We found 17079 price guide item(s) matching your search

Gustave VAN DEN MEERSCHE (1891-1970) A bronze sculpture Tête de pêcheur. Signed and dated 1917. Bronzen sculptuur Tête de pêcheur. Getekend en gedateerd 1917. H 37.5 cm

Art Deco sculpture reclining lady with bird Art bronze, signed on te base 'Janle' Art Deco sculptuur liggende dame met vogel Kunstbrons, getekend op de voet 'Janle' 25 x 68 x 10.5 cm

Natalie Simonova Bronze sculpture of a naked woman. Bronzen sculptuur van een naakte vrouw. H 39 cm

Frederic Sackrider REMINGTON (1861-1909) A bronze sculpture Mountain man Signed Frederic Remington. Bronzen sculptuur Mountain man Getekend Frederic Remington. H 67.5 cm

Japanese bronze sculpture of a lady with a lute Japans bronzen sculptuur van een dame met luit H 42.5 cm

Hippolyte François MOREAU (1832-1927) Jeune charmeuse. Bronze sculpture, signed. Jeune charmeuse. Bronzen sculpture, getekend. H 48 cm

Gustave Henri COLIN (1828-1910) (attrib.) A green patinated bronze sculpture of a seated man. Signed Colin. Groen gepatineerd bronzen beeld Zittende man. Getekend Colin. H 61 cm

François POMPON (1855-1933) Toy, Boston terrier. Sculpture in bronze with black patina, cire perdue. Signed and numbered 17/48. Posthumously cast. Toy, Boston terrier. Sculptuur in brons met zwarte patine, cire perdue. Getekend en genummerd 17/48. Postuum gegoten 30.5 x 32 x 11 cm

Avi KENAN (1951) A bronze sculpture El Toro Signed, dated 1999 and numbered 5/200. Bronzen sculptuur El Toro Getekend, gedateerd 199 en genummerd 5/200. 35.5 x 43.5 x 27 cm

François POMPON (1855-1933) Grand Cerf. Sculpture in bronze with black patina, cire perdue. Signed and numbered 7/48. Posthumously cast. Grand Cref. Sculptuur in brons met zwarte patine, cire perdue. Getekend en genummerd 7/48. Postuum gegoten 56.5 x 39.5 x 26 cm With bronze caster stamp and justification certificate

Peter Thursby (British 1930-2011): 'Development for Optimism' Preparatory Drawing for Large Bronze Sculpture, black ink Conté on paper signed and dated '96, 74cm x 47cm

Glass and bronze sculpture of a stylised lady figure by Yves LOHE, and a retro West German pottery vase

A Chinese patinated bronze sculpture of a crane carrying a brach and with its young by its side, raised on a rounded rectangular plinth over bracket feet

In gilt bronze and ivory, with marble base. CITES is attached. Measurements: 42 x 17 x 13 cm (with base), 35 x 17 x 13 (sculpture).

A French Art Deco Bronze Mantel Sculpture of a leaping stag on an alabaster and marble base, marked 'bronze' verso. Base length is 54.7cmBase depth is 11.5cm Total height is 33cmTotal weight is 9.8KG 

Maurice Bouval, VogelfängerEnde 19. Jh., auf der Plinthe signiert, Bronze mehrfarbig patiniert, nackter Vogelfänger auf der Pirsch, an seinem Gürtel zwei gefangene Vögel, die Augen auf der Suche nach Beute mit der Hand beschattend, Waffe in der rechten Hand abgebrochen, auf vegetabil verzierter, länglicher Plinthe, Altersspuren sowie ein weißer Farbklecks auf den Vögeln, H ca. 31 cm. Künstlerinfo: französischer Bildhauer (1863 Toulouse bis 1916), war Schüler des Malers und Bildhauers Alexandre Falguière, von 1880-1914 als Künstler aktiv, neben seinen Arbeiten in Bronze entwarf er für die Firma Goldscheider auch Modelle für Terrakottafiguren sowie deren Firmensignet "Sculpture", welches zwischen 1900-1920 Verwendung fand, war Mitglied der Société des Artistes Français und stellte auf deren Salon 1895 die Arbeiten "Vamireh en chasse" und "Les Raisins" sowie auf der Weltausstellung Paris 1900 aus. Quelle: Internet.

A mid century patinated bronze sculpture of a male head mounted on a polished teak base.

Philippos Yiapanis (b. 1957). Manath, Mother Earth, bronze sculpture, signed, 72cm high. Together with Art Nest, hardback with dust wrapper, signed and inscribed, dated 2018, which illustrates the lot.

Philippos Yiapanis (b. 1957). Holocaust, 2016, figures and orb, bronze sculpture, signed, 40cm high. Together with Artist & Gallery signed Certificate of Authenticity.

Philippos Yiapanis (b. 1957). Health, figures, bronze sculpture, on wooden plinth base, signed, 33cm high. Together with Artist & Gallery signed Certificate of Authenticity.

A 19th Century bronze Renaissance style figure of a centaur, on a marble plinth base,15cm long x 15.5cm high.Condition report: Minor marks to the base. The sculpture possible varnished

bronze, with a slightly oxidised greenish brown patina18cm long, 10.5cm highFootnote: Note: Giambologna's model is based on the marble fragmentary sculpture now in the garden of the Palazzo dei Conservatori in Rome, which was restored in 1594. The present arrangement differs slightly to the original and its facture points to a South Germany origin. The distinct chiselling to the surface, and the treatment of the head and tail of the horse compare closely to a bronze figure of a unicorn in the Grunes Gewolbe Dresden attributed to Hans Reinsinger, who was active in Augsburg in the third quarter of the 16th century. For a comparable example also attributed to Reisinger, see Sotheby's London, Old Master Sculpture and Works of Art, 10 July 2014, lot 99.Literature: H. Weihrauch, Europaische Bronzestatuetten. Brunswick, 1967, figs. 383, 384, 385; D. Syndram, U. Arnold and J. Kappel, Das Grünes Gewölbe zu Dresden, Führer durch seine Sammlungen, Berlin, 1994, p. 72, fig. 5; A. Gibbon, Guide des Bronzes de la Renaissance Italienne, Paris, 1990, p. 249, no. 228; W. Seipel (ed.), Giambologna. Triumph des Kōrpers, Kunsthistorisches Museum, Vienna, 2006, pp. 284-285, no. 39; P. Wengraf, Renaissance and Baroque Bronzes from the Hill Collection, London, 2014, p. 181, fig. 2

A bronze sculpture of a bear, green marble base, 17cm high

Interior Design - a contemporary bronze sculpture, A Lover's Embrace, 46cm high

A Henry Moore style mid-20th century bronze sculpture, of an abstract nude

A bronze sculpture, 20th century, modelled as an agricultural worker with his arm swept back on plinth base, signed F Beck 50cm highCondition report: Some visible scratches to rear, otherwise a good clean example

A bronze sculpture, 20th century, modelled as a reclining woman partly robed in a flowing gown, on a rectangle section green marble base, signed to base, 40cm highCondition report: Chips and scratches to base, the sculpture good but with some evidence of dirt and general grime

A bronze sculpture,20th century modelled as a classical archer on marble plinth base, 84cm highCondition report: Nicks to base, evidence of dirt, otherwise seemingly good condition.

A large bronze sculpture, 20th century, modelled as a seated centurion, signed ‘F. Barbedienne Fondeur. Paris’, 87cm highCondition report: Minor surface blemishes and dust.

A bronze sculpture,20th century, a young man wearing a loin cloth, holding a sword, on rockwork base, 79cm highCondition report: Minor surface blemishes and dust.

2nd-3rd century AD. A bronze chariot fitting in the form of a satyr bust with the head turned to the left; the thick hair arranged in undulating locks with large ears protruding between the curls and two small horns emerging from the centre of the forehead, expressive facial detailing with large eyes and incised pupils; a panther skin covering the chest and tied over the right shoulder, leaving the left shoulder exposed in the manner of Greek exomis tunic; a rectangular socket in an angle for attachment to the chariot on the reverse; mounted on a custom-made display stand. See Boucher, S., Inventaire des Collections Publiques Françaises - 17 Vienne: Bronzes Antiques, Paris, 1971; Ratkovi?, D., 'Wagon and Harness Bronzes from the Roman Collection of the National Museum in Belgrade' in Thiasos, Festschrift fur Erwin Pochmarski zum 65. Geburtstag, Wien, 2008, pp.793-815, figs.3-7-8, for similar items; compare also with decorated chariot fittings in Menzel, H., Die römischen Bronzen aus Deutschland III, Mainz am Rhein, 1986, pp.164-177, nos.458-485, especially pls.142-144, for those with the bust of gods; for another possible bust of Bacchus or part of his retainers as a chariot decoration see Humer, F., Kremer, G., Pollhammer, E., Pülz A., AD 313 Von Carnuntum zum Christentum, Bad Voslau, 2014, no.84. 1.1 kg, 16.5cm high (1.1 kg total, 22.5cm including stand) (6 1/2 (9)"). UK private collection before 2000. UK art market. Property of a London gentleman. Accompanied by an archaeological report by Dr. Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11092-184034. Bronze figurative decorations on funerary wagons are very often of Dionysiac character and related to Dionysiac mysteries. Hitherto it was a standard approach for the scholars to consider the decoration of funeral wagons as exclusively associated with the cult of Dionysus and various themes related to this cult, considering that many of the chariot fittings excavated to date were busts of the god himself, Maenads, satyrs, young men with vine-leaf crowns, or animals, like panthers, linked to his cult. One example similar to this sculpture is the bust of a Maenad in the collection of ancient bronzes of Vienne (Boucher, 1971, cat.42) which is most probably a chariot decoration, together with a bust of Dionysus in the same collection (Boucher, 1971, cat.43"). [No Reserve] [A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

Northern Wei Dynasty, 386-534 AD. A gilt-bronze figure, influenced by the Gandharan style or that of the neighbouring Uddiyana region, depicting two Buddhas (Shakyamuni and Prabhutaratna) kneeling on a tiered base with flaming aureole behind. See Dr. Naiki, S., Similarities and Differences in Gandharan Sculptures Among Regions, Thursday 22nd to Friday 23rd March 2018, The Geography of Gandharan Art: 2nd Workshop of the Gandhara Connections Project, Classical Art Research Centre, University of Oxford. 341 grams, 14.5cm (5 3/4"). Buckingham Collection, early 1960s to 1970s. Late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11075-184861. Gandhara was the principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.[A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

Northern Wei Dynasty, 386-534 AD. A gilt-bronze figure, influenced by the Gandharan style or that of the neighbouring region of Uddiyana, of Shakyamuni Buddha modelled with hands clasped together in dhyana mudra and seated in dhyanasana posture on a throne flanked by two roaring lions with flaming aureole; robes with U-shaped folds in the Mathuran style and the head with a prominent ushnisha, incised inscription to the reverse in four columns, translating approximately as: a 'dedication by Kang Shen requesting a peaceful life for his family', with Sutra on front legs of four-legged podium. See Dr. Naiki, S., Similarities and Differences in Gandharan Sculptures Among Regions, Thursday 22nd to Friday 23rd March 2018, The Geography of Gandharan Art: 2nd Workshop of the Gandhara Connections Project, Classical Art Research Centre, University of Oxford. Exhibited at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September - 20 October 2010, extended to 16 November and again to 7 January 2011, Buckingham collections, exhibit TB007, p.59 & 160. 211 grams, 14cm (5 1/2"). Buckingham Collection, from the early 1960s to 1970s. Late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by copies of the relevant exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11132-168638. Gandhara was a principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.[A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

Later Yan Dynasty, 384-407 AD. A gilt-bronze statuette, with Gandharan stylistic influence, featuring Buddha standing against an aureole and lotus-flower nimbus, on a lotus podium with flared legs, flanked by attendants or donors; hatched ornament to the podium, incised text here and to the reverse of the flaming aureole which translates approximately as: 'A disciple of Buddha had this made to keep his family safe', and the 'Buddha Disciple' with the years for Later Yan (384-407 [389]) to the right. Exhibited at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September - 20 October 2010, extended to 16 November and again to 7 January 2011, Buckingham collections, exhibit TB011, p.161; accompanied by copies of the relevant exhibition catalogue pages which dates the piece on artistic grounds to the Early Wei period, circa 5th century AD, and a transcription of the Chinese characters inscribed on the piece; recent translation of the previously undeciphered inscription suggests a more precise date range of 384-407 (389), Later Yan era. 235 grams, 13.4cm (5 1/4"). Buckingham Collection, from the early 1960s to 1970s. Late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by copies of the relevant exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11049-168637. Gandhara was a principal gateway through which Buddhism spread to China, with the connection to Gandharan Buddhist statuary and sculpture evident in the style of this piece.[A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

c.5th-6th century AD. A substantial bronze figure of Buddha Shakyamuni standing facing on a hollow-formed bell-shaped podium wearing a loose uttariya robe gathered in hand at the left hip in the 'Indo-Greek' manner, the right hand raised in the abhaya gesture of reassurance; the facial expression serene with narrow eyes possibly inlaid with silver, the hair piled into the ushnisha style with tiers of tight curls; to the rear, a separate mandorla or aureole with rim of openwork flames. See Dr. Naiki, S., Similarities and Differences in Gandharan Sculptures Among Regions, Thursday 22nd to Friday 23rd March 2018, The Geography of Gandharan Art: 2nd Workshop of the Gandhara Connections Project, Classical Art Research Centre, University of Oxford. Exhibited at the major exhibition ‘The Buddha Image: Out of Uddiyana’, Tibet House, 22 West 15th Street, New York, 16 September - 20 October 2010, extended to 16 November and again to 7 January 2011, Buckingham collections, exhibit GMB035, p.134; no.238, p.72, & for a photograph of this piece at the exhibition see p.174. 2.1 kg, 39cm (15 1/4"). Richard Kixmiller collection, USA, 1976-1977. Buckingham Collection, early 1960s to 1970s. Late Nik Douglas (1944-2012), renowned author, curator and Asian art expert. Accompanied by copies of the relevant Tibet House exhibition catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11135-184862. Gandhara was the principal gateway through which Buddhism spread to China. Academic research conducted after the death of Nik Douglas (above) explains that Gandharan sculpture has been found in neighbouring regions, such as in Uddiyana. Sculpture from the Gandharan and Uddiyana regions has similar characteristics and as a result has often remained undifferentiated. As a result of this recent research however, it is becoming more feasible to identify distinctions between the sculpture of these different regions.[A video of this lot is available to view on Timeline Auctions Website.] Fine condition.

A cold painted bronze sculpture of a Bulldog. The approximate length is 15cm.

UNTITLED SCULPTURE, contemporary school, faux bronze, 81cm high, 44cm wide, 25cm deep.

JENNINE PARKER (BRITISH CONTEMPORARY) 'ELEVATION', a limited edition bronze and steel sculpture of a dancer 97/195, impressed initials, with box, no certificate, approximate height 48cm, condition: patination loss to the steel rings, granite base chipped at the dancers foot (artist resale rights apply

A BOX AND LOOSE METAL WARES ETC, to include a hollow bronze sculpture of a hare, Victorian Kenrick cast iron doorstop model 455, Salter weighing scales with weights, copper kettle, brass trivets, menu holders, Chinese senser, trinkets and crumb trays etc,

Arno Breker, 1900-1991, Bronzeskulptur, 'Grazie', seltene grüne Variante, sign., num. 103/300, Stempel Venturi Arte, ca. 22x26x18 cmArno Breker, 1900-1991, bronze sculpture, #'Grazie#', rare green variant, signed, numbered 103/300, stamp Venturi Arte, approx 22x26x18 cm

Gernot Rumpf, geb. 1941 Kaiserslautern, Bronzeskulptur, 'Ohrmuschel bzw. das Ohr', am Boden signiert und dat. 1992, monogrammiert, Gießer Schmäke Düsseldorf, ca. 15 x 18.5 cmGernot Rumpf, born in 1941 Kaiserslautern, bronze sculpture, # 'auricle or the ear #', signed and dated 1992, monogrammed, Gießer Schmäke Düsseldorf, approx. 15 x 18.5 cm

Große Bronzeskulptur, neuzeitlich, Mann und Frau, sich an den Händen haltend und nach hinten beugend, auf der Plinthe Weinlaub und Trauben, H. ca. 75cm, L. ca. 88cm, B. ca. 25cmLarge bronze sculpture, modern, man and woman,holding hands and bending backwards, on plinthvine leaves and grapes, h approx 75cm, l approx 88cm, w approx 25cm

Paul Wunderlich, 1927-2010, Bronzeskulptur, Löschhütchen, sign., num. 1553, ca. 9 cmPaul Wunderlich, 1927-2010, bronze sculpture, snuffer, signed, numbered 1553, approx. 9 cm

Salvador Dali, 1904 - 1988, Bronzeskulptur, 'Double victoire de Samothrace', auf der Plinthe signiert und num. B 104, Silber Medaillon mit Stempel und gravierter Signatur des Künstlers, Venturi Arte Bologna, Marmorfuß, Gesamtauflage 1400 Exp., H. 31 cmSalvador Dali, 1904 - 1988, bronze sculpture, # 'Double victoire de Samothrace #', signed and numbered on the plinth. B 104, silver medallion with stamp and engraved signature ofthe artist, Venturi Arte Bologna, marble base,total edition 1400 Exp., Height 31 cm

Gernot Rumpf, geb. 1941 Kaiserslautern, Getreidespeicher Mäuse, 2-teilige Bronzeskulptur, Maus auf dem Dach des Hauses, separate auf dem Rücken liegende Maus zum darunter- oder daneben legen, im Haus Aussparung für den Schwanz, signiert, num. 45/50, ca. 12x14x8cm, liegende Maus L. ca. 17cmGernot Rumpf, born 1941 Kaiserslautern, Grain store mice, 2-part bronze sculpture, mouse on the roof of the house, separate mouse lying onits back to lay under or next to it, in the house recess for the tail, signed, num. 45/50,approx. 12x14x8cm, lying mouse length approx. 17cm

Bruno Bruni, geb. 1935 Gradara, La Divina, Bronzeskulptur, sign., num. 311/1000, H.101 cmBruno Bruni, born 1935 Gradara, La Divina, bronze sculpture, signed, numbered 311/1000, H.101 cm

Paul Wunderlich, 1927-2010, Bronzeskulptur Schneckenhaus mit Buch Labyrinth, Skulptur ca. 5x3 cmPaul Wunderlich, 1927-2010, bronze sculpture snail shell with book Labyrinthe, sculpture approx 5x3 cm

A 19th Century French Art Nouveau bronze bust sculpture in the manner of George Van Der Straeten. The bust moulded in the form of a female wearing a hat and typical garments with all raised on a white marble base. Wear commensurate with age. Measures approx; 17cm x 9cm.   

A 19th Century Victorian religious ormolu gilt bronze sculpture of Madonna with child with both wearing a crown, full garments and stood upon a cloud with cherub faces peering. Raised on an onyx plinth base. Copy of the original situated in Notre Dame. Wear commensurate with age mostly to the gilt work. Measures approx; 23cm x 10cm x 8cm.      

An 18th Century Italian Grand Tour bronze figure of the Greek God Pan. The sculpture features Pan  playing a pair of flute raised upon a circular stepped base. Measures approx; 30cm.  

After Mathurin Moreau (1822-1912), a bronze sculpture of a classically dressed woman beside a column with vase and ewer, 48cm high

Paul Horton Bronze Sculpture 'Love You More', No. 29/85, from Washington Green Fine Art. Release date 2013. Height 8.5". Comes with Certificate of Authenticity.

HENRI PERNOT (French, 1859-1937) a patinated bronze sculpture 'La Grande Soeur', signed H. Pernot left-hand plinth section (41.5cm wide x 25cm deep x 31cm highest)

LAURENCE BRODERICK (British, 1935), a large and heavy darkly limited edition patinated limited edition (1/6) bronze sculpture; 'Mother and Child' (limited edition numbered and signed lower left leg, together with oval foundry stamp 'Meridian Bronze, London' (56.5cm high). Laurence Broderick, MRBS FRSA, is a British Sculptor and is best known work is 'The Bull' a public sculpture erected in 2003 at The Bullring, Birmingham

LAURENCE BRODERICK (British, 1935), a large and heavy darkly patinated limited edition (1/ of 6) bronze sculpture; 'Mother and Child' (limited edition number and signed lower left leg, together with oval foundry stamp 'Meridian Bronze, London' (49cm high). Laurence Broderick, MRBS FRSA, is a British sculptor and is best known work is 'The Bull' a public sculpture erected in 2003 at The Bullring, Birmingham

A bronze sculpture of mountain goats on a rock, signed to base by Julie Moigmiez 

A modern bronze sculpture of a stylised sheep/ram, height 12cm

Oppenheim, Meret: Unterirdische Schleife, 1960-1977 Bronze (gold brown patina), monogr. M.O. 1977. 8,6 x 12 x 1,2 cm - E.A. - Nr. II von X Ex. In Orig.(?)-Schachtel. - ╔Dabei: Kleines Stoffsäckchen,╗ wohl für die Skulptur damals mitgeliefert. - Bronze etw. fleckig. - ╔2 Ausst.-Anzeigen:╗ Orangerie Reinz, August 1982. - Davon eines vorne mit Widmung und Signatur von Meret Oppenheim. - "Underground Loop". Bronze sculpture. Monogrammed. Enclosed with small cane bag and 2 exhibition advertisements. R

Lucien Alliot, bronze sculpture of a dancer, mid brown patination, signed to the circular base, raised on a grey marble plinth, height 43cm

Italian bronze sculpture of Mercury, after the antique by Giambologna, mounted on a marble socle and square wooden base, height 37cm