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An early 20th century oak chiming eight day grandmother clock the dial set with Arabic numerals, raised on bracket feet, length 128cm (af). CONDITION REPORT Please note that this lot is not suitable for our in-house postage service.

Three train bracket clock, oak case and rope wooden detailing

A walnut cased bracket clock, 20th century, height 22cm.

Bracket Clock, “E LIVERMORE, LONDON”, 8” dia dial, brass handle and feet, inlay detail on front, domed top, mesh sides, visible movement at back encased by glass door, 16”h, 12”w

An oak cased bracket clock with brass dial

An Edwardian oak bracket clock with pendulum and key

Oak longcase clock, arched pediment, the hood with turned and fluted columns above a carved cavetto cornice, plain frieze, long door flanked by fluted quarter columns, box base, bracket feet, the case later carved 14” arched brass dial, with arch with moon phase, cast seraphim spandrels, silver chapter ring, subsidiary seconds dial signed B. Gray, Loughborough, eight-day movement, quarter chiming on five gongs, 161cm plus 75cm.

Rare late 19th century German walnut cased symphonium music hall clock, the impressive architectural case with turned finials, split column and applied fret ornament, the upper part with enclosed twin train clock with silver chapter ring, enclosed by glazed door, the trunk below enclosing symphonium machine, stamped - 'Schutz Marke, Made in Germany', numbered 281181, with side lever isolating music box from clock, crank handle winder, together with approximately twenty-six discs, total height approximately 230cm CONDITION REPORT in working condition although mechanism may need attention. Currently clock is not connected to symphonium. Piece of moulding missing to base of right pillar flanking clock face. Tarnishing to silvered dial, some wear to bracket feet, overall case condition is very good. Some discs are warped, buckled and may not be playable

A mixed lot comprising a burr walnut veneered wall bracket, a 19th Century tea caddy and a further Black Forest style mantel clock (3)

George Fowley of Doncaster. A Regency mahogany bracket clock, with arched cased and painted circular dial, unsigned twin fusee movement with anchor escapement, height 16.5in.

An early 19th century mahogany brass inlaid single pad topped bracket clock, with 8 inch repainted Roman dial and blued steel hands, the two train fusee movement with anchor escapement and rack strike on a bell, the shaped plates with foliate engraved borders united by five turned pillars, height 19.5in.

William Page of London. An early 18th century style walnut bracket clock, with twin fusee anchor escapement movement inscribed Wm Page, West End Clock Manufacturer, Great Portland Street, London, no.568, height 13.5in.

Barraud & Lunds, 41 Cornhill, London. A Victorian oak Gothic style chiming bracket clock, in ornate carved case with cluster columns to the corners, silvered dial numbered 2775, and signed three train movement striking on five gongs, case 34.5in., bracket 15in.Provenance: purchased from Haslam & Whiteway Ltd., 105 Kensington Church Street, London, 24th August 1977 for £1,100.

A 19th century French Louis XVI style ormolu mounted red tortoiseshell bracket clock, with enamelled Roman dial, movement stamped F.R.F.C. 697, with matching bracket height 26in. bracket 13in.

Blundell of London. An early Victorian mahogany hour repeating eight day bracket clock, with painted dial and signed twin fusee movement, height 18in.

Mahogany bracket clock case with aperture for an 8in arched dial, the case with side carrying handles surmounted by a moulded cornice, together with an 8in brass arched dial signed Edward Wickstead, London

18th Century ebonised rosewood and ormolu mounted bracket clock, the silvered brass chapter ring, signed James Defontayne, London, with calendar aperture and alarm disk to the arch, the five pillar movement with floral engraved back plate, quarter striking on three bells and adapted from verge to pin wheel escapement, the stepped case surmounted by a two tier basket top CONDITION REPORT Overall in good clean condition, cracking to veneers but only from age, clock is working but we cannot guarentee this

Regency mahogany bracket clock, the cream convex dial signed Bidlake, London, within a brass bound panelled stepped case surmounted by cast brass pineapple finial with a five pillar double fusee movement

George III mahogany longcase clock, the arched hood flanked by fluted columns above an arched door raised on bracket feet, the brass and silvered dial with subsidiary seconds and dated aperture inscribed Ralph Glover, London, with a two train movement striking on a bell

Late 19th or early 20th Century Continental walnut bracket clock with a three train movement together with a matching wall bracket

An Edwardian ornate brass case mantel/bracket clock having foliate pierced fret decoration, lyre finial and striking movement, with circular dial and Roman numerals, with dedication panel for St Peters, Bournend 1904

A Victorian oak clock bracket supported by a laurel wreathed mask, W.41cmex Congelow House

A George III oak cased long case automaton clock, circa 1780, 11 inch brass arched dial with black Roman numerals, half hour markers, minute track and five minute numerals, matte centre with date aperture, subsidiary seconds and signed name plaque engraved 'Willm Sayer Devizes', applied spandrels, the arch with painted roundel of a bearded 'Old Man Time' whose eyes move back and forth with the beat of the clock, twin train four pillar 8 day movement chiming on a bell, the hood with broken swan neck pediment and cast brass roundels with urn surmount, reed columns flanking the glazed hood door, the case later profusely carved with floral friezes, borders and decorative roundels, arched full length trunk door, raised on shaped bracket feet, with two weights, pendulum and winder, 45 by 21 by 214cm high.

A French brass Rococo style bracket clock with enamel dial markers and Roman numerals, with movement signed Franz Hermle, 62cm high.

An Edwardian mahogany pagoda-top Bracket Clock, in the Georgian style, with gilt-brass mounts and inlaid decoration, a circular silvered dial with black Roman numerals and 8-day twin-barrel movement striking on a coiled gong, the arched case with pagoda top, boxwood stringing and butterfly inlay, gilt-brass mounted pilasters, the sides and rear door with pierced brass grilles, spherical finials and corresponding feet, overall 19in (48cm) high.

A mahogany bracket/table clock with a fusee 8 day movement, the dial signed Richd Sims, Amersham - 28cm tall, some cracking to veneer but clean condition, runs but stops may need setting up

An early 20th century mahogany cased bracket clock, having a three train movement, striking on gongs, with a silver presentation inscription to Sergant G.S. Gadsby, on the occasion of his retirement from his comrades in the Artists Rifles, 1895-1923, 34cm high

Small Bracket-type mantle clock in mahogany case with brass face and silvered chapter ring

A George III Scottish Mahogany Eight-Day Longcase Clock, the painted white dial with Roman numerals and two subsidiary dials, inscribed "W. Young, Dundee", with arched hood over crossbanded and inlaid trunk door, the base on bracket feet, (no weights) 212cm high.

18th century mahogany bracket clock by Edward Tutet (Tatet) of London, the eight day repeating movement, with alarm, the painted face with subsidiary seconds dial and alarm disk, on brass bracket feet, engraved back plate , striking on a bell, 36cm highProvenance - Removed for sale from Runnymede Park, EghamEdward Tutet was apprenticed to Joseph Bosley on the 2nd September 1754 for 7 years at a sum of £42 (Clock & Watchmaker Apprentice Records 1710-1810, Dennis Moore 2003). He was free of the Clockmakers Company in 1765 and Master in 1786. He died in 1792. A bracket clock by Tutet can be found in 'The Wetherfield Collection of Clocks' by Eric Bruton p.112. His son, also called Edward, was a freeman of the Clockmakers Company between 1792 and 1811 whilst working in London. He is recorded as working abroad in 1813

18th century mahogany cased eight day double fusee bracket clock, by Thomas Moss Ludgate Street London, white enamelled dial with Roman numerals, two train to movement striking on a bell, 40cm with bracket,

Lancet top mahogany bracket clock, the triple fusee movement striking the hours Westminster chimes on gongs, the back plate numbered 1256, 43cm high

18th century double fusee ebonised eight day bracket clock with repeat by Joannes Mondehare, London. Brass dial with pierced spandrels, silvered chapter ring, date aperture, mock pendulum and silent/strike dial to twin train four pillar movement with anchor escapement. With full floral engraved back plate, striking on four bells, 48cm high.

Faux tortoiseshell and brass inlaid bracket clock, the two train movement striking on a bell, 33cm, with bracket 15cm

Bryer & Sons, London, triple fusee rosewood cased bracket clock with gilt metal mounts, the engraved gilt face with strike/ silent, Cambridge & Chime on eight bells, slow-fast subsidiary dials, 42cm high

A George III 19th century oak cased longcase clock by John Day, Wakefield. The clock with painted face with facted hands and moonphase and date/ dial  apertures complete  with arched hood and inlaid trunk raised on short bracket feet. Measures 230cms high x 52cms wide

An 18th century flame mahogany cased twin fusee chain driven movement eight day bracket bracket clock by Edward Smith of Dublin. The silvered dial with Roman Numeral chapter ring and faceted hands. Brass campaign recessed handles to side with shaped pediment top. Complete with pendulum. 

Large bracket clock circa 1900, in mahogany case, with striking movement, 50cm high

George V Brinkman of London mahogany cased mantle clock with arch top, strike /silent dial, raised on bracket feet, 46cm tall.

A Long Case Clock. The inlaid mahogany-cased clock with curved pediment and top finial, support pillars to sides of hand-painted enamel face with Roman numerals and inscribed 'L Wangler, Oxford', supported on bracket feet, approx 51 x 24 x 208 cms. The clock complete with weights and pendulums.

A 19th Century Oak Long Case Clock. The 30 hour clock by Richardson Easingwold, York, having an arched painted dial with Roman numerals and date aperture and spandrels decorated with floral spray (44 cms). The oak case with a molded scroll pediment and turned pillars to either side of the hood, an attractive shaped trunk door flanked by two inlaid columns, supported on bracket feet (af; the rear feet are missing), approx 55 x 28 x 220 cms. The clock complete with weights and pendulum.

A good quality Edwardian bracket clock, the silvered dial with roman numerals. Signed William Batty & Son, Manchester. Approx. 40 cms high. Est. £200 - £300.

A brass carriage clock with white enamelled dial on bracket feet. Est. £40 - £60.

An Early 20th Century Bracket Clock With Circular Silvered Dial

A LOUIS XIV GILT BRONZE MOUNTED BOULLE BRACKET CLOCK, EARLY 18TH C the cast and chased dial inscribed BARY A PARIS beneath urns flanked by allegorical busts, the interior with strapwork and sloping trompe l'oeil floor, the arched leafy gadrooned case applied with caryatids and three full length figures of saints, on four 'Indian head' volute legs, the 19th c English chain fusee movement with bell and gong, 75cm h++Lacks pediment and pendulum, much dirt and small localised areas of worm damage, basically complete and unrestored in typically country house condition

William Frodsham FRS (1728-1807) A Very Impressive Regency Bracket Clock Comprising a mahogany bracket case with pendulum lock down screw for ease of transportation, canted corners, finished with brass overlays. Features a painted white dial with black Roman numerals, three train chain fusee, full repeat, on the hour, quarters, and half hour striking on eight bells. Of pleasing form, a rare example in very good condition, height, 20 inches, width 11.5 inches, depth, 6 inches. William Frodsham was horologist to King George III and was made an honorary Freeman of the Worshipful Company of Clockmakers in 1781.

A reproduction French Louis XVI style bracket clock and bracket.

ANTIQUE BRASS BRACKET CLOCK BY CHRIS FRODSHAM, LONDON

A George III oak and mahogany banded longcase clock, with brass dial and later eight day striking movement, the base with long trunk door flanked by quarter columns and all raised on bracket feet, height 199 cm.

An Edwardian mahogany grandmother clock, in the Chippendale style, with swans neck pediment above the arched silvered brass dial flanked by reeded columns, the trunk with long door and with brickwork base raised on ogee moulded bracket feet, with three-train movement. Dial width 80 cm, case height 152 cm (see illustration).

A Regency mahogany bracket clock, with two-train fusee movement, the face marked "S&C Joyce, Lombard Street, London", the backplate of the movement similarly marked. Width across bracket feet 28.5 cm, height excluding carrying handle 35 cm, depth at bracket feet 19.5 cm. NOTE - The rear of the case is stamped "Thwaites" (see illustration). CONDITION REPORT: This clock has come to us from a local deceased estate. It was purchased by the deceased in January 2011 from Kembery Antique Clocks for £3350. We have a copy of the invoice. The movement winds on both trains and strikes when manually advanced. The movement runs for approximately 30 seconds and then stops. It seems a little dry. When the pendulum is removed the escapement operates without assistance but is a little sluggish. The dial is extremely clean and looks to have been refinished probably prior to sale in 2011. The case is in very good condition. There are no cracks across the top. The left and right hand sides have minor stress fractures to the veneers. All brasswork is present and correct. The rear door has some stress fractures to the veneers. Both doors lock and we have the two door keys.

A Georgian walnut cased longcase clock, with moulded cornice above the arched glazed door enclosing the two-train striking movement by Jos. Naylor, London, with long trunk door and conforming base raised on bracket feet. Height 244 cm. CONDITION REPORT: The movement winds on both trains and is currently ticking away. When the hands are advanced the tidal aperture and the date appear to advance as they should. We cannot attach the strike weight as the top loop to the weight is broken. We have not had the strike operating. The seatboard is not original and there is some packing beneath the seatboard. Whether this indicates that the clock is a marriage or not we are not sure. The case maybe pine. It looks to have been fairly recently stripped and varnished. This has been a lacquered case originally. The backboards would appear to be original. The bracket feet, plinth moulding and short upstand to the base are later.

A Regency mahogany bracket clock, brass inlaid, marked "Deayton" and with partially engraved backplate, two-train striking movement. Height including finial 57.3 cm, case with 28 cm, dial diameter 20 cm (see illustration). CONDITION REPORT: The movement winds on both trains and the clock is currently ticking away. It strikes when advanced. The dial is in untouched original condition. It has craquelure to the paintwork and small chips around the winding apertures. There are also one or two larger scratches through the paintwork. The glass and brass bezel are in good order. The case itself is in generally good condition with only minor small veneer losses and stress fractures. The feet are original and in good order. There are some nibbles to the veneers around the fish scale brass sides and rear door.

An 18th century oak longcase clock by G. Payne of Ludlow, with 30 hour movement and 10" square brass dial with date aperture. Case height 209 cm. CONDITION REPORT: We have the weight and pendulum however we have not had the movement running. The movement is dirty and does appear to operate without the pendulum in situ when weight is applied to the movement. The clock does also strike. The single pointer appears to move also. The movement is dirty with some losses to the paintwork to the numerals. There is no glass in the face door. The case is generally a little primitive but in reasonably good order with no serious condition issues. Neither door is warped and there is no evidence of any active woodworm. We have a weight for the clock, it is in our opinion the wrong one however. The bracket feet and plinth moulding are in our opinion later. We are not sure whether the clock is a marriage or not. The seatboard would appear to be original and the cheeks have not been built up. The upper section of the backboards running from the height of the hood moulding to the top of the case has an old but later overlaid panel of plywood. The mask around the dial fits the face very well.

A George III mahogany longcase clock, by Thomas Twigg, Shelton, with eight day movement, the case with swans neck pediment, long trunk door and fluted quarter column corners. Height 229 cm. CONDITION REPORT: The movement winds on both trains. It strikes when advanced. The face is discoloured and dirty particularly around the bottom edge and the left and right hand lower spandrels. There is some craquelure to the face and the numbers appear at some point to have been re-painted along with the name. There may also have been restoration to the paintwork on the arch. The case is in structurally fairly good order but does have numerous old blemishes and discolouration to the polish. The hood and trunk door are not warped. The lock escutcheon is worn. The backboards are in tired condition. There are some holes in the centre of the backboard. The base moulding is a little knocked and scuffed. There are no bracket feet.

An Edwardian walnut cased bracket clock, with three-train striking movement, with silvered brass dial, advance and retard and chime silent mechanisms, the case raised on brass bun feet. Width 33.5 cm, height 41 cm, depth 24 cm (see illustration). CONDITION REPORT: This clock is in first class condition. The movement winds on all trains. It is currently ticking away and striking when advanced. The case is in exceptionally good order with only very minor blemishes.

William Dixon, Whitehaven, an 18th century longcase clock, the arched brass dial with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed W.M. Dixon Whithaven (sic), with cherub mask spandrels all beneath the arched painted dial with a seated female looking towards the sea, with eight day movement chiming on a bell, in oak case crossbanded with mahogany. Height 206 cm. CONDITION REPORT: The movement winds on both trains. The clock is currently ticking away. We have both weights and pendulum. The movement appears to strike when advanced. The upper half of the case backboards are later. There are some scratches and losses to the paintwork in the arched dial. The case is in reasonable condition. There are some timber fractures to the hood and slightly open corner joints. There are some stress fractures to the crossbanding around the door. The trunk door is not warped. The sides of the case and base are in generally good condition. The clock may at some point have had bracket feet but only the base moulding is currently present. There are three small pieces of dentil moulding missing beneath the clock hood.

A walnut cased grandmother clock, with three-train spring driven movement, with long trunk door and all raised on bracket feet. Height 171 cm. CONDITION REPORT: The movement winds on all three trains. We do not have the pendulum so cannot tell if it is ticking away. It strikes when advanced but the movement seems sluggish. It is very dirty. The movement has eight hammers but only six gongs. Two appear to be missing. The face is in good condition. The case is in very good order with only very minor blemishes. The hood has no condition issues. The door is not warped and the sides and base of the case are in very good condition with only very minor surface marks.

A German carved wooden owl form clock, the eyes indicating the time, height 19 cm, and a wooden bracket (see illustration). CONDITION REPORT: The clock ticks when wound. The colour of the wood is uniform throughout. There is a small nick to the rear of the head. It is stamped to the rear base GES. GESCH Germany. When looking directly at it there are white marks around the dial on the left eye. This would appear to be the fixing adhesive for the dial (Plaster of Paris) has been damaged in some way. There is a small slightly large than pinhead size white mark to the front body just below the beak where it would appear the stained varnish has been rubbed or knocked off but overall the item is in nice condition. The accompanying bracket has had the right hand corner frieze glued back on. The centre right supporting bracket has a top to bottom split. There is an ink mark to the centre of the shelf. The centre left and extreme left supporting brackets appear to have been off sometime in their life as there are traces of glue but both appear to be free from any chips or cracks.

An early 19th century mahogany longcase clock by J. Spittall of Whitehaven, the case with swans neck pediment, with Verre Eglomise above the glazed door enclosing the eight day striking movement, the case with three quarter trunk door and conforming base raised on bracket feet. Height 232 cm (see illustration). CONDITION REPORT: The clock winds on both trains. We have both weights and the pendulum. The clock is currently ticking away and appears to be striking as it should. The seconds hand is detached but we have it. There is a very small crack to the door glass in the top left hand corner below the arch. The case is in extremely good condition. It is of good colour and the door is not warped. The bracket feet are original. We have the key for the case door.