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§ LAURENCE EDWARDS (BRITISH 1967-) UNTITLED MAQUETTE (MALE FIGURE) - 2012 Bronze sculpture, signed and dated to baseDimensions:58cm x 21cm x 21cm (22.75in x 8.25in x 8.25in)

§ CHRIS SUMMERFIELD (BRITISH CONTEMPORARY) CURLYCUE Bronze sculpture on a steel base, 1/9, signed with initials and numbered to baseDimensions:28cm x 35cm x 22.5cm (11in x 13.75in x 8.75in)

§ BENNO SCHOTZ R.S.A., L.L.D. (ESTONIAN/SCOTTISH 1891-1984) UNTITLED MAQUETTE Signed around base of sculpture, plaster maquette with bronze patinationDimensions:28cm (11in) high, not including base

§ SOPHIE DICKENS (BRITISH 1966-) THREE GRACES Bronze sculpture on wooden base, A/C, artist's cast aside from the edition of 25, signed with initials and editioned Dimensions:19cm x 13cm x 7.5cm (7.5in x 5in x 3in), not including the base

§ LAURENCE EDWARDS (BRITISH 1967-) UNTITLED (FROM THE 'RUSH' SERIES) - 2014 Bronze sculpture, 3/9, signed, numbered, dated and inscribed 'Butley' to baseDimensions:49cm x 37cm x 18cm (19.25in x 14.5in x 7in) high

A large bronze sculpture of a lion, L32cm

A bronze sculpture of a lady's boot, H13cm

A bronze deer sculpture, on a marble base, H16cm

A patinated bronze sculpture depicting a Viking warrior on horseback, mounted on black marble base, W20cm, overall height 28cmGood overall condition, base does have several small chips around the edge

19th century French bronze sculpture of a reclining Cupid, unsigned, 19cm long

John Farnham (b. 1942), bronze sculpture, Winged figure No 2, 2001, signed and numbered 2/7, 38cm high, raised on wooden circular plinth, together with a signed and dedicated book from the artistExcellent condition throughout. Overall height including the base 43cm, width 49cm, circumference of base 30cm.

Bronze sculpture of a goose with outstretched wings, signed, 11.5cm x 7cm

After Mene, bronze sculpture of a stallion and a mare, drilled for a lamp fitting, 31cm wideGood condition, at some point it has been fitted for a light fitting with two holes drilled in the base, not signed and no foundry mark. Late 19th century.

A bronze sculpture of a mountain goat, stamped 'Mene'. H22cm

ARTHUR G. GRIMWADE: LONDON GOLDSMITHS 1697-1837 Their marks and lives, faber and faber 1990, with Jane Horswell; Bronze sculpture of 'Les Animaliers', and C.J. Jackson; English goldsmiths and their marks (3)

19th Century European Bronze Sculpture of Hercules and the Nemean Lion. Size: 6 x 2.5 x 2.25 in. without base

17th Century Italian Bronze Sculpture of Venus Height: 5.25 in.

Edgar Degas was a French artist known for his contributions to the Impressionist movement. He was born on July 19, 1834, in Paris, France, and died on September 27, 1917, in the same city.Degas initially studied law but decided to pursue his passion for art and enrolled at the École des Beaux-Arts in Paris. He developed a diverse range of artistic skills, including painting, drawing, sculpture, and printmaking. While he is often associated with the Impressionist movement, Degas considered himself a realist and preferred to be known as such.Degas's subject matter primarily focused on scenes of modern life, particularly depicting the world of ballet dancers, horse racing, and everyday people in urban environments. He captured the fleeting moments and movement of his subjects, often emphasizing the effects of light and shadow.One of Degas's most iconic subjects was ballet dancers. He explored their grace, poise, and the rigorous training they undergo. Degas's fascination with the human figure and his ability to capture subtle gestures and expressions made his depictions of dancers incredibly popular.Degas's artistic style was characterized by his experimental techniques and innovative use of materials. He explored various mediums, including oil painting, pastels, and monotypes, and he often combined different techniques to create dynamic and textured surfaces.While Degas shared some techniques and subject matter with the Impressionists, he also had his own unique approach. He preferred indoor settings, where he could control the lighting and composition, and he meticulously planned his artworks, sometimes making numerous sketches and studies before executing the final piece.In addition to his paintings, Degas also made significant contributions to sculpture. His sculptures, often cast in bronze, depicted dancers, horses, and other subjects, and he explored movement and form in three-dimensional space.Degas's work was not always appreciated during his lifetime, as he did not adhere strictly to the techniques and principles of the Impressionist movement. However, his art gained recognition in later years, and he became widely celebrated as one of the key figures of Impressionism.Today, Edgar Degas's artworks are highly regarded and can be found in major museums and collections around the world. His influence on the art world, particularly in his exploration of movement, composition, and the human figure, continues to inspire artists to this day.Measures 30 x 22.

Elizabeth Catlett was an African American sculptor, printmaker, and civil rights activist. She was born on April 15, 1915, in Washington, D.C., and became one of the most celebrated artists of the 20th century.Catlett's work explored themes of race, gender, and social justice, often focusing on the experiences and struggles of African Americans and women. Her sculptures and prints were characterized by a strong sense of realism, with a focus on representing the strength, dignity, and resilience of her subjects.Catlett was deeply committed to using art as a means of activism and social change. She actively participated in the civil rights movement and advocated for equality and justice through her artwork. Her sculptures and prints depicted powerful and iconic figures, capturing the spirit and struggles of African Americans and inspiring hope and empowerment.Catlett's preferred mediums included stone, wood, and bronze for sculpture, and linoleum block prints for her graphic works. She possessed great technical skill and a keen eye for capturing the human form in her sculptures, as well as a bold and expressive approach to printmaking.Throughout her career, Catlett received numerous awards and honors for her contributions to art and activism. She also taught at various institutions, including Dillard University in New Orleans and the National Autonomous University of Mexico, where she lived for many years.Elizabeth Catlett's artwork continues to inspire and resonate with audiences worldwide. Her commitment to social justice and her powerful portrayal of African American experiences have left a lasting impact on the art world, making her a highly respected figure and a trailblazer for artists of color.Measures 11 x 10.1.

Giambologna, whose real name was Jean Boulogne (1529-1608), was a Flemish-Italian sculptor known for his remarkable skill in creating dynamic and intricate sculptures. One of his notable works is the "Medici Walking Horse," also known as the "Florentine Horse and Rider" or "Equestrian Monument of Cosimo I."The "Medici Walking Horse" is a bronze sculpture created by Giambologna between 1570 and 1580. It was commissioned by Cosimo I de' Medici, the Grand Duke of Tuscany, to commemorate his achievements and celebrate the Medici family's power and influence.The sculpture depicts a powerful, muscular horse captured in mid-stride, with its front legs in the air and its hind legs extended. The horse exudes a sense of energy and movement, its mane flowing, and its tail lifted. It stands on an oval base adorned with reliefs representing military triumphs.Originally, the horse was intended to have an equestrian rider, but due to financial constraints, Giambologna left the sculpture unfinished in terms of the rider. Nevertheless, the "Medici Walking Horse" remains a masterpiece in its own right, showcasing Giambologna's skill in capturing the dynamic anatomy and naturalistic details of the horse.The sculpture is celebrated for its exquisite craftsmanship and attention to detail, with every muscle and sinew meticulously rendered. It is considered a prime example of Mannerist sculpture, characterized by its elongated proportions, complex poses, and intricate surface textures.The "Medici Walking Horse" is housed in the Museo Nazionale del Bargello in Florence, Italy, where it continues to be admired for its artistic and historical significance. It stands as a testament to Giambologna's mastery of sculpture and his contributions to the Renaissance and Mannerist art movements.Bonded bronze, sculpture.Measures 10.5 x 9.5 x 3.5.Hand patinated.

A bronze and wooden sculpture of an African woman. 21 cm high.

A Japanese, Meiji period, bronze sculpture, modelled as a stork riding a tortoise, representing longevity and intelligence, cast mark to base, 19cm high.

John Skeaping RA (1901-1980)A bronze sculpture by John Skeaping RA "Cats"Signed and numbered on the base "John Skeaping 77" 6/20.Approximate size:Height: 10cmLength: 23cmCast by Wally Livingstone, Kent 1978Bronze on a wooden base (not attached to base). Base has original green baize (slightly worn) and the base has damage and scratches.Together with the exhibition catalogue in which the sculpture featured/ "A Retrospective Exhibition of Bronze Sculptures by John Skeaping RA" May 10-25 1979 and another catalogue entitled "An Exhibition of Paintings, Drawings and Bronzes from the Studio of the Late John R Skeaping Nov 5-27 1981"Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot

Richard MacDonald (b 1946) bronze sculpture of a dancer on a marble base "Crystal Etendue". Signed on base of sculpture. With purchase letter.Crystal is a young ballerina who has posed for Richard many times. She has a quiet radiance, a pure and thoughtful quality that gives her grace an added dimension. She is lithe and delicate, and as Richard studied her, he was struck by an “other-worldliness’ in her demeanour and swan-like posture.Approximate measurements:Width: 44cmDepth: 35cmHeight 29cmARR may apply to this itemProvenance:  Bought by Vendor in 2006 from Dawson Cole Fine Art (California).Richard MacDonald, based in California, is known for his bronze sculptures and his association with Cirque Du Soleil. Trained in painting and illustration at the Art Center College of Design, MacDonald was successful as a commercial illustrator until a fire destroyed his studio in the late 1930s, along with the accumulated works of his career as a painter and illustrator. He then began sculpting in earnest and within ten years became one of the most widely collected figurative sculptors in the United States today. His work has been acquired for the permanent collections of companies such as AT&T, IBM and Anheuser-Busch, as well as notable private collections. His work has been described as "a tribute to the eloquence of the human form". He is an advocate of neorealism and figurative art, and has encouraged emerging and professional artists through annual international masters' workshops. For the 1996 Olympics, MacDonald created The Flair, a 26-foot-tall sculpture of a gymnast. As with all the monuments he has created, MacDonald designed the plaza on which The Flair sits, including a large reflecting pool and fountain.

A Richard MacDonald (b. 1946) patinated bronze sculpture "Doves, Third Life" 1989. Signed on base. Edition number 47/90, with certificate of authenticity.27" x 17" x 17.25" (approximately 68.5cm x 43cm x 44.5cm)Provenance: Bought by vendor in 2007 from Dawson Cole Fine Art for 29,500 USDARR may apply to this lotRichard MacDonald, based in California, is known for his bronze sculptures and his association with Cirque Du Soleil. Trained in painting and illustration at the Art Center College of Design, MacDonald was successful as a commercial illustrator until a fire destroyed his studio in the late 1930s, along with the accumulated works of his career as a painter and illustrator. He then began sculpting in earnest and within ten years became one of the most widely collected figurative sculptors in the United States today. His work has been acquired for the permanent collections of companies such as AT&T, IBM and Anheuser-Busch, as well as notable private collections. His work has been described as "a tribute to the eloquence of the human form". He is an advocate of neorealism and figurative art, and has encouraged emerging and professional artists through annual international masters' workshops. For the 1996 Olympics, MacDonald created The Flair, a 26-foot-tall sculpture of a gymnast. As with all the monuments he has created, MacDonald designed the plaza on which The Flair sits, including a large reflecting pool and fountain. c

A heavy bronze sculpture of a woman holding a flame. In the form of a lamp. Was attached to a staircase in a large country house. 83cm tall. Comes with a spare shade. Postage unavailable

A contemporary bronze sculpture of two dancing figures, height 28cm.

A bronze sculpture, of a ballerina, on wooden stand, 27cm high

An Art Deco bronze sculpture, of a dancing lady of fashion, stepped circular composite marble base, 41cm high

A bronze sculpture, of a baseball pitcher, rectangular marble base, 28.5cm high

A LATE 19TH CENTURY BERGMAN STYLE COLD PAINTED BRONZE SCULPTURE OF A LIZARD26cm long

A LATE 19TH CENTURY BERGMAN STYLE COLD PAINTED BRONZE SCULPTURE OF A ROBIN12cm wide 8cm high

A LATE 19TH CENTURY BERGMAN STYLE COLD PAINTED BRONZE SCULPTURE OF A PARROT inscribed beneath.14.5cmMinor rubbing to the paint, no other damage or restoration.

A JAPANESE MEIJI PATINATED BRONZE SCULPTURE ON HARDWOOD BASE finely modelled as a cockerel and hen standing on a figured hardwood base22cm high, 29.5cm wide There is no signatures visible on this, the cockerel has a repaired feather. The measurements overall 29.5cm wide 14cm deep 22cm high.

CHARLES PAILLET (1871 - 1937). A LATE 19TH CENTURY GILT BRONZE SCULPTURE OF A RECUMBENT DOG WITH CAT mounted on a rouge marble base - signed35cm wide 18cm deep 17cm high

PAUL PHILIPPE (1870 - 1930) A FINE AND IMPRESSIVE ART DECO BRONZE SCULPTURE OF A DANCING GIRL with coloured enamel jewels to the dress; mounted on a turned onyx socle base.60cm high In very good undamaged condition, with no chips to the marble base, no signs of repairs to the fingers or arms, the enamel is all present and clean, the sculpture is tight to the base, signature on the base for PAUL PHILIPPE (1870 - 1930).

A 19TH CENTURY FRENCH PATINATED BRONZE SCULPTURE OF MERCURY modelled seated on a rocky outcrop.11cm high

A 19TH CENTURY BRONZE SCULPTURE OF THE SATYR “MARSYAS” PLAYING THE FLUTE leaning against a pillar - with foundry stamp to reverse.39.5cm high

A LATE 19TH-CENTURY BERGMAN COLD-PAINTED BRONZE SCULPTURE OF AN OTTER stamped beneath17cm wide 4cm The bronze is in very good unrestored condition, there are losses to the paint and one side of the tail fin to the fish is bent, there's no splits or losses.

AN ITALIAN COLOURED MARBLE AND BRONZE 'GRAND TOUR' SCULPTURE modelled as a Roman bath on a moulded bead-edged plinth base.17cm wide, 7cm high There are natural flaws to the bottom edges and underside of the base but no damage or restoration. The marble bath again is in very good condition with no chips, cracks or restoration.

A LATE 19TH CENTURY BERGMAN COLD PAINTED BRONZE SCULPTURE OF A BIRD stamped beneath.11cm wide 8cm high

AN EARLY 20TH CENTURY BERGMAN COLD PAINTED BRONZE SCULPTURE OF A RHINOCEROS stamped and inscribed Austria beneath.15cm across

A LATE 19TH CENTURY AUSTRIAN COLD PAINTED BRONZE SCULPTURE modelled as a songbird, tail feather stamped 'GESCHUTZT' and numbered together with A WEDGWOOD PORCELAIN BULLDOG in matt finish with glass eyes, impressed makers mark to undersideBird 5.5cm high, dog 12cm long

A JAPANESE MEIJI PERIOD BRONZE AND GILT FIGURAL SCULPTURE SIGNED MIYAO depicting an elder mounted on a brass inlaid hardwood stand - signed30cm high In very good undamaged and unrestored condition.

AFTER PAUL PONSARD A 19TH CENTURY BRONZE SCULPTURE DEPICTING CUPID hiding next to a column on a naturalistic base58cm high

A JAPANESE MEIJI PERIOD BRONZE SCULPTURE OF A RAT modelled holding a nut with an upright tail.15.5cm wide 15cm highThe tail has been broken off and repaired. No other issues.

A LATE 19TH-CENTURY BERGMAN-STYLE COLD-PAINTED BRONZE SCULPTURE OF A PROWLING TIGER21cm long

A LATE 18TH CENTURY FRENCH ORMOLU AND MARBLE FIGURAL MANTEL CLOCK the white and rouge marble case surmounted by a gilt bronze sculpture of a young girl bathing her feet, the 4.5" enamel dial fronting an eight-day spring driven movement with silk suspension and outside countwheel strike44cm highThe clock has a missing bezel, missing bell and pendulum. The case is in good condition having small chips to the corners. There is a small chip to the top of the enamel dial. The movement is clean and complete and would function if it had a pendulum and bell.

AFTER JULES-PIERRE MENE: A BRONZE SCULPTURE OF A STAG (2)Early 20th CenturyModelled standing on a rocky outcrop, on stepped oval base, signed to the bronze, 41cm high including base; Together with a patinated metal sculpture of a boy playing with a dog, 26cm wide

AFTER MATHURIN MOREAU: A BRONZE FIGURAL SCULPTURE OF A WOMAN AND HER CHILDREN19th CenturySigned to the integrated naturalistic base, on a black marble base, 72cm high

A BRONZE SCULPTURE OF A VIOLINIST AND ANOTHER CAST METAL SCULPTURE OF AN ANCIENT WARRIOR (2)ModernThe figure on a black marble base, apparently unsigned, 88cm high; Together with a cast metal sculpture of an Ancient warrior, entitled ‘Honor Patera’ to the base, 79cm high

A modern polished bronze Sculpture, on square polished black limestone base, 39cms (15 1/2"). (1)

An attractive contemporary bronze Sculpture of a Panther, perched on a rock, on a tall base, bears signature Milo, 34cms (13 1/2"). (1)

Melanie le Brocquy, H.R.H.A. (1919-2018) "Man in Praise," bronze, unique, abstract sculpture depicting Man with hands held aloft, approx. 33cms (13")h. (1)

A BOXED FRANKLIN MINT 'SPIRIT OF THE HORSEMEN' BRONZE SCULPTURE, after Robert F Murphy, depicting a Native American Omaha warrior performing a night dance or hohewachi, with painted details, printed signature and title underneath its wooden and marble plinth, height including plinth 27cm (1 + box + certificate of authenticity) (Condition Report: appears in good condition with no obvious damage, sd to box)

A BOXED FRANKLIN MINT 'SPIRIT OF THE GRIZZLY BEAR' BRONZE SCULPTURE, after Robert F Murphy, depicting a Native American Osage Warrior, with painted details, printed signature and title underneath its wooden and marble plinth, height including plinth 41.5cm (1 + box + certificate of authenticity) (Condition Report: appears in good condition with no obvious damage, sd to box)

A BOXED FRANKLIN MINT 'SPIRIT OF THE RAVEN' BRONZE SCULPTURE, after Robert F Murphy, depicting a Native American Cheyenne Dog Soldier, with painted details, printed signature and title underneath its wooden and marble plinth, height including plinth 26cm (1 + box + certificate of authenticity) (Condition Report: appears in good condition with no obvious damage, sd to box)

A BOXED FRANKLIN MINT 'INTRUDER ALERT' BRONZE SCULPTURE, after Ernie Cselko, depicting two Native American figures in a scene from The Last of the Mohicans, having cast signature and inset Franklin Mint medallion verso, on a wooden plinth labelled 'Intruder Alert by Ernie Cselko', height including plinth 26cm (1 + box + certificate of authenticity) (Condition Report: has a tiny minor scuff to plinth, otherwise sculpture appears in good condition with no obvious damage, sd to box)

A BOXED FRANKLIN MINT 'SPIRIT OF THE BLACKBIRD' BRONZE SCULPTURE, after Robert F Murphy, depicting a Native American Blackfoot Raven Bearer Warrior, with painted details, printed signature and title underneath its wooden and marble plinth, height including plinth 29cm (1 + box + certificate of authenticity) (Condition Report: appears in good condition with a little minor paint loss and verdisgris to right hand, sd to box)

A BOXED FRANKLIN MINT 'SPIRIT OF THE RED FOX' BRONZE SCULPTURE, after Robert F Murphy, depicting a Native American Arikara Fox Warrior, with painted details, printed signature and title underneath its wooden and marble plinth, height including plinth 25cm (1 + box + certificate of authenticity) (Condition Report: appears in good condition with no obvious damage, sd to box)