depicted seated in dhyanasana, the principal pair of hands clasped at the chest in anjali mudra, the second pair holding prayer beads and a flower, the stand modelled as a stylized lotus flower with a beaded border, bronze with gilt patina overall, save for the hair and most of the base; height of sculpture: 42 cm (16 1/2 in.), height including base: 46.5 cm (18 1/4 in.), overall weight: 11.7 kgCONDITIONThe sculpture is in good condition. Minor tarnishing and darkening to the bronze.
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Woman and Satyr1986cold painted and partial gilt bronzeheight: 45 cm (17 3/4 in.)edition 5/9, monogram, stamped FINE ART ACQUISITIONS with copyright symbol and date along back of baseCONDITIONThe sculpture is in very good condition. Minor dings and scuffs to the base. Losses to the Woman's gown tail. Inspection under UV light shows no sign of restoration.
Les Trois Graces (The Three Graces)patinated bronzeheight: 80 cm (31 1/2 in.)signed with PROPRIETE CARPEAUX stamp on baseRELATED LITERATUREMichel Poletti and Alain Richarme, Jean-Baptiste Carpeaux, Sculpteur: Catalogue Raisonne de l'Oeuvre Edite, (Paris: Editions de l'Amateur, 2003), p. 101, SE 23LOT NOTESThis lot is a prime example of Carpeaux's work drawing heavily from his own, La Danse (The Dance), a complex and large sculpture commissioned for the facade of Paris' Opera Garnier. La Danse sculpture was unveiled in July 1869, with much criticism for the highly realistic and sensual female nudes. The sculpture was removed shortly after the installation due to the Franco-Prussian War in 1870 and the death of Carpeaux in 1875. Carpeaux studio designed a series of nine reductions and reconfigurations of La Danse, including the Les Trois Graces. The sculpture now resides in the collection of the Musee d'Orsay Paris.CONDITIONThe sculpture is in good age-appropriate condition. Scuffs present to the ankle of one Grace. A loss of the patina to the hair of another.
Philip Jackson (British, born 1944)Opera Box signed, numbered and stamped with foundry mark 'JACKSON 4/8' (to side of sculpture)bronze with a brown patina, and polished bronze25.5cm (10 1/16in) highThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Philip Jackson (British, born 1944)After the Ball signed, numbered and stamped with foundry mark 'Jackson 2/8' (to reverse of sculpture)bronze with a grey patina, and polished bronze72.5cm (28 9/16) highThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Philip Jackson (British, born 1944)The Magistrate signed, stamped with foundry mark and numbered 'JACKSON Ø' (to reverse of sculpture)bronze with a black patina, and polished bronze58.5cm (23 1/16in) highThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
An Italian bronze sculpture of the crouching Venus after the antique, attributed to the workshop of Benedetto Boschetti, Rome, c1840, light golden brown patina rubbed and dirty, on marble giallo siena base, 34.5cm h Recorded in Joanna Philips' notebook, c1845 (under ornaments in Library as arranged July 1844) "Venus Aux Bains Rome" Condition ReportMuch settled dust and dirt, sculpture detached from the base. Base slightly chipped
An Italian bronze sculpture of the dying Gaul after the antique, Rome, first half 19th c, even light brown patina, marble base, 22cm h Recorded in Joanna Philips' notebook, c1845: "The Dying Gladiator in bronze, the original at the Capitol[oline Museum]... bought at Rome in 1843" Condition ReportMuch old settled dust / dirt. Good condition. Corners of the base with small chips / flea bites. Note: loose on base
AFTER THE ANTIQUE; 'The Dying Gaul', a 19th century cast and patinated bronze study of a slumped Gaul with sword wound, reclining on his oval shield with sword to his side, height 14cm, width 27cm *A bronze copy of the marble sculpture in the Capitoline Museum in Rome, itself a copy of a now lost bronze from the Hellenistic period.
AFTER THE ANTIQUE; 19th century, a bronze study of Marcus Aurelius on horseback, modelled wearing a toga with his right arm extended, the horse with front leg raised and wearing a finely detailed saddle cloth, on a Siena marble base with gilt bronze mounts and scrolling feet decorated with owls and snakes, height 60cm. *Marcus Aurelius reigned from 173-76 A.D. The original sculpture can be seen at the Capitoline museum in Rome

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