Bennett, Maker to The Royal Observatory, 65 Cheapside, London. A Victorian ormolu bracket clock in architectural case with circular silvered Roman dial flanked by floral scroll outer spandrels, on scallop shell pad feet, unsigned eight day twin fusee movement with anchor escapement striking upon a bell, 27cm wide, 21cm deep, 32cm high Case probably originally started with a dill bronze finish and gilt highlights to the raised extremities but now polished down to a less strong but still even tone, glass lacking from the front door, dial oxidised with some spotting near the maker's name, back door with original working key although lock a little stiff, movement looks complete but not tested for timekeeping, comes with adjustable brass pendulum and associated winding key.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
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§ § John Rattenbury Skeaping RA (1901-1980). A bronze group, 'Shoeing a cart horse', on naturalistic base, signed and numbered 3/15, 47cm wide, 16cm deep, 32cm high A little dusty but otherwise in honest untouched condition, rich chocolate brown patination throughout, signed and numbered to the back of the naturalistic plinth.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
STRALENDORFF-EILERS, FRIEDERUN (1916-2011) "Galoppierendes Pferd" Bronze, dunkel patiniert, sig."FRIEDRUN EILERS", bewegte Darstellung auf naturalistischer Plinthe, HxB: ca. 27/41 cm. Leichte Altersspuren.| STRALENDORFF-EILERS, FRIEDERUN (1916-2011) ‘Galloping Horse’Bronze, dark patina, sig. ‘FRIEDRUN EILERS’, moving depiction on naturalistic plinth, hxw: approx. 27/41 cm. Slight signs of age.
NUSS, FRITZ (1907-1999), Stehender weiblicher Akt, 1947, Bronze, dunkel patiniert, auf mitgegossener Plinthe stehender Frauenakt mit hinter dem Rücken verschränkten Armen, auf der Plinthe sign. und dat.: „Nuss / 47“. H: 60 cm. Schöner Erhaltungszustand mit leichten Altersspuren.| NUSS, FRITZ (1907-1999), Standing female nude, 1947, Bronze, dark patina, female nude standing on a moulded plinth with her arms crossed behind her back, signed and dated on the plinth: ‘Nuss / 47’. H: 60 cm. In fine condition with slight signs of age
Henri Gaudier-Brzeska (1891-1915) “Torpedo Fish” (1914) cast between 1960 -1962 Bronze on a square base, one of two casts by Michael Gillespie before the 1968 edition of nine, 19.5cm high (including base)Provenance: H.S. Ede, Cambridge Roger Cole, Cambridge Sold to a Private Collector Purchased back by Roger Cole in 2018 Purchased by the present vendor from Roger Cole in 2019 Literature: Roger Cole, "Burning to Speak: The Life and Art of Henri Gaudier Brzeska", Phaidon, Oxford, 1978, cat. no.63B, illustrated p.117 (another cast); Evelyn Silber, "Gaudier-Brzeska: Life and Art", London, Thames & Hudson, 1996, cat. no.80, p.270 (another cast) In 1910 Gaudier-Brzeska set out to become an artist in London without any formal training. He travelled to England with Sophie Brzeska, a Polish writer he had met when he was eighteen and she was twice his age; he would later take her surname, but the pair never married. In London, he fell in with the Vorticist movement, led by Ezra Pound and Percy Wyndham Lewis, and was also influenced by Jacob Epstein to move away from the highly finished classical style of sculpture to a more earthy, direct form of working that left visible the fingerprint of the artist and his tools. Formative to his work, too, was Cubism, and the non-European visual culture he studied at the Victoria and Albert Museum and the British Museum.Ideologically, Gaudier-Brzeska was fascinated by the natural world and felt alienated from urban culture, although he never strayed from city life. The tension between his desire to represent nature and the driving force of modernity and city life - electricity - as espoused by Vorticism, is reflected in "Torpedo Fish". Inspired by an electric ray, which can produce their own electrical discharge, "Torpedo Fish" or “Ornament torpille bronze cisele” was originally made in 1914 as a cut brass sculpture, as listed in Gaudier-Brzeska’s List of Works that he compiled before leaving to fight in the First World War. He also lists a plaster model of the sculpture. The cut brass version was sold to T.E. Hulme, one of the theorists of Vorticism, and was one of a number of small sculptures he made to amuse close friends and associates that he referred to as ‘toys’.After Gaudier-Brzeska’s died in the First World War, his estate passed to Sophie Brzeska, much of which in turn was purchased by Harold Stanley ‘Jim’ Ede in the 1920s after Sophie, too, died. Jim Ede was an art collector, champion of Modern Art and friend of a great many avant-garde artists, whose home and collections now form the museum Kettle’s Yard in Cambridge.Between 1960 and 1962 Ede commissioned Michael Gillespie, an artist and master bronze caster, to make two casts of "Torpedo Fish". The present example was purchased from Ede by Roger Cole in 1962, the other was kept by Ede. In 1968, he commissioned a further nine bronze casts from Gillespie, each numbered on the lower edge. Again, Ede kept two, and the rest were sold to dealers and galleries, and one of which is now held in the Tate. The finish is original and as the artist (Gillespie) intended with remnants of gilt / copper patination and with various tool marks throughout.Some minimal edge small edge dents and blemishes that may or may not be original to the piece.The base is a later addition, a threaded nut has been drilled and tapped into the underside of the sculpture (see additional condition report images with the base removed).
Marvel Comics: a mixed lot of 58 silver and bronze-age issues (Marvel Comics, 1970s onwards).From the Peter Judge Comic collection.This lot features:Mixed Marvel titles from the Bronze onwards including Black Panther (1st series Nos. 1, 2, 14, 15), Worlds Unknown Presents the Golden Voyage of Sinbad, The West Coast Avengers, Vision and the Scarlet Witch, Rom, Sgt. Fury and His Howling Commandos, Moon Knight, Micronauts, Machine Man, Journey Into Mystery, Hercules: Prince of Power (complete 4 issue mini-series), Indiana Jones, Fantasy Masterpieces, Black Goliath, Peter Parker the Spectacular Spider-Man, The Silver Surfer and others.All issues 1stprint, UK Pence And Us Cents copies included.Issues complete without cut coupons, missing value stamps or missing pages.Issues come bagged in new polypropylene bags.~(58)Condition Report: Majority of comics in lot in Mid-grade condition.
Captain America: a large run group of 105 Silver and bronze-age issues featuring 1st appearances, classic covers and notable issues (Marvel Comics, 1970 - 1984).Title changes to Captain America and Falcon from issue No. 134 onwards as the character of the Falcon exploded into popularity alongside Captain America. From the Peter Judge Comic collection. This lot features:Captain America (1st series) Nos. 131 138, 143, 145, 146, 148, 150, 152, 153154-170, 172-229, 246, 250, 261, 262, 263, 278, 279, 281, 283, 286, 287, 288, 289, 290. King-Size Annual No. 3Notable issues include:No. 180: 1st appearance of Captain America as Nomad.Creators include Stan Lee, Herb Trimpe, John Romita, Marie Severin, Jack Kirby and others.Issues complete without cut coupons, missing value stamps or missing pages.Bagged in brand-new polypropylene comic bags. All copies 1st print, US Cents and UK Pence copies included.~(105)Condition Report: Majority of comics in lot in Mid-Grade condition.
Conan The Barbarian: a large run group of 89 Silver and bronze-age issues featuring 1st appearance of Red Sonja, classic Barry Windsor Smith and John Buscema art (Marvel Comics, 1971 - 1981).Conan the Barbarian (1st series) Nos. 5, 11, 17, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 32, 33, 34, 35, 36, 37, 38, 39, 40, 41, 42, 43, 44, 45, 46, 47, 48, 49, 50, 51, 52, 53, 54, 55, 56, 57, 58, 59, 60, 61, 62, 63, 64, 65, 66, 67, 68, 69, 70, 71, 72, 73, 74, 75, 76, 77, 78, 79, 80, 81, 82, 83, 84, 85, 86, 87, 88, 89, 90, 91, 93, 94, 95, 96, 97, 123, 124, 127, 128, 129, 130. King-Size annual No. 2Notable issues include:No. 23: 1st appearance of Red Sonja, appearing in over 20 panel and being introduced by name.No. 24: 2nd appearance and 1st cover appearance of Red Sonja.Creators include Roy Thomas, Barry Windsor Smith, John Buscema, Gil Kane, Neal Adams, and others.Issues complete without cut coupons, missing value stamps or missing pages.Bagged in brand-new polypropylene comic bags. All copies 1st print, US Cents and UK Pence copies included.~(89)Condition Report: Majority of issues in Mid-Grade condition.
Man-Thing: a group of 19 issues (Marvel Comics, 1974 onwards).A selection of increasingly hard to find Marvel bronze-age horror issues. First Man-Thing solo title. From the Peter Judge Comic collection.This lot features:Man-Thing (1st series) Nos. 1, 2, 6, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22.Man-Thing (2nd series) No. 1Notable issues include:No. 1 1st issue. 2nd appearance of Howard the Duck.No. 3 1st appearance of the Foolkiller.All issues 1st Print, US Cents and UK Pence copies included. Issues complete without cut coupons, missing value stamps or missing pages. Issues come bagged in new polypropylene bags.~(19)Condition Report: No. 1 (1st series) Low-Grade condition.Remainder of lot varying in Mid to High-Grade condition.
Howard the Duck: a run of 35 issues including 2 copies of 1st issue (Marvel Comics, 1976 onwards).A near complete set of the influential bronze-age series (missing only No. 32). From the Peter Judge Comic collection.This lot features:Howard the Duck (1st series) Nos. 1 (x2 copies), 2, 3 (x2 copies), 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29, 30, 31, 33. Annual No. 1. Story by Steve Gerber. Art by Frank Brunner and Steve Leialoha. Other creators also contribute.All issues 1st Print, US Cents and UK Pence copies included. Issues complete without cut coupons, missing value stamps or missing pages. Issues come bagged in new polypropylene bags.~(35)Condition Report: Mid-Grade condition.
1938 Excelsior G15 500cc Manxman Special Registration number ETV 857 Frame number MVG201 Engine number GJB 100 This machine was the first Manxman G15 produced and used for initial trials and road testing by the works riders Ginger Woods and Tyrell Smith Whilst undergoing tests at Donington Park in the hands of Ginger Wood, George Richards approached the works asking to use the bike for solo and sidecar competitions The factory agreed to let him use the bike and it was updated and modified by the works on several occasions during 1937 always referring to it as GJB 100 in the works records One of only 20 Manxman specials to be built by the factory, all fitted with bronze cylinder heads We are informed that only 9 motorcycles and one engine are known to exist today The bike represents an important part of the Excelsior Manxman development story A very rare historic machine and with the George Richards connection it would be a significant addition to any collection and a good investment opportunity Purchased 2019 All lots in this sale are sold as is and bidders must satisfy themselves as to the provenance, condition, age, completeness and originality prior to bidding. Please read our terms and conditionsWith V5C, selection of photos before and after restoration, original Manxman handbookLetters from specialist Paul Ingham, Phil Heath, Manxman registrar and previous ownersVarious invoices, restoration notes, 1936 'Motorcycling' article, photocopy of maintenance bookSupplied with the original primary chain case, timing cover, spare gearbox, gaskets and sealsThis lot must be collected by 12.30pm on Friday 4th October. If the buyer has not collected by this time it will automatically be removed and placed into storage, incurring a removal charge of £60 + VAT. Combinations will be charged at £100 + VAT. Storage will then be charged at £10 + VAT per day or part thereof. If collecting from storage, please provide 24 hours notice
Henri Desire Gauquie (1858-1927). Satyr and a Bacchante, bronze, signed to base, height 97cm.The casting would appear to be of some age, and possibly produced within the artist's lifetime.Additional images showing the rich patina, and an accumulation of dirt and grime are now online. There are no obvious faults or damages, but the bronze will require a careful clean.
Approximately Sixty Five Bronze and Silver Age Comic Books by DC, to include Forever People #4, G.I Combat #213, Green Lantern #50, #55, #61, Justice League of America #122, Kong The Untamed #1, The Phantom Stranger #40, The Flash #200, Batman's Detective Comics #469, #478 etc, faults noted.
Approximately One Hundred Bronze and Silver Age Comic Books by DC, to include Action Comics #300, Adventure Comics #429, Batman #256, Giant Batman Annual #5, The Untold Legend #1, Detective Comics #439 etc, faults and duplicates noted.Too many to list individually however the following comics are within this lot – Batman #243. #249, #244, #242, #245, #246, #247, #264, #267, #269, #272, #273, #277, #289. Action comics featuring superman - #300, #485, #500, #1000, viewing advised.
Bronze lamp with dual pull chain lighting fixture with original electrical cord. Colorful eight panel iridescent slag glass set in ornate etched bronze cage with floral accents - 10"H x 18" dia. This item has a round wooden base included: 2"H x 8.5" dia. Issued: 20th centuryDimensions: 24"H x 18" dia. Condition: Age related wear. Bronze has scratches.
Arts and Crafts bronze statue of an angel, with heavy drapery and hands in prayer position, depicted barefoot, on a circular base, unsigned, 25.5cm wide 37cm high With signs of wear consistent with age and use. With patina. Unidentifiable foreign substance to the verso. Rusting to the verso. Holes have been made in the verso. Figure is slightly loose in its base.
A French gilt-bronze mounted breche violette marble pedestal column, late 19th century, with a Corinthian capital and stepped, square base, losses to foot of shaft, 136.5cm highCondition Report: The top plateau is missing and there are two protruding brass dowels where the top would have originally been secured into place. The gilt capital and other mounts to the base of the shaft and plinth have light wear and tarnishing consistent with age and use. The top of the shaft with some nibbled to the edge where it joins the capital. There is a small area to the middle of the column shaft with a small amount of in-fill. There is a section of loss to the foot of the shaft and two further chips also to the foot. The plinth base with nicks and losses to the leading edges and corners. Some of these losses have been infilled. The top dimensions are: diagonal across the top - 33.3cm; wide left-->right - 26.5cm.
A pair of Continental gilt-bronze mounted glass urns, early 20th century, each with lanceolate leaf cast rim above Campana bodies with hobnail design, with twin scrolling foliate handles issuing from female masks, on fluted socle with laurel leaf rim, on square verde antico plinths mounted with wreaths, winged figures and stiff leaf border, on toupie feet, 48.5cm high (2) Condition Report: One urn has a large chip to the side of the top of the pedestal. There is another chip to the bottom corner of the base. Further nibbles to the leading edges. The mounts with light rubbing and tarnishing. One handle is slightly loose. The second urn has several restored areas including the vertical edge of the central block of the pedestal, all corners of the base and two corners of the top beneath the urn base. This top marble section also has a crack to two sides which might run through the section but is not possible to ascertain without removing the urn. At present it is stable. The mounts with light tarnishing and rubbing to be expected with age and use. One handle is a little loose.
An unnamed bronze bell with wood and iron mounted fitting, the bell 20 cm high x 25 diameter CONDITION REPORTS Has a clear sound when hit from the outside. The clanger is rusted and unable to easily fit it inside. The bell itself has some light scratching and casting marks otherwise general ware and tear conducive to age and use. The rest o the fittings etc are heavily rusted and worn. See images for more details.
A 19th Century silver plated bronze figure of a nude woman in the Classical taste with screw fixing to her heel from previous mount 32 cm long excluding screw CONDITION REPORTS In answer to the question how do we know it's silver plated, mainly based on the fact there is a white metal thin covering to the bronze, very worn and discoloured in several areas. The auctioneer can't be sure what it has actually to come from, but it does appear to be a component of something, there is a screw to the foot, in that it has a screw to the foot to secure it to "something else". She appears to be holding/playing a musical instrument or something similar, although actually what is unknown. General wear and tear conducive to age and use
A Japanese late Meiji period bronze censer. Of cylindrical form decorated with four panels of archaic forms against a key fret ground, all raised on three ruyi-head feet. H9.5cm. Condition Report: Appears in a very good condition for its age, no cracks or restoration, some light surface marks and small dents.
DC Comics - A group of nine Bronze Age 'Our Army At War Featuring Sgt. Rock' comics from DC Comics. Lot consists of #232; #236; #237; #238; #239; #240; #241; #243 and #249. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range two Poor (rodent damage to 232 and #243) - mainly Fair - Good. (This does not constitute a guarantee) (K)
Harvey Comics - A group of approximately 30 'cartoon' themed Silver & Bronze Age comics from Harvey Comics. Lot includes 'Playful Little Audrey' (Oct 1963 #48); 'Casper The Friendly Ghost' (Dec 1965 #88'; 'Little Lotta' (Nov 1973 #110); 'Little Dot's Uncles and Aunts' (June 1969 #27) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Fair - Very Good. (This does not constitute a guarantee) (K)
DC Comics - Marvel - Charlton Comics - A collection of 11 Silver & Bronze Age 'war' themed comics. Lot includes Army War Heroes (Charlton Oct 1966 #16); Sgt. Fury and His Howling Commandos (Marvel May 1971 #87); GI Joe (Key Issue - Showcase Jan-Feb 1965 - G.I. Joe story) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range from Fair - Good. (This does not constitute a guarantee) (K)
Gold Key - Charlton Comics - Others - A group of approximately 50 mainly 'TV / Cartoon' themed Silver & Bronze Age comics. Lot includes Top Cat (Charlton #7 Nov 1971); Yogi Bear (Gold Key Jan 1968 #31); The Flintstones (Gold Key Feb 1968 #44); The Jetsons (Gold Key, July 1967 #23) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range one Poor (with rodent damage to pages) - mainly Fair - Very Good. (This does not constitute a guarantee) (K)
DC Comics - A collection of 13 Silver & Bronze age 'Superboy' comics from DC. Lot consists of #108, #114; #116; #117; #125; ##126; ##127; #133; ##139; #158; ##173; #174; and #175. Comics show general signs of age wear with creases, a couple of folds to covers, page tanning, and wear to spines. Issue #114 has rodent damage to top left all through issue, and #125 has loose centre pages. By and large conditions appear to range Poor - Good. (This does not constitute a guarantee) (K)
DC Comics - A group of 18 Silver and Bronze Age 'Superman's Girl Friend Lois Lane' comics from DC, including several Key Issues. Lot consists of #46; #48; #49; #51; #52; #53; #55; #56; #60; #63; #66; #64; #71 (Key Issue - Jan 1967 - 2nd appearance of Catwoman in the Silver Age); #94, #105 (Key Issue - Oct 1970 - 1st appearance of Thorn, the violent alter ego of Rose Forrest in the Bronze Age); #109; #110; #115 (Key Issue - Oct 1971 - 3rd appearance of Poison Ivy). Comics show general signs of age wear with creases - #53 has detached cover; #46 has detached centre pages; there are some folds and tears to covers, page tanning, and wear / chips to spines. Overall conditions appear to range Poor - Good. (This does not constitute a guarantee) (K)
DC Comics - Fawcett - Others - A group of approximately 50 'Cartoon' themed predominately 'Dennis The Menace' Silver & Bronze Age comics. Lot includes Dennis The Menace Christmas Special (Fawcett 1967); Dennis the Menace Ting-A-Ling Special (Fawcett 1973); Dennis the Menace in London (Fawcett 1971) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Poor - mainly Fair - Good. (This does not constitute a guarantee) (K)
Gold Key - Others - A group of approximately 34 'Walt Disney' themed Silver & Bronze Age comics. Lot includes Moby Duck (Gold Key #6 June 1969); Mickey Mouse & Pluto (Gold Key Feb 1971 #128); Mickey Mouse (Gold Key Nov 1968 #119); Uncle Scrooge (Gold Key Feb 1968 #73); Mickey Mouse & Goofy (Gold Key, Aug 1972 #137) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range one Poor (with rodent damage to pages) - mainly Fair - Very Good. (This does not constitute a guarantee) (K)
Gold Key - Dell - A group of approximately 40 'TV / Cartoon' themed Silver & Bronze Age comics. Lot includes Hogans Heroes (May 1967 #7); The Munsters (Feb 1968 #16); Korak Son of Tarzan (Aug 1967 #18); Tweety & Slyvester (Aug 1973 #32); Tom & Jerry (Feb 1968 #239) and similar. Comics have varying degrees of age related wear with some tears, folds, creases and yellowing, and on the whole conditions appear to range Fair - Very Good. (This does not constitute a guarantee) (K)
Splendid larger-than-life size high relief sculpture of a Recumbent made with bonded bronze, a medium that American Contemporary artist Bill Mack has mastered for his depictions of erotic women. Made in the small edition of twenty-five, Mack used a cold cast method of bronze powder with resin bonders that results in a pure bronze surface. Mack patinates the nude with a skin smooth bronze finish that contrasts with the rugged tool marks that surrounds her. Signature carved on upper right: Bill Mack. Edition number in pen on upper right: XVI/XXV. Artist: Bill Mack (American b. 1949)Issued: c. 1990Dimensions: 68"L x 10"W x 48"HEdition Number: XVI/XXV (16 of 25)Country of Origin: United StatesCondition: Age related wear.
Limited edition. A beautiful bronze statue in a golden-brass tone. Depicts a bare beauty seated on stacks of pillows. The sculpture is attached to a black and white marble base. Artist, date and edition number on the piece. The dimensions are approximately: 12"L x 11.5"W x 21.25"H. Weight: 62.2 lbs. Artist: C.A. PardellIssued: 1997Dimensions: See DescriptionEdition Number: 14 of 75Condition: Age related wear.
Limited edition. A stunning erotic bronze figure of a sleeping nude beauty resting on a cushioned bench. Artist, date and edition number marked. The dimensions are approximately: 25.5"L x 11"W x 8.5"H. Weight: 44.5 lbs. Artist: Bill MackIssued: 1996Dimensions: See DescriptionEdition Number: 31 of 150Condition: Age related wear.
A bronze figure of a child watching her mother knit. The sculpture is on a black marble base. Artist mark. Luigi Tommasi foundry stamp. The sculpture is approximately: 17.5"L x 7.75"W x 17.5"H. Artist: Harry MarinskyIssued: Mid 20th centuryDimensions: See DescriptionManufacturer: Luigi TommasiCountry of Origin: ItalyCondition: Age related wear.
An erotic bronze sculpture in a golden-brass tone of a nude woman pushing her hair back from her face. The figure is placed on a rotating black and white marble base. Artist, date and edition number marked. The dimensions are approximately: 7"W x 15.5"H. Weight: 18 lbs. Artist: C.A. PardellIssued: 1995Dimensions: See DescriptionEdition Number: 11 of 150Condition: Age related wear.

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