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After Chagall, lithograph, Winged figure, inscribed on the mount, 12.5 x 18cm, a pen and ink sketch of figures and an etching of a reclining woman

AFTER WASSILY KANDINSKY (4)Two reproduction posters, 'Accords opposes, Musee National D'Art Moderne'85.5 x 55cmTogether with a reproduction print after Marc Chagall and an Gallery Maeght exhibition poster 'Der Blaue Reiter' (unframed)(4)

Marc Chagall lithographic print 'Kunsthaus Zurich' approx. 55cm x 45cm (includes frame)

Chagall, Marc / Longus Daphnis und Chloe 223 S. mit 42 farbigen Illustrationen nach den Lithographien von Marc Chagall. München, Prestel 1982. 4° OLwd. in ill. OSchUmschl. und OSchuber.Buch, Bukolik, Grafik, Griechisch-römische Mythologie, Liebesroman

NO RESERVE Read (Herbert) The Innocent Eye, first edition, critic David Shillan's copy with his ink ownership inscription to endpaper, A.L.s. from Read to Shillan discussing his childhood "I had a lucky start in life. But the child has a capacity for making the best of his surroundings, & more than one poet was born in the suburbs" loosely inserted, frontispiece after Chagall, original cloth, dust-jacket, spine chipping, stained and browned, chipping and creasing to head and foot of panels, 1933; and a group of 5 A.L.s., T.L.s. and A.C.s. from Read to the pianist Andor Foldes, travelling the world, discussing music and coming works, v.s. (6)

Vu Cao Dam (Vietnamese/French, 1908-2000). Oil painting on canvas titled "Divinite," depicting a woman in pink robes seated in prayer or meditation over a bed of graceful white flowers. Signed along the lower right.Biography: Born in Hanoi in 1908 to a well-to-do family, Vu Cao Dam displayed an early interest in the arts. His father, a well-educated Catholic, brought him up in a home surrounded by traditional Chinese calligraphy and a wide range of cultural influences. In 1926, he began his formal artistic education at the painter Victor Tardieu’s École des Beaux-Arts de l'Indochine, now the Vietnam University of Fine Arts. Tardieu and his instructors taught academic European painting to his students as well as decoration, architecture, anatomy, and sculpture. It was at sculpture that young Vu Cao Dam most excelled, and he joined the newly minted sculpture program at the École des Beaux-Arts, where he created several bronze busts that won him early acclaim.In 1931, following his graduation from the École des Beaux-Arts de l'Indochine, Vu Cao Dam received a scholarship to continue his art education in Paris. He began his Parisian studies at the Cité Internationale Universitaire de Paris. During his first year there, Vu Cao Dam received the prestigious honor of an invitation to display his works in the Exposition Coloniale Internationale. He then continued his studies at the École du Louvre, where he was able to view the works of the great European academic masters he had been trained to emulate. However, he was most compelled by more recent works of the impressionists and post-impressionists, as well as great sculptors such as Auguste Rodin and Alberto Giacometti.Vu Cao Dam’s career took off following the completion of his education. He and fellow Vietnamese expatriate Le Pho, a dear friend with whom he had studied in Hanoi, found success and popularity on the Paris art scene. Vu Cao Dam began sculpting what would become his most famous subject matter: elegant Vietnamese ladies. He continued to paint as well as sculpting, often painting on silk, a form of painting taught at the École des Beaux-Arts de l'Indochine. He also began to put down personal roots in France, marrying and having two children.When World War II broke out, Paris became a dangerous place to live and work; Vu Cao Dam sent his family to the countryside to escape the Nazi-occupied city. However, he stayed in Paris, frantically creating art out of any material available under strict rationing, and bicycling the 100-km distance to see his family whenever he could. During this time, he executed several of what are now seen as his finest works out of terracotta, demonstrating his resourcefulness and commitment to his art.In 1949, plagued by ill health, Vu Cao Dam moved to the south of France with his family, to a villa named Les Heures Claires. The bright, airy atmosphere of southern France had a large impact on his painting, as did the work of his new neighbor, Marc Chagall. His works take on a sunny, pastel air at this point. Throughout the 1950s and into the early 1960s, Vu Cao Dam gained international success, exhibiting throughout France, particularly in Nice, as well as in Sweden, Belgium, and the UK. In the early 1960s, Vu Cao Dam signed an exclusive contract with Wally Findlay Galleries in the United States. This brought his work notoriety in the United States, and there are many fine examples of his work in the United States that originate from this partnership. Vu Cao Dam remained in France for the rest of his life, continuing to create art until his death in 2000.Unframed; Height: 14 in x width: 11 in. Framed; Height: 21 1/2 in x width: 18 1/4 in.

JOAN RIPOLLÉS (Castellón, 1932)."La chica del gallo".Mixed media on canvas.Signed in the lower left corner.Measurements: 130 x 97 cm.Known by his second surname or as "the Blessed Ripo", Joan García Ripollés discovered his passion for painting when, when he was still very young and in the middle of the post-war period, he started working in an industrial painting workshop. From then on he devoted himself to painting at night, and later took drawing classes at the Ribalta secondary school in Castellón. After his debut in a group exhibition held in 1951 at the Caja de Ahorros de Castellón, 1954 was a turning point in his career, as a result of a trip to Paris where he made contact with the artistic circles of the city. He remained in the French capital until 1963, and during these years he produced twelve paintings for the church of Saint-Paul de Trigan in the Commune des Chaulegnes. However, he was unable to give up industrial painting until 1958, when he joined the Drouand David gallery in Paris, one of the most prestigious in the world. He organised his first major solo exhibition at MACBA in 1962, and in 1967 he travelled to New York, where he exhibited and sold his entire collection to The William Haber Art Collection. That same year, the New York dealer Leon Amiel, of the Larrouse gallery, acquired all his work, something which was repeated on his trip to Japan. From that moment on, he embarked on a dazzling international career that has taken his work all over the world. In 1977 he moved to Holland, where he produced the engravings for the book in homage to Josep Plà. Between 1986 and 1987 he devoted himself to sculpture, producing sixty-two works in ceramic and bronze which were exhibited at the 1988 edition of ARCO. He has organised solo exhibitions not only in Spain, Paris and New York, but also in Mexico, Holland, Belgium, Italy, Switzerland, Sweden, various American cities, Germany and Japan. He is currently the exclusive artist of The William Haber Art in New York and the Galerie Drouand in Paris. In 2000 he was awarded the Premio de las Artes de la Comunidad Valenciana. Ripollés is today one of the most international Spanish artists, and also one of the most complete, as he has worked brilliantly in painting, sculpture and engraving. After an initial stage of correct figuration in which he recreated the landscape of his homeland, his work began to lean first towards dramatic expressionism and then towards a simplified painting based on the imaginative and poetic recreation of reality. Within this lyrical, ironic and somewhat erotic world, he developed a body of work whose roots conceal a deep admiration for Picasso and Chagall. Ripollés is represented in the IVAM, the MOMA in New York, the Museum of the University of Alicante, the Museum of Fine Arts in Seville and the MACBA.

 Collection of 6 x prints, Pablo Picasso lithograph Antonio Machado 1959 (Mourlot), Fernand Leger lithograph Museum Morsbroich 1955 (Mourlot), Marc Chagall lithograph Musee des arts decoratifs circa 1950's (Mourlot), Henry Moore Shelter sketch print circa 1940's, Eric Gill engraving from 25 Nudes Circa 1938,  Eric Gill nude female life study print circa 1940's. All mounted but unframed, approx overall sizes 16 x 12 inches. 

Chagall (Marc, 1887-1985). Song of Songs, Musée National Message Biblique, [1975], colour lithograph, signed by the artist lower right, dated 1980, thin mounting tape to margins of verso, sheet size 75.5 x 51.5 cmQTY: (1)NOTE:Limited edition of 8500. This copy signed by the artist, which was printed to publicise the National Biblical Message Museum in Nice.

Farblithographie von Marc Chagall, "Die drei Kerzen", 80/450, rückseitig Bestätigung Arta Gallery, Jerusalem, 63x45 cm, im Rahmen,

European literature Collection of works in French and other languages comprising: Proust, Marcel. Les plaisirs et les jours. Paris: Calmann Lévy, 1896. First edition, folio (29.5 x 20cm), later half morocco, 14 tinted plates, partly unopened, original wrappers bound in; Eluard, Paul. Le dur désir de durer. Illustrated by Marc Chagall. Philadelphia: Grey Falcon Press, & London, Trianon Press, 1950. One of 1500 copies, 4to, original wrappers, colour frontispiece; Gide, André. Montaigne. An Essay in Two Parts. London: Blackamore Press, 1929. One of 800 copies signed by the author, 4to, original cloth; Gautier, Théophile. Musée secret ... pointes sèches originales de Mya. Paris: Frazier-Soye, 1932. One of 875 copies on vélin d'Arches, folio, original wrappers, 10 plates, glassine dust jacket, plates and text in unbound bifolia as issued, spotting; Claudel, Paul. Les Euménides d'Eschyle. Paris: Nouvelle revue française, 1920. One of 100 copies 'sur papier Whatman à la forme ... réservés aux bibliophiles de la Nouvelle revue française', 4to, original wrappers, glassine dust jacket, edges untrimmed and unopened, glassine dust-soiled; Boiardo, Matteo Maria, conte di Scandiano. Sonetti e canzone. Milan: Societa tip. dei classici italiani, 1845. One of 250 copies only, 4to (24.2 x 18.6cm), 20th-century crushed green morocco gilt by Zaehnsdorf, title-page vignette hand-coloured, top edge gilt, others untrimmed (wide margins); Gallo, Agostino. Elogio storico di Antonio Gagini scultore ed architetto palermitano. Palermo: Reale stamperia, 1821. 4to (26.5 x 19cm), later half morocco, copper-engraved portrait frontispiece, 30 pp., light staining to final leaf, Baron Napier bookplate; Goethe, Johann Wolfgang von. Faust. Jena: Eugen Diederich, 1909. 'Jubilee edition' (Jubiläumsausgabe), one of 1000 copies on Van Gelder paper, 4to, original blind-stamped brown morocco gilt, top edge gilt, others untrimmed, with one clasp (of two); and 6 others similar (14)Note: Les plaisirs et les jours was Proust's first published book.

Miro, Joan Femmes Texte de Claude Simon. [Paris]: Maeght, 1965. First edition, trade issue, large folio, [9]-20 pp. text, woodcut frontispiece in colours, similar vignettes to title-page and colophon leaf, 23 offset lithographic plates in colours, all loose as issued in yellow wrappers, housed in original yellow card portfolio, ties extant, very slightly distressed at extremities; Chagall, Marc. Chagall Lithographe. [Volume 1 of 6]. Monte Carlo: André Sauret, [1960]. First edition in German, 4to, original cloth, lithographic dust jacket, 11 lithographic plates, illustrations throughout the text; Beaulieu, Paul. O visages ... poème satirique de Jean-Louis Vallas. Paris: aux dépens d'un amateur, 1952. First edition, one of 67 copies on Vergé pur chiffon, from the total edition of 85, 4to, 33 etched plates, text, in bifolia, loose as issued in original wrappers and card folder; Jansem, Jean. Oeuvres graphiques. New York: Touchstone Publisher Ltd., 1970. First edition, one of 3,000 copies, 4to, original cloth, lithographic dust jacket, 8 lithographic plates; Manet, Edouard. The Raven. Poem by Edgar Allan Poe. New York: Pilgrim Press, 1978. 'Limited edition' (limitation not stated), large folio, 16 pp. text, 4 lithographic plates, all loose as issued in portfolio and slipcase (slipcase partially split at foot) (5)

{Alexandre Altmann. 1885 Sobolewska - 1950 Nemours. Ukrainischer Künstler, der schon im Alter von 18 Jahren in Wien von Oskar Kokoschka beeinflusst wurde. War mit Chagall und Kandinsky bekannt. Stellte im Pariser Salon aus.} Sign. Abendliche Dorflandschaft mit Bach und steinerner Brücke. Öl/Lwd. 30 x 40 cmm. R

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 22 x 40 cm; 22 x 20 cm, R."Catalogue - Frontispice", 1969. Lithografie auf Arches Bütten. In Bleistift signiert, bezeichnet und nummeriert "E. A. XXXII/L".Mourlot, 595.Privatsammlung, Baden-Württemberg.

Chagall, MarcWitebsk, 1889 - Saint-Paul-de-Vence, 1985Blattgröße: 51,4 x 37,5 cm; 35 x 26,5 cm, R."Noémie et ses belles-filles", 1960. Farblithografie auf Arches Bütten aus der Folge "Verve". In Bleistift unten rechts signiert und unten links nummeriert 38/50.Mourlot, 245.Galerie Valentien, Stuttgart.Privatbesitz, Baden-Württemberg.

CHAGALL MARC: (1887-1985) Russian-born French Artist. T.L.S., Marc Chagall, one page, 4to, New York City, 9th March n.y. (1938?), to Oliver Simon of The Curwen Press Ltd. in London. Chagall states that he was delighted to receive a beautiful copy of Signature containing 'a most excellent reproduction of my engraving' and adds 'I would like to express my admiration for workmanship of this kind, and I too, deplore the fact that in America it is so badly done'. Chagall further thanks his correspondent for their interest in his work and their intention to reproduce other engravings and in a postscript remarks 'I must tell you that I find a wonderful subtlety of tones in your reproductions which is usually lost in most and that it would give me great pleasure if some day we could produce a book together'. Some very light, minor creasing , otherwise VG Chagall's letter most likely relates to the March 1938 edition (No.8) of Signature: A Quadrimestrial of Typography and Graphic Arts which was edited by Oliver Simon and published by the Curwen Press. As well as a reproduction of an illustration by Chagall the issue also featured works by Raoul Dufy, Pierre Bonnard, Pablo Picasso and others.

CHAGALL MARC: (1887-1985) Russian-born French Artist. A.L.S., `Marc Chagall´, one page, 4to, n.p., n.d., in French. Chagall sends a short note to his correspondent, stating `J´ai bien reçu votre revue, dont je vous remercie. Quand à la photo, vous pouvez l´utiliser, si cela vous convient…´ (“I have received your magazine, for which I thank you. As for the photo, you can use it, if it suits you...”) VG           

CHAGALL MARC: (1887-1985) Russian-born French Artist. T.L.S., Marc Chagall, one page, 4to, Les Collines, Vence, 3rd February 1953, to a Doctor, in French. Chagall states that it was nice of his correspondent to have sent some good candied fruits, which have been eaten with infinite pleasure, and also thanks the doctor for his good wishes, which he reciprocates. Some very light, extremely minor age wear, VG

Paar hinter Glas gerahmter multipler Lithografien des Marc Chagall, 1 x "Salomo", ca. 35 x 26 cm (Paris 1956, Mourlot Nr. M 131) sowie "Der Zirkus" (1960 Mourlot Nr. M 289), ca. 32 x 24 cm. Rahmen beigegeben, max. Außenmaß je ca. 66 x 51 cm.

δ Marc Chagall (1887-1985)Jacob Weeping for Joseph (see Cramer 30)Etching with extensive handcolouring in watercolour, 1958, initialled in pencil, numbered from the edition of 100, as included in the hand-coloured bible, published by Tériade, Paris, on Arches paper, with full margins, sheet 530 x 390mm (21 x 15 ½in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985)Heure Sereine (Mourlot 1007)Lithograph printed in colours, 1983, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full margins, sheet 645 x 465mm (25 1/2 x 18in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985)Joshua Stops the Sun (See Cramer 30)Etching with extensive handcolouring in watercolour, 1958, initialled in pencil, numbered from the edition of 100, as included in the hand-coloured bible, published by Tériade, Paris, on Arches paper, with full margins, sheet 530 x 390mm (21 x 15 ½in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

** δ Marc Chagall (1887-1985)Daphnis et Gnathon, from Daphnis et Chloé (see Cramer 46)Lithograph printed in colours, 1961, signed in pencil, numbered from the edition of 60, printed by Mourlot Frères, Paris, published by Tériade Éditeur, Paris, with full margins, sheet 538 x 380mm (21 1/4 x 15in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

δ Marc Chagall (1887-1985)Le Peintre devant le Tableau (Mourlot 932)Lithograph printed in colours, 1978, signed in pencil, inscribed 'Épreuve de Collaborateur', numbered from the edition of IV, a proof aside from the edition of 50, printed by Mourlot, Paris, on Arches wove paper, with full margins, sheet 620 x 467mm (24 3/8 x 18 1/2in) δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

δ Marc Chagall (1887-1985)Le Couple sur le cheval (see Cramer 107)The original copper plate for the editioned etching, 1980, published by Gérald Cramer, together with a printer's proof in black aside from the edition of 30, overall 400 x 300mm (15 3/4 x 11 7/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Konvolut: von 17 Bl. aus versch. Gebieten in versch. Techn., überwieg. 20. Jh. 8°-Imp.Fol. U.a. vorhanden: ╔Kurt Ohnsorg╗ (1927-1970). Blick in Werkhüttte Rauch, Altmünster (Frau Rauch u. Tochter). Zeichnung auf dünnem Papier 1953. Blgr. 21 x 29 cm. Unt. re. monogr. u. dat. Hinter Passep. mont. - Aus d. Slg. Dr. Franz X. Prammer, Linz (n.b.L.). - ╔Exlibris Margret Schubert.╗ Radierung mit Aquatinta v. D.Brehm 1971. Ca. 15 x 9,5, Blgr. 27 x 21,3 cm. Sign. u. num. - Ex. 3/7. - ╔Jeremias Meier╗ (20. Jh.). Ansicht einer Stadt. Kaltnadelradierung 1973. 17,8 x 44,3, Blgr. 32,5 x 48,4 cm. Sign. u. dat. - 3 Bl. mit Blumenstillleben (Flieder, Klatschmohn, Frühlingsstrauss). Aquarell u. Gouachen auf Karton v. V.Gräflinger, 20. Jh. 2 Bl. unt. re. sign. - 3 Photographien, wohl 2.H. 19. Jh. - 4 Bl. in versch. Techn. v. Georges Braque (Quatre Oiseaux), Henri Matisse (Jeune Fille), Marc Chagall (La maison de mon village, Der grüne Esel) (Mourlot 233). - 2 Bl. Marmorpapier. D

Chagall, Marc: (1887 Peskowatik bei Witebsk - Saint-Paul-de-Vence 1985). Femme-oiseau. Farblithographie auf Papier. E. und in der Platte sign., num. 13/50, nicht bezeichnet und dat. (1950). Sichtmaß: 48 x 58 cm. - Unter Glas (nicht geöffnet). - Mourlot 49. - Etw. gebräunt, kleine Delle am Oberrand. Femme-oiseau. Colour lithograph on paper. Signed in pencil as well as on the stone and numbered 13/50, not labelled or dated (1950). Visible size 48 x 58 cm. Framed under glass (unopened). Somewhat browned, little dent in upper margin. R

Verschiedene Grafiker des 20. Jh.umfangreiches Mappen-Konvolut unterschiedlicher Künstler wie z.B. Chagall. Grieshaber, Hrdlicka, Alfred Pohl, Picasso, verschiedene Darstellungen, Techniken und Größen, tlw. Nachdrucke. Griff-, Knick- und Altersspuren. In blauer Kartonmappe (Altersspuren).

Chagall, Marc (nach)1887 - 1985, russischer Maler, Illustrator, Bildhauer und Keramiker. Konvolut mit 6 Figurendarstellungen: "Kain und Abel", "Der inspirierte Maler", "Michael rettet David", "Tapréziste à l'oiseau", "Bouguet pour Fernand", "Figurendrastellung", jeweils unsign., Farblithographie/Papier, Nachdrucke, HxB: bis ca. 35/26 cm (Blattmaß). Gebräunt, Altersspuren. Jeweils hinter Glas gerahmt.

Follower of Marc Chagall, A floating figure, crayon drawing, initialed, 9" x 10.25".

Marc CHAGALL( Witebsk 1887 - 1985 Vence), David spielt Harfe vor Saul, Radierung, in der Platte signiert, rückseitig bezeichnet 462/1, Büttenpapier mit Wasserzeichen, Motivgröße 30 x 23,5 cm, Blattgröße 44,5 x 33,8 cm

Marc Chagall (1887-1985)-graphic, ladderand portrait , art print on paper, framed under glass, 25 x 21 cm

Marc Chagall (1887-1985)-graphic, girl and village, colour lithography on paper, handsigned, on the reverse dedication by Marc Chagall dated 1976, framed under glass, 30 x 24 cm

v 3 bts Ch. Mouton-Rothschild 1970 Pauillac, 1er Cru Classé 2 ms, 1 lms, stl, Chagall Label, 1 torn label, 1 sl torn label

1 bt Ch. Mouton-Rothschild 1970 Pauillac, 1er Cru Classé, lms, Chagall label, sl bs, glue banded, foil sl oxidised,

Moïse Kisling, 1891 Krakau, Polen – 1953 Sanary-sur-Mer, FrankreichLANDSCHAFT BEI SAINT TROPEZ, 1918 Öl auf Leinwand. Doubliert. 60,3 x 73 cm. Rechts unten signiert und datiert „Kisling 1918“. In vergoldetem Rahmen.Dem Betrachter mag fast schwindlig werden bei der Betrachtung des Auf und Ab der Felder, deren stark konturierte Linien wie gekämmt wirken. Kisling, von dem aus dem gleichen Jahr gleich mehrere Gemälde bekannt sind, die sich der Landschaft um Saint Tropez widmen, zeigt uns von stark erhobenem Betrachterstandpunkt aus das absteigende Ufer mit seinen fruchtbaren Feldern und seiner typischen Bebauung, die zu den Besitzern der Felder gehört. In leuchtenden Farben, die uns an die Landschaftsbilder von Chagall erinnern, führt er den Blick des Betrachters über Bäume in variantenreichen Grüntönen hinab auf das lapislazuliblaue Band, das den Golf von Saint Tropez kennzeichnet. Kisling liebte die Farben und das Spiel der Formen. Ebenfalls aus dem Jahr 1918 etwa ist ein Landschaftsgemälde bekannt, das bei kleinerem Format die Oberflächenbeugung der Felder geometrisiert und als flächige Rechtecke darstellt (Inv.Nr. Kis01 Montclair, Kasser Art Foundation).  Der Künstler war ein französischer Maler polnisch-jüdischer Herkunft. Er studierte zunächst an der Akademie der Schönen Künste Krakau, ehe er nach Paris ging und ab 1910 im Stadtteil Montmatre wohnte. Er war mit vielen seiner Zeitgenossen befreundet, u.a. mit seinem Nachbarn Amedeo Modigliani, der ihn malte. Nach der Besetzung Frankreichs im Zweiten Weltkrieg floh er in die USA. (†)Provenienz: Galerie D'Art du Faubourg Saint-Honoré, Paris. Sammlung Christine und Jim Mulligan, Agay, Frankreich. Brunk Auctions, Asheville, USA, 15. September 2018, Lot 902. Anmerkung: Ein vergleichbares Werk wurde bei Christie‘s, am 10. Februar 2012, als Lot 70, verkauft. Die dort verkaufte Landschaft lässt sich besonders hinsichtlich der schwarz konturierten roten Dächer über geweißeltem Mauerwerk und dem Violett des Hintergrundes gut vergleichen. (12901411) (13)Moïse Kisling,1891 Krakow, Poland – 1953 Sanary-sur-Mer, FranceLANDSCAPE NEAR SAINT-TROPEZ, 1918Oil on canvas. Relined.60.3 x 73 cm.Signed lower right and dated “Kisling 1918”. (†)Provenance:Galerie d’Art du Faubourg Saint-Honoré, Paris.Christine and Jim Mulligan collection, Agay, France.Brunk Auctions, Asheville, USA, 15 September 2018, lot 902.Notes:Christie’s sold a comparable work, 10 February 2012, lot 70. The landscape sold there compares particularly well with regards to the red roofs contoured in black over whitewashed masonry and the violet background.

MARC CHAGALL (1887-1985NICE, Soleil, Fleurs. (The bay of Angels)lithographic poster in colours, 1962, printed by Mourlot, Paris, cond. A, backed on linen 38 3/4 x 24ins. (98 x 61cm.)For further information on this lot please visit Bonhams.com

MARC CHAGALL (1887-1985)MARC CHAGALLlithographic poster in colours, printed by Grebel,cond. A, backed on linen 35 x 25ins. (89 x 63cm.)For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Plate 5, from Four Tales from Arabian Nights (Mourlot 40; Cramer books 18) Lithograph in colours, 1948, on laid paper, signed, annotated and numbered 'Pl.5 57/90' in pencil (the total edition was 111), published by Pantheon Books, New York, the full sheet, in overall very good condition, framedImage 372 x 280mm. (14 5/8 x 11 1/8in.); Sheet 430 x 330mm. (16 7/8 x 13in.)Footnotes:ProvenanceSotheby's, Old Master, 19th and 20th Century and Contemporary Prints, London, 29 June 1993, lot 394.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) By Charles SorlierLe Coq et l'Horloge (Sorlier 49) Etching and aquatint in colours, circa 1950, on Rives BFK wove paper, signed and numbered 64/300 in pencil, published by Maeght Éditeur, Paris, the full sheet with deckle edges on three sides, with a few short tears from the deckle edges, in generally good condition, the colours strong and vibrant, framedPlate 311 x 232mm. (12 1/4 x 9 1/8in.); Sheet 556 x 380mm. (21 7/8 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Saint-Germain des Prés from Derrière Le Miroir (Mourlot 100; Cramer books 24) Lithograph in colours, 1954, on wove paper, signed and numbered 20/75 in pencil, printed by Mourlot Frères, published by Maeght Editeur, Paris, the full sheet with a deckle edge below, with light-staining, the red slightly attenuated but the colours still strong, generally in good conditionSheet 398 x 280mm. (15 5/8 x 11in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Les Amoureux de la Tour Eiffel (Mourlot 187) Lithograph in colours, 1960, on Arches wove paper, signed and numbered XI/XXV in pencil, an artist's proof aside from the edition of 50, printed and published by Mourlot, Paris, the full sheet with a deckle edge at right, with pale time and mount staining, the colours slightly attenuated but still strong, otherwise in good condition, framedImage 556 x 441mm. (21 7/8 x 17 3/8in.); Sheet 659 x 501mm. (25 7/8 x 19 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) By Charles SorlierSaint-Jean-Cap-Ferrat (Sorlier 4) Lithograph in colours, 1952, on wove paper, signed and inscribed épreuve de artiste, one of a small number of proofs (the edition was never published), with margins, the palest of light-staining, three repaired horizontal tears to the centre left margin, other minor surface defects, the colours bright and freshImage 680 x 591mm. (26 3/4 x 23 1/4in.); Sheet 809 x 571mm. (32 x 22 5/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

MARC CHAGALL (1887-1985)Paysage au Coq (Mourlot 208) Lithograph in colours, 1958, on Arches wove paper, signed and numbered 92/100 in pencil, published by Maeght Éditeur, Paris, the full sheet with deckle edges at left and right, the colours slightly attenuated but still strong, in good conditionImage 375 x 559mm. (14 3/4 x 22in.); Sheet 481 x 650mm. (18 7/8 x 25 5/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Découverte de Chloé par Daphnis, from Daphnis et Chloé (Mourlot 310; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 11/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge below, in very good condition, the colours strong and vibrant, framedImage 419 x 321mm. (16 1/2 x 12 5/8in.); Sheet 540 x 379mm. (21 1/4 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Mégaclès reconnait sa Fille pendant le Festin, from Daphnis et Chloé (Mourlot 347; Cramer books 46) Lithograph in colours, 1961, on Arches wove paper, signed and numbered 10/60 in pencil, printed by Mourlot, published by Tériade, Paris, the full sheet with a deckle edge below, in overall very good condition, the colours strong and vibrant, framedImage 421 x 641mm. (16 1/2 x 25 1/4in.); Sheet 536 x 756mm. (21 x 29 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Granada from Paroles Peintes I (Kornfeld 121) Etching and aquatint in colours, 1962, on BFK Rives wove paper, signed and inscribed Épreuve d'artiste in pencil, an artist's proof aside from the numbered edition of 183, published in Paroles Peintes, the full sheet, with pale time staining, in overall good condition, framedPlate 330 x 240mm. (13 x 9 3/8in.); Sheet 382 x 281mm. (15 x 11in.)Footnotes:ProvenanceBerggruen & Cie, Paris.Acquired from the above by the current owner, 1997.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) By Charles SorlierLa Tribu d'Issachar, from Douze Maquettes de Vitraux pour Jerusalem (Sorlier 17) Lithograph in colours, 1964, on Arches wove paper, signed and numbered 40/150 in pencil, published by Mourlot, Paris, the full sheet with deckle edges at right and below, with the palest of light-staining, the colours bright and fresh, in good conditionImage 536 x 464mm. (24 1/4 x 18 1/4in.); Sheet 755 x 522mm. (29 5/8 x 20 3/4in.)Footnotes:ProvenanceSotheby's, Old Master, Modern & Contemporary Prints, London, 6 December 2001, lot 132.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

After Marc Chagall (1887-1985) By Charles SorlierCarmen (Sorlier 39) Lithograph in colours, 1966, on Arches wove paper, signed and inscribed 'H.C' in pencil, an hors commerce impression aside from the edition of 200, the full sheet with a deckle edge below, in good condition, the colours strong and vibrant, framedSheet 1017 x 665mm. (40 x 26 1/4in.)Footnotes:ProvenanceSotheby's, Old Master, 19th and 20th Century and Contemporary Prints, London, 2 December 1993, lot 351.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)One Plate, from Sur la Terre des Dieux (Mourlot 535; Cramer books 72) Lithograph in colours, 1967, on Arches wove paper, signed and numbered 68/75 in pencil, published by A.C. Mazo, Paris, with wide margins and deckle edges at right and below, in overall good conditionImage 450 x 370mm. (17 3/4 x 14 1/2in.); Sheet 645 x 495mm. (25 3/8 x 19 1/2in.)Footnotes:ProvenanceSotheby's, Old Master, 19th and 20th Century and Contemporary Prints, London, 29 June 1993, lot 399.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Le Vagabond (Cramer 20) Etching, 1967, on Japan paper, signed and numbered 34/35 in pencil, the full sheet, with a deckle edge at right, with pale mount and time staining, a short scratch to the upper right margin, in overall good condition Plate 309 x 236mm. (12 1/8 x 9 1/4in.); Sheet 515 x 387mm. (20 1/4 x 15 1/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Acrobate et Violoniste (Cramer 64) Etching and aquatint in colours, 1968, on wove paper, with Hand and Branch watermark, signed and numbered 26/50 in pencil, the full sheet with deckle edges at left and right, with very pale light-staining, the colours slightly attenuated but still strong, in good conditionPlate 350 x 400mm. (15 3/4 x 13 3/4in.); Sheet 499 x 577mm. (19 5/8 x 22 3/4in.)Footnotes:ProvenanceSotheby's, Old Master, Modern & Contemporary Prints, London, 6 December 2001, lot 128.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Le Magicien de Paris II (Mourlot 598) Lithograph in colours, 1969-70, on Arches wove paper, an unsigned proof aside from the edition of 50, the full sheet with deckle edges at right and below, with light-staining, the red slightly attenuated but the colours still strong, in overall good conditionSheet 1017 x 715mm. (40 x 28 1/8in.) Footnotes:ProvenanceSotheby's, Old Masters, 19th and 20th Century and Contemporary Prints, London, 27 June 1995, lot 203.Acquired from the above sale by the current owner.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)La Famille au coq (Mourlot 567) Lithograph in colours, 1969, on Arches wove paper, signed and numbered épreuve d'artiste II/XXV, an artist's proof aside from the edition of 50, printed and published by Atelier Fernand Mourlot, Paris, with wide margins and deckle edges at right and below, with very pale light-staining, the colours very slightly attenuated but still strong, in overall good conditionImage 610 x 410mm. (24 x 16 1/8in.); Sheet 753 x 531mm. (29 5/8 x 20 7/8in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Composition fantastique (État définitif) (Mourlot 896a) Lithograph in colours, 1976, on Arches wove paper, signed and numbered 33/50 in pencil, with wide margins and a deckle edge at right, with time and light-staining, the colours slightly attenuated but still strong, generally in good condition, framedImage 635 x 480mm. (25 x 18 7/8in.); Sheet 785 x 625mm. (30 7/8 x 24 3/4in.)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Vue de Notre-Dame (Mourlot 977) Lithograph in colours, 1980, on Arches wove paper, signed and numbered 34/50 in pencil, published by Maeght, Paris, the full sheet, with pale time staining, the pink slightly attenuated but the colours still strong, a short tear to the centre of the extreme right sheet edge, in overall good condition, framedImage 921 x 591mm. (36 1/4 x 23 1/4in.); Sheet 1155 x 750mm. (45 1/2 x 29 1/2in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Le Violiniste, from Songes (Cramer books 112) Etching in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with deckle edges on three sides, with pale light-staining, the colours slightly attenuated but still good, in good conditionPlate 305 x 236mm. (12 x 9 3/8in.); Sheet 521 x 380mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Musique, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good condition Plate 302 x 235mm. (11 7/8 x 9 1/4in.); Sheet 520 x 380mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Le Retour de l'Enfant Prodigue, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 49/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light staining, the colours strong, in good conditionPlate 305 x 240mm. (12 x 9 3/8in.); Sheet 521 x 377mm. (20 1/2 x 14 7/8in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

Marc Chagall (1887-1985)Portrait au Bouquet, from Songes (Cramer books 112) Etching and aquatint in colours, 1981, on wove paper, signed and numbered 41/50 in pencil, published by Lacourière et Frélaut, Paris, the full sheet with a deckle edge below, with pale light-staining, the red slightly attenuated but the colours still strong, in good conditionPlate 305 x 236 (12 x 9 1/4in.); Sheet 521 x 375mm. (20 1/2 x 14 3/4in.)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com