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Lot 1417
Collection of Cameras. Includes Olympus Prinz 8x30 Coated Optics Field 7.5 Camera with Bag, Olympus Zoom 80 All Weather Panorama Camera with Bag, Kodak Dakon Lens Mount 320 Brownie Crest 3 Camera, No Bag. The Six Twenty Kodak Six-20 Junior Camera with Doublet Lens, With Box and Booklets, Itt Magic Flash Telephoto Camera with Case, Tasco Lumina Fully Coated Optics / Rubicon Lenses 8 x 25 mm Wide Angle with Case +1 Other. ( 8 ) Cameras In Total.
Lot 385A
Good Collection of Collectables. Includes 2 Compacts - KIGU & 1 Other Decorative Compact, Bakelite? Small Round Little Box with a Basket of Flowers Inside. The Merry Game of Floundering Vintage Game, Pack of ' De La Rue Pneumatic ' Playing Cards, Kodak Vest Pocket Camera with Bag, Cameo Brooch, Branch President Medal in Box, For The Institute of Baths Management Incorporated, Very Small Brass Tin for Tylers Boots Are the Best, A Few Novelty Cigarette Cards by Adkin & Sons London, Replica of the Actual Anointing Spoon etc. Good Interesting Lot.
Lot 113
A Leicaflex SL camera fitted with a 1:2.8/28 lens (serial number 2510954), together with lenses, comprising two Leitz lenses, a Summicron-R 1:2/90 (serial number 2714425), a Summicron-R 1:2/50 (serial number 2758824), a Telyt 1:5/400 lens (serial number 1616093), Elpro VIa and VIb, a Leitz Extender-R 2x (serial number 3196531), together with a retro Leitz camera bag.
Lot 108
A collection of cameras and lenses, including a Nikon F-501 Af body, a Prinzflex 500 fitted with a Prinzgalaxy 1:6.3 f=400mm, a Zenit 122 camera with Zenit 58mm 1:2 lens, and other Zenit lenses, a 1,5/85, a MC MIR-20m 3,5/20, a MC 2,8/135 and a MIR-I 2,8/37 lens, together with a Kiev 2/50 camera, a Nippon Kogaku 1:35 f= 2.8cm lens, Sigma zoom 28-200mm 1:3.8-5.6 lens, a Jupiter-9 2/85 and a Jupiter-12 2,8/35 lenses, lens, a Zeiss converter 2x, and three soft case camera bags. (1 box)
Lot 520
Matt Berniger signed Off Camera magazine. Signed on front cover. American singer-songwriter, primarily known as the frontman of indie rock band The National. In 2014,. Good condition. All autographs come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99
Lot 182
Piper (John).- Powers (Alan) & others. Piper in Print: Books, Periodicals & Ephemera, number 348 of 480 copies, 2010 § John Piper's Brighton Aquatints, Norwich, 2019 § Piper (John) A Painter's Camera: Buildings and Landscape in Britain 1935-1985, signed by Piper on title, original cloth, dust-jacket, 1987 § Legrove (Judith, editor) A Musical Eye: The Visual World of Britten and Pears, number 105 of 700 copies, 2012, illustrations, many colour, all but the third original cloth-backed pictorial boards, the first with Piper patterned-paper wrapping paper, the first and last Church Hanborough, Artists' Choice Editions, 4to & oblong 4to (4)
![Hassell, J. The Camera, Or, Art of Drawing in Water Colours, London: Simpkin, Marshall, and Co., [c.1823]. Publisher's blind-](https://cdn.globalauctionplatform.com/468e93d0-fdd8-489a-a192-adf1014f25a9/ecb62262-1f13-42f6-a6c1-adff00d9be34/468x382.jpg)
Lot 7
Hassell, J. The Camera, Or, Art of Drawing in Water Colours, London: Simpkin, Marshall, and Co., [c.1823]. Publisher's blind-embossed cloth lettered in gilt, illustrated with three etched plates, including the hand-coloured aquatint frontispiece. Contents with occasional marks and pale spots; cloth worn, upper board detached. Together with All the Familiar Colloquies of Desiderius Erasmus of Roterdam, by N. Bailey, second edition, London: Knapton et al., 1733, bearing armorial bookplate for Melville on front pastedown, crudely rebound (2)
Lot 506
Science & Fireworks. Endless Amusement; A Collection of Upwards of 400 Entertaining and Astonishing Experiments... in arithmetic, mechanic, hydraulics, hydrostatics, optics, pneumatics, electricity, chemistry, magnetism, combinations of figures, reflection & refraction of light, the art of making fire-works, diverting experiments with the magic lantern and camera obscura, wonders of the air-pump, all the popular tricks and changes of the cards..., 1st edition, London: Gye and Balne, published and sold by Thorp and Burch, circa 1819, 216pp, single folding plate, light spotting, untrimmed, original lettered boards, spine rubbed with a little loss, some marks and extremities bumped,12moQty: (1)Footnote: Toole Stott 255.
Lot 908
* Apollo 11. Man’s First Landing on the Moon Photograph Signed, 20 July 1969, vintage black and white photograph taken from film exposed by the 16mm Data Acquisition Camera which was mounted in the Lunar Module, showing Neil Armstrong (left) and Buzz Aldrin raising the United States Flag at the Sea of Tranquility site, signed by all three crew members, ‘Neil Armstrong / TRANQUILITY BASE / MOON LANDING OF APOLLO 11 / 20 JULY 1969’ inscribed in black felt tip upper left, signed ‘M[ichael] Collins’ in gold or orange felt tip to lower left edge, now slightly indistinct, and signed ‘Buzz Aldrin’ in black felt tip to right of his own figure, the shadow of the Lunar Module Eagle running across the image on the Moon’s surface, 19 x 24cm, on original mount with printed caption pasted beneath noting that this photograph was signed by all three crew members on their return from the Moon, overall 28 x 28cmQty: (1)Footnote: Provenance: Norris McWhirter (1925-2004), by family descent. Norris McWhirter was a British writer, political activist and television presenter, known most famously for founding, with his brother Ross, the Guinness World Records, which they wrote and annually updated together between 1955 and 1975.
Lot 3
18th century English school, a large portrait of a young brother and sister in a garden setting, unsigned oil on canvas, within a period carved gilt frame, 125 cm x 99 cm.Condition report: Canvas re-lined The face of the boy appears to be repainted when viewed under strong UV light.The UV light causes a flare when viewed with a phone/ digital camera and so will not show on any image taken with either
Lot 122
ROGER BALLEN (New York ,1950)."Puppy between feet".1999.Gelatin silver on paper, copy 16/35.Signed, dated and titled on the back.Measurements: 35,5 x 35,5 cm; 59,5 x 59,5 cm (frame).American artist living in Johannesburg, South Africa, and working in the surrounding area since the 1970s. His work, spanning five decades, began with the field of documentary photography, but evolved into the creation of distinctive fictionalized realms that also integrate the mediums of film, installation, theater, sculpture, painting and drawing. Outcast people, animals, found objects, cables, and children's drawings inhabit the unlocatable worlds presented in Ballen's artworks. He describes his works as existential psychodramas that touch the subconscious mind and evoke the depths of the human condition. His aim is to break through repressed thoughts and feelings by engaging him in themes of chaos and order, madness or rebellious states of being, the human relationship with the animal world, life and death, universal archetypes of the psyche and experiences of otherness. After completing "Asylum of the Birds" in 2013, Roger Ballen began his latest series of images based on black and white negatives in which the Rats dominated each image. The unpublished project, which was completed in 2017 once again integrated drawing, painting, sculpture through the camera and the artist's eye. The results reveal a world immersed in chaos, absurdity and dreamlike reality. In 2020, he will complete a photographic and video project of a person dressed as a cartoon rat in which this character is involved in activities that could be considered politically and socially absurd. In 2015, Ballen created a conceptual installation artwork at the Serlachius Museum of Finland in Mantta. He transformed a dilapidated house in the Finnish forest into a complete sculptural entity that was installed in the museum's new pavilion.The work coincided with a new publication, The House Project (2015) with his longtime collaborator, writer Didi Bozzini. It moved away from a historical exposition of Ballen's work in favor of a psychological one, evoking possible literary and philosophical references in his work. Ballen has subsequently realized installations around the world, for example at the Istanbul Museum of Art (2016), Galleria Massimo Minini 2016, Brescia, Italy; 2017, Les Rencontres Arles (2017), Zeitz Mocaa, Cape Town (2017), City Passage, No Exit Revisited (2018) Wiesbaden; Museo de Fotografia, 2018, Fortaleza, Brazil. Ballen's collaboration with Comme des Garçons presented at Paris Fashion Week saw his work in the brand's Homme Plus A/W 2015 range, where his images were shot on the back of white coats for their Fall 2015 collection. In No Joke (2013), Ballen and Rossouw collaborated with Asger Carlson to create photosculpted figures, swapped self-portraits, substituted and reassigned body parts, strangely busy architecture, hand-drawn masks and cut-out and collaged graffiti, as well as spiders, foxes, angels, demons and dolls in an imaginary dreamlike setting in which an elusive narrative unfolds. In 2018, Ballen released his first series of color photographs after Leica gave him a color camera with which to experiment. In September 2019, Ballen opened his largest exhibition to date at the HalleSaint Pierre in Paris, entitled The World According to Roger Ballen, in which he exhibited numerous installations, drawings, videos, and photographs
Lot 92
WALTER NIEDERMAYR (Bolzano, Italy, 1952)."Theodulgletscher".2005.Digital photograph, copy 3/6.Diptych.Signed, dated and justified on the back.Measurements: 125 x 99 cm. each; 131 x 104 cm.(c.u. frame).Walter Niedermayr was born in Bolzano where he also works and creates most of his works. Italy will be used by Niedermayr as a photographic medium to explore his main motif of work which revolves around the dissatisfaction of looking. In contrast to the strong pictorial tradition of Northern Europe, Niedermayr photographs the glacial panorama of the Alps as the protagonist and the people who occupy these landscapes in a secondary way by referring to contemporary art paintings such as Peter Doig or Caspar David Friedrich. Niedermayr uses and exemplifies the camera as an element to draw and paint objects by employing a combination of underexposures and raw filtering in his works. The whitening effect he introduces in the image will be to transfer the sensation we have when we wake up from a dream and as if we were searching with our eyes, still half-open, within these landscapes for our personal and individual selection of forms. The clarity and definition are developed in the time and process of the construction of the image so that there is no further treatment in the laboratory or digitally. His method of fragmentation simplifies the whole image, with "isolated elements that give it a sense of sadness". Since 1988, he has exhibited his photographic and video works in public institutions, museums and galleries. His work has been exhibited at prestigious institutions and cultural events such as Fotografia Europea in Reggio Emilia (2018), Aut. Architektur und Tirol in Innsbruck (2017), Galéria Mesta Bratislavy in Bratislava (2015), Istituto Italiano di Cultura in Paris (2012), Fondazione Fotografia in Modena (2011), Museion in Bolzano (2004), Württembergischer Kunstverein in Stuttgart (2003), Centre pour l'image contemporaine in Geneva (2000), White Cube in London (1998), Vorarlberg Museum in Bregenz (1992) and numerous other public and private spaces. His latest series, conceived during the close of 2020 and commissioned by the Ministry of Culture, is on display at Palazzo Barberini in Rome. His works have also been presented in the past in group exhibitions, such as those at MAST in Bologna (2017), MAXXI in Rome (2016), the International Architecture Biennale in Venice (2014 and 2010), the Fotomuseum in Winterthur (2013), the Museum of Contemporary Art in Tokyo and the Denver Art Museum (2011), Manifesta7 in Bolzano (2008), the Pompidou Center in Paris (2006), MART in Rovereto (2003) and many others. The artist's works are in numerous international collections, including MoMa in New York, Tate Modern in London, Centre Pompidou in Paris, MAXXI in Rome, MOCA in Los Angeles, Fondation Cartier in Paris and the Intesa Sanpaolo and UBS Art Collection. Between 2011 and 2014 he taught art photography at the Libera Università di Bolzano.
Lot 1367
A Franke & Heidecke Rolleiflex twin lens reflex camera, No. 373329, with Heidoscop-Anastigmat 1:3 1 F=7.5cm and Tessar 1:3 5 F=7.5cm lenses, with Rolleiflex brown leather carrying case.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1362
A J. Lancaster & Son 'The 1892 Instantograph Patent' mahogany and lacquered brass half-plate camera with red leather bellows, height 18cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1365
A Graflex Speed Graphic medium format press camera with Schneider-Kreuznach Xenar 1:4.7/135 lens, No. 5766278, and black leather bellows, together with a Kodak Six-20 folding camera and various lenses and accessories, including a Panagor Auto Tele f=400mm 1:5.6 lens, a Mitsuki 80-200mm 1:4 lens, a Mirage 1:2.8 f=28mm lens, a Fujinon-T 1:2.5 f=135mm lens and an Olympus Auto-W 1:3.5 f=28mm lens.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 1364
A collection of cameras and accessories, including two Voigtländer Vito B cameras, a Pentax Spotmatic camera with Takumar 1:1.8/55 lens, a Takumar 1:3.5/28 lens and an Auto Soligor 1:2.8 F=135mm lens.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
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115156 item(s)/page