of Rising Talent Exhibition 2018, Hastings Art Forum, Hastings Charity Auction, IMARA, Nottingham Residency Showcase, Cyprus College of Art, Cyrpus (Preselected) The BP Portrait Award, The National Portrait Gallery, London. Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London. The Sky Arts Portrait Artist of the Year 2019 Exhibition, Clarendon Fine Art Gallery, London. (Touring Exhibition 5th May - 23rd June - Whitewall Nottingham, Whitewall Newbury, Whitewall Stratford, Whitewall Chester, Whitewall Lichfield) Awards: 2019 (Finalist) Sky Arts Portrait Artist of the Year Award 2018 (Shortlisted - Final five artists) ACS Studio Prize 2018 (Winner) Public vote, Hastings Art Forum Rising Talent You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
Sara Lavelle The Hug, 2019 Oil on Perspex Signed on Verso 10 x 15cm (3¾ x 5¾ in.) About I am an artist based in London. Drawing upon a fascination with human psychology, philosophy and spirituality, my work has a predominant focus on figuration. I move freely between commissioned pieces and self initiated projects. Education 2015 - 2018 BA, University of Brighton (1st Class) 2017 Artist Exchange, Minneapolis College of Art and Design 2014 - 2015 Foundation Diploma, Falmouth University (Distinction) Select Exhibitions/Awards 2020 (Postponed) Solo show, Rathbone Place, London. (Postponed) Seemingly Unfinished, Kulturfolger, Swizerland. (Postponed) Autumn Exhibition, Morgan's Gallery, Falmouth. (Postponed) Graduating in Paint, London Atelier of Representational Art, London. 2019 The anonymous heART project, Heart Research UK, Leeds A Year On; Winner of Rising Talent Exhibition 2018, Hastings Art Forum, Hastings Charity Auction, IMARA, Nottingham Residency Showcase, Cyprus College of Art, Cyrpus (Preselected) The BP Portrait Award, The National Portrait Gallery, London. Royal Society of Portrait Painters Annual Exhibition, Mall Galleries, London. The Sky Arts Portrait Artist of the Year 2019 Exhibition, Clarendon Fine Art Gallery, London. (Touring Exhibition 5th May - 23rd June - Whitewall Nottingham, Whitewall Newbury, Whitewall Stratford, Whitewall Chester, Whitewall Lichfield) Awards: 2019 (Finalist) Sky Arts Portrait Artist of the Year Award 2018 (Shortlisted - Final five artists) ACS Studio Prize 2018 (Winner) Public vote, Hastings Art Forum Rising Talent You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardises the charitable work we do. Anyone found doing will subject to legal action.
A Royal Worcester large two handled urn and cover, hand-painted with fruit, by D Shinnie, with an ornate reticulated collar having ribbon tied swag faux handles, domed and stepped cover, terminating in flower shaped conical finial, raised on circular stepped foot, printed mark and numbered 1428 M/S, RT/BP, 13 ½in. (34.3cm.) high. * Light surface scratch to outside peach and leaf, otherwise nothing to note, good.
A ROYAL CROWN DERBY 'CANARY' PAPERWEIGHT AND FOUR ROYAL ALBERT BEATRIX POTTER CHARACTER FIGURES, the paperweight with gold button stopper, the Beatrix Potter figures comprising 'Samuel Whiskers' BP-6a (with error Samual), 'Mrs Tittlemouse' BP-6a, 'Little Pig Robinson' BP-6a and 'Mr. Drake Puddle-Duck' BP-6a (5) (Condition report: all five items are in good condition)
A QUANTITY OF BOXED AND UNBOXED BESWICK BEATRIX POTTER FIGURES, thirty five pieces, comprising two boxed small Peter and the Red Pocket Handkerchief figures (BP-9d), four boxed centenary figures, two each of Peter Rabbit (BP-7) and Jemima Puddleduck (BP-9a), a boxed Chippy Hackee (BP-3c), characters without boxes: Mr Alderman Ptolemy (BP-3a), Miss Moppet (BP-2a, ears damaged), BP-3b figures: Old Mr Pricklepin, Johnny Town-Mouse (pen mark to forehead), Chippy Hackee, Ribby, Cousin Ribby, Tailor of Gloucester, Thomasina Tittlemouse, and Cottontail, BP-3c figures: Old Mr Bouncer, Tom Kitten & Butterfly (chip to butterfly), The Old Woman Who Lived in a Shoe, Timmy Willie, Susan, Jeremy Fisher, Benjamin Bunny Sat on a Bank, and Chippy Hackee, BP-4 figures: Jemima Puddleduck, Mrs Tiggy Winkle, Hunca Munca, Peter Rabbit (ear repaired), Rebeccah Puddleduck, Mr Jeremy Fisher Digging, and Flopsy, Mopsy and Cottontail, together with three character jugs: Tom Kitten, Old Mr Brown and Mr Jeremy Fisher (Condition report: as stated otherwise appear in good condition) (35)

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18190 item(s)/page