We found 17079 price guide item(s) matching your search

A bronze sculpture of Vishnu Nepal, 18th century . . Cm 5,50 x 10,00.

A dark bronze sculpture of Maitreya China, Ming dynasty, 15th century . . Cm 14,00 x 26,00.

A bronze sculpture of Buddha with gilded remains Burma, 10th century. . Cm 11,20.

A bronze sculpture depicting Buddha with nagaNepal, 19th century . . Cm 10,00 x 19,00.

A bronze sculpture of Buddha Laos, 17th century . . Cm 45,00 x 80,00 x 20,00.

A bronze sculpture of Durga on a lion India, Orissa, 19th century . . Cm 13,00 x 20,50.

A bronze sculpture of Shiva Pashupati and Parvati South India, Kerala, 13th century . . Cm 12,00.

A bronze sculpture of Green Tara Kashmir, 11th century . . Cm 7,00 x 10,00.

Pierre Lenordez (French 1814-1892) a bronze sculpture of a horse by a seated hound and hunting implements, on an oval base, 11 high x 14 1/2 long, signature to base edge

After Pierre Jules Mene (1810-79) 'L'Accolade', A study of horses, brown patinated bronze sculpture, bearing a signature, height 40cm, length 56cm

French School, late 19th Century, bronze sculpture of Diana the Huntress, standing semi-clad with swords held aloft, nicely patinated, indistinctly signed to the base, mounted on a scagliola marble socle, height 35cm

Sculpture: After the Antique: A pair of lead athletes late 19th century on rectangular sandstone bases 112cm.; 44ins high The originals in bronze, standing side by side as if at the beginning of a race were excavated from the Villa of the Papyri at Herculaneum and are now in the Naples Archeological Museum.

A cold cast bronze labrador sculpture, signed P. McLaughlan 96.

A modern bronze sculpture,of spiral form with textured rings and a loose interlocking ring, raised on a circular plinth, 17cm high (2)

Bronze sculpture of an athletic man, in a yoga pose, black variegated plinth, overall 24cm h

A 20th Century bronze sculpture of a jaguar, raised on a marble base. H:19cm W:64cm D:20cm

Bronze sculpture of the forepart of a running horse, with verdigris and green patina; on the reverse section an iron part, rusty; maybe Roman, 1st Century a.C.4,5x4,7cm

Franklin Mint Bronze sculpture of two stags fighting by Ronald van Ruyckevelt "Mountain Thunder" on wood plinth

A lacquered bronze sculpture after Frederick Remmington - Coming through the Rye - all intact and in good condition

19th Century French Silvered Bronze sculpture of a bearded man possibly Bacchus after the Roman antique found at the Villa dei Papiri in Herculaneum. On sienna marble socle. Unsigned. Condition commensurate with age with wear and rubbing. Measures 26-1/2" including base. Shipping: Third party. (estimate $3000-$5000)

Graciela Rodo Boulanger, Bolivian (b. 1935) Bronze sculpture on marble base "Meditation" Signed and numbered 28/99. Good condition. Measures 12-1/2" x 12-1/2" x 8". Shipping: Third party. (estimate $2000-$4000)

* BARBARA BALMER RSA RSW RGI (SCOTTISH b 1929),DRAWING FOR ELEANOREpencil on paper, signed and titled54cm x 35cmMounted, framed and under glass.Note: The subject of this drawing was inspired by JD Fergusson's 1924 polished bronze sculpture "Eastre, Hymn to the Sun". This drawing was commssioned by the current vendor (Eleanore) in 1983 at which time Barbara Balmer owned "Eastre". The 15.7 inch high bronze was sold at auction in Edinburgh in May 2014 for £49,250 (premium).

LEON UNDERWOOD [1890-1975] Restraint, 1963. bronze, unique. Signed. 16 cm high. Literature: 'The Sculpture of Leon Underwood', B. Whitworth, Lund Humphries, 2000, p.143, no.23; Exhibited: Minories Gallery, major one-man retrospective exhibition, 1969, no.107. [good condition]. Underwood is often stated to be the 'father of modern sculpture in the UK' - he taught Henry Moore and Barbara Hepworth and is still very underrated. Buyers premium of 20% [+ VAT] is payable.

Sir JACOB EPSTEIN [1880-1959]. Anthony, 1947. bronze, edition of 6. Signed 'Epstein' on back of neck. 32 cm high. Provenance: Leicester Galleries, London, c.1947; private collection; Robert Miller Gallery, New York; Hudson Valley Centre for Contemporary Art [USA] collection; private collection, UK. Literature: 'The Sculpture of Epstein', E.Silber, Phaidon, 1986, p.200, no.385. A signed original lifetime cast, unlike the many unsigned 'extra' posthumous copies which appear in most auctions these days, which were cast by Lady Epstein in the 1960s using foundries other than Epstein's chosen foundry 'Art Bronze' [who refused to cast for her, despite being offered 'wheel-barrows full of cash']. [good condition]. Buyers premium 20% + vat payable.

‡ Hamish Mackie (b. 1973) Oyster Catcher in flight Signed with initials, dated 2000 and numbered 2/12 Cold painted bronze sculpture on a granite base 51cm high

A BRONZE SCULPTURE OF A NAKED YOUNG WOMAN SEATED ON A ROCK, RICH BROWN PATINA, 50CM H, LATE 20TH C

A BRONZE SCULPTURE OF TWO BIRDS ON ROCKS, BROWN AND GREEN PATINA, 15CM H, LATE 20TH C

A BRONZE SCULPTURE OF A SLEEPING NUDE YOUNG WOMAN, 27CM L, STAMPED MARKS AND 11/148, LATER 20TH C

AN ART NOUVEAU BRONZED METAL SCULPTURE OF A SLENDER YOUNG WOMAN HOLDING A DISH OF LEAVES, 14CM H, EARLY 20TH C, A BRONZE SCULPTURE OF A SALAMANDER AND ANOTHER ITEM

ARTHUR DOOLEY (1929-1994); a large bronze sculpture of a cockerel on marble base, height 30cm. Provenance: from the estate of the late Carla Lane † CONDITION REPORT This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.

20th Century bronze sculpture of figures, marked in the bronze E.P. 88

A FRENCH BRONZE AND RED MARBLE CLOCK GARNITURE, SAMUEL MARTI, SCULPTURE BY EMILE BRUCHON, 1900 BUYERS ARE ADVISED THAT A SERVICE IS RECOMMENDED FOR ALL CLOCKS PURCHASED the 9cm cream enamelled circular dial with Roman numerals within pierced acanthus leaf surround, the backplate inscribed 'Samuel Marti, Medaille d'Or, Paris, 1900', bell striking movement, the marble case adorned with gilt swags, surmounted by an angel holding a trumpet in one hand and a torch in the other, signed Bruchon, inscribed Renommée par Bruchon, on outswept pierced and scrolling acanthus leaf feet, a pair of conforming garnitures surmounted by a five-light candelabra supported by an urn, en suite the clock 82cm high (3)

CLOVIS EDMOND MASSON (1838-1913) A BRONZE SCULPTURE OF TWO HUNTING DOGS on a marble base, signed C. Masson, slight chips to base 25cm high

Bronze sculpture of an athletic man, in a yoga pose, black variegated plinth, overall 24cm h

An Art Deco bronze sculpture, signed Rochard, modelled as three running greyhounds, mounted on marble plinth, a/f damage to supporting branches, 49 by 18 by 27cm high.

CESAR: (1921-1998) César Baldaccini. French Sculptor. A leading figure of the Nouveau Réalisme movement. He is the creator of the “César de Cinema” trophy, which is awarded to the best in French cinema. Signed 8 x 4 photograph by Cesar `Amitié, César´, the image depicting one of Cesar´s main works `Centaure´. Signed in bold black ink to the right lower card border. Traces of glue affixing to the photograph. Matted in white to an overall size of 13 x 10 (33 x 25 cm). G to VG £250-350Le Centaure (1985) is a bronze sculpture by César, today at the Michel Debré square in Paris.

A bronze sculpture by the renowned German sculptor in bronze Arno Breker B.1900 D.1991 - subject - nude female reclining on a plinth signed and dated by the artist, 1977. H=30cm

Bronze - A late 19th, early 20th Century bronze sculpture, gilded birds sitting upon a branch, mounted on rectangular marble base, unsigned, probably French. H=22, W=25, D=12cm

Bronze - A large bronze sculpture as Aphrodite at Milos or The Venus de Milo standing in typical classical pose, upper body naked, lower body draped. Unsigned. H=85cm

Bronze - A bronze sculpture of a soldier mounted on horseback. The subject with armour and helmet with sword at his side, possibly a Conquistador, late 19th/early 20th Century, unsigned. H=43, W=34cm

A magnificent life size bronze sculpture of a bull, subject head down about to charge. Foundry mark and signature to one ear. H=180, W=300, D=120cm

Bronze sculpture of a native American on horseback

A bronze sculpture of clam shells

19TH CENTURY BRONZE SCULPTURE likely modelled as Bellona, the Roman Goddess of War, unsigned, possibly lacking spear in right hand,15cm high; together with a Neoclassical standing male bronze, unsigned, 12cm high, and a larger bronze figure, 20cm high (3)

J. Persevil Bronze Sculpture of Kneeling Nude Lady, on rectangular base, 51cms high overall, signed and dated 1996, together with pencil sketch similar. (2)

IGOR IVANOVICH YERSHOV (RUSSIAN 1916-1985)Ship Sailing Away, 1929watercolor on paper32 x 42 cm (12 5/8 x 16 1/2 in.)signed and dated lower rightPROVENANCECollection of Viktor Kholodkov LOT NOTESIgor Yershov was a Russian painter and graphic designer. He was born into an artistic family; his father Ivan Yershov was an opera singer with the Imperial Marinskiy Theatre and his mother was both a singer and a professor at the St. Petersburg Conservatory. In 1932, Yershov began his studies at the academy of Painting, Sculpture and Architecture. Amongst his professors were I. Brodsky and I. Bilibin. His studies were interrupted by the Second World War when he was evacuated to Tashkent. Yershov graduated from the Academy in 1947, presenting lithographs for A. Pushkin`s Bronze Horseman. In 1949, a jubilee edition of Pushkin`s works was published with illustrations by the artist. From the 1950s onwards, he worked mainly as an illustrator of children`s books. At least two generations of Russian children grew up reading Khorovod with Yershov`s illustrations. His illustrations for the Russian folk tales by Charles Perrault and Aleksandr Pushkin were very popular: The tale of the Golden Cockerel (1957-1960), A tale of the Fisherman and his wife (1956-57), Russian fairy-tales (1957-1960). Yershov`s works can be found in the collections of a number of Russian museums including the State Russian Museum and Museum of A.S. Pushkin and in museums and private collections in both France and England.This painting is from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

IGOR IVANOVICH YERSHOV (RUSSIAN 1916-1985)The Roofs of Saint Petersburg, 1929India ink and watercolor on paper28.2 x 36 cm (11 1/8 x 14 1/8 in.)signed and dated lower rightPROVENANCECollection of Viktor Kholodkov LOT NOTESIgor Yershov was a Russian painter and graphic designer. He was born into an artistic family; his father Ivan Yershov was an opera singer with the Imperial Marinskiy Theatre and his mother was both a singer and a professor at the St. Petersburg Conservatory. In 1932, Yershov began his studies at the academy of Painting, Sculpture and Architecture. Amongst his professors were I. Brodsky and I. Bilibin. His studies were interrupted by the Second World War when he was evacuated to Tashkent. Yershov graduated from the Academy in 1947, presenting lithographs for A. Pushkin`s Bronze Horseman. In 1949, a jubilee edition of Pushkin`s works was published with illustrations by the artist. From the 1950s onwards, he worked mainly as an illustrator of children`s books. At least two generations of Russian children grew up reading Khorovod with Yershov`s illustrations. His illustrations for the Russian folk tales by Charles Perrault and Aleksandr Pushkin were very popular: The tale of the Golden Cockerel (1957-1960), A tale of the Fisherman and his wife (1956-57), Russian fairy-tales (1957-1960). Yershov`s works can be found in the collections of a number of Russian museums including the State Russian Museum and Museum of A.S. Pushkin and in museums and private collections in both France and England.This painting is from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

IGOR IVANOVICH YERSHOV (RUSSIAN 1916-1985)The Mine, 1931India ink on paper35 x 49 cm (13 3/4 x 19 1/4 in.)signed twice and dated lower right; titled and inscribed on versoPROVENANCECollection of Viktor Kholodkov LOT NOTESIgor Yershov was a Russian painter and graphic designer. He was born into an artistic family; his father Ivan Yershov was an opera singer with the Imperial Marinskiy Theatre and his mother was both a singer and a professor at the St. Petersburg Conservatory. In 1932, Yershov began his studies at the academy of Painting, Sculpture and Architecture. Amongst his professors were I. Brodsky and I. Bilibin. His studies were interrupted by the Second World War when he was evacuated to Tashkent. Yershov graduated from the Academy in 1947, presenting lithographs for A. Pushkin`s Bronze Horseman. In 1949, a jubilee edition of Pushkin`s works was published with illustrations by the artist. From the 1950s onwards, he worked mainly as an illustrator of children`s books. At least two generations of Russian children grew up reading Khorovod with Yershov`s illustrations. His illustrations for the Russian folk tales by Charles Perrault and Aleksandr Pushkin were very popular: The tale of the Golden Cockerel (1957-1960), A tale of the Fisherman and his wife (1956-57), Russian fairy-tales (1957-1960). Yershov`s works can be found in the collections of a number of Russian museums including the State Russian Museum and Museum of A.S. Pushkin and in museums and private collections in both France and England.This painting is from the collection of Viktor Kholodkov (1948-2015), who fulfilled his passion for books, avant-garde design and paper memorabilia by devoting his life to collecting and dealing of prominent works of Russian graphic art of the first half of the 20th century. The dedicated collector acquired a multitude of books and artworks throughout decades, meticulously labeling and archiving every single item. Many came directly from the most preeminent artists of the time, as well as from their families and estates. He also possessed a vast number of drawings from the famous collection of another avant-garde enthusiast, Nikolai Khardzhiev. After leaving the USSR in 1989 and settling in California, Viktor continued his work as a Soviet art dealer and critic, actively publishing various articles and contributing to several major Russian avant-garde exhibitions across the U.S., such as the 1991 Russia Under Fire in the 40s on the West Coast and the 1992 Guggenheim exhibition The Great Utopia: The Russian and Soviet Avant-Garde. Kholodkov also contributed to the archives of the biggest American institutions. His sophisticated selection of over 2000 Russian sheet music covers was acquired by The Library of Congress, and an extensive amount of material related to VKhUTEMAS is now at the J. Paul Getty Museum.

REPRODUCTION PATINATED BRONZE AND BLACK MARBLE SECOND WORLD WAR DESIGN NAZI GERMAN IMPERIAL EAGLE SCULPTURE bearing text: 'Deutschland' to base and standing on a black veined marble plinth. 44cm high approx.(B.P. 24% incl. VAT) CONDITION REPORT: Minor frits and wear to the marble base in places, no other damage noted.

Contemporary free standing ceramic sculpture in grey and cream, in two parts connected with large bronze staples, decorated with textured ceramic teeth to the inside and outside and glazed with stripes and triangles. 73cm by 26cm

A large Continental bronze sculpture. Study of three stallions on textured base, 70cm wide.

A large Japanese Meiji period patinated bronze sculpture formed as an elephant locked in battle with a pair of fierce tigers. Signed, 57cm high. Condition Report. To be used as a guide only. Good condition.

John Bridgeman (1916-2004) Roman Torso Bronze, 22cm high Provenance: Artifix Galleries Ltd, West Midlands John Bridgeman (1916-2004) was reputedly one of the finest sculptors in Britain to work with fibreglass, plastics, concrete and cement. His versatility allowed him to work on both monumental and small scale works, all of which were created through the technique of wax modelling and bronze casting. Born in Felixstowe, Suffolk he was awarded a scholarship to the Royal College of Art, his time at the Royal College was interrupted by the outbreak of war in 1939. After the war Bridgeman continued his studies at the Royal College of Art alongside Frank Dobson. He won the Otto Beit award for sculpture in 1947, graduating in 1949. Bridgeman went on to become the head of Sculpture at Birmingham Art College. His method of teaching was inspirational, generating long lasting loyalty from his students. During the war Bridgeman became a conscientious objector, the day to day civilian wartime experience of living in war torn London had a profound effect on his work.

Jacob Epstein (1880-1959) Morna (Stewart), conceived 1935 signed 'EPStein' bronze 62cm high. Provenance: Property of a lady; By repute with the family during the Second World War. Literature: Jacob Epstein, Epstein, An Autobiography, Hulton Press, London, illustrated (another cast); Richard Buckle, Jacob Epstein, Sculptor, Faber & Faber Ltd., London, p.224, illustrated pl.345 (another cast); Evelyn Silber, The Sculpture of Epstein, with a Complete Catalogue, Phaidon, Oxford, 1986, cat. no.264, p.180 illustrated (another cast).

Karin Jonzen (1914-1998) Gymnast bronze with green patina 142cm high. The plaster for this model was exhibited at The Royal Academy, London, 1982, No.1337. Provenance: Christie's London, March 1994, Lot 100; Private Collection. Literature: Karin Jonzen Sculpture, Silent Books, Cambridge, 1994, illustrated contents pages and a similar model or the same model can be seen in a Studio photograph from 1977, p.6.

Ron Sauvage 'Diane de Gabies' 19thC 'Grand Tour' Bronze Sculpture, French quality bronze, after the Antique, cast in the 1870's; signed to the side of the base; 12.5 inches high

Frederic Remmington Large Bronze Sculpture Bronco Buster After The Original On Marble Base, Height 23 Inches

Anita Weil Benador Limited Edition Modernist Bronze Sculpture Of Square Form Dated 1990, 7.35" Square

Anita Weil Benador Limited Edition Modernist Bronze Sculpture Of Square Form Dated 1990, 9" Square

Indian vase, a pewter elephant head inkwell, a small bronze sculpture with elephant features. Condition report: see terms and conditions