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A 18th Century black chinoiserie longcase clock by John Page Ipswich, brass dial with eight day striking movement, seconds subsidiary dial and date aperture enclosed by a pillared hood over a long trunk door and canted plinth base, decorated with lacquered figures and buildings, height 198cm, A/F.
A Victorian black slate mantle clock, width 40cm, a small Edwardian inlaid mahogany mantle clock, height 28cm, and a small inlaid mantle clock. A/F and a 20th Century copper and brass two handled samovar on square base, height 59cm and a plated spirit kettle on stand (5)
A William IV rosewood crossbanded birdseye maple two flap work table. With two short drawers, on turned supports terminating in brass cup castors. 56 cm wide x 33 cm deep x 72 cm overall height. The table is generally in good antique order with the usual minor knocks and marks expected. The tops of the legs have some stringing that is loose and has a very tiny area of damage, and the crossbanding a small section of lifting veneer.
A French late 19th-century amboyna, ebony and gilt brass music stand with an inclining shaped gallery top inlaid with musical trophies within a pierced brass gallery. Fitted a single frieze drawer above open compartments. Supported by realistically cast pied-de biche legs. 50 cm wide x 35 cm x 78 cm overall height. Generally, the stand is in good order with no areas of missing inlay or veneer.I can not get the stay that supports the top to lock in place I think it must be missing something from the fitting, difficult to explain but if you look at the images you will understand.my point.Worth mentioning the ebony isn't really ebony but probably ebonized pearwood/ other fruitwood as is usually the case.The brass legs are screw fitting and so can be tightened and the brass gallery is a little loose and could do with the pins being tapped in a little more,
Charles Hindley & Sons (1820-1892), a late Victorian mahogany " love seat" with stuff over upholstery above carved scroll arms and supported by square tapering legs terminating in brass swivel castors bearing the maker's name. 129 cm long x 56 cm deep x 74 cm overall height, 43 cm height of seatHindley, Charles & SonsBerners Street & Oxford Street, London; cabinet makers, upholsterers and retailers (fl.c.1820-1892)Charles Hugh Hindley (b.1792- d.1871) was the son of Christopher, a merchant in Mere, Wiltshire. He moved to London with an elder brother to live with his uncle, who was possibly running the London branch of the Wiltshire business.Please follow the link below for more information on Charles Hindley & Sons.https://bifmo.history.ac.uk/entry/hindley-charles-sons-1820-1892Sources: DEFM; Joy, ‘The Royal Victorian Furniture-Makers, 1837-87’, The Burlington Magazine (November 1969); C. Gilbert, Pictorial Dictionary of Marked London Furniture 1700-1840 (1996); L. Microulis, ‘Charles Hindley & Sons, London House Furnishers of the Nineteenth Century: A Paradigm of the Middle-Range Market’, Studies in the Decorative Arts (Spring/Summer 1998); L. Microulis, ‘The Furniture Drawings of Charles Hindley & Sons, 134 Oxford Street, London’, Furniture History (2001); Hindley Family papers, Department of Furniture, Textiles & Fashion, V&A.Credit BIFMO
A brass oval cased carriage clock, the Swiss eight day movement, chiming on a gong, retailed by Matthew Norman, London, with inscription to the top 'To Gloria & Arthur Levin with best wishes from Nick & Betty Cayzer, August 11th, 1982',, 15.5cm high, 12.5cm diaMovement currently in operation.
Charles Frodsham; A Victorian triple fusee 8-day mantle/boardroom clock. With architectural brass strung and inlaid broken arch oak case, the movement with variable eight or four bell quarter chiming and the hours on a coiled gong. The brass dial with applied spandrels and a silvered chapter ring bearing the legend: Charles Frodsham 84 Strand. London 1815 fitted an advance and retard and strike selector to the broken arch. The case is supported by compressed gilt brassbun feet. 39 cm wide x 26 cm deep x 51 cm overall height.Charles Frodsham was recorded as working at 84 Strand, London between 1858-1884The clock bears the serial number 1815 this will place it in the production run between 1880-1895Some damage to the moulding of the case.The movement winds freely on all trainsThe clock will run and chime but this is no guarantee of accuracy or reliability.
A late 19th-century corniche cased 8-day repeating carriage clock with a simple folding bale handle, the white enamel one-piece Roman dial fitted with blued steel hands, together with a later oval gilt brass carriage timepiece. 9 cm wide x 7 cm deep x 16.5 cm overall height.
A 19th century single fusee gothic skeleton clock, the silvered chapter ring with Roman numerals, inscribed London, the six pillar pierced frame on a brass inlaid rosewood base with ebonised bun feet, under a glass dome, an applied label to the underside for 'C. Kuss & Sons, Newcastle Upon Tyne', the clock 27.5cm, 36cm overallRuns for only a short time before stopping.
A Continental porcelain trinket box, stamped Chateau des Tuileries, with painted reserves on a cobalt blue ground, gilt highlighted, 8.5 cm high x 14 cm wide, together with two smaller trinket boxes and a gilt brass box with inset porcelain panel to the cover.Qty: 4The cover on the largest box is loose, no other apparent damage. Surface wear and marks throughout.
After Moritz Retzsch (German, 1779-1857). Oil on canvas painting depicting Retzsch's "The Chess Players," depicting two figures playing chess while an angel observes the pair. The painting is set with a clock. With a sliding wood panel along the back to access the clock. Rectangular brass movement, spring, and escapement. With an enamel dial and a gilt frame case.Provenance: Dorotheum, May 15, 2006, lot 106; From the Estate of Horst Rechelbacher, Osceola, Wisconsin.Horst Rechelbacher, the founder of Aveda and Intelligent Nutrients, was a pioneer in the field of safe and eco-friendly cosmetics. The same curiosity that led him to explore ways to improve the beauty industry led him to travel the world, collecting rare and beautiful objects as he went. This sale features selections from that lifetime of eclectic and inspired collecting, including furniture by Carlo Bugatti, Gabriel Viardot, and Josef Hoffman; artworks by artists ranging from Old Masters to Salvador Dali to Arman; an impressive collection of Indian sculptures; and much more. Be sure to explore our timed-only online auction of other fascinating objects from this collection that will be posted in mid-August.Height: 24 in x width: 24 in x depth: 5 1/2 in.

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1126054 item(s)/page