Ca. 9th century AD.A ceramic bowl of hemispherical shape rising from an unglazed circular base. The interior is decorated with stylised motifs painted in brown and ochre. Medieval Islamic ceramics developed a distinctive formulae within their decoration in Muslim lands several centuries after the original Arab conquests. From the 9th century onwards, distinctive Islamic ceramic styles often involved glazed and incised decorations. Islamic material culture had an important influence on pottery production in Italy, Spain, and the Byzantine empire.Size: 71mm x 186mm ; Weight: 380gProvenance: Private London collection of Early Islamic Art - M.A.; formerly acquired on the UK art market since the 1980s.
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Blue and White ceramics, including an unusual Staffordshire ‘Arctic Scenery’ plate, mid 19th century, decorated with an Inuit family in icy landscape, the border with wild beasts, 27cm diameter; and a splendid Carlton Ware scallop shell bon bon dish, decorated with classical ruins, 25cm long; and a Moyses Stevens carp dish, 27cm wide (3) The Artic Scenery plate is based on an engraving by Edward Finden in W.E. Parry’s ‘Journal for the Discovery of a North-West Passage’ (London 1824). See National Maritime Museum, Greenwich, for a similar example The Alastair & Sheila Brooks Collection: of Oaklands (& past owners of Ednam House Hotel), Kelso (Part One)
Six pieces of ceramics and glass - comprising an Old Tupton Ware Art Nouveau style wall clock decorated with irises, 25cm diameter; an art glass mottled and swirled glass bowl, 22.3cm diameter; an engraved and cut glass commemorative Silver Jubilee 1977 decanter; a Samson of Paris miniature quatrefoil shaped tea bowl, 3.4cm high; and two Edwardian porcelain figures of flower girls.
A group of Chinese ship wreck ceramics, Ming to Qing Dynasties, Comprising: a medicine jar with Chinese writing of the medicine’s names and the producer, with a matching dish; two small cups decorated with Buddhist lion or geometrical motifs; a small jar with elongated opening, and a small medicine pot with cover; height 4.5cm to 8cmProvenance: an East Anglian based collector明代及清代 青花海撈瓷器一組(共5件) The glaze are of typical whip wreck pieces. The medicine jar has a small dent on rim, the other smaller jar has a hairline, the lion cup has some small fretting, otherwise all ok.釉面均符合海撈瓷特徵,窯罐口有個小缺,另一個小罐口沿一條沖線,獅杯口沿小剝釉,其他均完整
† AKI MORIUCHI (born 1947); a tall tapering stoneware vessel with textured surface covered in ochre and white glaze with iron staining, impressed mark, height 52cm.Provenance: Alan & Sheila Birchall collection; purchased from Contemporary Ceramics, London, 2003.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† CHARLES TUSTIN (1922-1996) for Winchcombe Pottery; an oval slipware dish decorated with fish, impressed CT and pottery marks, disc plate hanger, diameter 21.5cm, a small jar, and a Winchcombe Pottery jug and cup, jug height 20cm (4). Provenance: Alan & Sheila Birchall collection; jar purchased from the Oxford Ceramics Gallery, 2013.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† TESSA WOLFE MURRAY (born 1950); an earthenware flattened vessel covered in white slip with incised decoration, inscribed signature, height 38cm.Provenance: Alan & Sheila Birchall collection; purchased from Contemporary Ceramics, London, 2005.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† DAVID WRIGHT (born 1947); a stoneware bottle partially covered in running green ash glaze, impressed DW marks, height 27cm, and a similar small ovoid vase (2).Provenance: Alan & Sheila Birchall collection; purchased from the artist respectively at Oxford Ceramics Fair, 2005 and ClayArt, 2007.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† PHILIP HARDAKER (born 1954); 'Dodo', a large earthenware dish covered in cobalt and white glaze decorated with cameos of heads and faces, the largest cameo being a dodo, incised title and other marks dated 1994, diameter 42.5cm.Hardaker describes himself as 'an accumulator, a shifter of detritus collecting the flotsam and jetsam of our wasteful consumer society and transforming these materials into art. He represents his work as archaeological sculptural paintings made from clay and found objects. For thirty years he has been digging up ancient and modern ceramic shards from Staffordshire and around the world. He employs these fragments of past ages along with his own modelled and cast ceramic elements of heads, animals and aeroplanes in ceramic collages of considerable intricacy and beauty. Hardaker's work has political and ecological objectives and concerns in communicating comment on historical events. The work is also intrinsically linked with being English and celebrating the past production of Staffordshire ceramics and creativity.'Condition Report: Firing crack through foot ring and dodo cameo, minor nick to rim, otherwise appears good with no further signs of faults, damage or restorations.
A group of stoneware and earthenware ceramics by different makers comprising a ribbed cylindrical form, teardrop bottle, tapered vase, and ribbed caddy, incised and impressed marks, tallest 29.5cm (4).Provenance: Estate of Robin & Jenny Welch.Condition Report: Shallow chips to unglazed base of tapered vase, otherwise appears good with no further signs of faults, damage or restorations.
A group of stoneware ceramics by different makers comprising a large plate, conical bowl, another bowl, and an egg form, incised signature to conical bowl, plate diameter 31.5cm (4).Provenance: Estate of Robin & Jenny Welch.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† MO JUPP (1938-2018); 'Standing Female', a red clay figure, incised MOJ and A (for Archway Ceramics) marks, height 27cm. Provenance: Alan & Sheila Birchall collection; purchased from the Where I Fell in Love Gallery, Shipston on Stour, 2008.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
BRIAN USHER (born 1963); a stoneware bottle covered in pale yellow glaze with mottled lilac top and incised decoration picked out in running blue/green, incised marks, height 33cm.Usher graduated from the Royal College of Art, London, with an MA in Ceramics and Glass. He now works exclusively in glass. Provenance: Andy & Di McInnes collection. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† MARK GRIFFITHS (born 1956); a tall stoneware jar and cover covered in mottled lime green and lilac glaze with incised decoration, impressed mark, height 28.5cm.Provenance: Alan & Sheila Birchall collection; purchased from the artist at the Oxford Ceramics Fair, 2007.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† ANDREW PALIN (born 1969); a stoneware vessel covered in blue/grey volcanic glaze, impressed AP mark and inscribed code, height 18.5cm, and a smaller vessel with torn rim (2).Provenance: Alan & Sheila Birchall collection; purchased from the Where I Fell in Love Gallery, Shipston on Stour, 2005 and from the artist at Oxford Ceramics Fair, 2006.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† JOANNA CONSTANTINIDIS (1927-2000); a small ungula lustred stoneware pot, impressed C mark, made 1999, height 14cm. For similar examples see 'Joanna Constantinidis: Ceramics from Twenty Five Years' (University of Derby: The Ballantyne Collection, 1995), nos. 58 & 59. Provenance: Purchased from The Oxford Gallery, circa 1996. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† JOANNA CONSTANTINIDIS (1927-2000); a tall narrow lustred porcelain pot with bulbous top and combed flat rim, impressed C mark, made circa 1975, height 28.5cm.For a similar examples, see 'Joanna Constantinidis: Ceramics from Twenty Five Years' (University of Derby: The Ballantyne Collection, 1995), nos.15-19. Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† JAMES PAVITT for Dianthus Ceramics; a rectangular slipware dish with featured decoration, impressed J and pottery marks, 27 x 24cm, and a slightly larger rectangular dish decorated with a bird by Barbara Shaw (2).Provenance: Alan & Sheila Birchall collection; purchased respectively from Dianthus Ceramics, Stratford, 2000 and from the artist, 2010.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
† ANNABEL FARADAY (born 1949); an oval earthenware vessel decorated with printed photographic images including Battersea Power Station, printed signature, height 12.5cm.Provenance: Alan & Sheila Birchall collection; purchased at Ceramics in the Round, Buxton, 2010.Condition Report: Appears good with no obvious signs of faults, damage or restoration.
A Late 17th Century Provincial Oak Bureau Bookcase, the inverted breakfront pediment above cupboard doors enclosing shelves and a later paper-lined interior depicting Chinese-style blue and white ceramics, the fall front enclosing a fitted interior of pigeon holes and small drawers, the base of two short and two long geometric-moulded drawers84cm by 55cm by 186cmThe widest part is at the moulding to the base - 94cm wide. The bureau bookcase is rather tired, with various faults. Old decay and repair to the moulded cornice in various sections. The fall front has later screws added to the hinges. With splits/faults around the hinges also. The left-hand hinge needs attention. Section of moulding missing below the moulded stile (as photographed). Handle and escutcheon marks visible to the cupboards above the fall front. One side of the bureau and the cupboard has been darkened/varnished. Feet are of later date. The bureau bookcase splits in two. Please see further images online.
CHINESE CERAMICS: 'Transitional Wares and their forerunners..an exhibition presented by the Oriental Ceramics Society of Hong Kong...1981': blue publishers cloth with dustjacket, 4to: WILSON (Ming): 'Rare Marks on Chinese Ceramics': V & A, 1998: publishers black cloth with dustjacket, a little rubbed, 4to: with 22 other volumes, mostly hardback publications, all relating to Chinese ceramics. (24)

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