We found 1015 price guide item(s) matching your search
There are 1015 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
1015 item(s)/page
Ca. AD 200 - 300.A grey schist statue of Buddha standing atop an integral rectangular pedestal. The figure's left leg is slightly extended with a bent knee, and he is draped in a kasaya robe rendered with finely sculpted waves and folds. The serene face features downcast eyes, arched brows, generous eyelids, an aquiline nose, and full lips, framed by a nimbus behind the head. A circular topknot rests above the tightly-bound coiffure, with a small urna positioned below.For similar see: Christie's, Indian and southeastern Asian Art, Live Auction 2578, Lot. 520. Size: 1250mm x 440mm; Weight: +50kg.Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
Ca. AD 200 - 300.A schist head of Buddha with a voluminous face, fine almond-shaped eyes, cupped ears, a gentle smile, and a characteristically wavy hairstyle in a chignon. The statue was in a wall decoration of a temple.For similar see: Christie's, Indian and southeastern Asian Art, Live Auction 2578, Lot 520. Size: 250mm x 180mm; Weight: 8.4kg.Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market in the 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.
A collection of six 20th century Indian bronze figurines and Buddha statues. The lot to include a Shiva Nataraja Lord of Dance statue, a standing bronze figurine of Krishna, three amulets / stele of seated Buddhas and a wooden carved jar decorated with metal floral studs.Tallest measures approx. 15cm
"Chine - Buddha Dipankara "Celui qui apporte la lumiere" Statue en bronze, trace de dorure et de polychromie. - Chine - Buddha Dipankara "Celui qui apporte la lumiere" Statue en bronze, trace de dorure et de polychromie. Ref Goldfield: GFAD1049 - Poids: 2050GR - Mesures: H 240MM X L 150MM - Condition : Usure normale - Weight: 2.05 kg - Region: Chine - Sizes: H 240MM X L 150MM"
A striking hand-carved wooden Buddha statue, standing 20"H, featuring intricate detailing and a serene expression. The figure is adorned with an elaborate robe decorated with geometric and fish motifs, adding to its artistic and spiritual appeal. Painted in earthy tones, the statue stands on a lotus pedestal with a rich green and red finish. The back reveals further decorative elements, enhancing its craftsmanship. A unique and finely crafted piece ideal for collectors of Buddhist art or spiritual décor.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
Riesiger Steinkopf des Buddha Shakyamuni, China frühe Ming-Dynastie ca. 15. Jahrhundert,Kopf einer Buddha-Statue aus Stein mit einem friedlichen und meditativen Ausdruck. Die Gesichtszüge sind sanft, mit halb geschlossenen Augen und einem leichten Lächeln, verlängerte Ohrläppchen, China frühe Ming-Dynastie ca. 15. Jahrhundert, ca. H 65 cm x B 35 cm x T 36 cm, massiv und schwer Provenienz: deutsche Privatsammlung
A finely hand-carved wooden Buddha statue, standing 19.5"H. This intricately detailed sculpture depicts Buddha in a serene stance, draped in a flowing robe with meticulously incised folds. The figure’s right hand is raised in a symbolic gesture, while the left holds an object, adding to its spiritual significance. The detailed craftsmanship is evident in the expressive facial features and textured curls of the ushnisha. A remarkable piece of spiritual artistry, ideal for collectors of Buddhist art or those seeking a meditative presence in their space.Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
A serene collection of three Buddha statues, each crafted in a distinct style. The central statue features a weathered finish with a seated Buddha (9") in a meditative posture, hands resting in Dhyana Mudra. The leftmost statue is a smaller dark wood carving (6.5"), showcasing intricate detailing in the robe and headdress. The rightmost statue (7.5") is a highly detailed depiction of Buddha seated against an elaborate mandorla, with ornate flame-like patterns framing the figure. These statues represent different artistic interpretations of Buddhist iconography and would make a meaningful addition to any spiritual or decorative collection.Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. Chipped paint on largest buddha.
Handmade Thai bronze Buddha statue measuring 10.5"H, featuring an intricate seated Buddha figure in a traditional meditation pose atop an ornately decorated pedestal. The statue showcases a dual-tone finish, with polished golden highlights on the face, right arm, and left hand, while the rest of the body is adorned with detailed patterns. The base is richly ornamented with floral and geometric motifs, with a small plaque on the back reading "Hand Made in Thailand." The hollow underside reveals its handcrafted nature. A fine addition for collectors of Southeast Asian art and Buddhist iconography. Issued: 20th century Dimensions: See DescriptionCondition: Age related wear.
**Pair of Buddha Figurines**A pair of Buddha figurines, each approximately 10 inches in height, likely mid-to-late 20th century in production. The figurines are stylistically similar Laughing Buddha depictions, associated with prosperity and happiness, but feature notable differences in material and detailing.1. **Black Buddha Figurine**: Made of a resin-like material with a dark patina and greenish oxidation suggesting ageing or an antique finish. The statue is intricately detailed with swirling patterns on the robe and features a cheerful seated posture with exaggerated facial features, symbolic of abundance. Minor scuffing is present on the surface. The back is ornately decorated with a central medallion and swirling motifs, indicative of traditional Buddhist artistic symbolism.2. **White Buddha Figurine**: Crafted from a white-painted cast material, likely plaster or resin, with visible chipping and surface wear. The figurine shares the seated, joyful posture and rounded proportions of the black Buddha statue, suggesting they are companion pieces or part of a matched set. The underside shows wear, revealing green paint or patination beneath.This pair exemplifies modern, Asian-inspired decorative items, possibly handmade or moulded. Further assessment of the base or underside for markings could refine their attribution.
A captivating Burmese Shan-style Buddha statue crafted from wood, featuring a gilded surface with intricate polychrome details and colorful inlays. The figure is adorned with intricate red and green inlays resembling glass or enamel, carefully embedded into the crown, cuffs, and other decorative elements. These vibrant accents complement the radiant gold-leaf finish, emphasizing the divine and regal qualities of the statue. The statue depicts a seated Buddha in a meditative posture, characteristic of Shan artisanship, exuding tranquility and spiritual authority. The facial features are delicately rendered, with a serene expression and downcast eyes symbolizing introspection and enlightenment. The statue features exquisite craftsmanship, evident in the intricate detailing of the garments, jewelry, and headpiece. The wear and patina reflect its age, adding authenticity and character to this spiritual artifact. Its back reveals the raw, untouched surface of the wood, contrasting with the detailed front.Dimensions: 22"L x 12"W x 35"HCondition: Age related wear.
BREYER, Robert(1866 Stuttgart - 1941 Bensheim-Auerbach) Stillleben mit AsiatikaÖl/Leinwand. Links unten signiert. 1911. 80 x 60 cm. Gerahmt : 90 x 73 cm (Goldrahmen); 3,9 kg. Goldene Buddhastatue neben anderen Figuren im hellen Licht. Maler in Berlin-Charlottenburg, Schüler von Nauen in München und der Akademie ebd. unter Diez, Mitglied der Berliner und Münchner Sezession. Professor in Stuttgart. Literatur : Thieme/Becker. Aufrufzeit 01. | März 2025 | voraussichtlich 20:22 Uhr (CET) BREYER, Robert(1866 Stuttgart - 1941 Bensheim-Auerbach) Still life with Asian plantsOil/canvas. Signed lower left. 1911. 80 x 60 cm. Framed : 90 x 73 cm (gold frame); 3.9 kg. Golden Buddha statue next to other figures in bright light. Painter in Berlin-Charlottenburg, pupil of Nauen in Munich and of the Academy ibid. under Diez, member of the Berlin and Munich Secession. Professor in Stuttgart. Literature : Thieme/Becker. Aufrufzeit 01. | March 2025 | probably 20:22 (CET)*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
This exquisite Buddha statue is meticulously carved from wood, showcasing a polychrome finish that highlights intricate details. The serene expression and flowing robes exhibit remarkable craftsmanship, suggesting its creation during the late 19th century. This piece reflects traditional Buddhist artistry, making it a significant decorative and spiritual artifact. The statue features a distressed patina, adding to its antique authenticity and charm. Its custom wooden base is expertly designed to securely support the statue, ensuring stability during display. The base of the statue reveals a canvas-like reinforcement, possibly for stability during its creation or subsequent restoration. Issued: 18th - 19th centuryDimensions: 35"H (without stand)Condition: Age related wear. Head has chipped paint and hands are removable (loose) with broken or missing fingers.
This exceptional Burmese Giltwood Standing Figure of Mandalay Buddha is a testament to the artistry and spiritual devotion. Elegantly carved from wood and adorned with gilding, the figure exudes both serenity and grandeur. The Buddha is depicted standing in a graceful pose with one hand raised in abhaya mudr? (gesture of fearlessness) and the other draped by his flowing robe. The delicate folds of the robe, combined with the rich gold finish, highlight the craftsmanship's intricate detail. The finely modeled features of the face, accentuated by traces of polychrome and inlaid decoration on the head, reflect the spiritual and artistic heritage of the Mandalay style. The statue is mounted on a contemporary black pedestal base, providing a striking contrast that enhances its presence.. The attached base measures 13"H, the statue from toe to top of head measures 60"H. Mounted to black wood base. 73.5"H Total heightIssued: 20th centuryDimensions: See dimensionsCondition: Age related wear.
A SMALL BRONZE FIGURE OF A SEATED SHAKYAMUNI BUDDHA, DATED ZHENGSHI 3RD YEAR Northern Wei dynasty, 506AD, modelled with legs crossed and hands held in dhyana mudra, wearing a pleated robe with sash over left shoulder, supported by a circular tiered stem and square footed base, inscibed to three sides, 'on the 8th day of the 8th month in the 3rd year of Zhengshi, Zhang Zifu made a statue of Buddha'. Notes: For a similar gilt example see; Sotheby's, Important Chinese Art, New York, Sep 2020, lot.588 10cm high 402g Property from the collection of Frankie Neo Ownership Statement: This item is offered for sale in the name of the owner, Frankie Neo. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Ca. AD 100 - 200.A beautiful Gandharan schist statue depicting Buddha. The statue is standing on a square, lotus-decorated plinth and he is wearing long flowing robes. Buddha's face has a serene expression and is surmounted by a halo. For similar see: The British Museum, Museum Number 1902,1002.2.Size: 600mm x 180mm; Weight: 11.6kg.Provenance: From the collection of a London gentleman; formerly acquired in the early 2000s in Belgium; previously in 1970s European collection. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.This piece is accompanied by a historical report from Alessandro Neri, an international Cultural Heritage expert based in Florence, Italy.
Dimensions: Height 11 cm Wide 8 cm Depth 3,5 cmWeight: 196 grams Buddha seated in meditation pose with legs crossed and hands resting in each other in his lap.Seated on a three-tiered expansive throne with engraved ornamental decorations and a small tapestry hanging down in the center.Body adorned with elaborate clothing and jewellery, a winged crown on the head. The ushnisha is broken off at the top, details of face missing due to rub off. The statue is hollow. Provenance: Collection Madeleine und Erich Dammann , 1950 -2012
Dimensions: Height 15,7 cm / Wide 11,2 cm Depth 7,8 cm Weight: 925,4 grams Exquisite bronze Buddha statue represents the Enlightened One seated in the bhūmisparśa mudrā (earth-touching gesture), a symbolic pose depicting the moment of Buddha's enlightenment under the Bodhi tree. The figure sits atop a double-lotus pedestal adorned with intricate details and a stylized floral pattern at the base. The urna, ushnisha, and serene facial expression reflect the traditional iconography of Buddhist art from the Himalayan region. The underside of the base bears an engraved double-vajra (visvavajra), a sacred symbol in Tibetan Buddhism. Dressed in a robe draped loosely over the left shoulder partially revealing the chest, with wonderful old copper inlays. The iconographic form in which the historical Buddha is seated, with his right hand in the earth-touching position, bhumisparsha mudra, recalls a momentous episode from his spiritual biography in which he triumphs over Mara just prior to his enlightenment. Having vowed to remain in meditation until he penetrated the mystery of existence, Shakyamuni was visited by Mara, a demon associated with the veils and distractions of mundane existence. The Buddha remained unmoved by all the pleasant and unpleasant distractions with which Mara sought to deflect him from his goal. Please have a look at the daylight Pictures
Dimension: Height 22 cm ; Wide 15 cm ; Depth 6,5 cmWeight: 2288,9 grams This is a rare and well preserved statue that depicts the historical buddha sitting on a throne. He wears a robe that covers both shoulders, and a long dhoti.The factions have softened, the mouth is wider, and he wears rosettes below his hairband, and earrings, the pectoral muscles and navel are not clearly marked, his crown is typical of 10th-12th century sculptures of Kashmir/the ‘Western Himalayas’.Buddha sits below a bodhi tree flanked by 3 adorants on each side.
Dimensions: Height 24 cm Width 14 cm Depth 10 cmWeight: 1161 grams This statue was cast in two parts. Bronze statue of a seated Buddha in juvenile appearance on a large, flaring lotus flower, whose stem is growing from a hexagonal stand with six feet, two small lotus flowers extending from the sides. The Buddha is seated cross legged, wavy robes covering his body, his barefoot soles showing. His right hand is placed in front of his belly holding a small vessel, the left hand is raised gesturing a mudra. The broad face is calm with small, smiling lips, slender nose and downcast eyes. He is wearing a crown with a small Buddha effigy in the center.
Dimensions: Height 15 cm Wide 11,5 cm Depth 8 cmWeight: 1088 grams A finely crafted bronze statue of Buddha seated in the dhyanasana pose, symbolizing meditation and spiritual enlightenment. The figure is adorned with intricate details, including a serene facial expression with a prominent urna on the forehead, curly hair arranged in a high ushnisha, and elongated earlobes. The robe drapes gracefully across the body, showcasing detailed borders with floral patterns.The Buddha holds a small vessel in his left hand, representing the elixir of life, while the right hand rests on his knee in the earth-touching gesture (bhumisparsha mudra), symbolizing the moment of enlightenment.Seated on a double-lotus pedestal with finely carved petals. Overall in good condition with minor surface abrasions and oxidation commensurate with age.
Dimensions: Height 28 cm Width 14 cm Depth 8 cmWeight: 1318 grams Statue of eleven-headed Avalokiteshvara Bodhisattva with eight arms standing on a double reverse lotus base with beaded rim. The eight arms represent the eight directions. The eleven heads are arranged in a pyramid with three rows, the last two heads placed singularily on top of each other, the lower one showing a fierce emanation and the top being a peaceful Amitabha Buddha. The nine lower heads have calm expressions and are wearing crowns. The deity is dressed in a flowy garment covering his legs, decorated with lots of jewellery and belts, a flowy scarf billowing around his legs. The arms are fanning out to the sides, two are joined together in front of the chest gesturing anjali mudra, the others forming various mudras. The deity's jewellery has stone inlay highlights. The statue is hollow.
Dimension: Height 15 cm Width 9 cm Depth 7 cmWeight: 374 grams Seated deity, probably Bodhisattva Avalokiteshvara recognizable by the lotus flower he is holding in his hand. Seated with one knee lifted and one lying on the round lotus base, dressed in a short garment and adorned with jewellery and the sacred thread. His right elbow is resting on the right knee and the hand showing a mudra. The left hand is showing a mudra as well and holding the stem of a lotus flower extending to his left shoulder. The head is bent to his right shoulder and he has a friendly facial expression, the urna on the forehead. The head adorned with a high, winged crown with a central Buddha effigy, encircling the hairbun. His hair is running down in strands at the back. The statue is hollow.
RARE STATUE DE BOUDDHA EN LAQUE SECHEXVIIe/XVIIIe siècleA VERY RARE LARGE DRY-LACQUER FIGURE OF BUDDHA17th/18th centurySeated in meditation in dhyanasana on a lotus pedestal with a double row of lotus petals, with his hands held in anjali mudra, wearing a diaphanous dhoti tied at his waist and falling in generous folds across his legs, his shoulders and arms covered with a fine shawl, his face with a serene expression, with arched brows, wide downcast eyes, a straight nose and a gentle smile, the hair neatly combed and tied up into a chignon, small traces of gilding and red pigments. 67 cm (26 3/8 in) highFootnotes:PROPERTY OF A FRENCH LADY法國女士私人珍藏十七/十八世紀 夾紵乾漆佛像Provenance:Collection of C.T. Loo (1880-1957), Paris.Collection of Mme Lucie Gass, Boulogne, C.T. Loo's restorer, then in the family by descent and acquired from the descendants of Mme Gass by the present owner in September 1990.The result of CIRAM C14 sample no. 0724-OA-1137J, dated 16 September 2024, is consistent with the dating of this lot.來源盧芹齋(1880-1957年)收藏,巴黎Lucie Gass女士收藏,布洛涅,盧芹齋之修復師,後經家族流傳,現藏家於1990年9月得自Gass女士後人。本拍品經法國CIRAM實驗室碳-14檢測編號0724-OA-1137J(2024年9月16日),結果與其斷代相符This rare large figure of a seated buddha is made in dry lacquer, a material that was rarely used in Chinese sculpture as it was more often carved from stone or cast in bronze. The technique of making hollow core dry lacquer sculpture was complicated and required skilled craftsmen. In a first step a clay core in the shape of the designated image was was created on an internal armature onto which layers of cloth strips were applied thereby helping to create a more detailed form of the figure. Multiple layers of lacquer were applied over a first layer bulked with fillers, the clay core removed and the dried lacquer surface painted and gilt. Inside the hollow figure wood pieces around the interior edges of the base provide structural support. Very few Buddhist hollow-core dry lacquer figures are known. They include three dry lacquer figures of Buddha, one in the Walters Art Gallery in Baltimore, the second in the Freer Gallery of Art, Washington, and the third in the Metropolitan Museum of Art, New York, all three dated to the late sixth and early seventh centuries, an eighth century dry lacquer figure of a bodhisattva in the collection of the Cleveland Museum of Art, and a dry lacquer figure of bodhisattva in the Nepalese style dated to the Yuan dynasty (accession no. F1945.4) from the collection of the Smithsonian in Washington, D.C. Samples taken from the wood inside the buddha have revealed a date to the 18th century. No large dry lacquer figure of this date is known but stylistically we can relate the figure to the sculptures produced in the region of Jehol near Chengde northeastern China. These sculptures made in the 18th century reflect Tibetan influence and reflect the Qing courts espousal of Tibetan Buddhism and its preference for Buddhist sculptures made in the Tibeto-Chinese style. The sculptures in the Wan fa gui yi dian in the Potala in Jehol illustrate the style favoured by the Qianlong emperor (Fig. ). Compare this figure with a very large gilt wood figure of Buddha, sold Christie's Hong Kong, 29 May 2019, lot 2704.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com
19th Cent. Siamese Rattanakosin period "Buddha of the future" sculpture in gilded bronze this statue has two small removable sculptures, which can be taken on journey for prayingTHAILAND - RATTANAKOSIN PERIODE - 19° EEUW sculptuur in gedoreerde brons met de voorstelling van de "Boeddha van de Toekomst" met zittend figuur waarvoor op een hoge trap geknielde monniken en "Boeddha" staan - hoogte en breedte : 51 en 47,5 cm Dit beeld heeft twee afneembare beeldjes die men kon meenemen op reis om te bidden prov : collectie uit het Groothertogdom Luxemburg
Possibly depicting the bodhisattva Avalokitesvara in a standing position, with the right hand in kataka mudra and the left lowered in varada mudra. He wears a draped garment cinched at the waist with a belt, leaving the chest uncovered. His long curly hair is tied up and falls gracefully over his shoulders.Provenance: from the Ullman collection, Italy.Catalog notes:The figure is not easily identifiable (the absence of jewelry suggests a resemblance to a Buddha) however, it is clearly influenced by Tibetan art, evident in the facial expression, hair, and posture. This can be compared to a 10th/11th-century Nepalese figure of Vajrapani from the Qing court collection, preserved in the Palace Museum in Beijing, and illustrated in Palace Museum 2007, The Complete Collection of Treasure of the Palace Museum: Buddhist Statue of Tibet, Shanghai, p. 77, no. 74.铜鎏金观音像,汉/藏,十七/十八世纪
Magnificently cast in the form of a standing Buddha in samapada on a double lotus base, with hands in abhaya and varada mudra, wearing an elaborate sanghati, with the hemline delicately incised with floral borders. His face exudes serenity, with arched eyebrows, flanked by pendulous earlobes, and his hair is styled in tight curls, topped with a high, dome-shaped ushnisha.Provenance: from the Ullman collection, Italy.Catalog Notes:Bronze Buddhas in this position, especially of this size, are very rare. Compare with a smaller statue from the Nitta Group collection exhibited at the National Palace Museum in Taipei, illustrated in: The National Palace Museum 1991, The Crucible of Compassion and Wisdom, Special Exhibition Catalog of the Buddhist Bronzes from the Nitta Group Collection at the National Palace Museum, Taiwan, p. 212, pl. 115. Also see a large sculpture at the Royal Ontario Museum in Toronto, catalog number 922.4.89.铜鎏金佛像,中国,十七世纪
Richly worked bronze oriental lidded pot, 12 cm high, 11 cm diameter, soapstone Guanying statue, 23.5 cm high, bronze bell, 14.5 cm high, 5 Buddha statues, largest 15.5 cm high and silver-plated handle of a kris, beautifully chased and inlaid with oval gemstones, on a wooden base, total 17.5 cm high

-
1015 item(s)/page