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Bronze sculpture of a hawk on a marble base, 36 cm high

Unclearly signed, bronze sculpture of a posing naked woman, on a marble base, 44 cm high

Bronze sculpture of a person on a marble base, after Amedeo Modigliani, sculpture called 'Tête à la frange', 43 cm high

Bronze sculpture of a saltwater crocodile skull on a blackened wooden base, 37 cm wide

Bronze sculpture of an eagle on a marble base, in Art Deco style, after Ernst Ballach, 34 cm high

Bronze sculpture of a satisfied man on horseback, 39 cm high

Monogram 'GC', bronze sculpture of a person in sprint on a natural stone base, 42 cm high, 38 cm wide, 37 cm deep and 17.3 kilograms, completely standing on a whitewashed wooden base

A bronze brutalist sculpture by Bogomil Zhivkov (Bulgarian, b.1945) 30cm

Big eared bunny miniature bronze sculpture by Adam Binder with COA - Edition number 23

Austin bronze sculpture of a crouching female figure.

A French Art Deco period painted bronze sculpture of a lady walking two borzoi dogs, circa 1930's, standing on an ebonised base inset with veriagated marble L63cm, H36cm

Collection of ancient art, sculpture, history and reference books for World, Asian, Mayan, Egyptian, Roman etc. including 'Thracian Art Treasures', 'Gifts of the Nile', 'Great Bronze Art of China', 'Roman Portraits', 'The Mayans', 'Art of the Mamluks' 'Islamic Pottery', 'Korai Archaic Greek Maidens', 'Cairo Museum', 'Art of India through the Ages' etc. in two boxes

French or Italian school, mid-19th century."Allegory of Autumn".Patinated bronze. Wooden base.Measurements: 28 x 38 x 17 cm; 6.5 x 41 x 18.5 cm (base).Ornamental sculpture of round bulk, made in patinated bronze and raised on a prismatic wooden base with metallic details, representing a girl lying on a divan, holding a bunch of leaves, representing autumn. It is an allegorical figure in the Renaissance and Baroque style, although worked in a clearly modern language.

AUGUSTE MOREAU (France, 1834 - 1917)."Mother and daughter".Sculpture in patinated bronze.Signed on the base.Measurements: 56 x 27 x 25 cm.Graceful female figure in bronze together with a girl by her side, whose timeless beauty of classical inspiration and stylised canon is typical of the French sculptor Auguste Moreau. The son of the painter Jean Baptiste Moreau, Auguste began his training as a pupil of his older brother Mathurin. He made his debut at the Paris Salon of 1861, where he participated regularly until 1913. He was also a member of the Société des Artistes Français. His themes - genre, pastoral, allegorical scenes - and his style, realistic and graceful, link him to other members of the Moreau dynasty. He mainly produced bronzes, but also worked in marble and occasionally combined bronze and gold ("Victrix enfant", presented at the 1897 Salon). He produced numerous editions of his works, which were in great demand by the public both for their themes, which were very fashionable at the time, and for their naturalism and graceful beauty. Works by Auguste Moreau can be seen in the Museums of Fine Arts in Bordeaux, Dijon, Gray and Reims, as well as in private collections both in France and abroad (he was especially published in the United States).

EMILE LOUIS PICAULT (Paris, 1833 - 1915)."Le Devouement.Patinated bronze.Signed on the base.Measurements: 57 x 20 x 20 cm.Sculptor and medallist, Émile Louis Picault was a disciple of the Dutch sculptor Louis Royer. He developed his activity in Paris, and participated in the Salons des Artistes Français between 1863 and 1909. His success at the Salons brought him great recognition and his works were in great demand. His abundant oeuvre focused mainly on allegorical and literary themes, figures of warriors and mythological heroes, often accompanied by slogans in Latin or French. He also produced works inspired by the Modern Age, in the "art troubadour" style, worked in a style close to that of the neo-Florentines. His pieces have been the subject of numerous editions in bronze by prestigious firms such as Susse and Colin et Houdebine. Émile Picault is currently represented in the French museums of Orsay, Chambery, Clermont-Ferrard, Troyes and Mauberge, as well as in the Renfe Contemporary Sculpture collection.

SUSY GÓMEZ (Pollença, Mallorca, 1965)."The world for an instant...".CAM publisher, 2004.Bronze sculpture.Signed with initials.Size: 6 x 40 x 10 cm.Susy Gómez studied at the Faculty of Fine Arts in Barcelona and, after completing her training, held her first solo exhibition at the Norai gallery in her home town in 1987. Six years later, in 1993, her solo exhibition at the Miró Foundation in Barcelona caused great expectation. His work is characterised by great technical versatility, encompassing painting, photography, sculpture, drawing, video and installation. In 1995 she took part in the ARCO fair, achieving a success that led her to be included in important national and international group exhibitions, such as the Salón de los 16 of the same year. Since then she has held numerous personal exhibitions, both in Spanish cities and in Turin, Athens and Nice, where she showed her work at the Museum of Modern and Contemporary Art. In 1999 he was awarded the Endesa Scholarship, and the following year the IVAM's Centre del Carmen dedicated its first retrospective to him. In his work we can find various proposals, which continue the tradition of post-minimalism, and which at the same time are linked to the most current aesthetics.

RUDOLF MARCUSE (Berlin, 1878 - London, 1929)."Junge Griechin, (1905).Sculpture in alabaster.Signed on the base.Size: 25 x 13 x 15 cm, 28 x 10 x 13 x 13 cm (with base).Rudolf Marcuse was a German sculptor of Jewish descent. Most of his works were designed for porcelain.His first professional lessons were at the Academy of Arts in Berlin with the sculptor Ernst Herter. In 1902, the Board of Trustees awarded him a scholarship. The following year, he was awarded the Michael Beer Prize for his "Judgement of Solomon". In 1909, he created one of his few major works, a monument to the philosopher Moses Mendelssohn at the Jewish Boys' School. It was destroyed in 1941 by members of the Sturmabteilung.In 1910, he received the "Prix de Rome" (inspired by the French Prix de Rome) from the Prussian Academy of Arts, which allowed him to stay at the Villa Strohl-Fern. In the same year, he won a gold medal at the Brussels International. During this period, he designed numerous statuettes in the Art Nouveau and Art Deco styles, which were produced by the bronze caster, Hermann Gladenbeck. He also designed porcelain figurines for the Schwarzburg Porcelain Workshops, the Royal Porcelain Factory in Berlin and the Rosenthal Manufactory.During the First World War, he visited several prisoner-of-war camps, where he created thirty-seven sculptures depicting the various ethnic types and nationalities among the prisoners. These were intended to be placed in a proposed "Reichskriegsmuseum" (National War Museum), which was never completed.As late as 1930, it was receiving monetary awards from the Prussian Ministry of Culture. This ended abruptly in 1933, when the National Socialist Party came to power and began rejecting his applications because of his 'non-Aryan race'. In 1936, thanks to his status as a "War Artist", he was allowed to emigrate to England. He died at his home in London, aged sixty-two.

CHARLES ANFRIE (FRENCH, 1833-1905), BRONZE SCULPTURE OF ESPERANCE,figure group, inscribed signature to the naturalistically modelled base, on socle plinth and black slate pedestal, 54.5cm high

BRONZE SCULPTURE OF A ROMAN SOLDIER,likely 19th century Italian, the male figure depicted seated on his armour, with sword to one hand, on a stepped rectangular rouge marble plinth, 19cm high overall

AFTER PIERRE-JULES MÊNE (FRENCH, 1810-1879), BOXER DOG,bronze sculpture, signed MENE, on marble base, 27.5cm high

Tim 'Frogman' Cotterill (b.1950): 'Little Ladies', a limited edition enamelled bronze sculpture of a frog and ladybird on grass blade, circa 2010, signed and numbered 2657/5000, 16cms.

Tim 'Frogman' Cotterill (b.1950): 'Iris', a limited edition enamelled bronze sculpture of two frogs on an iris stem, circa 2011, signed and numbered 333/2000, 41cms.

An Alexander Danel 'Icarus' modernist bronze sculpture of a bull, with polished horns and tail, patinated finish, limited edition numbered 612/1200, cast signature and date 1996, 22.5cms long.

Tim 'Frogman' Cotterill (b.1950): 'The Kiss', a limited edition enamelled bronze sculpture of two frogs, circa 2010, signed and numbered 858/5000, 15cms.

Tim 'Frogman' Cotterill (b.1950): 'Eddy', a limited edition enamelled bronze sculpture of a lizard, circa 2006, signed and numbered 806/1000, 16.5cms.

Tim 'Frogman' Cotterill (b.1950): 'Hug', a limited edition enamelled bronze sculpture of a frog, circa 2012, signed and numbered 484/5000, 10.5cms.

Tim 'Frogman' Cotterill (b.1950): 'Winston', a limited edition enamelled bronze sculpture of a frog, circa 2007, signed and numbered 991/1000, 17cms.

Tim 'Frogman' Cotterill (b.1950): 'Twister', a limited edition enamelled bronze sculpture of a frog, circa 2009, signed and numbered 60/5000, 9cms.

Tim 'Frogman' Cotterill (b.1950): 'Water Lily', a limited edition enamelled bronze sculpture of a frog and lily pad, circa 2011, signed and numbered 580/2000, 14cms.

Tim' Frogman' Cotterill (b.1950): 'Hiding Out', a limited edition enamelled bronze sculpture of a frog, toadstools and ladybirds, circa 2009, signed and numbered 73/2000, 25cms.

Tim 'Frogman' Cotterill (b.1950): 'Juliet', a limited edition enamelled bronze sculpture of a frog, circa 2008, signed and numbered 1130/5000, 10.5cms.

Tim 'Frogman' Cotterill (b.1950): 'Forest', a limited edition enamelled bronze sculpture of a frog, signed and numbered 2382/5000, 10cms.

Tim 'Frogman' Cotterill (b.1950): 'Hibiscus', a limited edition bronze sculpture depicting a frog and laybird with hibiscus stem, circa 2007, signed and numbered 1762/2000,18cms.

Bronze sculpture of a horse on veined marble base, signature 'Milo', foundry stamp to base 'BRONZE GARANTI PARIS/J.B. DEPOSEE', H30cm

An imitation bronze fibreglass sculpture of a female torso. H.50 W.31 D.20cm

A 19th century Grand Tour patinated bronze sculpture of the 'Apoxyomenos' ('scraper'), after the Roman copy by Lysippos of Sikyon, the nude male athlete scraping the oil off his body with a strigil, unsigned, 35 cm high

AFTER FREDERIC REMMINGTON; a bronze sculpture 'Bronco Buster' on naturalistic base.Height 26cm

A group of five variously decorated bronze peacocks, a wooden painted peacock, a bronze covered box decorated with peacocks, two bronze fishes, a sculpture of Goddess Lakshmi on her Owl Vehicle (Vahana), metal-alloy, India, 19th-20th century, and three Burmese bronze opium weights, Burma, 19th century (14)14.7 cm; 10cm; 11.2 cm; 9 cm; 7.4 cm; 9.4 cm; 5.4 cm; 21 cm; 7.3 cm, 7.7 cm; 5 cm; 4 cm; 3cm.Please refer to department for condition report

CLARE TUPMAN, British, Large sculpture of a crocodile, 250cm L. Notes: Clare Tupman, mother of 4, attended the Ruskin school of Fine Art in Oxford. Clare is a ranged artist who has worked with many forms of media though sculpting has always been her greatest passion. Originally Clare casted her statues from bronze, though she quickly felt constrained by the size and cost of the bronze casting process and looked for other paths to forge her creations. Clare learned to weld and has developed her own style of sculpting. She creates huge steel frameworks then cuts and welds small metal shards from sheets of stainless steel, binding them to form the contours and muscle structures of animals and figures. The final results are huge, beautiful structures of shimmering steel that seem to have a life of their own.

19th century Buddha figure.Gilded bronze.Measures: 14,5 x 10,5 x 9 cm.Round sculpture in bronze, from Thailand, dated 19th century. It represents Buddha seated in lotus flower position, with several "lakshana", iconographic symbols that identify the Buddhas and bodhisattvas. The first one we see is the headdress in a bun, a symbol of meditation, concentrated spiritual life and wisdom. Above the headdress, a flame symbolises the light of enlightenment. The eyelids are a symbol of spiritual concentration and also of purity, due to their similarity to the petals of the lotus, and complete a serene face with a sketched smile, symbolising the balance and serenity of a perfect being. The elongated earlobes allude to the large earrings worn by members of the upper classes in India at the time of Sakyamuni, and represent the concepts of greatness, nobility and wisdom.

Sculpture. Tibet, 19th century.Gilt bronze.Slight wear on the surface.It has a flower engraved on the base.Measurements: 19 x 13 x 12,5 cm.Round sculpture made in bronze representing a male figure seated on a pedestal, whose incised ornamentation invites us to remember the petals of the lotus flower in a schematic way. The work is notable for the roundness of the volume, which contrasts with the movement of the folds formed by the fabrics of the garment. The headdress and posture indicate that this is a representation of an important figure. Padmasambhava was probably the great Buddhist master of Uddiyana, in present-day Pakistan, who introduced Buddhism to Tibet in the 8th century AD. He is sometimes depicted flanked by his two wives, the Bengali princess Mandarava and the Tibetan Yeshe Tshogyal.

Chinese Art A gilt bronze figure of Avalokitesvara. Cina, Ming dynasty, 16th century. . . Cm 21,00 x 28,00. A gilt bronze cast sculpture depicting the bodhisattva of compassion seated in padmasana on a removable lotus flower shaped base. His right hand in varadamudra, his left hand in abhayamudra. Traces of red lacquer, overall gilded with gold leaf.

After Antoine-Louis Barye (French, 1795-1875)Wolf green bronze patinated hollow cast metal sculpture, bearing signature42cm width, 29cm tall on black socle base

After the Antique,a bronze figure of the Etruscan sculpture 'Ombra Della Sera' or 'Shadow of the Evening', on a marble base,37cm highCondition ReportChips and nibbles to the edges of the base.

After Emil Carlier bronze sculpture, of a lady peasant and an infant sharing water from a vase, on a circular marble base. 75cm H Note:1849 Cambrai to 1927 Paris, French sculptor, was a student at the Cambrai and Valenciennes academies and studied at the École des beaux arts in Paris.

Bronze Sculpture of Mercury or Hermes standing on the North wind and on a marble base, 30cm tall (A/F)

Sculpture Oto Schmidt Hofer - bronze - (1887 - 1925) no foundry stamp - original - Weight: 20.00 kg - Region: Allemagne - Sizes: H 690 mm L 240 mm - Author / artist: Oto Schmidt Hofer

A small metal sculpture (possibly bronze) signed MJ.  Base reads L. C. "De Bernisse" November 1997.

A bronze sculpture of a horse and hound, signed Emile Loiseau bottom left

Sir Jacob Epstein (British 1880 - 1959) A cast bronze bust of Ivan Maisky, having verdigris patination, on a terraced variegated green marble base, 20 x 21 x 36 cm [Conceived in 1938. Variously patinated, some recorded in gilt bronze. Examples exhibited London, Leicester Galleries, "Jacob and the Angel and new Bronzes by Jacob Epstein", February 1942; Edinburgh, Waverley Market, "Epstein: Edinburgh Festival Society Memorial Exhibition", 19 August - 18 September 1961. See Richard Buckle, "Jacob Epstein: Sculptor", Faber and Faber, London, 1963, pl.375, p.242 and Evelyn Silber, "The Sculpture of Epstein", Phaidon, Oxford, 1986, cat.no.298, p.186. The subject was Soviet Ambassador to London between 1932 and 1943, and was first introduced to Epstein by the publisher of The Left Book Club, Victor Gollancz. Visiting the artist's studio to in Hyde Park Gate, Maisky was taken by Epstein's alabaster "Madonna and Child". He subsequently agreed to sit for the artist, resulting in a 'lively portrait bust' of the 'shrewd but genial' Ambassador (Buckle, 1963, p.242).]

A bronze / brass sculpture of Buddha calling the earth to wisdom, modelled sat with his right hand pointing down in the bhumisparsha mudra gesture, having inset glass eyes and an earthenware core, Tibet / south Asia, circa 19th Century, 23 cm

§ Rosalie Johnson (British, b. 1933), bronze sculpture in the form of two penguins, ed. 7/25, inscribed with artist's initials, H 18cm. Please note that Artists Resale Right may be additionally payable on top of the hammer price for this lot, where the price is above the threshold of Euros 1,000, up to a maximum of 4% of the hammer price, visit www.dacs.org for more informationCondition Report: § Generally good condition overall, with some very light surface scratching.

19th century gilt-bronze relief cast sculpture of the circus performing horse Black Eagle, mounted in cabinet frame, overall frame dimensions 35cm x 44cm

19th century gilt-bronze relief cast sculpture of the circus performing horse Ducrow, mounted in original oak frame, overall frame dimensions 59cm x 77cm

Eduard Weber (1865 - 1940), bronze sculpture, portrait of a child, signed on black marble base, height 26cm

UNUSUAL BRONZE SCULPTURE BY TREVOR BELL.

Erte (Romain de Tirtoff) (French, 1892-1990). Art Deco bronze sculpture titled "La Mysterieuse," depicting an elegantly dressed woman, 1980. Etched with Erte's signature along the base. Stamped R.K.P. Int. Corp, dated 1980, and numbered 78/250 along the base.Height: 15 1/2 in x width: 9 3/4 in x depth: 14 3/4 in.

Janet Rosetta (American. b. 1945). Bronze sculpture depicting a sabre-tooth tiger perched on top of a pile of rocks, in an Art Deco style. Signed, dated 1996, and numbered 8/12 along the base.Height: 8 in x width: 10 in x depth: 4 1/4 in.

Janet Rosetta (American. b. 1945). Bronze cougar or mountain lion sculpture atop a composite rock form base. Stamped "Rosetta," dated 1990, and numbered 21/24 along the back leg.Height: 13 x width:15 in x depth: 9 1/2 in.

Kent Ullberg (Swedish/American, b. 1945). Bronze sculpture affixed to a marble base titled "Water's Edge," depicting a mountain lion or cougar pawing at a pool of water. Signed, dated 1997, and numbered 29/50 along the bronze base.Height: 13 in x width: 13 3/4 in x depth: 6 1/4 in.