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A cream ceramic bread storage bin, together with a Victorian wash jug.

A stack of two small and two large mobile drawers and a boxed un-used bread bin

An early 20th Century white enamel bread bin; a two handled white enamel bowl; four other white enamel bowls; a white enamel jug and a more modern enamel coffee pot. Viewing/collection at West Woodlands BA11 5ES. Payment at Standerwick BA11 2QB. No booking required. Lots to be collected within 7 days.

METAL SHOE RACK, BREAD BIN & KITCHEN SCALES

Vintage enamel bread bin, rosewood work box, brass trivets and other metal ware

A vintage green enamel bread bin, together with an enamel dressing table mirror, glassware and other items

A Modern Pine Bread Bin, 40cm Wide

Two boxes containing miscellaneous serving trays, chopping board, enamelled bread bin, a red velvet curtain with curtain pole etc.

A fish steamer together with a bread bin

FIVE BOXES AND LOOSE OF CERAMICS AND GLASSWARE, including Booths Fleradora part dinner service, Winalex ware coffee service, stoneware jugs, storage jars, etc, a Chinese stick stand, two pressed glass bowls, a ceramic bread bin and cover, eight glass lamp shades, Royal Worcester coffee pot - chipped spout and water jug - finial reglued both in Wild Harvest pattern, etc

Blue and white enamel kitchen ware to include a bread bin 30cms d x 26cms h, jug 36cms h, flour bin 24cms d x 26cms h and a bowl 34cms d.Condition ReportChipped enamel and surface rust, overall fairly good condition.

A group of collectables to include a brass companion set, enamel bread bin and a blue & white lamp.

AN ENAMEL BREAD BIN, KITCHENALIA ETC.

An assorted lot of electric items etc. in working order, some new including kettle, steamer, bread bin & hair appliances etc.

An enamel bread bin.

Enamel Bread Bin

An early 20th century enamelled bread bin; an E.P.N.S. mounted bread board; a Slazenger tennis racquet; another badminton

A MIXTURE OF VINTAGE ENAMEL ITEMS ETC TO INCLUDE A MEAT LOCKER, BREAD BIN, KITCHEN ITEMS ETC

A MIXTURE OF ENAMEL KITCHEN ITEMS TO INCLUDE A BREAD BIN POTS ETC

A variety of vintage enamel kitchenalia including bread bin,cake tin and more.

CERAMIC LIDDED BREAD BIN, decorated with fruit, 36cm wide, along with an Adderley's ewer, vase, tea pot and two blue and white circular lidded jars

Enameled bread bin, large bowl, some pottery, EPNS laddle, etc.

VINTAGE ENAMEL BREAD BIN

TWO VINTAGE ENAMEL BUCKETS a keep warm coffee pot and a collection of marble eggs, kitchenalia and a Vintage enamel bread bin

A Collection of Kitchen Wares to Include Enamel Bread Bin, Vintage Pastry Tools, Mincer, Enamelled Pan, Brass Jam Thermometer

Two boxes of English pottery jugs and vases, two duck ornaments, bread bin etc

1960's/70's enamel bread bin, with lift up lid, green writing and handles, 31.5cm high

A pair of modern table lamps, of baluster form, transfer decorated with dragonflies, butterflies, and snails; together with one other table lamp; an amphora type pottery vase; and a Toleware type bread-bin (5)

An enamelled bread bin, buckets and a small engineer's chest

An early enamel white bread bin together with, a quantity of dinner/teaware makers to include- Paragon, Myott and Aynseley (4)

A 1930s Enamel bread bin, made in England, 33.5cmD, approx. 40cmH

A vintage Polish enamel bread bin, approx. 30cmD; together with enamel flour bin, rice jar and mixing box

An enamelled bread bin and flour bin

An enamel bread bin, Cadbury`s clock and various bakelite items Condition Report: Available upon request

52 piece Royal Albert Country Rose tea set with ornaments including vases, jam pots, shoes, dishes, bread bin, cake stand, candle holders, cups, saucers, teapots etc.

A Modern Enamelled Bread Bin

THE BEATLES - 'THE BEATLES' 16 x CASSETTE 'BREAD BIN' BOX SET. Excellent complete limited edition UK 16 x cassette (over 14 albums) 'bread bin' set from The Beatles. The set contains the complete studio albums as well as Past Masters Volumes One/Two. The cassettes appear to be in excellent condition with the outer cases also excellent. The roll top 'bread bin' case is in Ex condition - with some light scuffs and the roll top a little 'sticky', it is still in working order.

A selection of kitchenalia, including: bread and flour bin, stoneware kitchen unit; a book 'Studies in Harmony, Wallpapers 1933'; and other items.

A Tala wall mounted food safe, hinged door enclosing shelving; a conforming wall mounted egg rack; an enamel bread bin; a Spong No.100 table mounted mincer (4)

WEST GERMAN STONEWARE, POTTERY VASES & PLANTERS (13), other planters by Poole, Sylvac and other potters, vintage bread bin and a reproduction Staffordshire pottery figural group

An Art Nouveau style jug and bowl, together with a blue and white bread bin, Majolica 'lizard' plate etc

An enamel bread bin; Le Creuset pot; enamel coking dish etc.

A Vintage lidded enamel Bread Bin

A vintage enamel bread bin

A vintage enamel bread bin

A VERY RARE AND VERY FINE ICON SHOWING THE EUCHARIST Russian, Old Believer's Workshop, circa 1860 Tempera on wood panel with two splints on the back. The haloes made of gold. The faces rendered finely with soft colours. The border elaborately decorated with foliate scrolls and strap work. Border damaged. 40.6 x 35.8 cm. Die Ikone hat eine einzigartige Komposition. Sie thematisiert eines der der The icon has an unique composition. It thematises one of the main sacraments of the Church: the Eucharist, the transformation of the prepared gifts (bread and wine) into the Body and Blood. The purpose of this sacrament is the consecration of the body and blood of Christ. The purpose of this sacrament is to sanctify the faithful, as each communicant carries a particle of Christ, God himself, within him. In terms of content, the icon conceives of this great sacrament as the identity of the Holy Gifts, over which the Eucharistic Prayer is said, to the true Body and Blood of Christ. In the centre of the composition, within a bright red rhombus, is Jesus Christ. Standing at the altar, his right hand is folded in a gesture of blessing, and with his left hand he points to the prosphora (bread) and the chalice containing the wine. A red rhombus is superimposed on a blue square forming an eight-pointed figure with images of angels in the corners. The corners are inscribed in a green globe, framed by baroque elements in the form of branches and flowers. Inside the cartouches is a text from the Gospel that describes the content of the image: "I am the bread that came down from the earth // I am the bread that made my flesh // and I am the bread that drank my blood // and I am the bread that drank my blood // and I am the bread that drank my blood // and I am the bread that drank my blood. My blood // will have eternal life, and I will raise him up at the last day" (John 6: 51,54). In the four corners are representations of the four saints James, Basil the Great, John the Theologian and Gregory Dvoeslov, Pope of Rome. On the left and right are raised angel figures, one holding the chalice with the Holy Gifts (left), the second holding the censer with the burning coals. In the corners are the figures of the four evangelists, writing the Gospel texts. Thus the icon reveals the history of the formation of the doctrine of the Eucharist from the Gospel texts to the performance of the sacrament through liturgy and practice. The theology of the Eucharist was witnessed to in the New Testament, established by Jesus Christ himself at the Last Supper, in the instructions to the disciples and in the references to the administration of the Eucharist in apostolic times, quotations are found in each of the Gospels (Jn. 6: 51-56; Mt. 26: 17-30; Mk. 14: 12-26; Lk. 22: 7-39). The first liturgy was composed by St. James, the Brother of God; three texts are used in the modern Church: the Liturgy of St. Basil the Great, the Liturgy of St. John Chrysostom and the Liturgy of the Sanctified Gifts attributed to St. Gregory Dvoësloff, Pope of Rome. This icon indicates all the authors of the liturgy. An interesting feature of the icon is its possible origin in a workshop of the Old Believers, as witnessed by the writing of Christ's name by IC XC and the double-fingered blessing of Christ. The icon is distinguished by its programmatic character, the author's interpretation of the theme and the uniqueness of the composition. SEHR SELTENE UND SEHR FEINE IKONE MIT CHRISTUS UND DER EUCHARISTIE Russland, Altgläubigen-Werkstatt, um 1860 Holztafel mit zwei Rückseiten-Sponki. Eitempera auf Kreidegrund, partielle Vergoldung. 40,6 x 35,8 cm. Randbereich besch. Die Ikone hat eine einzigartige Komposition. Sie thematisiert eines der der Hauptsakramente der Kirche: die Eucharistie, die Verwandlung der zubereiteten Gaben (Brot und Wein) in den Leib und das Blut. Das Ziel dieses Sakraments ist die Konsekration des Leibes und Blutes Christi. Der Zweck dieses Sakraments ist es, die Gläubigen zu heiligen, da jeder Kommunikant ein Teilchen von Christus, Gott selbst, in sich trägt. Inhaltlich begreift die Ikone dieses große Sakrament als die Identität der Heiligen Gaben, über dem das eucharistische Gebet gesprochen wird, zum wahren Leib und Blut Christi. In der Mitte der Komposition, innerhalb eines hellroten Rhombus, ist Jesus Christus zu sehen. Am Gabentisch stehend, ist seine rechte Hand in einer Geste des Segens gefaltet, und mit seiner linken Hand deutet er auf die Prosphora (Brot) und den Kelch mit dem Wein. Ein roter Rhombus wird überlagert von einem blauen Quadrat, das eine achtzackige Figur bildet, in deren Ecken sich die Bilder von Engeln wiederfinden. Die Ecken sind in einer grünen Kugel eingeschrieben, umrahmt von barocken Elementen in Form von Zweige und Blumen. In den Kartuschen befindet sich ein Text aus dem Evangelium, der den Inhalt des Bildes beschreibt: ''Ich bin das Brot, das von der Erde herabkam // ich bin das Brot, das mein Fleisch gemacht hat // und ich bin das Brot, das mein Blut getrunken hat // und ich bin das Brot, das mein Blut getrunken hat // und ich bin das Brot, das mein Blut getrunken hat // und ich bin das Brot, das mein Blut getrunken hat. Mein Blut // wird ein ewiges Leben haben, und ich werde ihn auferwecken am letzten Tag'' (Johannes 6: 51,54). In den vier Ecken befinden sich Darstellungen der vier Heiligen Jakobus, Basilius des Großen, Johannes des Theologen und Gregor Dvoeslov, Papst von Rom. Links und rechts sind erhabene Engelsfiguren zu sehen, einer hält den Kelch mit den Heiligen Gaben (links), der zweite hält das Räuchergefäß mit den brennenden Kohlen. In den Ecken befinden sich die Figuren der vier Evangelisten, beim Schreiben der Evangelientexte. So offenbart die Ikone die Geschichte der Entstehung der Eucharistielehre von den Texten des Evangeliums bis zur Durchführung des Sakraments durch die Liturgie und die Praxis. Die Theologie der Eucharistie wurde im Neuen Testament bezeugt, begründet von Jesus Christus selbst beim letzten Abendmahl, in den Anweisungen an die Jünger und in den Hinweisen auf die Verwaltung der Eucharistie in apostolischer Zeit, finden sich Zitate in jedem der Evangelien (Joh. 6: 51-56; Mt. 26: 17-30; Mk. 14: 12-26; Lk. 22: 7-39). Die erste Liturgie wurde vom hl. Jakobus, dem Bruder Gottes, verfasst; in der modernen Kirche werden drei Texte verwendet: die Liturgie des hl. Basilius des Großen, die Liturgie des Johannes Chrysostomus und die Liturgie der Geheiligten Gaben, die dem heiligen Gregor Dvoësloff, Papst von Rom, zugeschrieben wird. Diese Ikone zeigt alle Autoren der Liturgie an. Eine interessante Eigenschaft der Ikone ist seine mögliche Entstehung in einer Werkstatt der Altgläubigen, wie das Schreiben des Namens Christi durch den IC XC sowie die Doppelfingersegnung Christi bezeugen. Die Ikone zeichnet sich durch ihren Programmcharakter, die Interpretation des Themas durch den Autor und die Einzigartigkeit der Komposition aus.

SHELF OF ORNAMENTS, EARTHENWARE FLAGGONS, ENAMEL BREAD BIN, PLATES ETC

A Scottish pottery bread bin, together with a Bargeware two handled mug, marked for the Three Pilchards Inn, Polperro 1854 Provenance: The Late Dr Helen. E. C. Cargill Thompson Condition Report: Available upon request

Green Enamel Bread Bin and a Galvanised Wash Tub plus Shoe Last

AN ASSORTMENT OF ITEMS TO INCLUDE A GALVANISED WATERING CAN, ENAMEL BREAD BIN AND PANS ETC

AN ASSORTMENT OF ITEMS TO INCLUDE ENAMEL MUGS, A BREAD BIN AND BRUSHES ETC

AN ASSORTMENT OF ITEMS TO INCLUDE AN ENAMEL BREAD BIN, AIR HOSE AND FORK ETC

Various enamel and other wares, to include a enamel bread bin, strainer, a Hemmings Northampton porcelain soap dish, three enamel kitchen oven proof dishes and a Swift Sure vacuum washer. (a quantity)

A large enamel bread bin, together with six enamelled bowls

A Doulton & Co. Lambeth "Improved Bread Pan", Three Stoneware Colanders and a White Enamel Bread Bin and Cover, the Doulton bread pan, produced for "Frain China Merchants", 12.75ins diameter x 8.5ins high, the three colanders, 12.5ins diameter x 6ins high, 7.25ins diameter x 3.5ins high and 5.5ins diameter x 2.25ins high, and the two-handled bread bin and cover, 12.25ins x 9.25ins x 13.25ins high

Mixed Lot of Sundry Pottery, To include a Ewer and Basin, Teracotta Bread Bin, Carlton Ware Dish and Cottage, Stoneware Vase etc, (6)

A mini grill , bread bin and knife block

A White Enamel Bread Bin, together with Thomas Taylor crown green bowls, French bowls etc:- One Box.

Enamelled Bread Bin, circular example, Jar, both with covers. (3)

Concrete Door Stop as a Reclining Dog, 37cm long (damaged), two flat irons, enamelled bread bin. (4)