We found 29809 price guide item(s) matching your search
There are 29809 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
29809 item(s)/page
A PAIR OF MID 19TH GILT METAL candelabra, the upper section of floral form fitted with candle holders, atop a crouching figure of a putto, one holding a sickle, the other a vessel, the cylindrical pedestal inset with a hand painted porcelain Sevres style panel of a cherub, foliate scrolled base, height approximately 55cm (2) (Condition Report: wear to the gilding throughout, gilding loss to the porcelain panels, dusty / cobwebs, sections require tightening)
Group of Swarovski crystal animals and other items similar, including: a swan, an elephant, a frog, a flower-sprays, an oyster shell, two miniature glass models of elephants and a lampwork model of a faun, with one Swarovski box, a small quantity of plated wares, a two-branch plated candelabra, a pair of plated flower vases, and other items (2 boxes)
Pair of French gilt bronze sconces with two candles each, in the Louis XVI style. They are decorated with twisted, floral decor around the supporting rod - currency-shaped spirals supporting the sprouts of the candelabra. Topped with figures of putti playing trumpets. Mid or second half of the 19th century. Dimensions: 42 x 26 cm. Width: 26cm, Height: 42cm, Depth: 12cm, Weight: 5kg, Condition: Good, Material: Gilded bronze
Impressive bronze mantel clock set with candelabra by Moreau, on marble pedestals. It is a kind of altar of emancipation from the time of Napoleon III. The graceful, charming huntress goddess steps down from her pedestal, taking a step into the world of mortals and time. She is the alluring and armed nymph of natures blossom. Its plasticity and silhouette are consistent with the unbridled splash of sprouting bronze in the six-armed candelabra. Also a common stylistic denominator is the monumental-Renaissance work on marble and an abundant arsenal of bronze decor with torches - raising the ensemble to the altar of the Goddess. Manufacturer: Signature on the figure - Moreau, Emile via and Cie mechanism. Paris Clock height 80 cm, width 50 cm, depth 27 cm, candlestick height 85.5 cm. Width: 50cm, Height: 85.5cm, Depth: 100cm, Weight: 30kg, Condition: Good, Material: Marble and gilded bronze
A Pair of Portuguese Silver Five-Light Candelabra, by Topázio, Second Quarter 20th Century in the rococo style, the base cast and chased in high relief with foliage scrolls and shells on a textured ground, the baluster stems similarly decorated, the branches with four arms and a central branch, each terminating in a foliage-cast socket with wax-pan37cm high, 69oz 10dwt, 2,162gr (2)Marked on base with maker's mark and stamped 925, Portuguese standard mark lacking. The bases further marked with Austrian import mark. There is some overall surface scratching and wear, consistent with age and use. There is some bruising to the branches, some of which are out of alignment.
A Pair of Victorian Silver Three-Light Candelabra, Maker's Mark CF, Perhaps for Charles Favell, Sheffield, 1883 each on square base with beaded borders, the stems tapering and with spool-shaped socket, with detachable three-light candle-arms, each socket with detachable beaded nozzle, the bases engraved with a crest, the bases filled34cm high, the branches 21oz 12dwt, 672gr (2)Each fully marked on base and further part marked on branches and nozzles. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There is some bruising to the branched and to the socket on one which leans slightly.
A Pair of American Silver Plate Five-Light Candelabra, by Van Bergh Silver Plate Co., Rochester, New York, 20th Century each on shaped circular base with foliage-cast border, the stem tapering and terminating in four foliage-cast branches, each with fluted socket and with detachable wax-pan, with further central light62cm high (2)Marked underneath. There is some overall surface scratching and wear, consistent with age and use. Perhaps re-plated.
~ Tekke HatchliMerv, circa 1900The madder quartered field of candelabra motifs beneath a panel with niches enclosed by borders of serrated angular plants, the lower elem with stepped güls127cm by 118cmUpper and lower ends with characterstic losses. Selvedges re-bound. Pile close clipped and generally in fair condition, two small areas of re-weave.
Antique Italian garniture, made of brass and blue porcelain, includes a mantle clock and two candelabras (the clock does not have a pendulum, has a key and has not been checked for working condition), clock dimensions: Height: 62 cm, Front width: 40 cm, Side width from front to back: 21 cm, dimensions of the candelabra: Height: 62 cm, Width: 29 cm. Period: 20th century
Antique French Garniture from the 19th century, in Napoleon III style, includes a mantle clock and a pair of candelabras, made of white onyx, and gold-plated brass, including key, Clock height: 46 cm, Clock width: 25 cm, Height of the candelabra: 40 cm, working condition not checked. Period: 19th century
Meissen style candelabra with cross sword markings, featuring a classical figure holding wheat with dragon behind her, 29cm high. Condition Report: Left candle holder is slightly loose, some very small losses to areas such as tip of leaf in flower basket, tip of one side of head wreath, tip of flower petal, and the end of item in figures hand is missing, some very minor wear to gilt, overall good condition
A French continental 19th century brass desk table twin arm candelabra candlestick holder. The candle holder having a reticulated handle atop over twin arm candle holders with scrolled acanthus leaves shaped arms. Winged dragon figure to centre. Raised on triangular pierced base with phoenix figures throughout. Measures approx. 39cm x 31cm x 17cm.
Two 3 piece silver plated tea services; a square tray; a candelabra etcGood condition, with no obvious signs of damage, repair or restoration. Plating seems in quite good condition WE TAKE GREAT CARE in the accuracy of our condition reports and may record damage and restoration if obvious. The information is provided in good faith along with detailed photographs where requested and is for guidance only. However, this does not imply that there may not be further condition issues associated with the lot and we DO NOT provide any guarantee to the buyer.WE STRONGLY ADVISE BIDDERS TO EXAMINE PERSONALLY ANY LOT THEY ARE BEFORE THE AUCTION.INTERESTED IN
A RARE PAIR OF GEORGE III COADE STONE FIGURAL CANDELABRA BY ELEANOR COADE, LAMBETH, LATE 18TH CENTURY The design attributed to John Bacon, one modelled as a Vestal the other as a Sibyl, each holding a candle branch socket, on circular plinth, both stamped 'COADE LAMBETH" to plinths, stamped Coade to the undersides, monogrammed with an 'R' inside the torsos approximately 140cm high to top of lights, bases 43.5cm diameter Eleanor Coade (d.1821) opened her Lambeth Manufactory for ceramic artificial stone in 1769 and appointed the sculptor John Bacon as its manager two years later. With proven durability of her product (other makers work was seen to disintegrate within a few frosts) she was soon employed by a large number of the leading late 18th century architects. From about 1777 she began her engraved designs, which were published in 1784 in a catalogue of over 700 items entitled "A Descriptive Catalogue of Coade's Artificial Stone Manufactory". The design for this rare pair of figures feature twice- firstly as numbers 4 and 5- a Vestal and "Sybil" and subsequently and with the addition of candle branches as "Statues to hold Light" and depicted in the 1784 catalogue as numbers 34 and 35, £16.6.0 each. By the time of the 1799 publication "Coade's Gallery, or, Exhibition in artificial stone" the descriptions were expanded to reflect the growing taste for Neoclassicism. Where possible the sculptor's names were indicated and the Sybil is referred to as being inspired or derived from the one "in the Barbarini collection" (Mrs Coade's spelling). These two figures were among the successful designs of the Lambeth artificial stone manufacture and similar pairs of figures (with and without candle branches) adorn both interiors and exterior settings such as the main gate posts of Malvern Hall, Solihull. Condition Report: As is not uncommon with these type of Coade figures these have both been restored- predominately to bases- one to neck, toes and raised details, urn etc - with scattered other spot fills and repairs. The repairs are largely skilled professional with tinted wash to accord with colourway and obscure repairs. Under UV the wash hides most of the remedial work- some signs of a prior painted surface visible to crevices and recesses. There are also indications of other perhaps less skilled repairs- notably to reverse of one figure's gown area. The branches are later, chips and losses to base edges. Figure with left arm up has crack to crook of arm. Please see additional images for visual references to condition which form part of this condition report. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. This is particularly true for garden related items. All lots are offered for sale "as viewed" and subject to the applicable Conditions of Business for Buyer's condition, which are set out in the sale catalogue and are available on request. Potential buyers should note that condition reports are matters of opinion only, they are non-exhaustive and based solely on what can be seen to the naked eye unless otherwise specified by the cataloguer. We must advise you that we are not professional restorers or conservators and we do not provide any guarantee or warranty as to a lot's condition. Accordingly, it is recommended that prospective buyers inspect lots or have their advisors do so and satisfy themselves as to condition and accuracy of description. If you have physically viewed an item for which you request a report, the condition report cannot be a reason for cancelling a sale. Buyers are reminded that liability for loss and damage transfers to the buyer from the fall of the hammer. Whilst the majority of lots will remain in their location until collected, we can accept no responsibility for any damage which may occur, even in the event of Dreweatts staff assisting carriers during collection.Condition Report Disclaimer

-
29809 item(s)/page