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Denis Mitchell (British, 1912-1993)Polzeath bears initials, titled and dated 'POLZEATH/D.A.M./1974/ED.OF.7' (on the underside of the slate base)bronze with a green and polished patina on a slate base31.6 cm. (12 3/8 in.) high (including the base)Footnotes:ProvenanceWith Godson & Coles, London, where acquired by the family of the present ownersPrivate Collection, U.K.ExhibitedLondon, Alwin Gallery, 1974 (catalogue not traced, another cast)Penzance, Newlyn Orion Gallery, 1974 (catalogue not traced, another cast)Oxford, Oxford Gallery, Denis Mitchell, 1974 (catalogue not traced, another cast) London, Marjorie Parr Gallery, Denis Mitchell, 2-24 May 1975, cat.no.3 (another cast)St Ives, Wills Lane Gallery, 1975 (catalogue not traced, another cast)Swansea, Glynn Vivian Art Gallery and Museum, Festival Exhibition of Sculpture by Denis Mitchell, 6 October-3 November 1979, cat.no.31 (another cast)LiteratureGeorge Dannatt, Festival Exhibition of Sculpture by Denis Mitchell, Welsh Arts Council, Cardiff, 1979, p.70, cat.no.31 (ill., another cast)Peter Davies, After Trewyn: St Ives Sculptors since Hepworth, Old Bakehouse Publications, Gwent, 2001, pp.15-20 (ill., another cast)Please note this work has been re-inscribed by Tommy Rowe, Denis Mitchell's assistant, as was authorised in the Artist's will. This was undertaken with the full support of the Estate, to whom we are grateful.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Dame Elisabeth Frink R.A. (British, 1930-1993)Horse signed and numbered 'Frink 6/9' (on the base)bronze with a dark brown patina33 cm. (13 in.) wideConceived in 1979Footnotes:ProvenanceThe Artist, from whom acquired by the family of the present ownersPrivate Collection, U.K.LiteratureSarah Kent and Brian Robertson, Elisabeth Frink Sculpture: Catalogue Raisonné, Harpvale, London, 1984, cat.no.247, pp.190-191 (ill.b&w, another cast)Annette Ratuszniak, Elisabeth Frink: Catalogue Raisonné of Sculpture 1947-93, Lund Humphries in association with the Frink Estate and Beaux Arts, London, 2013, pp.140-141, cat.no.FCR277 (col.ill., another cast)Please note that this work is accompanied by a letter from the artist to the previous owner.The horse first came into Frink's oeuvre in the late 1960s, coinciding with a move to Camargue, along the southern coast of France between Montpellier and Marseille, that introduced her to the semi-wild herds of horses for which the area is famous. Growing up in the countryside, she had always been an accomplished rider and understood horses very well beyond a mere aesthetic appeal, admiring what she perceived to be their 'strength, fidelity and sagacity' (Edward Lucie-Smith, Elisabeth Frink: Sculpture since 1984 and Drawings, Art Books International, London, 1994, p.40). But rather than the domestic horses that she was used to, it was always the wilder, more exotic horses that drew her artistic attention most – those at Camargue, a newly discovered Asiatic horse from the Mongolian steppe that had started to appear in London zoos, or even the Chinese terracotta horse from a Tang dynasty tomb that Frink herself owned. Part of this focus feeds into the idea of autonomy that is pervasive in Frink's depiction of animals. Keenly aware of the interdependency between man and animal, especially in the case of dogs and horses, this was something she was interested in exploring and would by no means downplay. But throughout these works there is always a persisting sense that the animal moves of its own accord, something brought about with an energetic dynamism in the present piece. Taking lead from what she believed to be a far more diverse and characterful representation of the horse in Chinese art, the horse here exists in its own right, rather than as a servant to man, and relishes in its own physicality and personality. Frink was unapologetically figurative in her approach, looking to express the tensions of the human condition and of the world more broadly by addressing the source, rather than through visual analogy. But where in the early stages of her career her work shows a more distorted image of reality more closely tied to the British sculptors of her day, her later work becomes more assertively naturalistic – not in a rejection of Abstraction per se, but more in a confirmation of the continuing ability of the real world to capture what she looked to express. In the context of Horse, Frink celebrates with confidence and a degree of defiance the depth of the subject matter in itself; it's visual and physical energy, its character, and the contemplation it can provoke on ourselves and our own qualities.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

CHRISTOS KAPRALOS (1909-1993)Mère signé en grec et daté '59'sculpture en bronze62 x 30 x 21cm. (24 7/16 x 11 13/16 x 8 1/4in.)Réalisé en 1959. signed in Greek and dated '59'bronze sculptureFootnotes:ProvenancePrivate collection, USA.For further information on this lot please visit Bonhams.com

SOPHIA VARI (1940-2023)Hélène de Troie signé 'Vari' et numéroté 1/6 sur la basebronze à patine noir56 x 22 x 22 cm. (22 1/16 x 8 11/16 x 8 11/16in.)Réalisé en 1986.signed 'Vari' and numbered 1/6 on the basebronze with black patinaFootnotes:Réalisé à la fonderie Mariani, Pietrasanta, Italie.Created at the fonderie Mariani Pietrasanta, Italy.ExpositionsAthens, Galerie d' Athenes, Sophia Vari, September -October 1986, no. 22 (catalogued, p. 18, and illustrated on the cover of the exhibition catalogue).Kruishoutem, Belgium, Fondation Veranneman, Sophia Vari, 1988.New York, Nohra Heime Gallery, Sophia Vari Recent Sculpture, October 18 - November 12, 1998, no. 5 (illustrated in the exhibition catalogue).LittératureThe Athenian magazine, no. 158, December 1986, p. 68 (discussed).Dictionary of Greek Artists, Melissa editions, vol. I, Athens 1997, p. 144 (illustrated).J. Spring, Sophia Vari, Rizzoli editions, New York 1999, p. 68 (catalogued), pp. 57, 66 (illustrated).This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Bronze sculpture of a horse's head, mounted on a black marble base, 20cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satsify yourself as to condition. If you are unable to view and a condition report is not already available, please ask for one and it will be provided in writing).

Small bronze effect racehorse sculpture by Harriet Glen, on wooden plinth, 22.5cm wide; and another bronzed-effect resin horse trophy by the same sculptor, 15cm.Qty: 2

A modern bronze sculpture of a cloaked figure on a square marble base, signed indistinctly, 42cm high

Anna Andreadi (Contemporary) bronze sculpture, runner at the start, signed and numbered to the base 12/50, 14cm high x 21.5cm

Anna Andreadi (Contemporary) bronze sculpture of an athlete, signed and numbered to the base, 4/50, 32cm high x 22cm wide

Cathy Judge (Contemporary) bronze sculpture of a seated female nude, initialled to reverse, 27cm high

Yanni Souvatzoglou (Contemporary) bronze sculpture of a couple seated, signed to reverse, 17cm high x 18.5cm wide

ARR Michael Simpson (British 20th/21st Century) limited edition bronze pheasant group, initalled and numbered 65/150, 10cm high, a miniature cold painted bronze group of a pair of owls, unsigned, 5cm high and a small ceramic sculpture by Tasos Rallis (3)

ARR Anna Andreadi (Contemporary) bronze sculpture of a couple under a tree, signed and numbered to base 8/20, 27cm high

Anna Andreadi (Contemporary) bronze sculpture of a runner, signed and numbered to the base, 20/50, 20cm high x 21.5cm wide

Narziss von Pompeji nach antikem Vorbild, Italien, Fonderia Sommer Napoli, 19. Jhdt. Bronze, grünliche Patina. Darstellung des Jünglings Narziss in Kontraposthaltung. Er hat ein Ziegelfell über seine linke Schulter geworfen und trägt einen Efeukranz auf seinem Kopf. Auf einen runden, mit reliefierten Blättern verzierten Sockel geschraubt. Auf dem Sockel Gießergravur "Fonderia Sommer Napoli". Patina mit Fehlstellen. Höhe 62 cm bzw. 57,5 cm (ohne Sockel).Keywords: dionysos Narcissus of Pompeii - an Italian bronze sculpture with green patina after the antique original, Fonderia Sommer Napoli, 19th century Narcissus of Pompeii - an Italian bronze sculpture with green patina after the antique original, Fonderia Sommer Napoli, 19th century Bronze, grünliche Patina. Darstellung des Jünglings Narziss in Kontraposthaltung. Er hat ein Ziegelfell über seine linke Schulter geworfen und trägt einen Efeukranz auf seinem Kopf. Auf einen runden, mit reliefierten Blättern verzierten Sockel geschraubt. Auf dem Sockel Gießergravur "Fonderia Sommer Napoli". Patina mit Fehlstellen. Höhe 62 cm bzw. 57,5 cm (ohne Sockel). Condition: II - Keywords: Dionysos

Bronzenadel mit Steinbockskulptur als Nadelkopf, Luristan, frühes 1. Jtsd. v. Chr. Kräftige, oben 5 und unten bis zu 6 mm dicke Nadel, die im vordersten Teil spitz zuläuft. Der Nadelkopf eine runde Platte mit Kügelchen am Rand. In der Mitte die reizvolle Miniaturplastik eines Steinbocks mit fein ausgearbeiteten anatomischen Details wie dem Muskelspiel der Gliedmaße, dem Schweif, den Ohren, den Augen und der Maulspalte. Dunkelgrüne Patina. Höhe 22,2 cm.Provenienz: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. A bronze pin with ibex sculpture as pinhead, Luristan, early 1st millennium B.C. A bronze pin with ibex sculpture as pinhead, Luristan, early 1st millennium B.C. Kräftige, oben 5 und unten bis zu 6 mm dicke Nadel, die im vordersten Teil spitz zuläuft. Der Nadelkopf eine runde Platte mit Kügelchen am Rand. In der Mitte die reizvolle Miniaturplastik eines Steinbocks mit fein ausgearbeiteten anatomischen Details wie dem Muskelspiel der Gliedmaße, dem Schweif, den Ohren, den Augen und der Maulspalte. Dunkelgrüne Patina. Höhe 22,2 cm. Provenance: Süddeutsche Privatsammlung, erworben Ende der 90er Jahre im Kunsthandel. Condition: I -

Bronzeskulptur des Winddämons Pazuzu, vorderasiatisch, frühes 1. Jtsd. v. Chr. Der nackte, schreitende Dämon mit Raubvogelfüßen setzt den linken Fuß leicht nach vorne. Der rechte Arm angewinkelt, Unterarm und Hand nach oben erhoben, die Linke ausgestreckt nach unten geführt. Auf dem Rücken ein Flügelpaar mit oberen und unteren Schwingen. Das Gesicht mit feinen Lippen, aber dicker Nase und großen Augen. Auf dem Scheitel eine Öse zum Anhängen. Die Füße auf einer quadratischen Basis, sodass die Figur auch hingestellt werden kann. Dunkle Patina mit Oxydauflagen und leichten Korrosionsspuren. Die Füße oberhalb der Knöchel leicht nach vorne gebogen, auf der Rückseite der Waden an dieser Stelle leichte Risse. Sonst vollständig und intakt. Höhe 8,5 cm.Provenienz: Rheinische Privatsammlung, erworben Ende der 90er Jahre bei Kölner Kunsthändler. A Near Eastern bronze sculpture of the wind demon Pazuzu, early 1st millennium B.C. A Near Eastern bronze sculpture of the wind demon Pazuzu, early 1st millennium B.C. Der nackte, schreitende Dämon mit Raubvogelfüßen setzt den linken Fuß leicht nach vorne. Der rechte Arm angewinkelt, Unterarm und Hand nach oben erhoben, die Linke ausgestreckt nach unten geführt. Auf dem Rücken ein Flügelpaar mit oberen und unteren Schwingen. Das Gesicht mit feinen Lippen, aber dicker Nase und großen Augen. Auf dem Scheitel eine Öse zum Anhängen. Die Füße auf einer quadratischen Basis, sodass die Figur auch hingestellt werden kann. Dunkle Patina mit Oxydauflagen und leichten Korrosionsspuren. Die Füße oberhalb der Knöchel leicht nach vorne gebogen, auf der Rückseite der Waden an dieser Stelle leichte Risse. Sonst vollständig und intakt. Höhe 8,5 cm. Provenance: Rheinische Privatsammlung, erworben Ende der 90er Jahre bei Kölner Kunsthändler. Condition: II

Tanzender weiblicher Akt, Marcel Debut (1865 - 1933 Paris) Bronze patiniert. Nur mit einem Lendenschurz bekleidete, tanzende junge Dame. Sie hält in ihrer Linken eine Harfe, die Saiten sind aus Draht gefertigt. Bezeichnet "Marcel Debut". Berieben. Höhe 72 cm. A large French bronze sculpture showing a nude woman holding a harp, Marcel Debut (1865 - 1933 Paris) A large French bronze sculpture showing a nude woman holding a harp, Marcel Debut (1865 - 1933 Paris) Bronze patiniert. Nur mit einem Lendenschurz bekleidete, tanzende junge Dame. Sie hält in ihrer Linken eine Harfe, die Saiten sind aus Draht gefertigt. Bezeichnet "Marcel Debut". Berieben. Höhe 72 cm. Condition: II -

Art-Deco-Figur einer Tänzerin, signiert Demétre Chiparus (1886 Dorohoi, Rumänien - 1947 Paris) Bronze, patiniert. Darstellung einer Charleston tanzenden jungen Dame (Flapper). Runde Plinthe mit Signatur "D.H. Chiparus". Plinthe leicht gedellt. Auf einem Marmorsockel, Unterseite mit Samtabdeckung. Höhe 31,5 cm, Gesamthöhe 39,5 cm. An Art Deco bronze sculpture of a flapper dancer signed Demétre Chiparus (1886 Dorohoi, Romania - 1947 Paris) An Art Deco bronze sculpture of a flapper dancer signed Demétre Chiparus (1886 Dorohoi, Romania - 1947 Paris) Bronze, patiniert. Darstellung einer Charleston tanzenden jungen Dame (Flapper). Runde Plinthe mit Signatur "D.H. Chiparus". Plinthe leicht gedellt. Auf einem Marmorsockel, Unterseite mit Samtabdeckung. Höhe 31,5 cm, Gesamthöhe 39,5 cm. Condition: II

Michele Amodio (1817 - 1913) - Narziss Bronze. Auf einem runden Sockel mit Blattdekor. Vollplastische Darstellung des Jünglings Narziss, einer antiken Originalbronze nachempfunden, die 1862 in Pompeji gefunden wurde. Sockel bezeichnet "M. Amodio Napoli". Höhe 61,5 cm bzw. 56,5 cm. An Italian bronze sculpture of Narcissus, Michele Amodio (1817 - 1913) An Italian bronze sculpture of Narcissus, Michele Amodio (1817 - 1913) Bronze. Auf einem runden Sockel mit Blattdekor. Vollplastische Darstellung des Jünglings Narziss, einer antiken Originalbronze nachempfunden, die 1862 in Pompeji gefunden wurde. Sockel bezeichnet "M. Amodio Napoli". Höhe 61,5 cm bzw. 56,5 cm. Condition: II

Manner of Ferdinand Barbedienne (1810-1892), a 19th century French bronze figure, seated Moses, after the original Moses sculpture by Michelangelo. Signed Michelangelo. H.17cm

Anonymous, bronze sculpture of a lady, 40 cm high, weight 8.20 kilos

SIGNED BRONZE CONTEMPORARY SCULPTURE TONY - 21CMS X 22CMS

BRONZE SCULPTURE with a beautiful golden patina representing a Samurai with Tachi & Eboshi Kabuto, hunting a tiger with a Yari, on a lacquered wooden base. H.14.5cm (without stand) 

Bronze Sculpture in the Decco style statue of a man supporting a Globe on an axis, black stone base, approximately 26cm high

Thailand, gilded bronze sculpture of Buddha Sakyamuna, 19e eeuw h. 21 cm. [1]

South India, a bronze sculpture of Parvati, ca. 19th century. (mounted on a circular wooden base) h. 23 cm. [1]

Doris Lindner, cold cast bronze sculpture of a Dachshund, on a slate base. Signed, edition number 268/1001, 27cm x 12cmThis sculpture is bronzed resin (cold cast bronze), not bronze.

Antique pair of bronze statues by French Belle Epoque sculptor Emile Guillemin entitled Traversing the Ford (Passage du Gue) and Wooded Trail (Sentier Boise) depicting scantly clad young women traversing natural elements. Each set on a wood base that includes the artist name and title. Signature on each sculpture on lower side: Guillemin. Each sculpture dimensions (including base): 6"L x 8"W x 16"H. Artist: Emile Coriolan Hippolyte Guillemin (French 1841-1907)Issued: late 19th centuryDimensions: See DescriptionCountry of Origin: FranceCondition: Age related wear.

Large bronze and brass original Bonsai Tree sculpture with exposed roots that the artist made with outstanding details. The concept of harmony and balance in nature is emphasized by the base made of gnarled driftwood. No apparent signature. Sculpture dimensions including base: 30"L x 20"W x 24"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. Two leaves are detached.

Richard Sefton After David Shepherd CBE, FRSA, FGRA (British 1931-2017) 'The Gentle Giant' a limited edition cast-bronze sculpture of a Bull elephant, moulded signature, number 3/95, 24cm high, sold together with a limited edition colour print of the same subject 'The Gentle Giant' published December 2005, signed and numbered 3/295, certificate of authenticity applied verso, within a card mount, and moulded gilt frame, under glass 40cm x 71cm and 68cm x 97cm overall.

Late Period, Ca. 664 - 332 BC. A powerfully modelled Egyptian arm, probably from a statuette of an important sculpture of a god or a king. The arm is bent and adorned with an armilla and a large bracelet. The hand is closed around a handle, probably the lower part of a sceptre. The bronze has developed a fantastic green and red patina. For similar see: The Metropolitan Museum of Art, Accession Number 1995.21. Size: 100mm x 190mm; Weight: 2.5kg Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1980s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

CONTEMPORARY PANTHER SCULPTURE, in bronze on a slate base, 21cm H x 52cm W x 16cm D.

CONTEMPORARY BALLERINA SCULPTURE, in bronze with verdigris finish detail, 69cm H x 30cm W x 25cm D.

DON KEN (°1956)Don Ken signed sculpture in bronze to be dated in 2021 - with foundry mark and with certificateDON KEN (°1956) sculptuur in brons n° 5/50 : "Skateboard" - hoogte : 38,5 cm getekend , met gieterijmerk en te dateren in 2021 met certificaat

LOVENIERS ARMAND (° 1943)20th Cent. Belgian bronze sculpture by Armand Loveniers - with foundry markLOVENIERS ARMAND (° 1943) sculptuur in brons : "Op stoel zittende vrouw" - hoogte en breedte : 27,5 en 25 cm met gieterijmerk dit werk is afgebeeld in het oeuvrecatalogus van de kunstenaar

POMPON FRANÇOIS (1855 - 1933)François Pompon signed "Grand Canard" sculpture in bronze with black patina posthumous cast by Ebano - with foundry mark and with justification POMPON FRANÇOIS (1855 - 1933) sculptuur ("cire perdue") in brons met zwarte patine n° Q/T : "Grand Canard" - hoogte : 22 cm getekend postume gieting met stempel van de gieterij Ebano met justificatie

POMPON FRANÇOIS (1855 - 1933)François Pompon signed "White polar Bear" sculpture in bronze with white patina posthumous cast by Ebano - with foundry mark and with justification POMPON FRANÇOIS (1855 - 1933) sculptuur ("cire perdue") in brons met witte patine n° 14/48 : "Ours polaire blanc" - hoogte en breedte : 23 x 42 cm getekend postume gieting met stempel van de gieterij Ebano met justificatie

PILET LÉON (1840 - 1916)antique French sculpture in bronze - signed Léon PiletPILET LÉON (1840 - 1916) antieke Franse sculptuur in brons met dubbele patine : "Jong verliefd koppel" - hoogte : 69 cm getekend

VANDERVEKENS HUGO (° 1933)20th Cent. Belgian abstract sculpture in bronze - signed Hugo VandervekensVANDERVEKENS HUGO (° 1933) sculptuur in brons n° 3/3 : "Abstracte compositie" - hoogte : 25,5 cm - op basis in blauwsteen getekend

MOREAU AUGUSTE (1834 - 1917)French sculpture in bronze - on a marble base - signed Auguste Moreau and with foundry markMOREAU AUGUSTE (1834 - 1917) sculptuur in brons : "Naakte vrouw met vogeltje" - hoogte : 60 cm - op marmeren sokkel getekend en met gieterijstempel ("J.B. Déposé, bronze garanti")

'antique' Italian ("Grand Tour") sculpture in marble and bronze representing the bust of a Roman gentleman'Antieke' Italiaanse (Grand Tour) sculptuur in marmer en brons : "Buste van een Romeinse man" - hoogte en breedte : 72 en 63 cm

DUBAR LOUIS (1876 - 1951)20th Cent. Belgian sculpture in plaster with bronze patina - signed Louis Dubar depicted in "Sculpture in Belgium from 1830" by Engelen-Marx (page 618)DUBAR LOUIS (1876 - 1951) sculptuur in gips met een donkere bronspatine : "Baigneuse" - hoogte : 71,5 cm getekend afgebeeld in "Beeldhouwkunst in België vanaf 1830" van Engelen-Marx (pag. 618)

CARLIER ÉMILE (1849 - 1927)antique French quite big sculpture in bronze - signed Emile CarlierCARLIER ÉMILE (1849 - 1927) antieke vrij grote sculptuur in brons met bruine patine met een elegante jonge dame, getiteld "Candeur" - hoogte : 76,5 cm - op een ronde basis getekend

RENOIR PIERRE AUGUSTE (1841 - 1919) - GUINO RICHARD (1890 - 1973)Pierre Renoir and Richared Guino sculpture in bronze with green patina titled "The Little Washer (squatting)", clay modelled by Renoir and Guino in 1916/17 and later reworked in plaster, casted in bronze (copyright 1983) by Süsse fondeur - Paris in 1989 signed and with foundry mark was exposed in Bruges, Monaco, Cannes and TokyoRENOIR PIERRE AUGUSTE (1841 - 1919) & GUINO RICHARD (1890 - 1973) sculptuur in brons met donkergroene patine genummerd 7/8 : "La Petite Laveuse (accroupie)", in 1916/17 door Guino en Renoir (die blind was geworden) gerealiseerd in terracotta en later herwerkt in gips, in brons gegoten (copyright 1983) door Süsse fondeur te Parijs in 1989 - hoogte en breedte : 27 en 23 cm getekend en voorzien van gieterijmerk ref. : Paul Haesaerts 'Renoir sculpteur' : tekst pg. 27 en plaat n° XXIX - in juli 1995 in Brugge geëxposeerd, alsook in Monaco, Cannes, Tokyo

quite imposing 19th Cent. Empire style clock with its case in gilded bronze with a "Alexandre the Great" sculpture - with a "Jouvant fils - Cie de Paris" signed workNegentiende eeuwse allicht Franse Empire-klok met kast in gedoreerde brons met typische ornamentiek en met een sculptuur in de vorm van Alexander de grote met leeuwenvacht op de schouder - met werk getekend "Jouvant fils - Cie de Paris" - hoogte en breedte : 61,5 en 39 cm - ca 1820

KREITZ WILLY (1903 - 1982)20th Cent. Belgian sculpture in bronze - signed Willy KreitzKREITZ WILLY (1903 - 1982) dubbelsculptuur in brons : "Man en Vrouw" - hoogte : 34,5 cm - op sokkel in blauwsteen getekend

antique Clodion signed sculpture in bronze on a red marble baseCLODION (1738 - 1814) antieke sculptuur in brons : "Drie musicerende amourtjes" - hoogte : 17,5 cm - op marmeren sokkel getekend

DEGAS EDGAR (1834 - 1917)Edgar Degas signed posthumously cast sculpture in bronze on a marble base with justification of the casting by 'Ebano - Spain'DEGAS EDGAR (1834 - 1917) sculptuur in brons n° 8/48 met bruine patine : "Arabesque" - hoogte : 42 cm - op marmeren sokkel postume gieting getekend en met justificatiebewijs van de gieting door 'Ebano - Spanje'

MODIGLIANI AMEDEO (1884 - 1920)Amedeo Modigliani signed posthumously cast sculpture in bronze on a marble base with justification of the casting by 'Ebano - Spain' ref : "Sculptures et Dessins", Edition Ceroni, ref XIIMODIGLIANI AMEDEO (1884 - 1920) sculptuur in brons (cire perdue) n° 38/48 met goudbruine patine : "Tête de jeune femme" - hoogte : 74 cm - op marmeren sokkel postume gieting getekend en met justificatiebewijs van 'Ebano - Spanje' ref : "Sculptures et Dessins", Edition Ceroni, ref XII

Antique French Bronze Sculpture of two horses on a marble base signed P.J.Mene measures approximately 11 inches long x 8 inches tall

After Séraphin Denécheau (1831-1912): A Bronze Figure of a Nymph, sitting in a crescent moon, on a varigated marble waisted circular column99cm highPatination very dry. Surface with abraded scratch marks. Some splash marks around the fave and top half of the body (see images). No breaks of repairs to the sculpture. Base with some losses to the beaded mouldings. Some chips and scratches to the marble.

Ann W Baxter NDD SEA (b. 1961) Grazing heavy horse Signed, carved wood, 30cm long Another Example, stood, head turned to the right 19cm A Further Model, recumbent stallion 22cm (3)Ann Baxter trained at Leeds college of art and works from her home near Boroughbridge in North Yorkshire. Her carvings are mainly in wood and stone and occasionally in bronze. She favours timber from renewable sources, but also uses her existing stocks of exotic hardwood, which have been stored for many years.Her main subject is the horse in many and varied forms, but other domestic animals and birds are also featured.Ann is a member of the Society of Equestrian Artists and her work is regularly featured in their annual London Exhibition. She has received several awards for her sculpture, including the coveted President’s Medal and the British Sporting Art Trust Sculpture Prize.Ann’s hobby is breeding, showing and racing Arabian Horses. Grazing - abrading to the end of the tail, probably with some loss but the modelling does come to a point at this area Stood - good condition Recumbent - loss to the tips of the ears

Ann W Baxter NDD SEA (b. 1961) Standing Horse Signed, dated (19) 81, carved Macassar Ebony, 26cm long, 20cm high Two Others (3)Ann Baxter trained at Leeds college of art and works from her home near Boroughbridge in North Yorkshire. Her carvings are mainly in wood and stone and occasionally in bronze. She favours timber from renewable sources, but also uses her existing stocks of exotic hardwood, which have been stored for many years.Her main subject is the horse in many and varied forms, but other domestic animals and birds are also featured.Ann is a member of the Society of Equestrian Artists and her work is regularly featured in their annual London Exhibition. She has received several awards for her sculpture, including the coveted President’s Medal and the British Sporting Art Trust Sculpture Prize.Ann’s hobby is breeding, showing and racing Arabian Horses. Horse with harness - chips to ears. No other condition issues.

A Life-Size Bronze Sculpture of a Seated Hound, late 20th century, with textured fur and verdigris patination61cm high

Tintenfass mit DeckelBronze in Vollguss, fein braun schimmernde Patina. Hexagonal gebaucht, mit profiliertem Rand, auf drei geflügelten Sphingen. Gewölbter hexagonaler Deckel mit einer vollplastischen weiblichen Allegorie als Knauf. Attribut der Allegorie verloren. H 22,5 cm.Venedig, zugeschrieben, um 1600, wohl nach einem Entwurf von Giuseppe de Levis (1522 - 1611/14).Die Zuschreibungen an den Veroneser Bronzegießer Giuseppe de Levis basieren auf den beiden Feuerböcken mit den bekrönenden Figuren Juno und Jupiter in der Sammlung The Victoria and Alber Museum London, acc. no. 3012:1 to 9-1857. Sie tragen die gegossene Signatur "JOSEPHO DI LEVI IN VERONA MI FECE".LiteraturVgl. Eberle, Bestandskatalog der Sammlung unedler Metalle, Leipzig 1996, S. 110, ein Tintenfass mit ähnlichen Sphingen, dem Umkreis des Tiziano Aspetti zugeschrieben.Vgl. Cannata, Sculture in Bronzo. Museo Nazionale del Palazzo di Venezia, Vol. III, Rom 2011, Kat. Nr. 112.Vgl. Scholten, The Robert Lehmann Collection XII. European Sculpture and Metalwork, New York 2011, Kat. Nr. 184.Vgl. Avery, Joseph de Levis & Company. Renaissance Bronze-Founders in Verona, London-New York 2016, Kat. Nr. 85.Ein gleiches Tintenfass ohne Deckel befindet sich auch in der Sammlung des Louvre, Inv. Nr. OA 2793, ebenfalls mit dem Verweis auf den Entwurf Giuseppe de Levis'.

Bronze sculpture of this majestic animal, in walking stance with mouth open. Great detail shown in lions' face, mane and clawed feet. Left facing. 8.6 lbs. Issued: 20th centuryDimensions: 11.5"L x 5.5"W x 9.25"HCondition: Age related wear.

JASON AND THE ARGONAUTS (1963) - Ray Harryhausen Archive: Talos Preservation Casting by Ray Harryhausen - View this 360 turnaround at full sizeA preservation casting of Talos created by Ray Harryhausen, from Don Chaffey's fantasy adventure Jason and the Argonauts. Talos was a huge bronze statue on the Isle of Bronze, which came alive and attacked the Argonauts after Hercules (Nigel Green) stole some treasure. This lot comes from Harryhausen's personal collection.Following his retirement, Harryhausen decided to create longer-lasting preservation castings of some of his key models, which were at higher risk of deterioration over time. This resin model, unique to Harryhausen's archive, was created from a sculpture of Talos made by Harryhausen during the 1980s, and cast from the same mould that was used for several bronzes in the same period. This resin model has been painted to look bronze with a verdigris patina. It comes with a sword which slots into Talos' hand, also built by Harryhausen for the model, and is mounted on a stand. The sword exhibits some paint wear around the handle. Dimensions: 45 cm x 23 cm x 17 cm (17.75" x 9" x 6.75")Additional provenance:This lot comes from the Ray & Diana Harryhausen Foundation, a collection of items from the long and illustrious career of special effects and animation legend Ray Harryhausen. Proceeds from this auction will assist with the Foundation's future projects, including the ongoing preservation of Harryhausen's creature collection.Estimate: £10,000 - 20,000 M Bidding for this lot will end on Thursday, November 14th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Friday, November 15th, Saturday, November 16th or Sunday, November 17th.

THOMAS & FRIENDS (T.V. SERIES, 1984-2021) - Series 9000 Crew Gift - A crew gift from the production of the long-running children's television show Thomas & Friends.This sculpted crew gift features Thomas, Sir Topham Hatt and seven of the other main engines. It is made of resin embedded with bronze powder, and sits upon a wooden base. Both the base and the back of the sculpture feature a black, felt lining. A sticker on the base reads "Thomas The Tank Engine And Friends - Series 9000, 2004 - 2005". Dimensions: 37 cm x 9 cm x 19 cm (14.5" x 3.5" x 7.5")Estimate: £1,500 - 3,000 M Bidding for this lot will end on Sunday, November 17th. The auction will begin at 3:00 PM GMT and lots are sold sequentially via live auctioneer; tune in to the live streaming broadcast on auction day to follow the pace. Note other lots in the auction may close on Thursday, November 14th, Friday, November 15th, or Saturday, November 16th.

Illona Morrice (Danish b.1954) ARR 'The Circle of Life' bronze sculpture 73cm high, 61cm wide. Base 43cm x 35cm Condition Report: Surface marks to the marble base and some minor nibbles to base edges. Overall good condition.