This solid silver Cambodian betel box is designed in the form of a mother sheep with her lamb, the piece is adorned with intricate repousse and engraved details, giving texture and lifelike depth to the figures. The box cleverly opens into two pieces, revealing a hidden compartment traditionally used for storing betel nuts, a culturally significant practice in Cambodia. Height x Width x Depth: 11.5cm x 13cm x 10cm, Weight: 326g
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An Indian silver enamel perfume flask, decorated with two ladies, with further floral decoration, marked to base, 11.5cm, a small silver-cased scent bottle, with a matched stopper, a chinese cloisonne circular box and cover, a white metal box inset with a blue and white porcelain plaque, a Cambodian silver betel box, another silver and enamel snuff box and another octagonal example (7) Condition Report:Available upon request
Two Cambodian silver betel nut boxes, modelled as a turtle and an elephant, the turtle with cross-hatched carapace, the elephant with long tusks and trunk raised, a Chinese white metal hexagonal small box with hinged lid, repoussé decorated with dragon, phoenix and other creatures and symbols, and two Peruvian silver ash trays, each inset with a five peso piece dated 1889 and 1916. (5) £140-£160 --- Betel nut boxes were used to store the areca nut (sometimes known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Condition Report Elephant: stamped *30 Turtle: two-character native mark and .90 Both in good condition Box: height 4cm, diameter 5cm, good condition. Ashtrays: one slightly mis-shapen, 1889 peso with light wear, 1916 with a slightly more wear.
A Cambodian 'Khmer' silver rice spoon.Stamped T900. 20th century.The chased stem to a stylised terminal, the bowl engraved with decorative bands, 25.5cm long, together with a pair of Pakistani bonbon dishes, stamped PAK 940 SIL, late 20th century, of oval form, with scalloped borders and engraved decoration to sides, 11.5cm long, 3.5cm high, in a box signed 'Kashmir Silver Works, Rawalpindi', and a small Cambodian silver brush pot/vessel, stamped T900, 5.6cm high, total weight approx. 7.3ozt (4)
AMENDMENT: Please note that this teapot is silver plated, not silver as stated in the catalogue description. A Cambodian 'Khmer' silver teapot. c.1900. Of rounded form, with a fixed handle and straight spout, the body richly chased with scrolls and foliage, stamped T900 to base, 12.5cm high (inc. handle), gross weight approx. 11ozt
A LARGE CAMBODIAN SANDSTONE FIGURE OF A FEMALE DEITY, ANGKOR WAT STYLE, CIRCA 12TH CENTURY. Standing on a rectangular base wearing a long pleated sampot folded at the waist. Mounted on a display stand. Total height including stand 108cm.Provenance: Private German collection, formed in the 1960s. Purchased and housed by a British collector circa 1970s until now. Some surface wear to note. No major damages in its current form.
A CAMBODIAN SANDSTONE TORSO OF A MALE DEITY, KHMER CIRCA 12TH CENTURY. Dressed in a pleated sampot folded at the front secured by a belt. Mounted on later display stand. Total height including stand 47.5cmProvenance: Private German collection, formed in the 1960s. Purchased and housed by a British collector circa 1970s until now. Slight shallow chip to front of right arm. Otherwise in god order with no major signs of damage to torso.
Emma Hardy J-Cloths, 2004 C-type print from negative Signed on Front with COA 10 x 15cm (3¾ x 5¾ in.) About Emma Hardy is a british photographer. She studied drama & French at Bristol University, then lived and worked in Paris for 5 years. Returning to London she worked as an actress for a few years until she realised she was much happier behind a camera. She started photographing portraits, documents and fashion for British Vogue, the Telegraph magazine, Vanity Fair, The Fader, The New York Times, Rolling Stone, Time, Harpers Bazaar, among many other international titles, and had her first solo exhibition at the National Portrait Gallery in London in 2006 with a project titled 'Exceptional Youth.' Other exhibitions in London, New York and Milan followed, and she was invited to photograph a series of portraits for the London 2012 Olympics, again featured at the National Portrait Gallery. Thirty-nine of her portraits are in the permanent collection at the NPG London. In 2012 she was commissioned by Oxfam & The Economist to travel to Cambodia to document the citizens of Phnom Penh who were battling the governments land grabs-this series became an exhibition in London in 2013 titled 'Losing Ground,' the exhibition travelled to Washington DC where the images were used as a lobbying tool to help the Cambodian situation onto the G8 summit list. Permissions, her first monograph, which documented her family over 20 years, was published by Gost Books in November 2022 and sold out swiftly. A selection of the images were exhibited at 1014 Gallery in Dalston, London, December 2022 - January 2023. Further solo exhibitions in Lisbon at Narrativa Gallery and in Brussels Belladone Gallery as part of the Photo Festival 2024. The work was long-listed for the Deutsche Borse Photography Prize 2024. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists and directly jeopardise the charitable work we do.
NGOR HAING S.: (1940-1996) Cambodian-American physician and actor, Academy Award winner for Best Supporting Actor in 1984 for his role as Dith Pran in The Killing Fields. Signed 8 x 10 photograph of Ngor in a head and shoulders pose in costume from his Oscar winning performance as Cambodian journalist and interpreter Dith Pran from the British biographical drama film The Killing Fields. Signed by the actor in black ink to a largely lighter area of the image with a lengthy greeting, ´With my all deepest affection and warm feelings, Love, Haing S. Ngor´. A pencil annotation in the hand of a collector to a label neatly affixed to the verso indicates that the signature was obtained in person on 6th February 1985. Autographs of Ngor are scarce as a result of his murder at the age of 55. EX
THREE PAIRS OF GLASS BANGLES Each on a bespoke stand A pair of green and a pair of blue Cambodian bracelets, and a pair of Thai glass earrings 17cm, 15cm &11.cm high respectively Provenance: Private Collection Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW.With wear, marks, knocks and scratches as per age, handling, use, and cleaning see images ADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
A LARGE CAMBODIAN STANDING MONK Modelled holding a bowl, red painted approximately 160cm high Provenance: Private Collection Condition Report: PLEASE NOTE: ALL LOTS ARE LOCATED AT SACKVILLE WEST STORAGE IN ANDOVER (SP10 3SA) AND ARE NOT AVAILABLE TO VIEW.With wear, marks, knocks and scratches commensurate with age and use Some old chips, splits, and losses, wear and age to wood, see images Distressed appearance to paint Cracking and splitting to wood Solid and stableADDITIONAL IMAGES: Please 'Ask a Question' to request additional images for this lot. Condition Report Disclaimer
VARIOUS - CAMBODIAN ROCKS LP (US ORIGINAL - PARALLEL WORLD - PW-3). A sought-after psych compilation album Cambodian Rocks (PW-3, 1995 US release on Parallel World. Labels are bright and clean. The record is superb Ex+. Sleeve with pasted art covers is Ex, small bump to the bottom left corner).
TWO CAMBODIAN BRONZE STATUES Depicting King and Queen of Cambodia, on black painted wooden base 48cm high Ownership Statement: This item is offered for sale without disclosing the identity of the owner. For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
An antique Cambodian sandstone head, the head with finely carved detail with wrathful expression, arched eyebrows, with pouting lips displaying fangs, ears adorned with tassels and shown wearing a carved crown, mounted on brass column on shaped wooden base, possibly 10th century, height 26cm, height including stand 39cm. Provenance: The vendor purchased this from a dealer at a Lapada fair in the 1990s.
A mounted woven cloth, most likely Safavid dynasty, brocaded silk with a very high metal content, the design featuring repeating botah in a woven border (a/f). The board is backed with 19th century fabric. Also a piece of Cambodian silk brocade (a/f) and an antique high metal content brocade with botah motifs fashioned into a cushion cover (3)
Dimensions: Height 4 + 5 + 7 cmWeight: 336 grams with base Three Ganeshas on a square plinth with long trunks, probably holding their broken tooth in the hands Antique khmer style Angkor Wat bronze seated Ganesha. The distinctive patina of the piece is particularly delightful. Ganesha is the elephant headed son of Shiva. He holds his broken tusk in one hand and a bowl of sweetmeats in another hand. He is also holding one of his spiritual weapons, the Chakra or discus and a musical conch shell. Similar to Krishna Ganesha celebrates life through it's pleasures and beauty. The direction of Ganesha's trunk has symbolic meaning. Here the trunk turns to Ganesha's left. This signifies the direction for success in the world. It is a position associated with grihastas, or householders. In his early forms in India, Ganesha was associated with fertility. Later he became widely revered as the Remover of Obstacles and more generally as Lord of Beginnings and Lord of Obstacles, patron of arts and sciences and the deity of intellect and wisdom. This small early Cambodian depiction of Ganesha is largely consistent with Indian prototypes. Seated on a diminutive lotus throne, the corpulent deity holds a bowl, broken tusk, goad, and what may be a cluster of prayer beads in his four hands.
Assorted white metal South Eastern Asian lime/betel boxes comprising of a Sumatran example with geometric decoration; an oval copper and brass Burmese lime box and cover, 3.8cm long; a larger example with all over decoration; star mark to base, 5.5cm long; a Laos white metal/silver cornucopia shaped betel leaf holder, 13cm long; a Laos waisted brass lime pot with basket weave style decoration, 14cm high; a small Cambodian white metal lime box, 4.5cm long and a white metal/silver plain oval box with geometric style decorated lidded box, 7cm
Assortment of lime boxes to include two Burmese oval lidded boxes with scorpion decoration; a white metal/silver semi circular lidded lime box; two ladies Sri Lankan white metal lime boxes; an usual Cambodian white metal/silver decorated decorated with a mythical creature and Laos white metal betel leaf holder, with all over floral decoration, 8.5cm long
Large stone carvingThai or Cambodian, depicting the Buddha, in the Khmer Angkor Wat style, the hair in the form of a cone with a patterned tiara, approximately 25cm wide x 67cm high including the stand x 24cm deep Signs of wear consistent with age and use throughout. Weathered. Losses to pedestal.
A GROUP OF FIVE CARVED STONE HEADS MOSTLY CAMBODIAN, VARIOUS DATES Including; A grey hardstone 'cham' head, a white hardstone 'cham' head, 11th-12th century, a small grey sandstone head, 12th century, a small Khmer sandstone head, 11th century and one other between 27cm and 9cm high without stands Provenance: Private Collection Condition Report: overall distressed appearance to surfaces commensurate with age and handling with chips and losses marks and scratches to stands traces of a label to the back of the largest head total weight is 21 kilograms and 60 grams (21,060 grams) Condition Report Disclaimer
CAMBODIA. Norodom I. Silver 4 Francs, 1860. NORODOM I ROI DU CAMBODGE, C.WURDEN below bust to left / · QUATRE FRANCS · Cambodian text and Coat of Arms above.In secure plastic holder, graded PCGS MS63 , certification number 48599495.Reference: KM-X M8, Lec-83Rarity: Scarce.Die Axis: 6h.Diameter: 34.8 mm.Weight: 20 g.Composition: Silver.PLEASE NOTE: A 22.50% buyer's premium will be charged separately. VAT on the buyer's premium may apply in accordance with UK regulations. Additional 6% fee charged on the Saleroom. Payment can be made in EUR, CHF, or USD for an exchange fee. Please contact us to find out more.This lot can be shipped from the EU if certain conditions are met. Please contact us on EUclients@thecoincabinet.com to inquire about this service.
18th/19th Cent. Cambodian U'dong period "Head of Buddha" sculpture in polychromed wood with an attestation by Dr Istvan ZelnikCAMBODJA - U'DONG PERIODE (1618 - 1863) - 18°/19° EEUW antieke houtsculptuur met originele polychromie : "Hoofd van een gekroonde Boeddha" - hoogte : ca 70 cm - gemonteerd met attest van Dr Istvan Zelnik prov : collectie uit het Brusselse
NGOR HAING S.: (1940-1996) Cambodian-American Physician and Actor, Academy Award winner for Best Supporting Actor in 1984 for his role as Dith Pran in The Killing Fields. A fine signed 6.5 x 9.5 photograph of Ngor in a head and shoulders pose in a scene of The Killing Fields. Signed in bold black ink with his name alone across a clear area of the image, also dated in his hand, 11th July 1987.
A SET OF THREE CAMBODIAN BASKET WEAVE SILVER BOXES Two graduated rectangular casket form boxes with double-walled sides plaited wire corners, and a similar taller example with cross-brace supports 9.5cm to 10.5cm long Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
Carved stone fragment Khmer, Cambodian, 9th-12th Centurywith detail of a figure hunting a boar scene beneath a tree, mounted on a later wooden plinth, the panel measures 18cm x 23cm x 4cm approx overall, 23cm high approx overall including the plinth At present, there is no condition report prepared for this lot, this in no way indicates a good condition, please contact the saleroom for a condition report.
Cambodia.- Vue Restaurée du Temple de Baïon, Ruines d'Ang-Kor Thôm (Cambodge). No.24, hand-coloured lithograph, some tears and repairs, a few small portions of loss, some light surface soiling, lightly browned, unframed, 332 x 444mm., Pnom-Penh, Cambodia, L. Jammes, [c.1890]; and 2 other Cambodian hand-coloured lithographs by the same, No. 20 & 21, both of sacred theme, v.s. (3) *** The first a view of the temple of Bayon at Angkor Thom. Jammes arrived in Cambodia around 1883 as a teacher, and rose to become director of the École Royale in Phnom-Penh by 1887.
A collection of foreign silver snuff, pill boxes and other itemto include an Indian silver and enamel snuff box decorated with a Mogul style scene with with a figure riding a camel, stamped 925 another similar smaller box decorated with an elephant, a box repousse decorated to lid with a pair of elephants, five Mexican oval pill boxes with lids mounted with various hardstones, an Egyptian novelty Nefertiti snuff box and two round pill boxes decorated in relief with hieroglyphics, a Cambodian betel box in the form of an elephant, other boxes with mostly with import marks, etc., (qty)total weight approx 14.08oztCondition:Good condition. Enamel boxes without damage or loss
A SOUTHEAST ASIAN CAST BRONZE HEAD OF A MALE DEITY. Probably Cambodian, wearing a headdress with pendant earrings. Mounted on a later display stand. Head 30cm tall not including stand. Condition: Corrosion throughout mainly to face and ears. Open crack to the back of the head down the neck. Wear to edges of stand.
A group of five silver elephant form boxes. One large elephant and one smaller one marked T90 for 900 Cambodian silver. The other three unmarked. All five open by the top half lifting off.Height ranges from 2 1/2 in to 5 1/4 in; width ranges from 2 1/2 in to 6 in; depth ranges from 1 1/2 in to 3 in. Gross weight: 579.3 g.Condition: One with a detached tusk (tusk still with it). All with wear and some polish accretions and tarnishing.
Group of seven Cambodian 900 and other silver animal form boxes, including:One of pumpkin form, well rendered with stem and tendrils, marked T90.One rooster form marked T90.Two oxen marked T90 and T900.One mythical animal marked T90.One recumbent cat marked with character rendered in dots.One box with monkey god Hanuman marked with character rendered in dots.Height ranges from 2 in to 2 3/4 in; width ranges from 3 in to 4 in; depth ranges from 1 1/2 in to 4 in. Gross weight: 482.4 g.Condition: Monkey box lid does not fit firmly, some holes in the silver. Polish accretions and light scratching to the other pieces, their lids fit firmly.
Silver Singha lion containers, two Cambodian and marked T90 for 900 silver. One with character marked in dots. All open by the top half lifting off.Height ranges from 3 in to 3 1/4 in; width ranges from 3 in to 3 1/2 in; depth ranges from 2 1/4 in to 2 1/2 in. Gross weight: 322.8 g.Condition: All lids fit snuggly. Some tarnishing and polish accretions to all.

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