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A Chinese hardwood and brass bound jewellery casket, 31cm wide.

A small carved wood casket, the hinged lid relief decorated with a bull's head, 18cm wide.  

A pair of gilt brass and champleve figural candlesticks, 21cm high; together with a pair of bronze figures signed 'L Kley', on red marble socles, 16.5cm high, (the marble chipped); a pair of white marble and gilt brass candlesticks, (s.d.); a Capodimonte casket, 8.5cm wide; and another small champleve enamel casket, 8.5cm wide.

A good late 19th century Vienna style porcelain casket, finely painted to the interior and exterior of the hinged cover, 8.5cm diameter.

Regency tortoiseshell tea caddy, of casket form, the arched hinged top with a inverted bow to either side of the flat front above an arched plinth base and bun feet, the interior with two tortoiseshell lidded compartments, 19cm wide, 12.5cm deep, 13.5cm high

A Victorian jewellery casket with parquetry mother of pearl inlay together with assorted items including a bosun's lead persuader with braided skin, Selkirk paperweight, miniature portrait prints and coloured glass specimen vases (one tray)

TWO 19TH CENTURY BRASS SPICE GRINDERS, along with a brass casket, scales and stair rods

LOT OF COSTUME JEWELLERY, including brooches and necklaces, contained in an tartanware casket

POKER WORK WOOD CASKET, with drawer front, 24cm wide

COLLECTION OF COSTUME JEWELLERY, along with a mauchline casket and another casket

A Chinese red miniature casket with dragon and pheasant on top. Interior lined with Asian paper. Gilt leaf decoration.W:36cm x D:19cm x H:20cm

A 45cm modern decorative painted wood casket, set on moulded feet - handles missing

A 19th-century French birds eye maple and ebonized canted rectangular jewellery casket, With mother of pearl appliques and jewelled circular porcelain boss within gilt metal mounts bearing a paper label for A Valee, Graveur Papetier 47. Rue de Siam, Brest. Supported on squat turned brass feet. 20 cm long x 14 cm wide x 12 cm deep

A late 19th century rectangular Jugendstil design brass inlaid rosewood jewellery casket, with a slightly overhanging hinged cover over a slightly tapering base fitted with a pierced hasp closure and a pair of fixed bale handles. 28 cm long x 17 cm wide x 11 cm high.Condition report: Good order

A Victorian figured Coramandel square perfume casket. With gilt metal mounts and a dark blue oval jasper panel decorated with a classical muse applique. The cover Opening to reveal a fitted interior with blue velvet lining and four square, cut glass bottles with gilt metal screw caps. 15 cm wide x 15 cm long x 14 cm high.Condition report: Good order

A 19th century oak casket; heavily carved in relief with a marine theme, with a central cherubic figure seated and playing a lyre and cornered by four mermaids and scaly mythical beasts to the hinged lid and above the sides and ends further carved with open mouthed mythical beasts and scrolling strapwork-style decoration against a scaly ground etc., raised on four carved animal's paw-style feet (some losses) (32.5cm wide inc feet x 24.5cm deep inc feet x 22cm height not inc cherub)

Michiels Simons (Pseudo-Simons), 1620 – 1673, zug.PRUNKSTILLLEBEN MIT FRÜCHTEN, KREVETTEN, WEINGLAS UND KASSETTE Öl auf Leinwand. Doubliert. 68 x 131 cm. In Profilrahmen mit Nennung Simons als Autor des Gemäldes.Gestrecktes Breitformat mit einer weiten rechteckigen Holztischplatte, die halb durch Tücher verdeckt wird. Darauf sanft gestaffelt Früchte wie Aprikosen, Zitronen, Pfirsiche, Trauben und Pflaumen nebst einer mächtigen Kassette, einer Sekt-Flöte à la façon de Venise, einem Brot und Zinntellern mit Krevetten.Anmerkung: Das Gemälde nimmt eine Parallelstellung ein zu einem von Simons signierten Gemälde, das im Mai 2000 bei Sotheby‘s, New York, Lot 57a, angeboten wurde und in Farbgebung mit dem hier angebotenen Bild übereinstimmt. Auch die hohe Flöte ist hier zu finden. (12704236) (13)Michiels Simons (Pseudo-Simons),1620 – 1673, attributedMAGNIFICENT STILL LIFE WITH FRUIT, SHRIMP, WINE GLASS AND CASKETOil on canvas. Relined.68 x 131 cm.In profiled frame with mention of Simons as an author of the painting.Notes:The painting is similar to a painting signed by Simons, offered for sale at Sotheby’s, New York in May 2000, lot 57a. The colouration matches the painting on offer for sale here and the tall flute can also be found here.

Manieristische große KassetteHöhe: 57 cm. Breite: 68 cm. Tiefe: 44 cm. Bodenseitig mit päpstlichem Wappen als Brandstempel. Italien, 16. Jahrhundert.Rechteckiger kastenförmiger Korpus in architektonischer Auffassung mit einem figürlich gestalteten Mittelfeld mit Darstellung der Anbetung der Könige. Daneben eventuell portraithaft wiedergegebene Mitglieder der Familie, welche die Kassette in Auftrag gegeben haben mag. Das Bildfeld flankiert von Pilastern mit angedeuteten Kapitellen und eingestellten Rundbögen mit Muschelungen und Evangelistenreliefs. Diese polychrom gefasst und von Wappenreliefs unterfangen, welche von ornamentalen Fruchtfestons und Cherubim verbunden werden. Die Seiten mit Wappenrelief, von Lorbeerblattkranz umfangen, auf blauem Fond mit Goldradierungen. Scharnierdeckel sich verjüngend und oben das gleiche Wappen auf blauem Fond wiedergeben. Der Deckel und der Korpus mit vergoldetem Pastiglia-Dekor. Inwandig partiell rot gefasst. Der Kasten von Nicolo Ursino v. Giolfino d. J. (1476-1555), die Wappen werden der Familie Burali d’Arezzo zugeschrieben. Die Bildfelder mit Temperamalerei. Das rückwärtige Panel datiert „A.D.MDLV.“ (1555) mit Inschrift „quando uno pavaro amico ridona una piccolo dono ricellvino piaciell volemente et frarte a morte di ringrazialo vivamente“ (Wenn ein amer Freund dir eine kleines Geschenk gibt empfange es dankbar und danke ihm in Freundschaft bis zum Tode herzlich). Die Kassette mag entstanden sein anlässlich der Hochzeit von Paolo Burali d’Arezzo und Vittoria Olivares von Barcelona, Eltern des Kardinals Paolo Burali d’Arezzo. Die Evangelistenreliefs könnten sich am Stundenbuch der Anne de Bretagne (1477-1514) orientieren.Literatur: Vgl. Pietro Farulli, Annali, overo notizie istoriche dell‘ antica, nobile e valorosa città di Arezzo in Toscana, Nicolò Campitelli stamp. Cam. e Vesc., 1717. Vgl. Meredith P. Lillich, Rainbow Like an Emerald, University Park/ Pennsylvania 1991. Vgl. Barbara Wollesen-Wisch, Italian Renaissance Art. Selections from the Piero Corsini Gallery, University Park/ Pennsylvania 1987. Vgl. Sergio Marinelli, Una postilla a Vasari, Venedig 2014. (12715414) (13)Large Mannerism casketHeight: 57 cm. Width: 68 cm. Depth: 44 cm.Papal coat of arms with papal brand stamp on underside. The casket by Nicolo Ursino v. Giolfino the Younger (1476-1555), the coat of arms is attributed to the Burali d’Arezzo Family. The image fields are painted in tempera and the back panel is dated “A.D.MDLV.” (1555). The casket may have been commissioned on the occasion of the wedding between Paolo Burali d’Arezzo and Vittoria Olivares of Barcelona, the parents of Cardinal Paolo Burali d’Arezzo. The reliefs of the evangelists may be inspired by the book of hours commissioned by Anne de Brittany (1477-1514).Literature:Compare P. Farulli, Annali, overo notizie istoriche dell‘ antica, nobile e valorosa città di Arezzo in Toscana, Nicolò Campitelli stamp. Cam. e Vesc., 1717. Compare M. P. Lillich, Rainbow Like an Emerald, University Park/Pennsylvania 1991. Compare B. Wollesen-Wisch, Italian Renaissance Art. Selections from the Piero Corsini Gallery, University Park/Pennsylvania 1987. Compare S. Marinelli, Una postilla a Vasari, Venice 2014.

A rare late 17th century Jamaican colonial engraved tortoiseshell wig comb case containing two combsinscribed and dated 'Sarah Henly, Jamaica 1670' and possibly by Paul Bennett of Port Royalthe case of rectangular form, one side with a central panel depicting an indigenous tropical flower beneath the wording Sarah Henly within an undulating indigenous floral border, the reverse with a similar panel with wording 'JAMAICA 1670,' within a similar border, the case with one original silver clasp holding one double sided fine comb and one single sided coarse comb, each engraved with various indigenous flower heads and scrolling foliate motifs, 19.5cms high x 12.5cms wide x 0.6cms deepFootnotes:ProvenanceAcquired by a lady collector from the Cambridge antiques trade sometime in the late 1950's or early 1960's. Thence by descent.This wig comb case and combs closely relate to a small group of objects which are some of the earliest known surviving works of art reflecting European culture from Jamaica. After England's conquest of Jamaica from the Spanish colonists in 1655, Port Royal developed into a large city and the thriving commercial centre of Jamaica. However, this all came to an end when a massive earthquake devastated the city in 1692 and two thirds of the city was swept under the sea.The Institute of Jamaica has eleven of these combs, one large box with combs and one powder box. The first comb was purchased in London by members of the West India Committee in 1923. It was described by H.M.Cundall in The West India Committee Circular, (1923) as 'probably one of the earliest art objects in the British West Indies displaying European influence'. It was thought to have belonged to the Buccaneer, Sir Henry Morgan who was lieutenant governor of Jamaica between 1674-1682. In 1676 Sir Henry wanted to send a present to Sir William Coventry and chose, 'two large turtle-shell combs in a case the same'.The flowers and foliage on the present lot represent some of the products of the Jamaican economy of that time. The two sizes of comb are usual, the narrow toothed comb is thought to have been for extracting lice and the wide tooth comb for wigs.Of the works in the Jamaican Institute's collection it is thought that they are from the hands of two craftsmen working between circa 1671-84 and 1688-1692 respectively. The current lot can be linked to the first group. Interestingly it bears the name Sarah Henly and is apparently dated 1670 - a year earlier than the previously recorded dated examples. Other known pieces in other collections again by this first maker include the Sir Cuthbert Grundy comb case, dated 1672, a round powder box lid and comb case in a private U.S collection dated 1677 and the 'Lady Smith' casket, which is considered to be the craftsman's masterpiece.Philip Hart in his article Tortoiseshell Comb Cases, for the Jamaica Journal, (November 1983) reveals that relatively recent research brought to light a possible candidate for a maker. Among the list of craftsmen and tradesmen in Port Royal before 1692 there appears the name Paul Bennett, the only recorded comb maker. It is therefore possible that Bennett was the maker of this first group and possibly his son, apprentice or assistant was the maker of the second group which this forms part.Another example possibly by Bennett is in the V & A collection (524 to B-1877). See also Sotheby's New York, Important English Furniture, 16th October 2009, lot 82 (realised $20,000 hammer) for another case and pair of combs dated 1688 which is engraved with the Jamaican coat of arms.For further information on this lot please visit Bonhams.com

A JAPANESE PLATED JEWELLERY CASKET decorated with chrysanthemum, the hinged cover enclosing lined interior, flanked by two gilt Oni carrying the casket, and on splayed legs, 7cm high, 13cm wide and 6cm deep Condition Report: Available upon request

A PERSIAN WHITE METAL CIRCULAR DISH decorated with a central foliate roundel within foliate bands and scallops, 315 grams, 22cm diameter and a small casket decorated with calligraphy, 8cm wide (2) The estate of The late Robert and Lyndsay Brydon, Edinburgh Condition Report: Available upon request

A Locke and Co Worcester three part globular vase, in blush ivory, printed mark, c.1903; a similar casket, EPNS frame; three flower posies; Royal Stratford Scent holder, in the form of a bear; another, as a fox

Two early 20th century Oriental lacquered folding wall brackets and a lacquered casket. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

A Victorian brass bound walnut stationery casket with fitted interior and key, 19cms high 25.5cms wide 15cms deep together with a matching pen stand and blotter pad (3)

Wooden two handled box containing assorted items including; Zenith binoculars, costume jewellery, watches, small wooden casket, barometer etc. (B.P. 21% + VAT)

Jewellery casket comprising assorted items to include; dice, costume jewellery, cuff links, thimbles etc. (B.P. 21% + VAT)

MINERALIENSAMMLUNG. Datierung: Um 1830. Technik: Holzkasten mit schwarzem Papier bezogen, Tragegriffe und Schloss aus Messing. Mineralien. Beschreibung: Vier Laden mit Messinggriffen und mit grünem Papier kaschiert. Die Laden mit je 50 Einteilungen darin Mineralien und Fundstücke. Teilw. beschriftet und nummeriert. Maße: Kasten: 31,5x49,5x40,5cm. Zustand C. Erläuterungen zum KatalogKunstkammer COLLECTION OF MINERALS. Date: Ca. 1830. Technique: Wooden casket covered with black paper, handles and lock from brass. Minerals. Description: Four drawers with brass handles and laid down on green paper. The drawers with each 50 divisions with minerals and found pieces in them. Partially inscribed and numbered. Measurement: Casket: 31.5x49.5x40.5cm. Condition C. Explanations to the Catalogue

TAGUA-NUSS. Ecuador. Meister/Entwerfer: Frucht der Gattung der Steinnusspalmen (Phytelephas) - Phytelephas aequatorialis. Maße: Nuss: L. ca. 5, Plexiglaskasten mit Podest: 24x20x20cm. Zustand B. Provenienz:Christie's, Paris, 2008. Erläuterungen zum KatalogEcuador Kunstkammer TAGUA-NUT. Ecuador. Maker/Designer: Kind of fruit from coronet plant (Phytelephas) - Phytelephas aequatorialis. Measurement: Nut: L. ca. 5, acrylic glass casket with rostrum: 24x20x20cm. Condition B. Provenance:Christie's, Paris, 2008. Explanations to the Catalogue

SAMMLUNG VON FLECHTEN IN ARCHIVBOX. Datierung: Um 1900. Technik: Karton, Pergamentpapier, Flechtenproben. Beschreibung: Archivbox mit ca. 50 Bögen aus grauem Karton mit Pergamentpapierhülle. Darauf je eine Flechtenart kaschiert und unten rechts auf handschriftl. Etikett bez. Maße: Box: 16,5x30,5x22 / Blatt je: 20x27,5cm. Zustand B/C. Provenienz:Dorotheum, Wien, 2013. Erläuterungen zum KatalogKunstkammer COLLECTION OF LICHEN IN ARCHIVAL CASKET. Date: Ca. 1900. Technique: Card, parchment paper, lichen samples. Description: Archive casket with ca. 50 sheets of grey card with parchment paper cover. Lichen laid down on top of each other and bottom right on handwritten label inscribed box. Measurement: Casket: 16.5x30.5x22 / sheet each: 20x27.5cm. Condition B/C. Provenance:Dorotheum, Vienna, 2013. Explanations to the Catalogue

SCHIFFSMODELL IN GLASKASTEN. Datierung: 20. Jh. Technik: Verschiedene Materialien wie Holz, Gips, Garn, Glas u.a. Maße: Kasten: 40x52,5x31cm. Zustand C. Erläuterungen zum KatalogKunstkammer SHIP MODEL IN GLASS CASKET. Date: 20. century. Technique: Various materials such as wood, plaster, thread, glass amonst others. Measurement: Casket: 40x52.5x31cm. Condition C. Explanations to the Catalogue

GROßES TELESKOP MIT DREIFUß. Genua. Technik: Messing, Leder, Glas. In Holzkasten. Maße: L. 90cm. Marke: Bez. 'G. Lunardi Ottico Genova'. Zustand B/C. Erläuterungen zum KatalogGenua Italien Kunstkammer LARGE TELESCOPE WITH TRIVET. Genua. Technique: Brass, leather, glass. In wooden casket. Measurement: L. 90cm. Mark: Inscribed 'G. Lunardi Ottico Genova'. Condition B/C. Explanations to the Catalogue

KLEINER TASCHENKOMPASS IN HOLZDOSE. Wohl England. Datierung: 19. Jh. Technik: Holz, Glas, Papier, Metall. Maße: H.2,5, ø 5cm. Zustand B. Erläuterungen zum KatalogWohl England Kunstkammer 19. Jahrhundert Kompass Holz SMALL POCKET COMPASS IN WOODEN CASKET. Wohl England. Date: 19th century. Technique: Wood, glass, paper, metal. Measurement: H.2,5, ø 5cm. Condition B. Explanations to the Catalogue

SEXTANT IN HOLZSCHATULLE UND 2 KLEINE KOMPASSE IN SCHATULLE. Datierung: 20. Jh. Technik: Messing, Spiegelglas, Glas, Silber, Holz u.a. Maße: Sextant: B. 20cm, Kompasse: L. 6,5/3,5cm. Zustand B/C. Erläuterungen zum KatalogKunstkammer 20. Jahrhundert Kompass Metall SEXTANT IN WOODEN CASKET AND 2 SMALL COMPASS IN CASKET. Date: 20th century. Technique: Brass, mirror glass, silver, wood, amongst other. Measurement: Sextant: W. 20cm, compass: L. 6.5/3.5cm. Condition B/C. Explanations to the Catalogue

DENTALSET IN KLEINER SCHATULLE MIT SPIEGEL. Datierung: Um 1800. Technik: Perlmuttgriff, Stahl, Leder, Spiegelglas u.a. Maße: Schatulle: 2,5x10x7,5cm. Zustand B. Provenienz:Christie's, London, 2004. Erläuterungen zum KatalogKunstkammer 18./19. Jahrhundert Medizinisches Gerät DENTAL SET IN SMALL CASKET WITH MIRROR. Date: Ca. 1800. Technique: Mother or pearl handle, leather, mirror glass amongst other. Measurement: Casket: 2.5x10x7.5cm. Condition B. Provenance:Christie's, London, 2004. Explanations to the Catalogue

SCHATULLE MIT 100 GLASAUGEN. Datierung: Um 1900. Meister/Entwerfer: F.AD. Müller, Wiesbaden. Technik: Mundgeblasenes Glas, mit farbigen Einschmelzungen und zusätzl. von Hand bemalt. Beschreibung: In zweistöckiger Holzkassette mit blauer Samtfütterung. Maße: Schatulle: 6x31,5x19cm. Marke: Auf Innenseite des Deckels Herstellersignet: F.AD. Müller, Wiesbaden. Fabrikant künstlicher Augen. Zustand B. Schatulle mit sehr deutlichen Alters- und Gebrauchsspuren. Erläuterungen zum KatalogKunstkammer CASKET WITH 100 GLASS EYES. Date: Ca. 1900. Maker/Designer: F.AD. Müller, Wiesbaden. Technique: Mouth-blown glass, with coloured melting and additionally coloured by hand. Description: In two-story wooden casket with blue velvet lining. Measurement: Casket: 6x31.5x19cm. Mark: Manufacturer's signatur on the inside of the lid: F.AD. Müller, Wiesbaden. Manufacturer for actificial eyes. Condition B. Casket with majour traces of age and usage. Explanations to the Catalogue

KLEINER SCHAUKASTEN MIT KRUZIFIX FLANKIERT VON TOTENSCHÄDELN. Süddeutsch. Datierung: Um 1800. Technik: Holz, Glas, Wachs, Fruchtkapseln v. Löwenmäulchen u.a. Maße: 11,5x12x2,2cm. Zustand B/C. Erläuterungen zum KatalogSüddeutsch Deutschland Kunstkammer 19. Jahrhundert Klosterarbeit Holz SMALL DISPLAY CASKET WITH CRUCIFIX FLANKED BY SKULLS. Southern German. Date: Aa. 1800. Technique: Wood, glass, wax, capsule of a snapdragon amongst other. Measurement: 11.5x12x2.2cm. Condition B/C. Explanations to the Catalogue

KABINETT MIT REICHEN EINLAGEN. Alpenländisch. Datierung: 18. Jh. Technik: Weichholz u.a. Eisenbeschläge. Beschreibung: Zweitüriger Kasten auf Kugelfüßen. Innen 9 Schübe, davon einer als Doppelschub, sowie einer Mitteltür. Die Schübe mit Stadtveduten die Tür mit Edelmann. Oben mit einem eigens verschlossenen Fach mit Scharnierdeckel abschließend. Maße: 59x56,5x31,5cm. Zustand B. 2 Schlüssel vorhanden. Erläuterungen zum KatalogAlpenländisch Möbel CASKET RICH WITH DIVISIONS. Alpenländisch. Date: 18th century. Technique: Softwood, amonst other pieces of iron work. Description: Casket with two doors and on ball feet. Inside 9 drawers, of which one a double drawer, as well as a middle door. The drawers with city vedute the door with knight. Top with an individual compartment that can be closed with hinge lid. Measurement: 59x56.5x31.5cm. Condition B. 2 keys exist. Explanations to the Catalogue

An Indo-Portuguese ivory inlaid cabinet/casket, 17th/18th century, Gujarat or Sindh, of rectangular form with hinged fall front and wrought iron swing handles, marquetry inlaid throughout, opening to reveal an arrangement of drawers, 15.5cm high x 27cm wide x 20cm deep (at fault) Provenance: The Estate of Lord Kenyon, Gredington. Trevanion Auctioneers & Valuers do not ship items containing ivory outside the UK. Trevanion recommends that buyers check with their own government regarding any importation requirements prior to placing a bid. A buyer's inability to import these lots cannot justify a delay in payment or sale cancellation.The government have proposed legislation to create a UK law to ban the sale of all ivory. Please note this means that this lot is legal to sell now but may not be in the future.

A George V silver cigarette case by William Hair Haseler, Birmingham 1924, of curved rectangular form with push button release and gilt interior, 11.5cm x 8.3cm, together with a white metal Goliath pocket watch, 67mm diameter, set to an Edwardian silver mounted stand by Synyer & Beddoes, Birmingham 1902, 12cm x 10.5cm, a 19th century 'Palais Royale' cut glass casket, 9.7cm high, and an early 20th century EPNS finger purse, 9.5cm wide (4)

Sewing interest - Victorian brass needle case - The quadruple golden casket by Thomas Savage 355 Strand London patent no 3517 1868

A reproduction jewellery casket containing vintage and later costume jewellery, dress rings etc.

A pair of Royal Worcester twin-handled vases, cream ground, gilt branch and bird decoration, twin elephant mask handles, 23cm; Wedgwood covered casket, plates, pin dishes, porcelain bell, modern Belleek vases, votive, cream jug; and other decorative items.

A Chinese mother-of-pearl inlaid cased mahjong set, with carry handles, sliding front and fitted five drawers, the pieces in bone and bamboo, 24cm CONDITION REPORT: 147 tiles, The drawers and doors operate easily. The box does contain other components - dice and wind indicators. There are few splits to casket but nothing untoward. Back panel split, drawers a little stiff. The top left metal decoration that is loose is complete so could be restored. The mother-of-pearl inlays are complete but the geometric surround to the fall has three roundels missing. Two wing handles missing.

A Scottish silver presentation casket, Aird & Thomson, Glasgow 1910, the cover with centurion bust finial and inscription to Robert Harvey Esq., H M Inspector of Schools, the sides each with Scottish views including Dumbarton Rock, Glasgow University and Clyde shipyard to a surround of thistle decoration, on interlaced pierced feet of Celtic design, 31cm wide, approximately 1583gm

A Moser gilt metal sugar casket, applied floral ceramic sprays, four circular feet with bead swag finials, ruby glass centre to lid, front and back, colourless glass base, with key, 15cm x 14cm.

FRANCO BRITISH EXHIBITION SOUVENIR JEWELLERY CASKET WITH GLASS SIDES AND CUSHIONED INTERIOR, AND A SMALL JAPANESE STYLE EMBOSSED METAL BOX

Cigarette card, Casket Tobacco & Cigarette Co, Football Fixture Card, type, Manchester United 1909-10 (top edge slightly uneven cut, gen gd) (1)

A.B. Paris, a 19th century gilt bronze casket, the rectangular shaped boy finely cast depicting 17th century peasants in landscapes and at work, stamped A.B. Paris on baseCondition report: in good condition, one foot needs repair

Gilt metal mounted opaque casket and pair of hobnail crystal goblets (3).

A Victorian Brass Mounted Burr Walnut, Dome Topped Casket with Hinged Lid, 20cm Wide

A Cantonese carved ivory casket, c.1900, length 12.5cm

A tortoiseshell and ormolu jewellery casket, modelled in the form of a French commode and a Victorian brass-mounted walnut tea caddy, largest 31cm

Eisenkästchen, Nürnberg, um 1600 Rechteckige Kassette mit scharniergelagertem, mit Ziernieten dekoriertem Deckel, zentrales Schlüsselloch mit ergänzter Abdeckung. Seitliche Trageringe. Schloss mit zwei Zuhaltungen, Schlüssel ebenfalls ergänzt. Im Inneren gravierte Abdeckplatte. Reste einer polychromen Farbfassung. Mittleres Scharnierband und eine seitliche Leiste ebenfalls ergänzt. Maße 12 x 18,5 x 11 cm.Zustand: III +An iron casket, Nuremberg, circa 1600 Rechteckige Kassette mit scharniergelagertem, mit Ziernieten dekoriertem Deckel, zentrales Schlüsselloch mit ergänzter Abdeckung. Seitliche Trageringe. Schloss mit zwei Zuhaltungen, Schlüssel ebenfalls ergänzt. Im Inneren gravierte Abdeckplatte. Reste einer polychromen Farbfassung. Mittleres Scharnierband und eine seitliche Leiste ebenfalls ergänzt. Maße 12 x 18,5 x 11 cm.Condition: III +

Silbertauschiertes eisernes Kästchen, China, 19. Jhdt. Rechteckiges Kästchen aus kräftigem Eisenblech mit scharniergelagertem Deckel. Wandung und Deckel ganzflächig mit fein in Silber tauschiertem geometrischen Dekor, umlaufend Kartuschen mit Schriftzeichen. Das Innere mit Holz ausgekleidet. Maße 9 x 14,5 x 10,5 cm. Zustand: IIA Chinese iron casket with silver damascened decor, 19th century Rechteckiges Kästchen aus kräftigem Eisenblech mit scharniergelagertem Deckel. Wandung und Deckel ganzflächig mit fein in Silber tauschiertem geometrischen Dekor, umlaufend Kartuschen mit Schriftzeichen. Das Innere mit Holz ausgekleidet. Maße 9 x 14,5 x 10,5 cm. Condition: II

An early 20th Century brass casket in the Arts and Crafts style with claw feet and ply lining

BOTTLE (500ml.) BAIJIU VINTAGE 1952 KWEICHOW MOUTAI - IN SPECIAL ‘DRAGON’ PRESENTATION CASKET This is an exceptionally rare release of Vintage 1952 Moutai. We believe it has been produced from the tiny reserve of 1952 that has been stored to commemorate the creation of Moutai in Guizhou Province that same year. It is likely that this particular release has been proclaimed to celebrate the 60th Anniversary in 2012 (Both 1952 and 2012 have been the Chinese Year of the Dragon). Alternatively, it has been released to celebrate 65 years of Moutai with the release ‘QR Code’ referral to 2017

A continental hand decorated shaped porcelain trinket casket with serves style mark, 11cm tall x 23cm x 19cm, some small wear but generally good condition

Two Huntley & Palmer tins, to include 'Italian Casket' & 'Marquetry' together with a German townscape tin & a moneybox with five compartments (4)

A collection of costume jewellery and a casket

A small sewing casket and contents