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Lot 1266
Asahi Optical Company - A Pentax Auto 110 SLR Cartridge film Camera outfit including Auto 110 SLR Camera Body, 18mm f/2.8 lens, 24mm f/2.8 lens, 50mm f/2.8 lens, AF130P Flashgun, 110 Winder II, 110 close up lens W21, 110 Sky Light 25.5mm filter, original fitted case and instruction manuals etc.
Lot 1206
A quantity of miscellanea including Cutlery basket- Rattan/willow, selection of games (John Paddington bridge set in tooled leather box, John Waddington Britain playing cards in box, Wooden box containing chess pieces, Bezique set, a plated back table brush with wooden handle and a Paulette camera. Etc.
Lot 1264
Ernst Leitz Wetzlar - A 1941 Leica IIIc 35mm Range Finder Camera, with red curtain, appears to be in good working condition with Summitar 5cm f/2 lens, body No. 369286, lens No. 990961, marked to the top of the body "Fl. No38079" possibly a military store number, the camera however is not marked Luftwaffen-Eigentum, very nice condition considering it's 83 years.
Lot 2247
Circa 1990s Vivienne Westwood ‘Westwood’ Choker Necklace, Always on Camera Collection 1992-3, with six chain supporting paste set letters ‘Westwood’, lobster claw and chain link fastening, stamped Vivienne Westwood, in original card box, together with a copy of the receipt Vivienne Westwood St Mary’s Street Manchester, dated 27 December 1995 Private Collection of Vivienne Westwood Costume The vendor was a punk in her youth and therefore was familiar with 430 Kings Road London the shop that Westwood and Mclaren established in 1971, showcasing their ‘clothes without rules’ by deconstructing traditional techniques and using them to promote their political beliefs. This love for Vivienne Westwoods tailoring and use of fabrics continued throughout her life. On the 15th June 1996 an bomb exploded in the centre of Manchester, carried out by the Irish Republican Army. This devastated the infrastructure around the area including the Arndale Shopping Centre, amazingly there were no fatalities however hundreds were injured and the cost of rebuilding ran into billions of pounds.The Vivienne Westwood shop in the locality was damaged during this and was relocated to near Deansgate. Vivienne sent up from London items off the catwalk and old stock to be sold at discounted price. The vendor as a Manchester resident was a regular visitor, and you can see picked up some fabulous purchases, some have never been worn and have been packed up for over 25 years. Couple of the stones may be slightly discoloured, slight wear overall.
Lot 9157
(John Piper.) Orde Levinson: 'Quality and Experiment: The Prints of John Piper A Catalogue Raisonné 1923-91', London, Lund Humphries, 2010, revised, updated and expanded edition, 232pp, profusely illustrated with colour and b/w plates and ills. as called for, original cloth lettered in silver, dust wrapper; together with Adrian Stokes; John Piper (illustrated): 'Venice', L, Duckworth, October 1965, 1st trade edition, full page plates (some double page) and ills. throughout by Piper as called for, orig. cloth, dust wrapper, Frances Spalding: 'John Piper Myfanwy Piper: Lives in Art', Oxford University Press, 2009, 2nd impression, colour and b/w plates & ills. throughout, orig. cloth, d/w, 'John Piper A Painter's Camera: Buildings and Landscapes in Britain 1935-1985', L, The Tate Gallery, 1987, ills. from photographs by Piper throughout, oblong 4to, original cloth, dust wrapper (4)
Lot 9114
(Bloomsbury Group, Jean Shepeard, Doreen Kern, Francis Bacon.) Martin Harrison: 'In Camera - Francis Bacon: Photography, Film and the Practice of Painting', London, Thames & Hudson, 2005, 1st edition, signed & inscribed by Harrison to Doreen Kern (1931–2021), British Postwar & Contemporary artist, sculptor in bronze, niece of the artist and actress Jean Shepeard (1904-1989), "For Doreen with renewed thanks & kindest regards, Martin. Martin Harrison 2005", plus Typed Letter Signed and Autograph Postcard Signed from Harrison to Kern, both 2005, along with other associated ephemera loosely inserted, original cloth lettered in silver, dust wrapper, the book itself with content on Jean Shepeard pages 23, 26 & 79; Jean Shepeard (1904-1989), charcoal portrait on paper, initialled 'JS', 22.5 x 17.5cm, together with a good quantity of ephemera, photocopies/prints of other artworks by Jean Shepeard, Jonathan Poole Gallery letters, invoices, photocopies of correspondence, invoices and related ephemera, two photographs of Jean Shepeard c.1930's/40's (each 24 x 19cm), photocopies of drawings by Shepeard include portraits of Virginia Woolf, Vanessa Bell, R.O. Dunlop, Edith Sitwell, George Bernard Shaw etc etc, these all having been in the possession of Doreen Kern, who in the 1990's discovered that her reclusive aunt, Jean Shepeard, was a lost member of the Bloomsbury set. After inheriting a large black chest from her late aunt containing various portrait sketches by her and letters and photographs, Doreen Kern set about resurrecting the artistic career of Jean Shepeard posthumously; Peter Cotes: 'Thinking Aloud. Fragments of Autobiography', L, Peter Owen, 1993, 1st edition, signed and inscribed by Cotes to Doreen Kern on title page "To Doreen Kern, for the niece of Jean Shepeard: keeping alive the name of an actress, painter, and above all, her own woman...In memory, from Peter Cotes. August 1996", orig. cloth, dust wrapper; Frances Partridge: 'Good Company. Diaries January 1967-December 1969', 1995, paperback, signed & inscribed to Doreen Kern dated 26th October 1995, orig. wraps; packet containing several letters to Jean Shepeard c.1920's-1950's re her acting career, plays etc, including TLS from Assistant Comptroller, Lord Chamberlain's Office, 4th July 1951, re requesting for omissions to be made in the play "Into Our Charge", plus others including TLS from Anmer Hall, July 19th, 1929, others Holyrood Film Productions, BBC, News Chronicle etc; plus another packet containing a good quantity of colour photographs of artworks by Jean Shepeard etc. Jean Shepeard (1904-1989) was a well known actress and artist. She studied at the Slade School of Fine Art and then trained at the Royal Academy of Dramatic Art in 1925. Sharing a flat with Peggy Ashcroft, in 1928 she bacame a member of the Emotionist Group of painters, musicians, philosophers, poets and actors which had been founded by the artist R.O. Dunlop. In 1929 she exhibited with Francis Bacon and Roy de Maistre in Bacon's Queensbury Mews rooms and in the same year she showed with The Redfern Gallery, London. Her work was admired for the sensitivity, beauty of line, vigour and character of her drawings. Her drawings were then exhibited in 1933 in a one woman show at the Lefevre Gallery in London. Somewhat on the periphery of the Bloomsbury set, Jean Sheapeard went on to exhibit with VAnessa Bell and others at the Modern Picture Library. She also performed in numerous plays at leading theatres along with John Gielgud, Jack Buchanan, Sybil Thorndike and others, and in her later years acting was the main focus of her working life
Lot 433
Walt Disney Studio Goofy - a drawing for Hold That Pose, 1950 pencil and coloured crayon 17.5 x 18.5cm Provenance: Collection of Anthony Green RA (1939 – 2023)Exhibited: London, Chris Beetles Limited, The Americans are Coming, 5 - 30 May, 2015 At approximately 2:05 into Disney's 1950 short, Hold that Pose, Goofy is shown to snip his camera film in an attempt to load the cartridge into the camera. After having loaded the film, Goofy embarks upon an ill-fated and gag-filled mission to become a photographer. The film follows Goofy as he tries his hand at wildlife photography before being chased by a bear. Goofy and the bear end the film on friendly terms as Goofy shares with the bear the photographs he has taken of him and his family.
Lot 291
Edward Curtis (American, 1868-1952). Group of three blue-tone gelatin silver print photographs depicting Hollywood movie stills. One depicting a group seated around a table, another depicting a pair of lovers with a third figure looking toward the camera, and the third depicting a group of figures with one holding a sign reading "Thou Shalt Not Steal." All from the Edward S. Curtis Studio in the Biltmore Hotel in Los Angeles, California.Provenance: From the Estate of Christopher Cardozo.Height ranges from 14 3/4 in to 19 3/4 in; width ranges from 15 in to 18 1/4 in.Condition:The photos are free from any tears, losses, or restorations. The photo depicting figures seated around at able has started to come loose from the paper backing. All are affixed to paper backings. The paper backing is brittle. All have some losses, mainly along the corners. All the backings are toned with areas of soiling. None are framed.
Lot 863
A Leica camera, marked Ernst Leitz, Wetzlar, D.R.P, No 110624, in a leather outer case, together with a light meter of Sangamo Ilford Weston Ltd, model No S141/735 in a leather case, a Leica Hektor 7.3cm Hera Kup Lens in a case and a Voigtlander cameraOmbersley Court, WorcestershireHector has its hood and front cap
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115172 item(s)/page