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Lot 619
Marc Chagall (Russian/French, 1887 - 1985)Measures 39.5 x 25.75 sheet sizeDie Zauberflote, The Magic Flute, 1967. Lithograph printed in colors by Charles Sorlier, printed by Mourlot in Paris published by Editions of the Metropolitan Opera for the opening performance on February 19, 1967, unframed.
Lot 210
Marc Chagall (Witebsk 1887 - St.-Paul-de-Vence 1985). L'Atelier bleu. 1983. Farblithographie/Arches. 50 x 34,5 cm. R. u. mit Bleistift sign. Marc Chagall, l. u. num. ea, unter Passepartout und Glas gerahmt. - Literatur: WVZ: Mourlot 1004 - Provenienz: Aus dem Besitz von Charles Aznavour; von ihm als Geschenk an die Mutter der Einlieferin - Einer der bedeutendsten Künstler des 20. Jhs., dessen Anfänge im Fauvismus lagen und der später zu einer unverwechselbar lyrisch-modernen Ausdrucksform fand. C. besuchte in St. Petersburg private Malschulen, nachdem seine Aufnahme an der Akademie gescheitert war. Mit Hilfe eines Stipendiums konnte er 1910 nach Paris übersiedeln, wo er bald Anschluss an die avantgardistische Kunstszene fand und an den maßgeblichen Ausstellungen teilnehmen konnte. Während eines Russlandbesuchs brach der erste Weltkrieg aus und verhindete C.s Rückreise nach Paris. Er konnte sich als Kulturfunktionär der Revolution nicht gegen Malewitsch durchsetzen und kehrte nach Station in Berlin nach Frankreich zurück. Die Judenverfolgung zwang ihn 1941-48 ins New Yorker Exil, wo er mit einer Retrospektive im MoMA gewürdigt wurde. Zurück in Frankreich stellte er in vielen bedeutenden europäischen Museen sowie auf der Documenta aus und erhielt wichtige öffentliche Aufträge. Mus.: New York (MoMA, Guggenheim Mus.), Paris (Centre Pompidou), London (Tate), Amsterdam (Stedelijk Mus.), Zürich (Kunsthaus), Chicago (Art Institute) u.a. Lit.: AKL, Mourlot/Sorlie: Chagall - Lithographe u.a.
![MARC CHAGALL Drawings for the Bible / Dessins pour la Bible. [Bible II]. Paris: Verve / London: A. Zwemmer Ltd 1960. 35,4 x 2](https://cdn.globalauctionplatform.com/5c9f5369-7f10-4103-bc9b-b05700e5be2f/3f0f8f4e-f1ed-455e-84a6-b06e00ca6f63/468x382.jpg)
Lot 1327
MARC CHAGALL Drawings for the Bible / Dessins pour la Bible. [Bible II]. Paris: Verve / London: A. Zwemmer Ltd 1960. 35,4 x 26,2 cm. Mit 49 OrLithographien von Chagall (davon 26 farbig und 1 doppelt; inkl. Umschlag) sowie 96 ganzseitigen Reproduktionen. 9 Bll. Titel und Text von G. Bachelard, 8 Bll. Tafelverzeichnis. Farbig lithogr. OrPp. (Gering bestoßen und vor allem an den Kanten berieben. Rücken am Fuß leicht gelöst. Deckellithographie im Vordergelenk eingerissen. Blattränder teils gebräunt. Stellenweise leicht finger- und altersfleckig. Mit leichtem Tabakgeruch.) Englische Ausgabe. - Lithographie Nr. 47 (nach Cramer) doppelt vorhanden. Dublette mit Montagerückständen lose beiliegend. - Verve, Vol. X, 37/38. - Cramer 42. Mourlot II, 230-177.
Lot 1328
MARC CHAGALL JACQUES LASSAIGNE: Chagall. Paris: Maeght 1957. 22,9 x 19,9 cm. Mit 15 OrLithographien von Marc Chagall (13 farbig, davon 5 doppelblattgroß inkl. Umschlag) und zahlreichen weiteren Illustrationen. 1 w. Bl., 1 Bl., S. 11-177, 1 Bl. Illustr. OrUmschlag. (Umschlagränder papierbedingt l. gebräunt, kleine Einrisse des Umschlags im Kopfbereich und jeweils im unteren Umschlagrand des Vorder- und Rückdeckels.) Mourlot 192-205 und 207. Cramer 34.
Lot 80
Marc Chagall (Russian/French, 1887-1985)David montant la Colline des Oliviers, from The Bible (Cramer books 30) Etching with hand-colouring in watercolour, 1958, on Arches wove paper, signed with initials and numbered 92/100 in pencil, published by Tériade Éditeur, Paris, with full margins, framedPlate 325 x 250mm (12 3/4 x 9 7/8in)Sheet 535 x 394mm (21 x 15 3/8in)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 79
Marc Chagall (Russian/French, 1887-1985)Enlèvement de Chloé; Le Songe du Captaine Bryaxis, from Daphnis et Chloé (Mourlot 327 & 328; Cramer books 46) Two lithographs in colours, 1961, on wove paper, from the unnumbered book edition of 250 (there was also a signed edition of 60), printed by Mourlot Frères, published by Tériade Éditeur, Paris, the full sheetsSheet 420 x 641mm (16 1/2 x 25 1/4in)(2)Footnotes:ProvenanceGifted by the publisher Tériade to the family of the current owner.This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 535
Marc CHAGALL (1887-1985), Saint-Germain-des-Prés, aus: "Derrière le Miroir", 1954, Farblithographie, mit Bleistift signiert und bez. e.a. (Epreuve d'Artiste), ein Künstlerexemplar außerhalb der Auflage von 75, Blattmaße: ca. 39,5 x 28 cm, leicht gebräunt, WVZ Mourlot 100. Hinter Glas im Passepartout gerahmt. Alters- und Gebrauchsspuren.
Lot 513
Vu Cao Dam (Vietnamese/French, 1908-2000). Color lithograph on paper titled "Saint-Paul-de-Vence" depicting the hilltop commune in Southeastern France, 1971. Pencil signed and dated along the lower right; numbered 103/150 along the lower left.Lot Essay:Born in Hanoi in 1908 to a well-to-do family, Vu Cao Dam displayed an early interest in the arts. His father, a well-educated Catholic, brought him up in a home surrounded by traditional Chinese calligraphy and a wide range of cultural influences. In 1926, he began his formal artistic education at the painter Victor Tardieu’s École des Beaux-Arts de l'Indochine, now the Vietnam University of Fine Arts. Tardieu and his instructors taught academic European painting to his students as well as decoration, architecture, anatomy, and sculpture. It was at sculpture that young Vu Cao Dam most excelled, and he joined the newly minted sculpture program at the École des Beaux-Arts, where he created several bronze busts that won him early acclaim.In 1931, following his graduation from the École des Beaux-Arts de l'Indochine, Vu Cao Dam received a scholarship to continue his art education in Paris. He began his Parisian studies at the Cité Internationale Universitaire de Paris. During his first year there, Vu Cao Dam received the prestigious honor of an invitation to display his works in the Exposition Coloniale Internationale. He then continued his studies at the École du Louvre, where he was able to view the works of the great European academic masters he had been trained to emulate. However, he was most compelled by more recent works of the impressionists and post-impressionists, as well as great sculptors such as Auguste Rodin and Alberto Giacometti.Vu Cao Dam’s career took off following the completion of his education. He and fellow Vietnamese expatriate Le Pho, a dear friend with whom he had studied in Hanoi, found success and popularity on the Paris art scene. Vu Cao Dam began sculpting what would become his most famous subject matter: elegant Vietnamese ladies. He continued to paint as well as sculpting, often painting on silk, a form of painting taught at the École des Beaux-Arts de l'Indochine. He also began to put down personal roots in France, marrying and having two children.When World War II broke out, Paris became a dangerous place to live and work; Vu Cao Dam sent his family to the countryside to escape the Nazi-occupied city. However, he stayed in Paris, frantically creating art out of any material available under strict rationing, and bicycling the 100-km distance to see his family whenever he could. During this time, he executed several of what are now seen as his finest works out of terracotta, demonstrating his resourcefulness and commitment to his art.In 1949, plagued by ill health, Vu Cao Dam moved to the south of France with his family, to a villa named Les Heures Claires. The bright, airy atmosphere of southern France had a large impact on his painting, as did the work of his new neighbor, Marc Chagall. His works take on a sunny, pastel air at this point. Throughout the 1950s and into the early 1960s, Vu Cao Dam gained international success, exhibiting throughout France, particularly in Nice, as well as in Sweden, Belgium, and the UK. In the early 1960s, Vu Cao Dam signed an exclusive contract with Wally Findlay Galleries in the United States. This brought his work notoriety in the United States, and there are many fine examples of his work in the United States that originate from this partnership. Vu Cao Dam remained in France for the rest of his life, continuing to create art until his death in 2000.Sight; height: 20 1/2 in x width: 26 1/2 in. Framed; height: 30 1/2 in x width: 36 3/4 in.Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Lot 512
Marc Chagall (Russian/French, 1887-1985). Lithograph on Arches paper titled "Paris of Dream" depicting a dream-like depiction of Paris, 1969-1970. Pencil signed along the lower right; numbered 12/75 along the lower left. With a certificate of authenticity from Cass Publishing. As the artist described these works, "Visions of Paris which are perhaps the same and also different. Paris, reflection of my heart. I'd like to fade into it, not be alone with myself."Literature: Mourlot 600.Provenance: Cass Publishing, Minnetonka, Minnesota; Private Collection, Minnesota.Lot Essay:Marc Chagall (born Moishe Shagal) was a Russian-French artist of Belarusian Jewish origin. An early modernist, he was associated with several major artistic styles and created works in a wide range of artistic formats, including painting, drawings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints.Art critic Robert Hughes referred to Chagall as "the quintessential Jewish artist of the twentieth century" (though Chagall saw his work as "not the dream of one people but of all humanity"). According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists". For decades, he "had also been respected as the world's pre-eminent Jewish artist". Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the UN and the Art Institute of Chicago and the Jerusalem Windows in Israel. He also did large-scale paintings, including part of the ceiling of the Paris Opera.Before World War I, he travelled between Saint Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his idea of Eastern Europe and Jewish folk culture. He spent the wartime years in Soviet Belarus, becoming one of the country's most distinguished artists and a member of the modernist avant-garde, founding the Vitebsk Arts College before leaving again for Paris in 1923.He had two basic reputations, writes Lewis: as a pioneer of modernism and as a major Jewish artist. He experienced modernism's "golden age" in Paris, where "he synthesized the art forms of Cubism, Symbolism, and Fauvism, and the influence of Fauvism gave rise to Surrealism". Yet throughout these phases of his style "he remained most emphatically a Jewish artist, whose work was one long dreamy reverie of life in his native village of Vitebsk." "When Matisse dies," Pablo Picasso remarked in the 1950s, "Chagall will be the only painter left who understands what colour really is".Sight; height: 40 1/2 in x width: 28 in. Framed; height: 57 1/4 in x width: 45 in.Condition: The artwork is in good condition overall. There are no rips, major creases, or restorations. No issues when inspected under UV light. The artwork is hinged along the upper edge in three spots (corners and center). It is floated in the frame. The sheet is very lightly toned and there is a very slight undulation to the sheet. There is an approx. 7 inch long crease along the lower right margin. Several handling marks throughout the margins. Some wear to the deckled edge; possibly original to the artistic process. The work is titled with pencil along the lower margin of the verso. There is some light wear to the mat. Some light wear to the frame; framed under glass.
Lot 25
Béla Kádár, Hungarian 1877–1956 - Hungarian village; watercolour on paper, signed lower right 'Kadar Bela', 59.7 x 41.7 cm (ARR) Provenance: private collection, purchased in October 1976 and thence by descent Note: This vibrant work demonstrates Hungarian artist Béla Kádár’s unique style, combining a cubist approach to form with an expressionist sense of energy. The present work has a highly complex composition, reflecting the power and noise of the crowded village scene. Heavily influenced by Hungarian folklore, Kádár became a distinctive voice in Modernist art, exhibiting at the celebrated Der Strum Gallery in Berlin in the 1920s, alongside Oscar Kokoschka, Paul Klee and fellow Jewish artist Marc Chagall. He would also be included as part of a pioneering show at the Brooklyn Museum, New York, in 1928, selected by Man Ray and Duchamp.
Lot 347
▴ Marc Chagall (Russian-French, 1887-1985)'Paysage au Coq'lithograph in colours, 1958image 37 x 55.5cm (visible)Condition ReportFramed: 62 x 79cmA vertical centre fold and time staining. The work has slipped slightly in the frame and tape has been applied to the reverse of the top edge. Not viewed out of glazed frame.
Lot 49
Original vintage advertising poster for Chagall Ville de Nice Paintings, Watercolours and Drawings exhibition at Galerie Des Ponchettes in February and March 1952, featuring a painting titled Cap Ferrat by the notable artist Marc Chagall (1887-1985) depicting a lady holding flowers in the foreground and a gentleman next to her, with a bowl of fruit and a peninsula stretching into the water with a large yellow moon above. Printed by Mourlot. Fair condition, folds, creasing, staining, tears, Country of issue: France, designer: Chagall, size (cm): 72x48, year of printing: 1952.
Lot 936
Marc Chagall / Jacques Lassaigne - "Chagall", Paris, Maeght 1957, mit 15 Lithografien (inkl. Titel und Umschlag), davon 2 schwarz/weiß, 13 farbig (inkl. 4 Doppelblättern), teils auf Faltblatt, Text in französischer Sprache, 1 Bl., S. 11-177, 1 Bl., Original-Umschlag, ca. 23,5 x 20,5 cm, leichte Gebrauchsspuren, Ränder leicht gebräunt, min. eingerissen, dazu Mappe Der Vogelfänger. Ausgewählte Graphik, München 1978, zur Ausstellung im Haus der Kunst in München 1978, Kassette mit Bucheinlage und 8 Reproduktionstafeln, ca.31,5 x 25,5 cm
Lot 854
Marc CHAGALL (1887-1985) L'Artiste Theme Biblique 1974,Farblithografie/Vélin von Arches, u. rechts handsigniert Marc Chagall, limitierte Auflage 23/50, betitelt L'Artiste Theme Biblique, mit Authentizitätszertifikat der Beverly Hills Galleries vom 15/3/1980, Passepartout-Ausschnitt H 46,5 cm x B 62,5 cm, Rahmen verglast 68,5 x 88 cm, Stockflecken
Lot 649
Marc Chagall (1887 Witebsk - 1985 Saint-Paul-de-Vence)"Le Dimanche" (Der Sonntag). OriginaltitelFarblithographie/Velin, 1954. Aus "Derrière le miroir" (Heft Nr. 66-67-68). Eines von 2550 unnummerierten Exemplaren. Wvz. Mourlot 98. Darstellung eines über Paris schwebenden Liebespaares mit Notre Dame und Eiffelturm. 33 cm x 26,7 cm (Passepartoutausschnitt). Rahmen.Lithograph in colours on wove paper, 1954. From "Derrière le miroir".
Lot 652
Marc Chagall (1887 Witebsk - 1985 Saint-Paul-de-Vence) nach"Saint-Jean-Cap-Ferrat". OriginaltitelFarblithographie(?)/Velin, wohl 1952. Im Stein sign.; Blatt ohne Schrift, möglicherweise Probeabzug für das Ausstellungsplakat "Chagall. Peintures - Aquarelles - Dessins", der Galerie des Ponchettes, Nizza 1952. Gebräunt, im breiten Blattrand partiell ger. fleckig und knickfaltig. Verso alte Widmung mit Dat. 1965. Darstellung ca. 53,5 cm x 38,2 cm; Blatt ca. 64,5 m x 49 cm. Rahmen.Lithograph(?) in colours on wove paper. Probably trial proof without text for the exhibition "Chagall. Peintures - Aquarelles - Dessins", Galerie des Ponchettes, Nizza 1952. Old dedication, dated 1965, on the backing board. Light toning, some minor stains and creases to the wide margins.
Lot 247
Marc Chagall (1887-1985)Le Plafond de L'Opéra (Mourlot 434; Cramer 61)The book, 1965, comprising six lithographs printed in colours by Charles Sorlier after Chagall, missing the original lithograph, and with title-page, text and justification, printed by Mourlot Frères, Paris, published by André Sauret, Monte-Carlo, the full sheets bound as issued within the original red-silk boards and pictorial paper wrapper, overall 335 x 250mm (13 1/8 x 10in)
Lot 15
Impressionist and later art: Including Gauguin and Chagall retrospectives; 'Monet's years at Giverny'; 'The Fauve Landscape; 'Dada and Surrealism' etc (10 Vols) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 45
Impressionist and later Art: Including 'Chagall', Royal Academy of Arts 1985; 'Arshile Gorky, A Retrospective' etc (15 Vols) (Please note condition is not noted. We strongly advise viewing to satsify yourself as to condition. If you are unable to view please request a condition report, which will be provided in writing).
Lot 810
Klassische Moderne Marc Chagall (1887 Witebsk - 1985 St. Paul-de-Vence)Le joueur de flûte. 1957. Farblithographie auf festem Velin. 23 x 39 cm. Unter Glas gerahmt (geöffnet). - Mit geglätteter Mittelfalz. Insgesamt sehr gut erhalten. Prachtvoller, farbsatter Druck der formatfüllenden Darstellung. Mourlot 197, Cramer 34. - Aus: Lassaigne, Jacques. Chagall. Paris, Maeght, (1957). - Eines von 6000 Exemplaren. Colour lithograph on strong wove paper. Framed under glass (opened). - With smoothed centre fold. Overall very well preserved. Splendid, colour saturated impression of the format-filling depiction. - One of 6000 copies.
Lot 28
Marc Chagall (1887-1985), Mixed-media Painting. Image Size: 11 3/4 by 8 1/4 inches (30 by 21 cm) All measurements are approximate. Signed (lower right), with Gallery Label. Marc Chagall (1887-1985) was a visionary Russian-French artist known for his imaginative and dreamlike creations. His unique blend of Cubism, Symbolism, and Fauvism resulted in a distinctive style that transcended traditional artistic boundaries. Born in Belarus, Chagall's art often drew inspiration from his Jewish heritage, folklore, and personal experiences. His vivid use of color and fantastical imagery created a visual language that conveyed emotions and stories. Chagall's art is characterized by floating figures, dreamscapes, and poetic symbolism, which he used to explore themes of love, faith, and human connection. His iconic work "The Birthday" exemplifies his ability to blend reality and fantasy in a captivating way. As one of the most celebrated artists of the 20th century, Chagall's legacy continues to enchant and inspire art enthusiasts worldwide. Please read our policy carefully: 1. All items are sold AS-IS, where is with all faults. We do not accept returns or refunds. All sales are final. 2. We will pack and arrange all shipments via UPS. Shipping costs to US address starts with 30 USD and 180 USD to International (depends on size and weight of the package). Packages should be shipped within two weeks after payment is received. Larger packages and international delivery may exceed this period. 3. Your bids signify that you have examined the items as fully as you desire, or that you have chosen not to examine them. Images descriptions are our opinions and should in no way be construed as a guarantee of any kind as to authorship, age, condition, materials, provenance or any other feature of items being sold. 4. If the bidder refuses to pay for the invoice after the successful bidding, the liquidated damages shall be 30% of the amount of the hammer price, which shall be responsible by the buyer.
Lot 1004
Rudolf Ausleger (Weißenfels/Thüringen 1897 – 1974 Berlin). „nach Chagall“. Farbkreide, Gouache und Deckweiß auf Bütten (aus einem Skizzenblock). 40,7 × 29,7 cm (16 × 11 ¾ in.). Unten rechts mit Kugelschreiber in Blau betitelt und signiert: nach Chagall Ag.[3040]Zustandsbericht: Schöner harmonischer Gesamteindruck. Die Blattkanten ohne Einrisse oder Fehlstellen. Die untere rechte Ecke mit diagonaler Knickspur (1,6 cm). Das Papier technikbedingt leicht gewellt. Die pastosen Partien mit Craquelè. Unter UV-Licht sind keine Retuschen oder Restaurierungen erkennbar. Rückseitig mit Atelier- und Bereibungsspuren.Wir berechnen auf den Hammerpreis 32% Aufgeld.
Lot 3660
Marc Chagall, "Vase aux Amoureux"Komposition aus Blumenstrauß und Frauenportraits, mit wenigen gekonnten Strichen angelegte Arbeit, Werksverzeichnis siehe Mourlot 217, Lithographie, im unteren Bereich der Darstellung in Blei rechts signiert "Marc Chagall" und links nummeriert "111/300", mittig übliche Faltlinie, gebräunt, etwas fleckig und an der Blattkante etwas lichtrandig, Blattmaße ca. 20 x 32 cm. Künstlerinfo: bürgerlich Moishe Zakharovich Shagalov, bedeutender russisch-frz. Maler, Graphiker und Bildhauer jüdischer Herkunft (1887 Liosno/Witebsk bis 1985 Paul de Vence), Schüler des Malers Jehuda Pen, 1907 an der Kaiserlichen Gesellschaft zur Förderung der Künste St. Petersburg, 1908 Privatschule Saidenberg und bei Léon Bakst an der Swansewa-Schule, ab 1910 eigenes Atelier in Paris, Pionier des Surrealismus, berühmt für seinen mystischen Symbolismus, tätig unter anderem in Petersburg, Paris, Montrouge, USA, Quelle: Vollmer, Wikipedia und Internet.
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