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Click here to subscribeUstinov, Igor, 1956 London - Sohn von Peter Ustinov -Bildhauer, Biologe und Sänger: Engel auf Amboss "Lánge gardienne"Bronze in 2 Teilen gegossen, dunkelbraune-rötliche Patina, 46x50cm.Dieses Modell abgebildet auf der Webseite, dort betitelt. Am Boden recto ritzsigniert. Giesser-Blindstempel Blanchet Fondeur, Limitierung 2 von 8.
Bremer, Uwe, 1940 Bischleben bei Erfurt.: "Mascina tempori", Guss Schwab MünsterBronze, frontseitig betitelt, auf Podest Blindstempel "Guss Schwab Münster", am Sockel bezeichnet "Mascina tempori", im Rumpf signiert und 1984 datiert, verso Gießerstempel Schwab Münster. Höhe ca. 36 cm, Stand 13 x 16 cm. Uwe Bremer ist ein Vertreter des phantastischen Realismus und zeigt in der Arbeit seine Vorlieben. Die Figur weist biokenetische Merkmale auf u. greift auch das Thema Memento Mori auf - Fehlstellen.
Schmidt-Felling, Julius Paul, 1835 Berlin, Königreich Preußen; † 1920 Deutschland: Jugendstil-Bronze Spielendes MädchenBronze goldbraun patiniert, auf schmaler naturalistischer Plinthe, dort Signatur und Giessereimarke. Montierung d. rechten Ärmchens gelockert, sonst fehlerlos. Höhe ca. 17 cm, Z2.
Kleiner Kragenbär Japan, Meiji EpocheBronzeguss - fein nachziselierte Oberfläche - dunkelbraune Patina, am Bauch Signaturstempel, Japan 20. Jh., Z1-2, HBT: 11x7x4cm. Small collar bear Japan, Meiji eraCast bronze - finely chiselled surface - dark brown patina, signature stamp on belly, Japan 20th century, Z1-2, HWD: 11x7x4cm.
Uphues, Joseph, 1850 Sassenberg - 1911 Berlin: "Der Bogenschütze", Entwurf v. 1884Bronze mit dunkelbrauner Naturpatina, in der Plinthe sign. "J.Uphues", Ritzsignatur "Akt. Ges. Gladenbeck Berlin". Höhe 58cm, inkl. grünem Marmorsockel 61cm. Bogen vollständig erhalten, Z1. Mit diesem Entwurf gewann Uphues gegen jede Erwartung die Goldmedaille 1898 in Melbourne. Uphues war Meisterschüler von Reinhold Begas und Mitglied der Berliner Secession.
Borch, Elna, 1869 Kopenhagen - 1950 ebenda: Art déco Figur Kniendes MädchenBronze, grünlich patiniert: "Kniendes Mädchen", bezeichnet E. Borch, Gießerstempel Just Denmark. Erotisch stilisierte Kleinplastik von Just Andersen, 1930-39 von der Bildhauerin und Künstlerin Elna Borch entworfen. Es besteht aus einer von Just Andersen entwickelten Legierung/Patina namens Disko Metal. Höhe 17 cm, Z1-2.
Aizelin, Eugene Antoine, 1821-1902: "Nymphe de Diana", F. Barbedienne Fondeur v. 1887Bronze, “NYMPHE DE DIANE” betitelt und auf der rechten Seite des Sockeles mit “E. AIZELIN.” signiert. Außerdem trägt es die Gießereimarke “F. BARBEDIENNE. FONDEUR”. Höhe 59cm. Dargestellt ist eine jungfrauliche Nymphe mit Jagdhund aus dem Gefolge der Diana - Göttin der Jagd, des Mondes und Beschützerin der Gebärenden. Dunkelbraune natürliche Patina, sehr guter Zustand.
An Elkington and Co silver plated three-scone candelabra (marked verso, h- 38.5cm, w- 30cm), together with an Elkington and Co copper/bronze goblet or Chalice (marked verso), an Elkington and Co Baroque style silver plated comport base, a Baroque/Mannerist style copper/bronze low-relief dish with classical scene to centre, and a silver plated/white metal Rococo style heart-form Mappin and Webb dish (marked verso)
A Japanese bronze okimono, Meiji period (1868-1912), of a samurai wearing a traditional robe with mons, with two wakizashi tied to his waist and a yari in his right hand, his left arm raised, fitted with a later metal gong, signed Yoshimitsu, accompanied by a mallet,figure 40cm high, wood stand (3)Condition ReportFigure and gong 61.5cm high, overall 74cm high.Later fitted with gong and stand, a bit loose from stand. Figure with surface scratches. Gong with holes, surface scratches and dents.Mallet with general wear.
A Tibetan bronze pagoda, Qing dynasty (1644-1911), of hexagonal form, decorated with dragons to the columns and panels, housing a prayer wheel to the centre,37cm high清 铜铸转经筒Condition ReportSurface scratches and dents.Bells from the lower tier of roof missing. Some inlaid stone missing.One dragon head from top tier of roof restored.Verdigris in various locations.
An Indonesian bronze figure of the four-faced Brahma, modelled seated on a double lotus pedestal, adorned with jewellery and a crown, holding a lotus bud, 17cm highCondition Report7cm wide, 5.5cm deep. Losses to the pedestal base. Possible piant reminants to the right arm and losses around the hand. Discoloration in areas.
A Chinese blue and white gu vase, Guangxu (1875-1908), in the archaic bronze form, rising from an everted foot to a slightly bulbous middle section and a trumpet neck, painted with a landscape between banana leaves and a border of peaches, finger citrons and pomegranates, 33cm highCondition ReportChips and burst glaze bubbles around rim.
A Chinese gilt-bronze model of the infant Buddha, Ming dynasty (1368-1644), standing on a double lotus pedestal, one hand with a finger pointing upwards, the other hand with a finger pointing down, wearing a bib with lotus designs, 21cm high 明 铜鎏金诞生佛立像 Condition ReportGilt losses. Holes to lotus pedestal. Surface scratches and dents.
A pair of Chinese green-glazed boxes and covers, Ming dynasty (1368-1644), each in the form of archaic bronze fu, the square body raised on a splayed, stepped foot, flanked by two mask handles, decorated with key frets to the border, each domed cover similarly decorated with a spear knop,19cm high (4)明 绿釉铺首耳方簠 一对Condition ReportBoth with surface scratches and chips in various locations.One cracked to bowl.
A Chinese jade vessel, Qing dynasty (1644-1911), in the form of an archaic bronze gong, the compressed body with deep sides extending to a flared rim, carved to one side in openwork with a chilong peering over the rim through a scroll-shaped handle, the other side with a phoenix below the spout, and further phoenixes with stylised wings and key frets carved in low relief to the body, 20cm high, associated wood stand (2)清 玉雕仿古凤纹夔柄觥Condition ReportSmall chips to edges. The stone with natural cracks and russet inclusions.Fitted to a later wood stand.
A Chinese copper-red vase, late Qing dynasty, in the shape of an archaic bronze, the tapering square body moulded with raised bands and loop handles to each side, painted with stylised chilong between key frets and upright petal lappets, with a six-character mark to base,37.5cm high, fitted as a lamp清晚期 釉里红仿古螭龙纹方瓶Condition ReportSmall chips to edges. Drilled and cracked to base.Converted to a lamp, did not examine under the metal fitting.
A Japanese inlaid bronze box and cover, Meiji period (1868-1912), by the Nogawa workshop, of circular form, decorated in gold, silver, shakudo and copper in low relief with a butterfly amongst peony, gilt interior, the base with the mark of the Nogawa Company combining stylised versions of the hiragana no and the kanji kawa,5.7cm diameter (2)Having been established as a workshop in Kyoto in 1825, the Nogawa Company quickly developed into an important manufacturer and dealer, exhibiting at major international expositions, 1893-1910, as well as at the Naikoku Kangyō Hakurankai (Domestic Industrial Promotion Exhibitions), both in 1881 and 1890. The company's Kyoto shop was a popular 'stop' for international visitors, as well as their showrooms in the Kyoto Hotel and the Miyako Hotel, the city’s most prestigious hotels.Condition ReportSurface scratches and minor dents.
A Chinese bronze incense burner, Qing dynasty (1644-1911), the compressed globular body supported on a spreading circular foot, flanked by two loop handles, with a six-character Xuande stamped mark to base,19.5cm longCondition ReportSurface scratches and minor dents. Knocks to edges. Verdigris throughout.
A Chinese gilt-bronze bodhisattva, Qianlong (1736-1795), wearing elaborate beaded jewellery and a long robe, seated cross-legged on a double lotus pedestal, his hands resting in his lap and holding a jar with flame decoration, in front of a mandorla with scroll and beaded border,12.3cm high清乾隆 铜鎏金菩萨坐像Condition ReportSurface scratches and dents.Some gilt rubbed.Tear and losses to paper attached to base.
A Tibetan parcel-gilt bronze model, Qing dynasty (1644-1911), of Palden Lhamo's mule, striding forwards with its head turned to the left, a saddle and saddlecloth on its back and a loose figurehead to the neck,40cm long, fixed to a later wood baseProvenance: Christie's, South Kensington, 2 October 2003, lot 109.清 吉祥天母白骡座驾Condition ReportSurface scratches and dents.Some gilt losses.
A Japanese bronze box, Meiji period (1868-1912), by the Nogawa workshop, of rectangular form, the hinged cover decorated with a carp swimming through rippling water, signed Koitsu, the base with the mark of the Nogawa Company combining stylised versions of the hiragana no and the kanji kawa,7.5cm diameterHaving been established as a workshop in Kyoto in 1825, the Nogawa Company quickly developed into an important manufacturer and dealer, exhibiting at major international expositions, 1893-1910, as well as at the Naikoku Kangyō Hakurankai (Domestic Industrial Promotion Exhibitions), both in 1881 and 1890. The company's Kyoto shop was a popular 'stop' for international visitors, as well as their showrooms in the Kyoto Hotel and the Miyako Hotel, the city’s most prestigious hotels.Condition ReportNo obvious faults. Feet tested silver.
A Chinese bronze bowl, Tang dynasty (618-907), of circular form on a low lobed stem foot, moulded with magpies and prunus in lotus-shaped panels, the centre engraved with a floral medallion,11.4cm diameterProvenance: From the collection of Phillip Allen (1938-2022);purchased from Woolley & Wallis, 16 November 2023, part lot 1066.唐 铜制喜上眉梢图莲瓣碗Condition ReportSurface scratches and dents. Verdigris throughout. 90g.
An assortment of ethnographic decorative items, to include an Indonesian wooden carving of a female, 36cm, a ceremonial wooden carving of an animal, carved B Farias on the base, 22cm, a Chinese carving of a terracotta warrior, 17cm, a soapstone carving of a beetle, a Mexican terracotta carving, a Chinese bronze of a horse, and a scroll hook / weight. (7 items)
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