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LUMEY PIERRE (° 1948)20th Cent. sculpture in bronze dd 1989 by Pierre Lumey with label with title, name and date THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10LUMEY PIERRE (° 1948) sculptuur in brons getiteld "Hiëroglief van de zee" - hoogte : 98 cm met naamplaatje en datum 1989 met sokkel (hoogte : 84 cm) DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

antique 3pc garniture in marble and bronze with a pair of tazzas and a clock with a bronze sculpture and with a "Japy frêres" signed workAntieke schouwgarnituur in marmer en brons, bestaande uit een paar tazza's (18,5 cm hoog) & een klok (40 cm hoog) met een bronzen sculptuur met jongetje met lam en met werk getekend "Japy frêres"

MARIN JACQUES (1877 - 1950)early 20th Cent. sculpture in bronze - signed Jacques MarinMARIN JACQUES (1877 - 1950) sculptuur in brons : "Karakterkop" - hoogte : 48,5 cm getekend

RIPOLLES JUAN GARCIA (° 1932)20th Cent. Spanish "Confidencias" sculpture in bronze - signed Juan Ripolles depicted in the book "Juan Ripolles Towards glass" THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10RIPOLLES JUAN GARCIA (° 1932) (SP) sculptuur in brons n° 2/8 getiteld "Confidencias" - 84 x 41 x 20 getekend afgebeeld in boek "Juan Ripolles Towards glass" (pag. 76) met wat info DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

BUREAU LÉON (1866 - 1906)antique French sculpture in bronze - signed Léon Bureau and with foundry markBUREAU LÉON (1866 - 1906) antieke sculptuur in brons : "Fazant" - hoogte : 28,5 cm - op groen marmeren sokkel getekend en met gieterijmerk

KOBE (1950 - 2014)20th Cent. Belgian sculpture in bronze - signed Kobe THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10KOBE (1950 - 2014) sculptuur in brons n° 4/8 met een corpus van een naakte man - 58 x 53 getekend gemonteerd op sokkel (hoogte : 106 cm) DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

TONNAER DÉSIRÉE (° 1955)20th Cent. double sculpture in bronze titled "The two peacocks" with monogram of Désirée Tonnaer THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10TONNAER DÉSIRÉE (° 1955) dubbelsculptuur in brons telkens met een zwaard met als greep een buste, getiteld "De twee pauwen" - op een hoge stenen sokkel - totale hoogte : 161 cm gemonogrammeerd volgens het archief van dhr van Heesewijk werd er 8500 Hfl voor betaald afgebeeld in het boekje "Keuze uit de beeldentuin "Den Dorenbergh 04-07-2009" DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

THEYS YVAN (1936 - 2005)21st Cent. Belgian sculpture in bronze - signed and with the monogram of Yvan Theys and dated (20)03 with foundry mark with certificate by the artist and with invoice THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10THEYS YVAN (1936 - 2005) sculptuur in brons n° 1/6 dd 2003 en getiteld "Mensbeeld" - 155 x 60 x 40 getekend, gemonogrammeerd en gedateerd (20)03 met gieterijmerk met certificaat van de kunstenaar en met aankoopfactuur van Galerie Post + Garcia (15750 euro) DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

AMERLAAN VAN NIEKERK CORRY (° 1947)20th Cent. sculpture in bronze on a marble base - attributed to Corry Amerlaan van NiekerkAMERLAAN VAN NIEKERK CORRY (° 1947) (NL) sculptuur in brons op sokkel in marmer : "Compositie met narrenhoofd" - 11,5 x 12,5 cm toegeschreven aan

EGGEN GENE (1921 - 2000)20th Cent. Dutch sculpture in bronze on a stone base - signed Gene Eggen and dated (19)82EGGEN GENE (1921 - 2000) (NL) sculptuur in brons met een geabstraheerde vrouwenfiguur op een sokkel in blauwsteen - hoogte : 31 cm getekend en gedateerd (19)82

HERMANS JOS (1930 - 2017)20th Cent. Dutch sculpture in bronze on a stone base with label with title, name and date 1986 THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10HERMANS JOS (1930 - 2017) sculptuur in brons getiteld "Vier jaargetijden" op een sokkel in steen - totale hoogte : 165 cm met naamplaatje en datum 1986 volgens het archief van dhr van Heesewijk heeft hij ervoor 12000 Hfl betaald DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

VAN EERD HANS (° 1941)20th Cent. Dutch "Galatea" sculpture in bronze by Hans van Eerd - dd 1994 THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10VAN EERD HANS (° 1941) (NL) sculptuur in brons dd 1994 met de voorstelling van een gevleugeld figuur getiteld "Galatea" - hoogte : 114 cm op sokkel in steen (hoogte : 99 cm) DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

SLEGERS TOON (1929 - 2004)20th Cent. Dutch "Bird" sculpture in bronze with label with title, name of the artist and date 1991 sold with a catalogue THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10SLEGERS TOON (1929 - 2004) (NL) sculptuur in brons getiteld "Vogel" - gemonteerd op stenen sokkel - totale hoogte : 175 cm (57 + 118 cm) met naamplaatje en datum 1991 wordt verkocht met een cataloogje DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

MANDERSLOOT MARJOLIJN (° 1959)20th Cent. Dutch sculpture with three pairs of legs in bronze by Marjolijn Mandersloot in 1997 THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10MANDERSLOOT MARJOLIJN (° 1959) (NL) sculptuur in brons met drie paar benen in brons getiteld : "Staren naar de tijd" dd 1997 - hoogte : 78 cm DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

FREIJSEN LIZAN (1960 - 2024)20th/21st Cent. Dutch sculpture in bronze attributed to Lizan Freijsen THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10FREIJSEN LIZAN (1960 - 2024) champignonvormige sculptuur in brons - hoogte : 63 cm toegeschreven aan DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

LANNOYE HENRI (1946 - 2006)20th Cent. bronze sculpture - with the monogram of Henri Lannoye and with foundry markLANNOYE HENRI (1946 - 2006) sculptuur in brons getiteld "Mens en technologie" - 18 x 9 x 10 gemonogrammeerd en met gieterijmerk van Mariana

FREIJSEN LIZAN (1960 - 2024)20th Cent. Dutch sculpture in bronze with a design derived by Lizan Freijsen from a chair for the "Project for 1000 Children", where a number of chairs were auctioned for charity with a book/catalogue about the project and with a paper with the auction order with annotation by Mr van Heesewijk ("2500 purchased + 1500 entirely in bronze") THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10FREIJSEN LIZAN (1960 - 2024) sculptuur in brons met een ontwerp afgeleid van een stoel voor het "Project for 1000 Children", waarbij een aantal stoelen voor het goede doel werden geveild - hoogte : 52 cm met boek ivm het project en met een blad met de veilingvolgorde met annotatie van dhr van Heesewijk ("2500 gekocht + 1500 geheel in brons") DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

WILLEMS JOS (° 1948)20th Cent. Dutch sculpture in stone and bronze with label with name of the artist and date 1992 with a drawing with the design of this sculpture and a letter by the artist this sculpture can be disassembled in five pieces THIS LOT IS SITUATED EXTERNALLY IN TURNHOUT (viewing days September 19, 20 and 21), PICK-UP ON SITE ON OCTOBER 8, 9 OR 10WILLEMS JOS (° 1948) (NL) unieke sculptuur in beton en brons getiteld "Dragend Midden" - hoogte : 173 cm met naamplaatje en datum 1992 met studietekening en schrijven van de kunstenaar deze sculptuur kan worden gedemonteerd in 5 delen voor transport DIT LOT IS TE BEZICHTIGEN TE TURNHOUT (op 19, 20 en 21 september), AFHALING TER PLAATSE OP 8, 9 OF 10 OKTOBER

Very large art deco bronze sculpture of a dancer on a marble base in the style of Demetre Chiparus, 21.5" tall.

A Hereditis bronze effect sculpture "The Kiss" 24cm high

An Austrian dark patinated bronze and steel sculpture, stylised angular leaping Ibex, label to base, E Crepaz, Tirol, 21cm, c.1960

David Wynne (British, 1926-2014) Boy with a Dolphin Limited edition sterling silver sculpture hallmarked by Mappin & Webb, London, 1980, on marble base etched and gilt tooled MAPPIN & WEBB to one side, the other DAVID WYNNE 87/250, with Mappin & Webb Certificate, in fitted case, in good condition, only wear and tarnishing. Provenance: Purchased by vendor's father directly from Mappin & Webb, circa 1980/1 thence by descent The boy holding onto the dorsal fin was modelled on the artist's son Roland David Amadeus Wynne (1964-1999) who was 9 years old in 1973 when the original bronze was conceived.  This silver piece, one of 250, produced by Mappin & Webb after the original bronze.  The Boy with a Dolphin  was unveiled in 1975 at the corner of Chelsea's Albert Bridge and Embankment and went on to become one of London's most famous landmarks.  Without the restraints of formal training Wynne used a double cantilever structure incorporating the boy's arm and tail of the dolphin to unwittingly create a masterpiece of engineering and design.  Wynne's determination to convey the unbridled freedom of the boy and dolphin was achieved not through photographs but hours of observing live dolphins at the London Dolphinarium located at 65 Oxford Street open from 1971-1973 and when in the wild in California.  Of the piece he said: “the boy is being shown that if you trust the world, the thrills and great happiness are yours… if one meets a dolphin in the sea, he is the genial host, you the honoured guest.”

A mid-century Brutalist abstract bronze sculpture, height 41cmGood condition

Christine Sheffield 6/10 limited bronze resin sculpture of ballerina, 390mm tall

Bronze sculpture of the Keeper of the Swans, signed with monogram DCT 90, white marble base, height 38cm Good condition

Manner of Marino Marini, mid-20th century abstract bronze sculpture, stylised horse, signed on base, height 38cmGood condition

A large bronze limited edition sculpture 'Flight', the bronze sculpture with arms outstretched and balancing on one foot. The sculpture is suspended by wire at the back of the head, Signed to the foot, 87, 2/9. 45.5cms high, 56.5cms from the hand to the balancing foot. *Purchased from a Gallery in Melbourne in the 1980's. *CR Generally seems in good condition.

A large bronze figure of a nude female figure, with her hands behind her head and in a kneeling position. Mounted on a block of stone, 37.5cms high, 48cms including the stone base. *Purchased from a Gallery in Melbourne in the 1980's. *CR The sculpture has been in the garden and weathered over time, some blobs of paint in places.

A contemporary verdigris bronze sculpture of a recumbent Dog, possibly a Wolfhound or Greyhound. Signed to the side of the base with initials (possibly 'JGC') and dated 05. 11cms high, approx 22cms across. *CR Good condition.

A bronze sculpture of a pheasant rising into flight, signed to the base and dated '95'. 17cms high. *CR Seems in good condition.

A contemporary bronze sculpture of a puma standing on a rock, height 40cm.

Antique bronze sculpture of a seated dog on a black marble base - 17cm x 9cm x 12cm high.

Joan Miró, 1893 Barcelona – 1983 Palma de MallorcaPERSONNAGE ET OISEAUHöhe: 64 cm.Breite: 72 cm.Tiefe: 35 cm.Am Sockel im Guss signiert „J. Miró“, nummeriert „4/6“ und mit Giesserstempel „Fonderia Artistica Bonvicini“ (Verona, Italien) versehen. 1978.Beigegeben eine Echtheitsbestätigung von Daniel Lelong, Paris, in Kopie.Bronze. Diese Skulptur gehört zu einer Serie mit dem o.g. Titel von insgesamt 6 Bronzen.Literatur: Alain Jouffroy und Joan Teixidor, Miró Sculptures, Paris 1980, Nr. 299, S. 247.Emilio Fernández Miró und Pilar Ortega Chapel, Joan Miró: Sculptures. Catalogue raisonné 1928-1982, Paris 2006, Nr. 356, S. 333 und 387. (14107011) (19)Joan Miró, 1893 Barcelona – 1983 Palma de MallorcaPERSONNAGE ET OISEAUHeight: 64 cm. Width: 72 cm. Depth: 35 cm.The base signed in the cast “J. Miró”, limited edition no. 4/6 and foundry stamp “Fonderia Artistica Bonvicini” (Verona, Italy) 1978. Accompanied by a certificate of authenticity by Daniel Lelong, Paris, in copy.This sculpture is part of a limited-edition series of six bronzes with the above mentioned title.Literature: Alain Jouffroy and Joan Teixidor, Miró Sculptures, Paris 1980, no. 299, p. 247.Emilio Fernández Miró and Pilar Ortega Chapel, Joan Miró: Sculptures. Catalogue raisonné 1928-1982, Paris 2006, no. 356, p. 333 and p. 387.

Antoine Louis Barye, 1796 – 1875JAGUAR ERLEGT EINEN HASENHöhe: 40 cm.Breite: 102 cm.Tiefe: 38 cm.Frankreich, 19. Jahrhundert.Bronze, gegossen, dunkel patiniert. Auf einer ovalen Basis mit rau modellierter Oberfläche ein langgestreckter Jaguar, der sich in die Hinterläufe eines Hasen verbissen hat, dessen Oberkörper in Verkrampfung leicht über den Basisgrund hinausragt.Antoine-Louis Barye war der führende Bildhauer der französischen Künstlergruppe Les Animaliers. Als kleiner Junge ging Barye bei einem Medailleur in die Lehre und in 1824 bei einem Goldschmied. Seine Freizeit verbrachte er im Pariser Jardin des Plantes und beobachtete und zeichnete die vielen Tiere, die dort in Käfigen gehalten wurden. 1831 reichte er seine erste Tierskulptur beim Salon ein, und obwohl die Akademie das Thema als unkonventionell beurteilte, erhielt er mehrere Aufträge für Repliken. Das Gipsmodell von Antoine-Louis Barye zu dieser Skulptur wurde 1850 im Salon (Nr. 3172) ausgestellt. Es befindet sich heute im Louvre (Inv.Nr. R.F. 1553, Geschenk Oubaloff, 1912). Eine Bronzeversion wurde sogleich vom französischen Innenminister am 8. Oktober 1851 geordert und im Salon 1852 (Nr. 1295) ausgestellt. Dieser Guss wurde ebenfalls auf der Weltausstellung 1855 gezeigt. (1410573) (19)Antoine-Louis Barye,1796 – 1875JAGUAR DEVOURING A RABBIT Height: 40 cm. Width: 102 cm. Depth: 38 cm.France, 19th century.Bronze; cast with dark brown patina. The plaster model of this sculpture by Antoine-Louis Barye was exhibited at the Salon in 1850 (no. 3172). It is now held at the Louvre (inv. no. R.F. 1553, gifted by Oubaloff, 1912). A bronze version was immediately ordered by the French Minister of Home Affairs on 8 October 1851 and exhibited at the Salon in 1852 (no. 1295). This cast was also shown at the World Exhibition in 1855.

Rory Breslin (b.1963) The Thames Mask Bronze, 73cm high x 43cm wide x 29cm deep (28¾ x 17 x 11½'') Edition 3/3The Thames Mask is an evocation of the River-God keystone on the North Wing of Somerset House on the Strand in London. The countenance apparently pensive though his slightly furrowed brow also gives a slightly quizzical look to his visage, which is emphasised further by the asymmetrical curls emanating from the traditional leather watchman's cap. Either side of his brow and cap are adorned the fruits, flowers and staples of the Thames' river banks. Barley, apples, wildflowers and the English rose express the fecundity and abundance of the river's hinterland. Framing the floral luxuriance and bringing the eye back in to the centre of the mask are two mute swans, perhaps a reference to one of Elizabeth II's lesser-known titles; the Seigneur of the Swans, a holdover from an era centuries ago when the regal avians denoted class, wealth and status. The strange and ancient relationship between the swan and the British crown manifests itself to this day in a tradition known as the “Swan Upping". The lower portion of the sculpture from the ringlets either side of the eyes to the tips at the base of the beard evoke the meandering bends of the Thames, with its gentle whirls and eddies. Somerset House was designed by Sir William Chambers in 1776. The keystone heads were originally carved by either Joseph Wilton or Agostino Carlini, founding members of the Royal Academy; according to Joseph Baretti in his Guide through the Royal Academy (1780), "the whole of the carvings in the various fronts of Somerset Place — excepting Bacon's bronze figures — were carved from finished drawings made by [Giovanni Battista] Cipriani." 

Alicia Perez Penalba (1913/18-1982), Petit Ailée no. 7 , 1977, sculpture en bronze sur un socle en marbre, signée et numérotée 7/8, édition de 8 et 1 EA, fondeur Fonte Da Prato Pietrasanta, 22,5x11x12,5 cmCette oeuvre est enregistrée dans le Alicia Penalba Research Center. Un certificat d'authenticité pourra être délivré sur demande directement auprès du Penalba Research Center à la charge de l'acquéreur. Provenance: Galerie Alice Pauli, Lausanne, 18 janvier 1982

Édouard Marcel Sandoz (1881-1971), Lionne couchée, mangeant , 1933, sculpture en bronze à patine foncée, signée et datée, cachet de fondeur C. Valsuani Cire Perdue , 11x30,5x10,5 cmBibliographie: Félix Marcilhac, Sandoz, sculpteur, figuriste, et animalier, 1881-1971. Catalogue raisonné de l'oeuvre sculpté, les éditions de l'amateur, 1993, p.356-357, no 563 MAM11/1933-2, ill., une autre épreuve illustrée, (la dimension de la hauteur est erronée) Exposition: Les Animaliers, Galerie Malesherbes, Paris, 1933, (une autre épreuve), Sandoz, Galerie Félix Vallotton, Lausanne, 1972, no. 55, (une autre épreuve) Provenance: Acquis en Suisse en 1987

Wounded Amazon, patinated bronze sculpture, Paris, 19th century Ferdinand Barbedienne and Achille Collas; signature on the base: F.Barbedienne.Fondeur; foundry mark A,Collas Reproduction Mécanique, h. cm. 80

Small patinated bronze sculpture, 19th century depicting Perseus with the head of Medusa, from the original sculpture by Benvenuto Cellini in the Loggia dei Lanzi in Florence; marble base, total height cm. 17

Patinated bronze sculpture depicting the Discobolus, 19th century circular base in green Alpine marble, total height cm. 42

Antique patinated bronze sculpture depicting a draped female character wearing a curious pointed headdress; base in polychrome marble with square section, bronze: h. cm. 21; in total h. cm. 36 (small restoration on the base; right hand defect, the ankles restored)

Patinated bronze sculpture of Marcus Aurelius on horseback, Rome, 19th century parallelepiped base in black marble, total size cm. 43x33x17

Patinated bronze sculpture depicting David after the original by Bernini at the Galleria Borghese in Rome h. cm. 65

Small patinated bronze sculpture depicting Minerva, 18th century h. cm. 21

Patinated bronze sculpture depicting Antinous, 19th century h. cm. 33

Patinated bronze sculpture depicting Narcissus, 19th century square marble base, total height cm. 62

Patinated bronze group after Giambologna depicting Hercules carrying a boar, from Giambologna's original; the sculpture rests on a block of rough amethyst, h. cm. 46

Patinated bronze sculpture depicting David, 19th century from the original by Gian Lorenzo Bernini at the Galleria Borghese in Rome, h. cm. 22

Patinated bronze sculpture depicting the bust of one of the Furietti centaurs, h. cm. 78

Patinated bronze sculpture depicting Seated Horace, 19th century h. cm. 67

Paul Day, The Meeting Place, limited Edition bronze sculpture number 64/500, 30cm.

SHEREE HOVSEPIAN (IRANIAN/AMERICAN B. 1974) UNTITLED (COLUMN) Bronze with black patina Height: 40cm (15½in.)Executed in 2012. This work is unique. A photographer by training, the Iranian-American artist Sheree Hovsepian is fascinated with the human body. Hovsepian has exhibited at Rachel Uffner Gallery, the Israel Museum, and Parrish Art Museum; her work can be found in the collections of the Solomon R. Guggenheim Museum and the Art Institute of Chicago. Hovsepian's œuvre is largely comprised of collages that frame a monochromatic photograph with found objects and everyday materials. Her columnal bronzes are equally unique, as their lost-wax casting process ensures that each iteration is different from the last. Indeed, she subverts the classical use of the medium - polished, refined figurative sculptures - by allowing conspicuous traces of her hand to texture the surface, as in Bronze Sculpture on Wooden Plinth. This sculpture may engage only indirectly with Hovsepian's characteristic focus on the body, but it is no less concerned with materiality and form.

ANTHONY PEARSON (AMERICAN B. 1969) UNTITLED (POUR ARRANGEMENT) 2008 Bronze sculpture with silver nitrate patina, base, pedestal, two framed solarized silver gelatin photographs Height inc. pedestal, base and bronze 144cm (56½in.), dimensions of framed photographs, each 42 x 35.5cm (16.5 x 14in.)Provenance: Marianne Boesky Gallery, New York Acquired from the above in 2008Working in his native Los Angeles, Anthony Pearson's contemplative, understated practice traverses several media. He has been the subject of solo shows at Contemporary Art Museum, St. Louis, and Midway Contemporary Art, Minneapolis; his work is in the permanent collections of the Hammer Museum and the Art Institute of Chicago. Allowing him to combine various techniques and materials, Pearson's 'arrangements' make for engaging juxtapositions of forms. Several such works share the specific hybrid configuration at hand - a sculpture flanked by two photographs - forming a contemporary garniture of sorts. Pearson calls attention to the materiality of his creation: the unyielding lines of the picture frames throw the uneven, oozing metal sculpture into sharp relief. Like the poured bronze, the solarised photographs toe the line between controlled and arbitrary processes, such as Pearson's carefully incised lines which are subjected to overexposure naturally creating a random pattern and effect  Condition Report: Mould to one of the silver gelatin photographs, mount and backboard. Surface dirt throughout bronze, base and pedestal.   Condition Report Disclaimer

A decorative bronze resin sculpture table lamp of Molly Malone by Jeanne Rynhart, Ireland, with Tiffany style shade, overall H. 81cm.

Modernist bronze sculpture of a naked young man, mid 20th century, the standing figure on square plinth base, indistinctly signed with date 1953, 21cm high. Condition - Good condition, some verdigris near the base.

A large bronze sculpture based on 'The Thinker' on a damaged black square base 45cm in height (2) UK P&P Group 3 (£30+VAT for the first lot and £8+VAT for subsequent lots)

Heredities limited edition bronze effect sculpture "Off the Tee" by David Hermes with framed certificate, 33cm high / AN5

A BRONZE EFFECT HORSE HEAD SCULPTURE - 22 CM

MARCEL ARNOULD (1928-1974) Sans titre Sculpture en bronze. Monnogramée MA et numérotée 13/50Bronzen sculptuur. Gemonogrammeerd MA en genummerd 13/50Bronze sculpture. Monnogrammed MA and numbered 13/5022.5 x 22 x 18 cmThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

MIGUEL BERROCAL (1933-2006) Micro David 1969-1971 Pendentif sculpture démontable en bronze, acier inoxydable, étain et métal nickelé. Signé et numéroté 38184/985000. Vendu avec les instructions de montage dans sa boîte d'origineSculptuur hanger in brons, roestvrij staal, tin en vernikkeld metaal. Getekend en genummerd 38184/985000. Verkocht met montage-instructies in de originele doosSculpture pendant in bronze, stainless steel, pewter and nickel-plated metal. Signed and numbered 38184/985000. Sold with assembly instructions in its original box8 cm (total height)This lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com