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A Caughley radish dish transfer-printed with the Full Nankin pattern, circa 1784-92, unmarked, 29.5cm wide (chipped, stained) Provenance: Wright Collection no.845, purchased in 2010 from Halls.

A Caughley sparrow beak jug transfer-printed in the Peony pattern, circa 1785, C mark with serif, 9.5cm high

A Caughley helmet form milk jug transfer-printed with the Fence and Houses pattern, circa 1780-85, C mark, 11cm high

A Caughley lobed coffee pot and cover transfer-printed in the Temple pattern, circa 1785, S mark, 26cm high (cover repaired)Ex Godden Reference Collection and Bill Dickenson paper label.

A Caughley geranium leaf butter boat transfer-printed in the Fisherman pattern, circa 1790, unmarked, 8cm long

A Caughley dessert plate transfer-printed in the Temple pattern, circa 1784-92, Sx mark, 20.2cm diameter (central star crack)Provenance: Wright Collection no.696, purchased from a Mark Law sale in 2003, previously ex Bill Dickenson Collection.Literature: The Caughley Society, 'Caughley Blue and White Patterns', p.180 and Mark Law Auction Catalogue 20/5/03, lot 1072. This tea ware pattern is rare to find on dessert wares.

A Caughley helmet form cream jug transfer-printed in the Pagoda pattern, circa 1790-95, with additional gilding (now rubbed), unmarked, 10cm high

A Caughley coffee pot and cover transfer-printed in the Fence pattern, circa 1777-90, the cover with flower form finial, C mark, 23.5cm high

A Caughley oval baking dish transfer-printed in the Pleasure Boat pattern, circa 1780-90, impressed Salopian mark, 24.5cm wide

A Caughley shell form dessert dish transfer-printed in the Pleasure Boat pattern, circa 1785, unmarked, 20cm wideEx Bill Dickenson paper label to the base.

A Caughley mask head cabbage leaf jug transfer-printed in the Parrot Pecking Fruit pattern, circa 1785, unmarked, 19.5cm high

A very rare Caughley dessert tureen, cover and stand painted with the Flowery Cartouche pattern, circa 1785-92, unmarked, tureen 14.5cm wide, stand 23.2cm wideProvenance: Wright Collection no. 406 purchased from Charnwood. Literature: See Ironbridge 1999 nos. 380 or 381 and The Caughley Society, Caughley Blue and White Patterns, p.157 where the stand is illustrated. Furthermore Geoffrey Godden wrote an article in the ECC journal on a pair of these tureens, of which this is one. Godden goes on to say, 'Two tureens with their stands are the only pieces known with this pattern, their attribution as Caughley being based on their shape. This suggests that there may have been a dessert service dating from the latter part of the 1780s, which, if the tureens are anything to go by, would have been of excellent quality'.

A Caughley powder blue dessert centre dish painted in the Holed Rock pattern, circa 1775-80, C mark, 31cm wideEx Gittins Collection paper label.

A rare blue and white 'John Hill' election jug c.1796, Caughley or early John Rose Coalport, each side inscribed 'Honour and Honesty. John Hill for Ever. Prosperity to the House of Hawkstone', beneath the spout with the legend 'Majority of 44 in the Year 1796', 22cm high (small chip to the tip of the spout)This was a closely fought election campaign between William and his brother John Hill and was dubbed a 'family contest ... sprung from a pique' and the brothers attempted to buy votes with ale, food and more. The controversial Shrewsbury election of 1796 did not in fact result in a victory for John Hill, as the inscription on this jug suggests. John Hill's claimed "Majority of 44" was reached by adding spoilt ballot papers to his valid votes, and amounted only to a majority over his younger kinsman, William Hill, rather than to the overall victor, William Pulteney. The confusion regarding attribution of the jug itself lies in the closeness of the two factories and the fact that several moulds exist. It is possible that both factories produced these Election jugs, although it has sometimes been quoted as the earliest known dated Coalport porcelain.Ex Wright Collection.

A Caughley custard cup and cover transfer-printed with the Cottage pattern, circa 1780-85, S mark, 8cm high

A Caughley tea canister and cover transfer-printed in the Temple pattern, with additional gilding, circa 1785-90, Sx mark, 12cm high (gilding rubbed)

A small Caughley bowl transfer-printed in the Fisherman pattern, circa 1780-85, S mark, 11cm diameter

A Caughley radish dish transfer-printed in the Full Nankin pattern within an associated Fitzhugh border, painted Sx mark, 29cm wideSee C & W P page 103 for a discussion of radish dishes and plate 164 for a similarly moulded radish dish in the Weir pattern, see also CBE catalogue nos. 293 and 475 for a similar dish.

A Caughley dessert plate painted in the Royal Lily pattern, circa 1785-92, the reverse further painted with three foliage sprays, unmarked, 21cm diameter Provenance: Wright Collection no.625, purchased in 2000. Literature: Ironbridge 1999, no. 157.

A Caughley egg drainer painted with the Island pattern, circa 1780-90, with an associated segmented border, S mark, 9.5cm diameter(restored chip)

A Caughley teapot and cover transfer-printed in the Fruit and Wreath pattern, circa 1780, the cover with a floral finial, C mark, 16cm high (firing crack running along spout)Ex Maurice Wright paper label to the base.

A Caughley tureen and cover, circa 1780-85, decorated with a design of Precious Objects (taken from the Holed Rock Design), S mark, 14cm wideRoderick Jellicoe Exhibition label no. 55

A Caughley powder blue dish or stand in the fan-panelled landscape pattern, circa 1778, faux Chinese seal mark, 19.2cm diameterColin Barrett paper label to reverse.

A Caughley square dessert dish painted with the Carnation pattern within a basket weave border, circa 1788-1793, unmarked, 23.5cm wide (chipped) Provenance: Wright Collection no.317, purchased from Roger Edmundson in 1983. Literature: Ironbridge 1999 no.124 and The Caughley Society, Caughley Blue and White Patterns, p.72. This is a late shape, of which there was a similar example in the Shrewsbury Exhibition. This shape is rarer than the earlier square dish, with this pattern being repeated at both Derby and Coalport

A Caughley powder blue shell dessert dish painted with the Fan Panelled landscape design, 20cm wide, and a Caughley powder blue fluted plate in the same pattern, 20cm diameter (both a.f) (2)

A pair of Caughley square form powder blue dessert dishes in the Holed or Flaming Rock design, circa 1778-80, 20cm wide (2)

A Caughley powder blue square dessert dish in the Holed or Flaming Rock design, circa 1778-80, C mark, 20cm wide

A Caughley powder blue shell form dessert dish in the Holed or Flaming rock pattern, circa 1788-80, C mark, 21.5cm wideEx Roderick Jellicoe Exhibition label.

A Caughley powder blue square dessert dish in the Holed or Flaming Rock design, circa 1778-80, C mark, 20.5cm wide (chipped)

A pair of Caughley chestnut baskets, covers and stands painted with the Salopian Sprig pattern, circa 1780-90, stand 28cm wide, basket 20cm wide (unmarked) (6)Provenance: Wright Collection nos.903, the first basket purchased from Ute March in 2012 and the second basket not long afterwards. Literature: Newsletter May 2016 66 p.19.Chestnuts have been eaten since prehistoric times and were an important dietary staple since they could be cooked and eaten fresh from September through November when they were harvested. As recently as the 19th century, some Europeans substituted chestnuts for grain products. Dried chestnuts were such a valued staple in the Napoleonic era that the Italian government actually placed a tax on them, while the chestnut trees were counted like residents in the official census.

A pair of Caughley dessert centre dishes, circa 1780-82, painted with the Holed or Flamed Rock design, one with impressed Salopian mark, the other with a painted C mark, 26cm wide (2)

A pair of Caughley fluted plates in the Holed or Flaming rock pattern, circa 1780-82, painted S marks, 22cm diameter (2)

A pair of Caughley fluted plates in the Holed or Flaming rock pattern, circa 1780-82, painted S marks, 22.5cm diameter (one chipped) (2)

A Caughley mustard pot and cover transfer-printed with the Fisherman pattern, unmarked, 9.5cm high and a Caughley blue and white bowl with a reinforced rim, X mark, 13cm diameter (2)

A Caughley mustard pot and cover transfer-printed with the Three Flowers and Butterfly pattern, circa 1785, C mark, 10cm high

A Caughley powder blue oval form dessert dish painted with the Fan Panelled landscape design, circa 1777-85, faux Chinese mark and C, 31cm wide

A Caughley oval basket painted in the Gillyflower I pattern, circa 1776-80, with twisted rope handles and applied moulded flowers to the exterior, the flowers with a blue centre, C mark, 21cm wide and 6.1cm high (cracked, handle replaced)Provenance: Wright Collection no.438, purchased in 1993 from a McCartney's Davenport House sale where it was listed as 'Worcester'. Sold together with purchase receipt and a copy of a related news article about the house sale.Literature: Ironbridge 1999 no.142.

A Caughley mask head cabbage leaf jug transfer-printed in the Pleasure Boat pattern, circa 1785, unmarked, 14.5cm high

A Caughley trio of coffee cup, tea bowl and saucer in plain white, circa 1785 (3)

A Caughley toy teapot and cover painted in the Island pattern, circa 1785, unmarked, 8cm high (repaired), and a Caughley toy trio transfer-printed in the Pleasure Boat pattern, comprising coffee cup, tea bowl and saucer, S mark (4)

Three Caughley shallow dishes painted with the Carnation pattern between osier moulded borders, circa 1790, S mark, 24cm diameter

A Caughley guglet and wash stand bowl transfer-printed in the Fisherman or Pleasure Boat pattern, circa 1780-92, S mark, guglet 27.7cm high, bowl 29cm diameter (guglet a.f)Provenance: Wright Collection nos. 595a and 595b; the bowl purchased from N. Gent in 1998, the guglet from Ebay in 2006. Literature: Newsletter May 2016 66 p.17.

18th century Worcester ovoid milk jug with loop handle, printed in underglaze blue with the Three Flowers pattern, 4 inches high, circa 1770, crescent mark, together with a Caughley ovoid milk jug - similarly printed (2)

A late 18th century Caughley tea bowl & saucer, together with a further tea bowl, each in the Fence and House pattern, the saucer 12.4cm diameter, each unmarked.

A late 18th century Caughley tea bowl & saucer, together with a Caughley coffee cup, each in the Fence and Garden pattern, the saucer 12.3cm diameter, unmarked.

A late 18th century Caughley coffee cup & saucer in the Fence pattern, the saucer 12cm diameter.

A late 18th century Caughley porcelain sparrow beak jug, 11cm tall, in the Fisherman pattern, 'S' mark to base.

A collection of late 18th century Caughley ceramics, each in the Dresden Flowers pattern, comprising: two reeded tea bowls & saucers, a coffee cup & saucer, a sucrier and cover, 12cm tall and a sauce tureen and cover, 14cm long, 'S' mark to some pieces. Condition Report: Chip to rim of the square tureen, gilt loss and rubbing evident elsewhere.No other apparent damage or restoration.

A Caughley reeded teapot, late 18th century, together with four assorted Caughley tea and coffee cups, each in the Dresden Flowers pattern, the cylindrical teapot standing 14cm, 'S' mark to the base on some items.

A late 18th century Caughley cabbage leaf mask head jug in the Fisherman pattern, 15.2cm tall, 'S' mark to base.

Five pieces of late 18th century Caughley ceramics, each in the 'Fly' pattern, comprising: a tea bow & saucer, reeded coffee cup & saucer and a teapot stand, 15cm diameter, 'S' mark to the base of some items. Condition Report: No apparent damage or restoration but gilt loss and rubbing throughout.

A late 19th century Caughley tea bowl & saucer in the Birds in Branches pattern, the saucer 12.2cm diameter, 'S' mark to the base of both pieces. Condition Report: Small chip to foot rim of the tea bowl, otherwise good.

A mixed lot of late 18th century Caughley ceramics, to include: a coffee cup & saucer in the Temple pattern, the saucer 13.2cm diameter, together with a coffee cup in the Fleur de Lys and a saucer/patty pan in the Blue Flower pattern, 14.5cm diameter. Also included in the lot, are six Caughley Society news letters, dated 2001-2003.

A collection of late 18th century Caughley tableware, each in the Fisherman pattern, to include: a pair of asparagus servers, a large coffee cup, 7.5cm tall, a saucer and a saucer dish, 21.4cm diameter, 'S' mark to the base of some items.

A late 18th century Caughley tea bowl & saucer in the Mother and Child pattern, together with a similarly decorated Worcester saucer (crescent mark to base) and two Caughley tea bowls, also in the Mother and Child pattern, 'S' mark to the base of one Caughley bowl.

A collection of late 18th century Caughley items, each in the Dresden Flowers pattern, comprising: two scalloped edge plates, 20.8cm diameter, an oval dish, 27cm long, a reeded saucer, 13.5cm diameter, a tea cup & saucer, a chocolate cup saucer, 15.5cm diameter), a teapot stand, 15cm diameter and two saucer dishes, some items marked to base.

A graduated set of four Coalport Caughley mask head jugs, a Carpie Capodimonte florally encrusted bisque lamp base and shade, 36cm high, a Portugal Pac porcelain pierced and encrusted bowl, 19cm diameter, a Chinese mixed hard stone scholars table bonsai, and a French style gilt brass table lamp with descending drops, 32cm high (8)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.

Late 18th Century Caughley porcelain jug blue & white floral decoration, mask head to spout. Height 15cms approx. Provenance: The Dr. Margaret Giles Collection.

Late 18th century Caughley porcelain jug blue & white floral decoration, mask head spout. Height 22cms approx. Provenance: The Dr. Margaret Giles Collection.

A collection of 19th century porcelain tea bowls, teacups and saucers, including English, European and Chinese examples, with makers including Crown Derby and Caughley (39)