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BRONZE SCULPTURE OF SKIPPING GIRL, signed McAllister '70, 75cm H.

SCULPTURE 'Seated Nude', by Caroline Russell MRSS, bronze resin, signed and dated 1993/94, limited edition 4/50.

Henri Chapu, large bronze Sculpture La JeunesseHenri Michel Antoine Chapu, (1833 - 1891)La Jeunesse. Große Ausführung. 118 x 35 x 32 cm. Bronze, patiniert. Stehende weibliche Figur, in ihrer erhobenen linken Hand ein Lorbeerzweig. Auf der Plinthe signiert: h. Chapu. Am linken Rand bezeichnet: F.BARBEDIENNE Fondeur. Henri Chapu entwarf diese Figur ursprünglich für das Marmor-Denkmal des 1871 mit 27 Jahren in der Schlacht von Buzenval gefallenen Malers Henri Regnault im Hof der École des Beaux Arts in Paris. Regnault erntete viel Lob für diese Arbeit, die er 1875 im Salon ausstellte. Ein Bronzeexemplar dieses Themas befindet sich im Musée d'Orsay in Paris. Henri Chapu, large bronze Sculpture La JeunesseHenri Michel Antoine Chapu, (1833 - 1891)La Jeunesse. Large version. 118 x 35 x 32 cm. Bronze, patinated. Standing female figure, in her raised left hand a branch of laurel. Signed on the plinth: h. Chapu. Inscribed on the left margin: F.BARBEDIENNE Fondeur.Henri Chapu originally designed this figure for the marble monument of the painter Henri Regnault, who died in the Battle of Buzenval in 1871 at the age of 27, in the courtyard of the École des Beaux Arts in Paris. Regnault received much praise for this work, which he exhibited in the Salon in 1875. A bronze copy of this theme is in the Musée d'Orsay in Paris.

Fred Brouard Wall Applique / Light SculptureFred BrouardDesign about 1970Skulpturale Wandleuchte / Applique. Entwurf um 1970. Stahlblech auf Holz, Bronzeguss. 95 x 68 x 18 cm. Fred Brouard Wall Applique / Light SculptureFred BrouardDesign about 1970Sculptural wall lamp / applique. Designed around 1970. Sheet steel on wood, cast bronze. 95 x 68 x 18 cm.

An Antique Butterscotch Amber and bronze/ brass apple sculpture. Signed to the underside of the leaf. [93.39grams] [7.5cm in height]

A Bronze Thai Buddha Sculpture 'Shiva as Lord of Dance' designed within a flaming halo. [30CM in height]

A Large Antique Bronze Tibetan Thai Ganesh sculpture. [32cm in height]

Edouard Paul DELABRIERE (1829-1912)., bronze sculpture of pointing dog before a pheasant. [30cm in length]

Fiona CussenA Modern Bronze and Stone Sculpture circular Gothic design, 'Headstone on Sean O'Boyle's grave'. [14.5cm in height]

Deutscher Bildhauer der Gegenwart (Tätig 20./21. Jh.)Stehende Fee als HalbaktLindenholz, geschnitzt; Messing und Bronze, grün patiniert. Große Statuette des Phantastischen Realismus mit vollplastischer Darstellung einer jungen Frau mit Maske, spitzem Hut und Blätterkranz auf dem Kopf, inspiriert durch Ernst Fuchs und Paul Wunderlich. H. 75,8 cm.Provenienz: Aus der Sammlung des Hamburger Schauspielers und Theaterschiff-Betreibers Eberhard Möbius (1926 - 2020).German contemporary sculptor active 20th/21st century. Carved limewood and green patinated bronze and brass sculpture.

Louis Sosson (Französischer Bildhauer. Tätig um 1905-1930 in Paris)Höfisches Liebespaar in spätmittelalterlicher TrachtChryselephantin-Figurengruppe aus braun patinierter Bronze und fein geschnitztem Elfenbein auf weiß-ockerfarbenem Onyxsockel. Sign.; Frühes, wohl um 1905-1910 entstandenes Werk des vielseitigen Jugendstil- und Art Déco-Bildhauers, der besonders durch seine meisterhaften Chryselephantinfiguren in Zusammenarbeit mit der Gießerei Etling bekannt wurde. H. 26,5 cm.Brown patinated bronze and carved ivory sculpture on white and ochre-coloured onyx base. Signed.

Joseph D'Aste (1881 Neapel - 1945 Frankreich)Holländermädchen und -knabe auf einer WippeBronze, dunkel patiniert und vergoldet; Elfenbein, geschnitzt.; Sign.; Schwarzer, weiß und ockerfarben geäderter Marmorsockel. Große, vollplastische Gruppe des italienisch-französischen Bildhauers, der um 1900 nach Paris ging und 1905 im Salon des Artistes Français ausstellte. In seinen Einzelfiguren und Gruppen, oft mit Kindern, schilderte er mit Vorliebe Szenen aus dem Land- und Volksleben. Eine dieser Gruppen mit Bauern und Kindern befindet sich in der Sammlung des Musée d'Orsay in Paris. Ges.-H. 31,5 cm; B. 49,5 cm.Vgl. Catley: "Art-Deco und Jugendstilfiguren", Abb. S. 128 (als "See-Saw" betitelt).Dark patinated, gilt bronze and carved ivory sculpture on marble base. Signed./

Bronze fire gilt Tibet or Nepal , 16th century Dimensions: Height 16 cm by 4 cm Weight: 432,5 grams Elaborately crafted sculpture standing on a small lotus base with beaded rims, the hands joined in front of the chest holding a devotional object. Dressed in long striped dhoti with ornate waistbelt. The whole body is adorned with beaded jewellery highlighted with stone inlays in blue. The chest is also decorated with a beaded chest piece, large earrings hang down over the shoulders. The face is graceful with downcast eyes and high eyebrows. At the back of the tiara we can see the strands of hair done up in a bun.

Bronze with silver and copper inlaysTibet or North-India , 12th century , Pala DynastyDimensions: Height 9 cm by 6 cm Weight: 202,4 gramsSeated Green Tara on an expansive three-stepped throne with feet. She is seated in lalitasana pose with her right foot pendant on a small lotus flower. She is sitting on a double reverse lotus base with beaded rim and a child is cradled into her left arm resting on her leg. Her right hand is resting on the knee with palm facing out, gesture of generosity and holding an egg. She is dressed in a long dhoti with floral design and adorned with lots of jewellery. Her face is smiling with a welcoming expression and a scarf is billowing around her shoulders. The sculpture is highlighted with several inlays.

Bronze South-India , 17th century Dimensions: Height 53 cm by 25 cm Weight: 10444 grams Hindu god Shiva in his form as Chandrashekhara, or Lord of the Crescent Moon. The figure has four arms, the upper two holding a battle axe and a prancing deer, the lower two making gestures of reassurance and teaching. The figure wears his hair piled high in the chignon of matted locks that identifies Shiva, with curling locks draping over his shoulders in the back. A crescent moon is just visible at the front of the chignon, pointing upward. The figure stands on a flaring lotus base with round holes pierced through the front and back to attach the sculpture to a litter or cart for transport during temple processions. Shiva Chandrashekhara is worshipped primarily in southern India, where he is often displayed with his consort, Parvati. The straight posture of this icon suggests that it was either worshipped without a consort image (couples often lean in toward one another) or that the consort image was cast and displayed somewhat separately. The battle axe and deer make reference to an episode in which Shiva was attacked by non-believers and he caught both the weapon they threw at him and the wild stag that they sent to attack him. The deer became one of his great devotees and it represents the gods role as Lord of Animals. Bronze icons were made for display and worship on shrine altars inside temples but were often displayed during temple processions as well, and were occasionally transported to different temple buildings on special occasions. Bronze casting reached an apex in India in the tenth century under the patronage of the Chola dynasty of Tamil Nadu. Although masterful bronzes were made in this area for several centuries thereafter, those made in the tenth century are particularly prized for their balance of organic and ornamental qualities. Provenance: From the estate of Ali A. Abssi (1934-2020) and Florence Hall Abssi ( 1919-2014) Founders of the Ishtar Gate Gallery in the prestigious Houston Galleria. They were world travelers and dealers of electic art, jewellery , antiquities, and gems. Their friends, acquaintances, and customers included people from all continents, including sheiks, prime minister, royals, business leader , politicians, and oil magnates.

Bronze rest giltNepal , 17th centuryDimensions: Height 29 cm by 22 cmWeight: 4820 grams with baseThe divine couple standing next to each other, Parvati leaning against Shiva's left arm gazing at him from the side. Shiva is holding one hand in abhaya mudra, the other is holding a drum and a lotus flower with a missing blossom. His body is curved towards Parvati from the hip. He is dressed in a loincloth with festooned waistband. Parvati is adorned with jewellery and a tiara. Traces of gold may proof that the sculpture was burnt.

A large cold cast resin bronze sculpture, Hector Hare, 46cm tall

Full title: Ernst Fuchs (1930-2015): 'Sphinx', patinated bronze on a black marble base, ed. 901/1000, [1977]Description: H 22 - L 35,7 cmÊ Ê The sculpture marked 'Venturi Arte'.Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Japanese bronze sculpture of a snake in an attack position, MeijiDescription: L 38,5 cmÊ Ê With a signature on the underside of the snake's body.Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: A Chinese bronze vessel and cover, two weights and three red coral branches, 19th C. and laterDescription: H 19,6 - 6,5 cm (the tallest and the smallest item)Ê Ê The leftbronze sculpture a Burmese opium weight.Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Full title: Three large Indian bronze figures depicting Ganesha and Shiva, 20th C.Description: H 45,8 - 33,7 cm (the tallest and the smallest sculpture)Condition:Please contact us to let us know which lots are of interest, so we can make the requested report for you.Once complete, it will be published on our website.High resolution pictures are already available on our website at www.coronariauctions.com. Further questions are always welcome at info@coronariauctions.com

Tim Cotterill (British 1950-): "Sneaky Pete" Frogman, limited edition released 2005 (933/5000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L14cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Runt" Frogman, limited edition released 1992 (1971/5000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L13cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Kona" Frogman, limited edition released 2006 (246/1000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L22cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Romeo" Frogman, limited edition released 2007 (880/2000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L15cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Scamp" Frogman, limited edition released 2007 (43/125) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L14cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Scoundrel" Frogman, limited edition released 2007 (65/125) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L8cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Ziggy" Frogman, limited edition released 2006 (287/1000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L20cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Meadow" Frogman, limited edition released 2007 (2102/5000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L5cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Frost" Frogman, limited edition released 2006 (1362/2000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L9cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Scout" Frogman, limited edition released 2005 (1854/5000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L9cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): "Flipper" Frogman, limited edition released 2003 (727/5000) patina coated solid bronze sculpture, signed underneath, with authenticity certificate, L9cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

Tim Cotterill (British 1950-): Frogman sculpture, limited edition (101/1000) marbled orange and yellow patina coated solid bronze sculpture, signed underneath, L8cmClick here to view further images, condition reports, sale times & delivery costs for this lot.

WILLIAM LANDLES DA, (1923-2016) Summer Window cast bronze sculpture, 35cm tall, Provenance: Purchased Open Eye Gallery 13th March 1990

JOHN WOOLLER (Australian), Great Dunsinane, multi-axis turned jarrah burl wood, bronze metal and granite sculpture, 86cm tall, Provenance: The Forest Gallery Benandarah New South Wales Section of wood has been broken off right shoulder. 12 x 5cm above metal, piece present. Overall good condition, minor chips to rims.Provenance: comes with exhibition invitation.

BRONZE SCULPTURE, Racing Cheetah, 12" lengh

Monogrammist des 20. Jhd. Russland "Partisan" Skulptur - Bronze, H: 31 cm, seitlich in der Plinthe kyrillisch monogrammiert TB oder ähnlich Monogrammist Russia 20th century "Partisan" sculpture - bronze, height: 31 cm, monogrammed TB or similar in Cyrillic on the side in the plinth

Paul Ludwig KOWALCZEWSKI (1865-1910) "Dante" Skulptur - Bronze auf Serpentinsockel stehend, H: 52 cm, Gesamthöhe 60 cm, seitlich signiert, verso Inschrift "grosse Berliner Kunstausstellung" Paul Ludwig KOWALCZEWSKI (1865-1910) "Dante" sculpture - bronze standing on a serpentine base, height: 52 cm, total height 60 cm, signed on the side, on the backside with inscription "grosse Berliner Kunstausstellung"

Künstler des 19. / 20. Jhd. "Visitenkartenschale, Pirot mit Laute und Hund" Skulptur - Bronze / Elfenbein und Marmorschale, Gesamthöhe 16 cm, Schale oval 14 cm x 18 cm, Schale auf dem Rand ungedeutet signiert Artist of the 19th / 20th century "Business card tray, pirot with lute and dog" sculpture - bronze / ivory and marble bowl, total height 16 cm, oval bowl 14 cm x 18 cm, bowl uninterpreted signed at the edge

große französische Skulptur im Art déco Stil "Stehender weiblicher Akt" Skulptur - Bronze auf Marmorsockel, Gesamthöhe 78 cm, signiert Pitta Luga und mit Gießerstempel large sculpture French Art Deco style "Standing female nude" sculpture - bronze on marble base, total height 78 cm, signed Pitta Luga and with foundry mark

Gustavo PEÑALVER VICO (1939) "El pequeño poeta" (Der kleine Poet) Skulptur - Bronze, H: 26,5 cm, bezeichnet e.a., rückseitig rechts oben mit Gießerstempel Kraas Gustavo PEÑALVER VICO (1939) "El pequeño poeta" (the little poet) sculpture - bronze, height: 26.5 cm, inscribed e.a., with foundry mark Kraas at the upper right at the backside

Will LAMMERT (1892-1957) "Portraitbüste" Bronze, H: 27,5 cm, verso am Rand nummeriert 7/14 und monogrammiert WL, ediert bei Faber & Faber in Leipzig, die Seltenheit dieser Plastik lässt vermuten, dass die volle Auflage von 14 Stück nicht gegossen wurde Will LAMMERT (1892-1957) "Portrait bust" bronze, height: 27.5 cm, on the backside at the edge numbered 7/14 and monogrammed WL, edited by Faber & Faber in Leipzig, the rarity of this sculpture suggests that the full edition of 14 pieces was not cast

W... Hall (contemporary),untitled, a bronze sculpture, stamped twice 'W Hall 1986',26cm wide18cm deep21.5cm high Condition report: Some rubbing to the patina. Fair overall.

*Elio Garis (Italian, b.1954),untitled, a bronze sculpture, 108cm long40cm high35cm wide, on a stand 184cm high overall*Artist's Resale Right may apply to this lot.Condition report: Some rusting to the stand - has been outside for sometime - the bronze is slightly pitted and some holes in the body of the work.

BILHAUER DES 20. Jh.; Skulptur / sculpture: "Kopf einer Frau", Bronze (Hohlguss), hellbraun patiniert. Kubistisch abstrahierter Frauenkopf, gearbeitet in Anlehnung an Arbeiten Pablo Picassos; neuzeitlicher Guss. H. 23 cm.

BILDHAUER DES 19./20. JH., Skulptur / sculpture: "Madonna" / "Mutter und Kind", Bronze grün und hellbraun bis goldfarben patiniert. Vollplastisch gearbeitete stehende Madonna in faltenreich drapiertem langem Gewand, in den Armen das segnende Christuskind haltend. H. 52 cm (Patina partiell grün oxidiert).

KRAUTWALD, JOSEPH (Borkenstadt / Oberschlesien 1914-2003 Rheine), Skulptur / sculpture: "Wölfe", Bronze, gearbeitet als Hochrelief in der expressiven charakteristischen Manier des Künstlers, der bei Josef Thorak und Karl Albiker in Dresden studierte. Besonders sein Frühwerk war beeinflusst durch die Arbeiten von Käthe Kollwitz und Ernst Barlach. Hellbraun patinierte Bronze mit grünen Akzentuierungen. H. 17 x B. 21 x T. 3 cm.

BRONZE ABSTRACT SCULPTURE - 43CMS

SIGNED BRONZE ABSTRACT SCULPTURE - 40CMS

100-300 AD. Gandharan (or later) bronze sculpture of Buddha. He sits high upon a throne, holding the palm of his left hand in the air and the right one resting on his leg. He wears a simple monastic robe that clings to his legs, showing his bare chest. Incised lines has been added to suggest the folds of the cloth. The head is topped by an elaborate crown. Gandhara was an ancient region in the Peshawar basin in the north-west of the ancient Indian subcontinent (modern north-west Pakistan and South-east Afghanistan). The Kushan period (c. 75-451 AD) of Gandharan art, to which this figure belongs, was the golden age of artistic production in the area. Provenance: From the private collection of Mr. R. Unger; previously with a London gallery; acquired in before 2000 on the UK art market. Size: L:145mm / W:88mm ; 440g

A bronze effect Heredities sculpture, The Anglers, by Roland Chadwick

An abstract bronze sculpture of a seated lady

A heavy cast composite sculpture in a bronze patina of a rolling Dachshund, signed in cast 'Doris Lindner, 12" long along with a Heredities bronzed resin Dachshund, signed in cast J. Spouse, 7" long.

A bronze figure of a girl holding a fan approx 24cm h, together with a resin sculpture of a girl and hoop approx 22 h cms.

A CONTEMPORARY BRONZE HORSE HEAD SCULPTURE, 11cm high

A 19TH CENTURY BRONZE SCULPTURE OF A CHILD, seated upon a cushion, with a damaged drum, 8.5cm high

J.K.C. A LIMITED EDITION CAST BRONZE FIGURAL SCULPTURE OF A COUPLE, on rectangular plinth base, mounted on an associated marble plinth base, 16.5cm high, initialled, No. 4 of 12Condition report – Very good condition, some scuffs to marble plinth. 

John Letts - A limited edition bronze sculpture entitled 'Cherie', numbered 14 of 60, approximately 10 cm (h) and 24 cm (l), with certificate of authenticity.

Bronze sculpture of girl playing with cat, signed under chair

Y § LEON UNDERWOOD (1890-1975) JUNE OF YOUTH, CIRCA 1934 bronze, unique example with chasing, on original rosewood base(overall 67.4cm high (26.5in high) including base, 36.5cm wide (14.3in wide), the bronze 61cm high (24in high))Footnote: Literature: Neve, Christopher, Leon Underwood, Thames and Hudson, London, 1974, p.154, no.109 (illustrated with the base and dated 1934); Whitworth, Ben, The Sculpture of Leon Underwood, The Henry Moore Foundation and Lund Humphries, 2000, cat. no.68. We would like to thank Ben Whitworth for his assitance in cataloguing the current work. Leon Underwood was a significant figure in twentieth-century British sculpture, and a teacher who influenced generations of artists. His works can be seen in the Victoria & Albert Museum, Tate Britain, and the Ashmolean Museum, Oxford. While his reputation was eclipsed by those of his students Henry Moore and Barbara Hepworth, Underwood can now be appreciated as a brilliant and versatile artist in a wide variety of media. Underwood trained as a painter at the Royal College of Art before the First World War, and at the Slade School of Art after demobilisation. It was only after the War that he started to work on sculpture. The human torso was a favourite subject in the early years of his sculptural practice: he carved female torsos in Tournai slate (1923), Mansfield sandstone (1923-24), Roman marble (c. 1925-30) and Ancaster stone (c. 1925-32). The running torso “Flux” (1924) was modelled in clay and cast in editions of brass and bronze. Metal allowed a more fluid composition, and made it easier to capture movement and gesture. During the 1930s Underwood gradually abandoned stone carving, and increasingly worked in bronze. “June of Youth” recalls his earlier torsos in stone, but the figure’s forward and upward movement exploit the properties of bronze sculpture. It has been suggested that the artist’s daughter Jean modelled for this piece, but that seems implausible: she was only a child when Underwood created this celebration of young womanhood. After selling a bronze “June of Youth” to the Tate Gallery in 1938, Underwood wrote to the director, John Rothenstein, “I always give ‘literary titles’ to my works”. A possible source for the title is Helen Keller, who used the phrase “the June of her youth” in her 1929 memoir Midstream; but the analogy between the months of the year and the stages of life is a common trope, and the sculptor need not have had a specific quotation in mind. Whatever its inspiration, “June of Youth” held a special place in its maker’s affections, and he depicted it in the background of a self-portrait painted in 1949. Underwood made just a handful of works in cast terracotta, but it was in this medium that “June of Youth” was first realised. The critic Eric Newton saw it in this form, and was deeply impressed. The terracotta “June of Youth” that we see here is numbered IV: the fourth from an edition of four. It is signed with Underwood’s usual signature (“Leon U”), and dated ’38. This must be the date of this specific cast, as a terracotta version was exhibited at the National Society of Painters, Sculptors, Engravers and Potters as early as 1933. The title is lightly inscribed, running up the outside of the left thigh. Incised circles mark the figure’s nipples and navel, with fine lines separating the abdominal muscles and defining the belly.2 Bronze, however, was probably the medium Underwood had in mind when he conceived this dynamic figure. There appear to have been seven bronzes cast, though Underwood’s numbering of his editions can be unreliable. The earliest casts date from no later than 1937; a final cast, inlaid with lines of silver, was made in 1969. The bronze offered here is not numbered or dated. The fact that it includes the figure’s chin and mouth might indicate that is an early – perhaps even the first – cast, as later casts end at the neck. The chased decoration, added by hand, makes it (as a label on the base states) “unique”. The nipples and navel are emphatically marked, as in the terracotta. The rest of the markings look like foliage – in keeping with the “June” of the title. However, a zig-zag line above the groin could be read either as an outline of the figure’s pubic hair, or as flames. On the latter reading, the shape immediately above it could be interpreted as a phoenix – a subject that Underwood evoked in his bronze “Phoenix for Europe” (begun in 1937). It was this cast of “June of Youth” that was illustrated in Christopher Neve’s 1974 book Leon Underwood. Note: Please be aware that this lot contains material which may be subject to import/export restrictions, especially outside the EU, due to CITES regulations. Please note it is the buyer's sole responsibility to obtain any relevant export or import licence. For more information visit http://www.defra.gov.uk/ahvla-en/imports-exports/cites/