We found 12490 price guide item(s) matching your search

A Chinese bronze Jue ritual wine vessel, 16cms high.Condition ReportThe vessel seems to be of no great age. In good condition.

LORENZO QUINN (Rome, 1966)."The Hand of God".Bronze sculpture on marble base. Exemplary 027/999.Signed, numbered and with the artist's fingerprint.Certificate of authenticity enclosed.Measures: 22 x 34 x 19 cm.Son of the actor Anthony Quinn, this sculptor grew up between the United States and Italy, being in this last country where he learned to appreciate art. At the age of twenty-one, he earned the respect of New York art society by creating a work for the United Nations, a work that gave him the impetus to star in the much-lauded Absolut Vodka advertising campaign, for which the world's most acclaimed artists are selected. Shortly afterwards he received a major commission from the Vatican, which commissioned him to create a sculpture of the saint for the 8th centenary of the death of Saint Anthony. Quinn has held exhibitions on five continents, and his work is represented at major art fairs around the world. He has also created several public works, in cities such as London, Birmingham and Sant Climent de Llobregat (Barcelona). In November 2005, two monuments by his hand were unveiled at the sports complex that hosted the 2006 Asian Olympic Games in Doha (Qatar).

Colt Derringer .41 pistol Colt No.3 Derringer .41 LC pocket pistol, 2.5inch barrel, with London Agency Stamp, no serial number, with oak plaque.Section 58 (2) Antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, age verification will be required if the lot is to be posted out.12cm longThe action works correctly. The rifled bore has some pitting. The steel parts are pitted throughout. The bronze frame has been polished leaving the marks faint in places.

Victorian bronze signal cannon Victorian bronze signal cannon, the 6 bore 15inch overall length barrel moulded with a decorative shield, mounted on a cast iron carriage modelled as dragons. Section 58 (2) antique / obsolete calibre, can be owned without a licence. Buyer must be over the age of 18, ID will be required if the lot is to be posted out.46cm long

A 17th century bronze mortar having armorial decoration and a flared rim, 12.5cm diameter x 9cm in heightWear consistent with age

A pair of antique French Renaissance-style bronze ewers, decorated with classical scenes, 50.5cm high (2)Qty: 2Minor marks, wear and dents due to age, one handle loose and in need of re-attachment. Both with a good patina overall.

A mid-century adjustable desk lamp in the manner of Christian Dell for Kaiser Idell, on added bronze base, height 70cmSome wear commensurate with age, probably 1940s'/50s', continental plug.

After Lord Frederick Leighton (British, 1830-1896): A patinated bronze figure of 'The Sluggard'probably early 20th centurythe nude male stretching, on canted square base, bearing signature Fred Leighton to a rear corner, the front inscribed THE SLUGGARD, 52cm highFootnotes:Although perhaps better known as a fashionable Royal Academy painter of the late 19th century, Leighton took up sculpture in the 1870's and today is regarded as the father of New Sculpture in England. Leighton's Sluggard, also known as 'Athlete Awakening from Sleeping', was first executed in 1882. Giuseppe Valona, the Italian model who posed for 'An Athlete Struggling with a Python', was again used for the Sluggard. Edgcumbe Staley described the moment when: 'Giuseppe Valona, the model, a man of fine proportions, weary one day of posing in the studio, threw himself back, stretched out his arms and gave a great yawn. Leighton saw the whole performance and fixed it roughly in clay straight off.'A more refined life-size plaster was later exhibited at the Royal Academy in 1886 and was awarded a medal of honour when it was shown at the Paris Exposition Universelle three years later. A bronze cast of this plaster, acquired by Henry Tate in 1896, is now in the Tate Gallery.The Sluggard has obvious parallels with Rodin's 'Age of Bronze', exhibited in 1884 and it was perhaps this work which encouraged Leighton to revive his earlier model. The work later became one of the most popular Victorian statuettes when reduced-scale bronze editions were made by Arthur Leslie Collie and cast by the Singer Foundry.Literature:S. Beattie, p.189 and 260, n.59; Minneapolis Institute of Arts, cat. no.39S. Jones, C. Newall, et al., Frederic, Lord Leighton: Eminent Victorian Artist, Royal Academy of Arts, 1996This lot is subject to the following lot symbols: TPTP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com

Marvel Comics, various Bronze and Modern Age issues, to include: Ghost Rider; Silver Surfer; Cloak and Dagger; Strange Tales; Force Works; etc.

AMAZING SPIDER-MAN #129 - (1974 - MARVEL) - KEY Bronze Age Issue - First appearance of the Punisher (Frank Castle) + First appearance of the Jackal - John Romita Sr. & Gil Kane Cover and interior art by Ross Andru - Flat/Unfolded - a photographic condition report is available on request

BATMAN #227 (1973 - DC) - Classic Neal Adams cover, a homage to Detective Comics #31 + Robin backup story + currently the 18th most valuable book on Overstreet's Top 25 Bronze Age Comics list - Irv Novick, Dick Giordano, Mike Esposito interior art - Flat/Unfolded - a photographic condition report is available on request

MARVEL 1975 BRONZE AGE LOT (26 in Lot) - Includes THE CHAMPIONS #1 to 12, 15 + THE INHUMANS #1 to 9 + THE SON OF SATAN #1, 2, 3, 4 - All first published in 1975 and includes the first team appearance and origin of The Champions - Flat/Unfolded

IRON MAN #55 - (1973 - MARVEL - UK Price Variant) KEY Bronze Age Book with multiple First Appearances - First appearances of Thanos (Avengers), Drax the Destroyer (Guardians of the Galaxy), Starfox (Eternals), Mentor, Kronos, Blood Brothers - Jim Starlin story, cover & interior art - Flat/Unfolded - a photographic condition report is available on request

TOMB OF DRACULA #10 - (1973 - MARVEL - UK Price Variant) - HOT KEY BOOK & CHARACTER - First appearance of Blade the Vampire Slayer, who is scheduled to return to the Marvel Cinematic Universe in the near future + Currently tied at #7 on Overstreet's Top 25 Bronze Age Comics list - Gene Colan cover and interior art - Flat/Unfolded - a photographic condition report is available on request

TOMB OF DRACULA #10 & 11 (2 in Lot) - (1973 - MARVEL - UK Price Variant) - HOT KEY BOOK & CHARACTER - First appearance of Blade the Vampire Slayer, who is scheduled to return to the Marvel Cinematic Universe in the near future + Currently at #16 most valuable book on Overstreet's Top 25 Bronze Age Comics list - Gene Colan cover and interior art - Flat/Unfolded - a photographic condition report is available on request

Five Yuan Silver Chinese coins 1992 Urn bronze age metal working KM4081994 Oriental, inventions Great wall KM6281995 Mencius, sitting at table KM8271996 Horse and cart

Five Yuan silver Chinese coins 1992 Bronze age metal working KM4081993 Da Chao facine KM5331994 First chain pumps KM6301996 Suspension bridge KM912

JAPANESE WWII-PERIOD SHIN-GUNTO,the fullered steel blade stamped 70430, over a bronze tsuba, and a cast metal simulated silk bound shagreen grip, 92cm long, with original scabbardCondition generally fair. The blade with degree of pitting, nibbles and bites to edge; would benefit from overall clean. General age and use related wear throughout. The grip appears to have possibly been overpainted in a silver colour. The scabbard has been covered in black tape. Additional images now available.Press stud functions.Scabbard is in poor condition, have removed one section of tape and will need thorough clean upon all being removed. Serial number on scabbard mouthpiece matches blade. Nu,bet of small dents and dings to scabbard.Blade straight despite damages,The scabbard is slightly bent to left, though blade sits fine within.

EMILE LOUIS PICAULT (Paris, 1833 - 1915)."Le Devouement.Patinated bronze.Signed on the base.Measurements: 57 x 20 x 20 cm.Sculptor and medallist, Émile Louis Picault was a disciple of the Dutch sculptor Louis Royer. He developed his activity in Paris, and participated in the Salons des Artistes Français between 1863 and 1909. His success at the Salons brought him great recognition and his works were in great demand. His abundant oeuvre focused mainly on allegorical and literary themes, figures of warriors and mythological heroes, often accompanied by slogans in Latin or French. He also produced works inspired by the Modern Age, in the "art troubadour" style, worked in a style close to that of the neo-Florentines. His pieces have been the subject of numerous editions in bronze by prestigious firms such as Susse and Colin et Houdebine. Émile Picault is currently represented in the French museums of Orsay, Chambery, Clermont-Ferrard, Troyes and Mauberge, as well as in the Renfe Contemporary Sculpture collection.

AFTER ANDRE GALLE (FRENCH 1761-1844),GILT METAL PORTRAIT MEDAL DEPICTING EMPEROR ALEXANDER I OF RUSSIA,with inscription and mounted in bronzed frame, with paper label verso, 9cm diameterOverall decent condition with some discolouration to the gilt. Wear consistent with age. Some dents and bends to the bronze frame.

Amazing Spider-Man #101 Vol 1. CGC 2.5 Slabbed Comic. The 1st appearance of Morbius the Living Vampire. 1971 Bronze Age Comic Pence copy.

A mixed lot of Bronze Age Comics - various titles by Marvel, DC, and Fleetway Quality Publications. (60)

A mixed lot of Bronze Age Comics, various titles by Marvel, DC, and Fleetway Quality Publications. (60)

A mixed lot of Bronze Age Comics - various titles by Marvel, DC, and Fleetway Quality Publications. (60)

Bronze Age (late) childs rattle toy, L: 50 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

Bronze Age servants summoning bell, H: 20 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

Large Bronze Age crotal bell, H: 50 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

Roman Bronze Age remnants of centurion scale armour, L: 22 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

Bronze Age Celtic proto ring money, largest D: 32 mm. P&P Group 0 (£5+VAT for the first lot and £1+VAT for subsequent lots)

A Nepalese bronze Buddha, 18th century, cast sitting on a waisted lotus base in Bhumisparsha mudra, wearing long robes, hollow base, 21cm high 尼泊爾十八世紀 銅佛像品項報告 Condition report Some scratches to the surface. A dent to the back of the right leg and two dents to the back of the right ear. Surface ware commensurate with age.

Late Bronze Age, Ca. 1600-1200 BC. Wheel-made red lustrous bottle with spindle-shaped body with tapered neck fluting near mouth with everted rim, tubular sectioned handle connecting neck and shoulders, splaying foot with concave base. Burnished surface with a shiny lustrous finish, with still visible burnish lines running vertically up the belly. Red lustrous ware ultimately thought to have Anatolian origin, finding its way into Cyprus during international trading era of Late Bronze Age. Cf. Karageorghis, Ancient Cypriote Art in the Severis Collection pl. 104.Size: L:290mm / W:70mm ; 500gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on UK Art market; Ex. Christie's lot no. 330 Oct. 1999.

Late Bronze Age, Ca.1300 BC. A pyxis in buff terracotta; twin lug handles on the shoulders for suspension (suspension would help in evaporation of the liquid and aid cooling), a funnelled neck and standing on a flattened base; body decorated with faded decoration comprising bands of parallel painted lines in umber.Size: L:90mm / W:98mm ; 270gProvenance: Ancient Art Gallery in London, Ex High Wycombe Estate Collection acquiredd in 1990's Ex Bron Lipkin Collection

Ca. 1000-800 BC. A stunning large bronze spearhead with a leaf-shaped blade, prominent midrib, conical shoulder decorated with five horizontal ribs, terminating in a circular socket. This spear is a beautiful stand out example of Celtic Bronze Age Craftsmanship.Size: L: 225mm / W: 40mm; 130gProvenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in the 1990s on the UK art market.

Ca. 900-1100 AD. An excellent set comprising a leather belt with bronze fittings including a D-shaped buckle with a pin, chevron mount and interlinking pieces with a ring, and a forged-iron long sword with a broad blade tapering to a sharp point. The handle has elaborate silver inlays across a guard and a pommel. The cross guard is of a simple rectangular, flat shape but curves slightly downwards at each end. The hilt is short, one-handed, and ends in a circular pommel with raised boss. The era known as the Viking age lasted for more than 300 years, from the late 8th century to the late 11th century. The history of the Vikings is closely linked to their role as masters of the sea. They were feared as fierce and ruthless invaders; this fine set probably belonged to a Viking chieftain who led his warriors in search of fortune.Size: L:950mm / W:75mm ; 810gProvenance on Mindaugas invoice: Ing Peter Till collection, Vienna, 1980s-1990s.

Viking Age, Ca. 900-1100 AD. A bronze cross pendant comprising four flat arms decorated with concentric circles representing Sun motifs. Good condition. The suspension loop makes this piece wearable and it comes with a modern necklace cord. The Cross, the principal symbol of Christianity, recalls the Crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the faith of Christians. Size: L:44.6mm / W:26.5mm ; 6.79gProvenance: From the private collection of a South London art professional; previously in a collection formed on the UK/European art market in the 1980s;

Ca. 2300-1650 BC. An attractive red slip ware amphora with a bulbous body, slim cylindrical neck, tubular rim, and two handles joining shoulder to neck. Amphorae such as this were used to hold and transport oil, wine, milk, or grain. During the Late Bronze Age, Cyprus was an important centre for the manufacture of works of art that show an amalgam of local and foreign influences. Stylistic features and iconographic elements borrowed from Egypt, the Near East, and the Aegean are often mixed together in Cypriot works. The pottery of the prehistoric Cypriots, especially that produced in the Early and Middle Bronze Ages, is exuberant and imaginative in shape and decoration. Size: L:400mm / W:270mm ; 3.75kgProvenance: Property of a central London Gallery; formerly in a 1980s UK collection.

Ca. 3100-2900 BC. Early Bronze Age, Ca. 3100-2900 BCA Holy Land storage vessel with a spherical body and two ledge handles. The vessel has a wide, slightly out-turned mouth, decorated below with a band of prick dots. Two prominent ledge handles, gently crimped appearance to the edges, are situated at the waist. Standing on a flat base.For similar see: Cf. Ruth Amiran, Ancient Pottery of the Holy Land.Size: L:149mm / W:135mm ; 390gProvenance: Ex High Wycome Estate Collection, Ex German Gallery, Ex Private gallery Mist H.S from Den Bosch Collected between 1969 - 1990

Middle Bronze Age, Ca. 1950-1730 BC. A fine example of a coil-made red burnished pottery jug with globular, almost amphora-like body, with a trefoil spout and strap handle. For a similar see Ruth Amiran: Ancient Pottery of the Holy Land from its beginnings in the Neolithic period to the end of the Iron Age.Size: L:270mm / W:140mm ; 1kgProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.

Middle Bronze Age IIA, Ca. 2000-1730 BC. A burnished cream slip pottery jug with a piriform body and button-shaped base. The surface is decorated with a series of brown-painted concentric circles and horizontal bands.Size: L:135mm / W:86mm ; 220gProvenance: London Art Market, Ex High Wycombe Estate collection 2000, Ex Mr David Giles Collection

Ca. 3000-2500 BC. A fine example of a monochrome Indus Valley civilization pot with a bulbous body rising from an undecorated conical-shaped base. The exterior's decoration consists of a black-painted register of running ibexes, surrounded by geometric motifs. The Indus civilization, also called the Harappan civilization, is the earliest known urban culture of the Indian subcontinent and was an important Bronze Age culture which arose around ca. 3300 BC and lasted until ca. 1300 BC. It extended from modern-day northeast Afghanistan to Pakistan and northwest India. To find out more about the Indus civilisation and its material culture, see Possehl, Gregory L., 2002. The Indus Civilization: a Contemporary Perspective. Walnut Creek, CA: AltaMira Press.Size: L:170mm / W:195mm ; 1.03kgProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.

Ca. 3000- BC. A terracotta bowl or vessel, comprising a biconvex body resting on a ring foot. The upper portion of the buff coloured vessel is decorated with polychrome abstract motifs. The lower section is undecorated. The Indus Valley Civilisation was an important Bronze Age culture which arose in ca. 3300 BC and lasted until ca. 1300, though its heyday, to which this ceramic vessel belongs, was in the 3rd Millennium BC.Size: L:135mm / W:210mm ; 865gProvenance: Property of a London gallery; formely in High Wycombe Estate collection; formerly acquired on the UK Art market.

SAKS 5th AVENUE gold beaded envelope evening bag with gold coloured chain 1970s (23cm x 14cm x 3cm)Semi precious stone (amethyst, moonstone, malachite, red jasper) inlaid black velvet top handled evening flap bag with gold and silver brocade. One stone missing at front. 1960s (20cm x 12cm x 3cm)SAKS 5th AVENUE red silk velvet peach satin-lined gold coloured framed evening bag 1950s (26cmx 15cm x 5cm)HENRY A LA PENSEE Paris bronze beaded brown satin evening clutch bag with bevelled edged cosmetic mirror 1950s (17cm x 12cm x 2cm)CHRISTIAN DIOR black leather long wallet with original Dior gift wrapping (torn) 1970s (10cm x 18cm) unusedCOACH black leather card wallet 1980s (10 x 7cm) HARRODS black leather card wallet with brass corners 1980s (10 x 7cm) Nine red English leather vintage luggage labels 1950s16 itemsCondition Report: Good condition commensurate with age

A carved wooden Chinese Box - velvet lined also with a box of Scarab beetles, an ocarina, a copy of a Roman oil lamp, a Bronze Age spear head and others

Luristan cast bronze "Master of Animals" standard depicting a human confronted by two animals. These early iron age sculptures are often found in the Lorestan Province and Kermanshah in western Iran. Though the people to whom they belonged remain unclear, they may relate to Iranians or the modern Lur people.Height: 7 1/4 in x width: 2 1/4 in x depth: 1 3/4 in.

Pair of oriental cloisonne vases, wheat and bird decorated, with bronze glitter bases, 18.5cm high (2) Condition ReportDamage to one side of one vase in two places, one area with losses to the cloisonne. Cracks visible near the rim of the same vase. Small marks, cracks, wear and losses of enamel in places on the other vase, commensurate with age and previous use. 

Cold painted bronze model of a kingfisher mounted on an oval green onyx ashtray base, 22cm wide x 7cm high approx. Condition ReportLight surface scratches, accretions, areas of loss to the paint, bird is a bit loose on the base.  Base with numerous chips and nibbles to the edge. General wear and tear commensurate with age and use, see photos.

Classical style bronze table centrepiece, 32cm highIn good condition with no damage. Would benefit from a clean. The piece is not antique but has some age.

19th century gilt wood wall mirror with bevelled plate below a carved marble plaque after Francois Duquesnoy (1597-1643) depicting cherubs holding garlands of flowers, Inscribed lower left, dated 1892.  The reverse has an inset bronze medallion with Fame blowing a trumpet, rising sun in background. 'Acquirit Eundo' 'Lutet Parisi MDCCXVII (1717) Condition ReportSurface marks and scuffs, accretions, some splits to the frame, minor wear to the gilt. General wear and tear commensurate with age and use, see photos. Height approx. 123cm, width approx. 64cm

A archaic style bronze Koro, with relief decoration, 22cm highOverall condition looks to be complete, but dirty. Difficult to know the age.

A 19th century gilt brass and bronze peg lamp with flared cranberry glass shade above cranberry glass reservoir terminating on a bronze stylised bird, height including chimney 53cm.Glass reservoir with some imperfections in the glass. Brass surface with general tarnishing etc. Light age wear rubbing to the surface of the eagle.

An Indian bronze figure representing Devi Parvati, seated on plinth base, height 33cm.The bronze is in two sections. All over age wear dulled patina throughout with general wear and some knocks to the base. Where the figure meets the base, the edge of the disk and the aperture are rough and don't match fully. There is a rivet section to the back of the head suggesting there was an additional section which is now lacking.

Vintage Corgi Toys 266 "Chitty Chitty Bang Bang" complete with "Caractacus Potts, Truly Scrumptious, Jeremy and Jemima" figures, gold/chrome/bronze body, model is in mint original condition, with back and front wings, including inner plastic cloud, card cloud display, original outer blue and yellow illustrated window box is good, with some edge/age wear/tears.

A Chinese bronze censer in the form of a standing goose with web feet, (back lid missing, A/F). H 19 cms.Condition Report:   Provenance : entered from the estate collection of a well respected antique dealer. Age at least 19th century, possibly earlier? Sold as seen - no lid and holed. 

Collection of bronze age Marvel comics (1973-1976). Spider-Man Comics Weekly (1973-1976) nos 8-12, 14, 19-34, 75, 92, 95-97, 101-103, 106, 108, 109, 111, 115, 116, 121-132, 152, 155 and 156. Super Spider-Man with the Super-Heroes (1976) nos 161, 166-170, 177-182. The Mighty World of Marvel starring the Incredible Hulk (1974-1975) nos 102-04, 113-129 (excluding 115 and 120), 134, 135, 140, 143, 153-156, 158, 170, 172 and 182 (89)Condition Report:Comics have not been looked at individually. Wear commensurate with being read. Little signs of rusting to staples, yellowed pages. Spider-Man comics weekly have writing on the covers as shown in images.

A 19th Century bronze bust of Wellington, 21.5 cm high CONDITION REPORTS Bust is solid bronze. Some small areas of verdigris, some surface scratching etc all wear and tear conducive to age and use. See images for more details.

After A. Mahuet (Late 19th/early 20th Century) After the Antique 'Venus De Milo" bronze sculpture, with facsimile signature to the base, 42cm highOverall scuffs, scratches, wear and marks as expected, consistent with age and use.

20th Century Italian School Bronze bust of a lady, on wooden block base with Napoli foundry mark to side, 27cm high overallOverall wear, scratches and marks as expected, consistent with age and use. Minor scuffs in places, otherwise overall ok.

Claire Jeanne Roberte Colinet (1880-1950), The Magic Links, bronze figure of a nude female, signed in the cast Cl.J.R.Colinet, on a veined onyx base, 32cm high, 35.5cm high including baseCondition: missing the links, general wear commensurate with age, chips and nibbles to onyx base 

JOSEP MARIA SUBIRACHS SITJAR (Barcelona, 1927 - 2014)."Sidero 268. 1958.Iron sculpture.Signed.Size: 85 x 170 x 15 cm.Thanks to his uninterrupted participation in the October Salon from 1949 to 1957 and his subsequent period in Belgium (where he lived from 1954 to 1956), Josep Maria Subirachs gained public recognition for his work. From that moment on, he understood the possibilities of being able to make a living from his work, becoming a professional sculptor. He began to experiment with language, moving from expressionism to expression and becoming interested in iron. During this same period - around 1958, the year our piece was made - he worked with other materials (such as stone, bronze and wood, among others), trying to highlight the plastic qualities of their varied colours, structures and textures.After entering the workshop of a gilder who was fond of sculpture at the age of fourteen, where he modelled his first works in clay, in 1942 José María Subirachs entered the workshop of the sculptor Enrique Monjó as an apprentice. Five years later he began to work as an assistant to Enrique Casanovas. In 1948 he showed his work for the first time at the Casa del Libro in Barcelona, and in 1950 he founded, together with other artists, the group Postectura. In 1951 he travelled to Paris to complete his training, with a grant from the Institut Français in Barcelona. He returned to Barcelona in 1953 and was awarded the Sculpture Prize at the Salon del Jazz. After two years working and exhibiting in Belgium he returns to Spain, and in 1958 he is awarded the Gran Premio San Jorge by the Diputación de Barcelona and the "Julio González" by the Cámara Barcelonesa de Arte. Since then he has been commissioned for a succession of public works, among which his important sculptural work on the façade of the Passion of the Sagrada Família stands out. He has held numerous solo and group exhibitions in various Spanish cities, as well as in Lisbon, Geneva, Antwerp, Brussels, Taipei, Chicago, Paris, New York, Zurich, Stockholm and Copenhagen, among others. His awards include the Ynglada-Guillot Drawing Prize (1966), the San Martín Prize (1971) and the Medal of Merit in the Fine Arts (1988). In 1980 he was elected member of the Royal Academy of Fine Arts of San Jorge. He has participated in the main international biennials, such as São Paulo, Venice, Havana, Antwerp, Cairo, Alexandria, Lausanne and Budapest. He is represented at the Centro Reina Sofía, the MACBA Museums in Barcelona, Ibiza, Seville and New York, the Fine Arts Museums of Bilbao, Birmingham, the Vatican, Taipei and Nebraska, the Museo al Aire Libre del Paseo de la Castellana in Madrid, the Petit Palais Museum in Geneva and the Millesgärden in Stockholm, among others.

A good collection of mainly British Bronze Age Marvel comics including Spiderman Comics Weekly including 138 and 139, Captain Britain etc.Captain issue no 10 only.Mostly in good condition for age.some minor ware.