We found 2176 price guide item(s) matching your search

A GROUP OF COLLECTORS PLATES to include eight D'Arceau-Limoges Musee Condé de Chantilly 'Les Crês Riches Heures de Jean, Duc de Berry' collector plates with medieval scenes named after the months comprising January -August (August has visible signs of restoration), and October-November, thirty-one Wedgwood Calendar plates covering the years 1971-2000 with garden, animal, heritage themes, hunting, two Spode plates celebrating St Chad and Iona, a Royal Worcester 'Fantastic Birds' plate, four Fenton art-deco inspired plates, a group of mixed plates (qty) (Condition Report: most in fair condition, some items could benefit from a clean, some rims slightly scratched)

Royal Worcester - Gold Chantilly - An extensive collection of Royal Worcester Gold Chantilly pattern porcelain table ware. The tea / dinner service to include a selection of plates, tea cups, saucers, and bowls, amongst other examples. Each piece having white ground, with scrolled gilt details and edging.

American Gorham Chantilly pattern sterling silver eight place setting flatware, weight (excluding knives) 39ozt.

A quantity of Denby tableware, various patterns, including Reflections, Pot Pourri, Troubadour, Manor Green, Chantilly, Apple Mouse, Sumatra, Mayflower, etc, mid 20th century and later (4 boxes)

Bureau plat de forme rectangulaire d'époque Transition, attribué à Philippe-Claude Montigny (1734-1800), en placage d'amarante marqueté de bois de rose à décor de frises de grecque, ornementation de bronze doré, vers 1770A late Louis XV ormolu-mounted amaranth and tulipwood banded bureau plat attributed to Philippe-Claude Montigny (1734-1800), circa 1770The rectangular green leather-lined top with ormolu border above a recessed panelled frieze with stylised Greek key motif and foliate rosettes, opening with two drawers and two leather-lined slides, above square tapering canted legs headed by ormolu swagged chutes and terminating in faceted sabots, unstamped, with two brands to the underside inscribed 'COLLECTION GEORGES HEINE', 130cm wide, 64.5cm deep, 76.5cm high (51in wide, 25in deep, 30in high). Footnotes:ProvenanceCollection Georges Heine.Ader-Picard, Palais Galliera, 23 March 1971, lot 113.Philippe-Claude Montigny, maître in 1766.This elegant bureau plat with its distinguished 'Etruscan' ornamentation and Greek key-inlaid friezes, epitomises the understated neoclassicism taste of the 1760s and 1770s. It was executed in the 'Goût Grec', a style which was flourishing when these were made in circa 1770. The earliest evidence of this specific style are the designs, which were produced as a collaborative project by the architect Louis-Joseph le Lorrain and Simon-Philippe Poirier, a contemporary marchand mercier, for the famous suite of furniture supplied around 1755 to the amateur Ange-Laurent Lalive de Jully's hotel particulier in Paris. This commission included many important pieces, but of particular note were the celebrated bureau plat and cartonnier which are now located at the Musée Condé, Chantilly.The present bureau plat belongs to a well known group of closely related writing desks historically recorded 'bureaux à la Greque' by the ébénistes, Philippe-Claude Montigny (1734-1800) and Jacques Dubois (1694-1763), sometimes stamped by one or other of these two figures, or even on occasion stamped by both. Most frequently these were, as with the above, veneered in amaranth combined with tulipwood. Such bureaux plats perfectly exemplify the highest quality output made as a result of the kind of strong working relationship that doubtless must have existed between these two renowned cabinet makers. A table of this type, stamped Montigny, which incorporates the distinctive Greek key pattern inlay, is illustrated in A. Pradere, Les Ebenistes Français de Louis XIV à la Revolution, 1989, fig.344, p.306. Among many related bureaux plats 'à la Greque' sold in the last few decades, one attributed to Montigny sold Bonhams New Bond Street, London, 12 July 2023, lot 62. Georges HeineGeorges Heine belonged to one of those wealthy European families who made their fortune in banking, and who throughout the 19th century were able to acquire masterpieces of Decorative Arts to furnish their vast residences, as did the Rothschild, David-Weill, Hottinguer, Camondo, Fould and Jacquemart-André. Georges Heine's father, Michel Heine was with his brother, the founder of the family Heine bank, born from the takeover of the Fould bank. Michel Heine married Amélie Miltenberger and they had three kids: Alice, future Duchess of Richelieu and subsequently Princess consort of Monaco, Paul-Henri and Georges. In 1877, Michel bought Alice and the Duke of Richelieu the Richelieu Estate. In 1890, Michel Heine was appointed Regent of the Banque de France while in 1914, his son Georges succeeded Edouard Aynard. It is in 1904 that Alice and her brother Georges Heine inherited their father's collection which furnished his hôtel particulier of Avenue Hoche in Paris. In 1928, Georges Heine died at the Domaine de Richelieu leaving his collection to his 9 years old son, Robert Heine born in 1919. To protect Robert's inheritance, a part of his collection was deposited on loan at the Palais de Compiègne and at the Musée des Arts Décoratifs, with the idea that it would be safely kept until after his majority, and then later enjoyed by Robert Heine at his home on Avenue Marceau in Paris. It is finally on 23 March 1971 that the collection was to be sold by Ader-Picard at Palais Galliera in Paris.This lot is subject to the following lot symbols: WW Lot is located in the Bonhams Warehouse and will only be available for collection from this location.For further information on this lot please visit Bonhams.com

Nicolas Didier Boguet (Chantilly 1755-1839 Rome)Les chûtes des Marmore signé et daté 'D. Boguet 1810' (en bas à droite)huile sur toilesigned and dated 'D. Boguet 1810' (lower right)oil on canvas74.5 x 61.6cm (29 5/16 x 24 1/4in).Footnotes:Born in Chantilly where he discovered his vocation for painting Nicolas Didier Boguet, attended the Académie royale de peinture et sculpture. In 1783, he left for Italy where he travelled around Rome and the surrounding area, painting, drawing and discovering the great masters in churches and museums. He began to concentrate on landscape painting and from then on spent his summers travelling and painting in the Italian countryside, producing hundreds of works. Boguet remained in Italy until his death in 1839.For further information on this lot please visit Bonhams.com

Les Très Riches Heures du Duc de Berry. Manuscript No. 65 des Musée Condé in Chantilly. Mit 131 Prachtminiaturen mit Gold- und Silberauflage und über 3000 Goldinitialen. 2 Bde. (Fak. u. Komm.) Luzern, Faksimile-Verlag, 1984. Roter OMaroquin mit goldgepr. floraler Verzierung, dreis. Goldschnitt sowie Steh- und Innenkantenvergoldung und OHLdr. Zusammen im Plexiglas-Schuber. (Plexiglas Schuber leicht verkratzt.) Eins von 980 Exemplaren (GA 1060). - Mit dem deutschen Kommentarband mit Trasnkription des Textes. Prachtvolle Faksimile-Ausgabe des wohl schönsten Manuskripts der Zeit, das der Herzog von Berry bei den Brüdern Van Limburg in Auftrag gab, die zuvor seine Belles Heures verfasst hatten. Da sowohl der Auftraggeber als auch die Künstler starben, wurde das Werk posthum von Jean Colombe für den Herzog von Savoyen, vollendet. - Tadellos. Dabei: R. Cazelles und J. Rathofer. Das Stundenbuch des Duc de Berry. Les Très Riches Heures. Mit einer Einführung von Umberto Eco. München, Hirmer, 1988. 248 S. 4°. OLwd. in ill. OSchuber. With 131 splendid miniatures with gold and silver edition and over 3000 gold initials. 2 vols (facsimile and commentary.) Original red leather with gilt floral decoration, triple gilt edges and original half leather. Together in plexiglass slipcase. - One of 980 copies (total ed. 1060). - With the German commentary volume with trasncription of the text. Splendid facsimile edition of probably the most beautiful manuscript of the time, commissioned by the Duke of Berry from the Limbourg brothers, who had previously written his Belles Heures. As both the commissioner and the artists died, the work was completed posthumously by Jean Colombe for the Duke of Savoy. - Impeccable. Added: as above.

Das Stundenbuch des Étienne Chevalier. Von Jean Fouquet aus dem Schloss Chantilly. Faksimile mit Text- Bifolio. 2 Bd. (Fak. und Komm.) Simbach, Müller und Schindler, 2016. 12 Passepartout Tafeln mit insg. 47 Abb. Gr.-Folio. Tafeln und Bifolio in roter silbergepr. Ldr. Kassette mit mont. silbernem Relief Medaillon und silbergepr. Rückentitel, OLwd. (Komm.)(ganz leichte Abnutzungen an der Kassette) Ein nummeriertes Exemplar. - Das heute nur noch in Bruchstücken erhaltene Stundenbuch wird hier auf 12 Folio-Tafeln mit je mehreren Abbildungen dargestellt. Das Manuskript wurde im 15. Jahrhundert verfasst und die einzelnen Seiten befinden sich heute in verschiedenen Bibliotheken überall auf der Welt verteilt. - Sehr gutes Exemplar. Facsimile with text bifolio. 12 passepartout plates with a total of 47 illustrations. Plates and bifolio in red silver-embossed leather case with mounted silver relief medallion and silver-embossed spine title. (Very slight wear to the cassette.) - A numbered copy. - The Book of Hours, which is only preserved in fragments today, is presented here on 12 folio plates, each with several illustrations. The manuscript was written in the 15th century and the individual pages can be found today in various libraries all over the world. - A very good copy.

A collection of late 19th century black bobbin laces. A silk Maltese bobbin lace ‘fall cap’, a long black silk stole, possibly Spanish, a scalloped edge bobbin lace bonnet veil possibly French and a large black machine made Chantilly lace cape, silk Maltese ‘fall cap’ 138cm long (4). Condition - Maltese good, bonnet veil damage to netting, stole minor damage from use and machine, Chantilly cape various areas of looped edging needs re attaching.

A black silk flounce of wide Chantilly lace trimming and two similar narrower Chantilly trimmings, the flounce with a deep floral design and scalloped edge, 496cm long x 46cm deep, the narrow trimmings, both with matching designs, 400cm x 9cm deep, the other 200cm x 9cm deep. Condition - the deep flounce in good condition and colour, possibly never used, the smaller trimmings some damage, but mostly good.

Royal Worcester 'Gold Chantilly' Dinner-Tea Service, approximately sixty-five pieces, plates, cups-saucers, tureens, etc.

Jean-Léon Gérôme. 1824 Vesoul - 1904 Paris. Monogr. 'Duell Pierrots'. Das Duell nach dem Maskenball. Pierrot stirbt in den Armen des Duc de Guise. Ein Doge untersucht die Wunde, Domino hält sich den Kopf. Der siegreiche Indianer bricht in Begleitung von Harlekin auf.Variation zum Bild im Musée Chantilly. 'In winterlicher Landschaft Maskierte nach dem Duell'. Öl/Holz. 20 x 29,5 cm. R

A Victorian dark blue velvet dress. Constructed of a sleeved bodice with a square neckline and Carrickmacross lace collar, chantilly lace and bobbin work cuffs. The jacket fastens down the front with ten buttons. The full length skirt having gathering to the waist

AN EDME SAMSON WHITE PORCELAIN MODEL OF AN ELEPHANT IN THE CHANTILLY STYLE, LATE 19TH CENTURY Modelled standing with trunk raised, wearing a saddle cloth decorated in the kakiemon manner, iron- red hunting horn mark to underside 32cm highProvenance: Japanese Works of Art sale, Christie's, March 1990, Lot 120(This lot is offered without reserve)Please note: the description of this lot has been updated to read 'LATE 19TH CENTURY' and not as previously catalogued. Condition Report: Trunk off, glued and with discoloured spray. See additional images available upon request.Condition Report Disclaimer

AFTER GABRIEL PERELLE FOUR VIEWS OF THE CHATEAU, PARK, AND GARDEN AT CHANTILLY Etching, mounted as three One inscribed 'A Paris chez N Langlois rue St Jacques a la Victoire' (lower left) Plate 22 x 32cm (8½ x 12½ in.) and smaller Unframed (3) These plates were engraved by Gabriel Perelle (1604 - 1677) and published as part of a large series of views of mostly France, titled Veues des belles maisons de France, by the Langlois and Mariette families in the 17th and 18th centuries. The works offered here include two plates which carry the address for Nicolas Langlois, (1640-1703). Only one complete set of this series has been offered at auction, a 1703 edition with all plates carrying the Langlois printed address. Both the Chateau and the gardens at Chantilly were designed by Andre le Norte (1613 - 1700).(This lot is offered without reserve)

A French Samson porcelain Chantilly style jar and cover with Kakiemon design, Paris, 19th C.H 16 cm

A Royal Worcester Silver Chantilly pattern porcelain cake plate and matching knife.

A CHANTILLY PART DINNER SERVICE TO INCLUDE PLATES, BOWLS, A TEAPOT, SERVING PLATES, SUGAR BOWL, CREAM JUG, CUPS, SAUCERS, ETC

A Derby ogee chocolate cup, c 1805, painted in the manner of William Corden with peasants in two circular reserves, feigned square gilt frames, the ground with Chantilly sprigs, entwined branch handles, 7.5cm h, painted red crown, crossed batons and D, pattern no 216 Discoloured crazing and slight wear, otherwise good condition.

-- Johann Mentelins monumentaler Augustinus - das "Fürstenfelder Exemplar"-- Augustinus, Aurelius. Epistolae. 263 (statt 264; ohne das le. w.) nn. Bl. 2 Spalten. 50 Zeilen. Got. Typ. Schriftraum: 27,8 x 19,4 cm. Format: 38,5 x 28,8 cm. Erste Seite mit 7-zeiliger Zierinitiale "D" in Blau auf über 25 Zeilen auslaufendem roten Federwerk mit Maiblumenfüllung und Perlschnurzier, zahlreiche Lombarden in Rot und durchgehend sparsam rubriziert mit eleganter Kapitalstrichelung. Mächtiger abgefaster Holzdeckelband über sechs Bünden mit breitem Schweinslederrücken im Stil d. Z. mit Streicheisenlinien (und wenigen alten Wurmlöchlein in den Eichendeckeln). Straßburg, Johann Mentelin, nicht nach 1471.Hain 1966. 1967. GW 2905. Goff A-1267. Proctor 208. Pellechet 1481. Bodleian A-545. Chantilly 189. Collijn 123. Dibdin I, 225. Günther 2883. Hubay 215. Madsen 413. Oates 76. Ohly-Sack 307. Sack 365. Schorbach, Mentelin, 22. BMC I, 55. BSB-Ink A-887. ÖNB-Ink A-593. CIBN A-708. CIH 385. IBP 643. IDL 516. IGI 993. ISTC ia01267000. - Erste Ausgabe des Briefkorpus aus der Feder des heiligen Kirchenvaters Aurelius Augustinus (354-430), gedruckt in der bedeutenden Straßburger Offizin des Johann Mentelin. Der vorliegende ist der frühere von nur zwei Wiegendrucken der sogenannten "echten Epistolae" (vgl. GW 2949-2952). Erstmalig im Druck veröffentlicht wurden hier 206 Briefe, die Augustinus an rund 50 Korrespondenten richtete, sie sind das wichtigeste Quellenzeugnis zu Vita und Geisteshaltung des Heiligen, der einer der vier Kirchenväter der römisch-katholischen Kirche der westlichen Welt war. Die Prägnanz der Briefe resultiert aus der Kombination von Eingehen auf die Person des Adressaten, einer bündigen, knappen Sprache und eindringlicher Suche nach Vollkommenheit und göttlicher Wahrheit, die aus allen Zeilen spricht. Die Wissenschaft scheidet die Briefe theologischen, polemischen, exegetischen (kirchen)historischen, philosophischen, moralischen oder familiären Inhalts (siehe Bibliothek der Kirchenväter, 1. Reihe, Band XXIXf.). Der Druck des Johann Mentelin ließ die Epistolae im veränderten Zustand seiner zweiten Type setzen (siehe BMC I, 50), die Datierung "nicht nach 1471" gründet auf dem Rubrikatorenvermerk in einem der Münchner Exemplare. Mentelin warb für die Epistolae und weitere Drucke in einer separaten Druckanzeige (siehe Burger, Buchändleranzeigen, Nr. 9). - Es fehlt das letzte weiße Blatt, Blatt 70 (h6) wie üblich verso nur mit einer Spalte bedruckt, (siehe GW: "Bl. 70 ist kartonartig auf der Rückseite mit nur einer Spalte bedruckt."), der Rest wie in den meisten Exemplaren abgeschnitten. Anfangs- und Schlussblätter mit einigen Wuirmgängen (auf Vorsatz und in die neuen Deckel übertragen). Die ersten 15 Blätter mit schmalem Wasserrand im Außensteg, sonst kaum fleckiges, bemerkenswert breitrandiges, sehr sauberes und prachtvoll erhaltenes Exemplar auf kraftvollem Papier. Provenienz: Das Exemplar stammt aus dem Mariae Himmelfahrt-Kloster zu Fürstenfeld, der heutigen Abteil in Fürstenfeldbruck mit älterem handschriftlichen Eintrag auf der ersten Seite in Sepiakurrent: "Monasterij B[eatae] V[irginis] Mari[a]e in Fürstenfeldt", dann Chrisite's 22. 6-1983/3 sowie deutscher Privatbesitz. Von großer Seltenheit. So wurden auf deutschen Nachkriegsauktionen nur die Exemplare Tenner 3 (1956), Nr. 41 (wohl das vorliegende) und Zisska & Kistner, Auktion 19. I. 1992, Nr. 15 gehandelt. Die Book Auction Records verzeichnen für 1902-1994 lediglich fünf weitere Exemplare. Goff führt für ganz Nordamerika nicht mehr als sieben Exemplare auf.

A BOX AND LOOSE MISCELLANEOUS ORNAMENTS to include a box and a group of loose various framed pictures, two cast iron candle lanterns, two frog ornaments, two ceramic double handled amphorae (one with broken handle), a Doulton's Chantilly wash bowl (hairline crack, chip), a stone duck ornament, a brass coal box with relief images (1 box and loose) (s.d/a.f)

Two trays of assorted ceramics and glassware to include Wedgwood, Susie Cooper and Royal Worcester Gold Chantilly

A pair of gilt-brass mounted Continental porcelain Kakiemon bottle-flasks and covers, 19th century, pseudo red hunting horn marks for Chantilly, probably Samson, each painted with the ‘flying squirrel’ pattern, with a yellow squirrel eating berries above bound bullrush fences issuing meandering branches and flowers, on square plinth bases with canted corners and circular garlands, the covers with down-turned stiff leaves below the finials and attached with chains to the neck mount, 21cm high overall (2)Provenance: The George Farrow Collection.

SET OF 6 STEMMED EDINBURGH CUT CRYSTAL GLASSES IN CASE, 4 CHANTILLY CUT CRYSTAL BOXED GLASSES, BOXED MARTEL DECANTER AND STOPPER, CANTEEN OF CUTLERY

Four Coalport Lady Figures to include Ladies of Fashion Elegance, Diana, Summer days and Chantilly Lace Glamour (4)

A chantilly style porcelain urn and cover, of shouldered ribbed form, decorated with birds amongst flowers, h.39cm

An American silver Chantilly pattern serving fork.Gorham, 20th century.The shaped prongs to decorative stem and terminal, stamped sterling, 22cm long, together with a variety of other items comprising: a 19th century American serving spoon, Robert & William Wilson, Philadelphia, 19th century, designed with repousse fruit to chased bowl and a twisted stem to scroll-chased terminal engraved with an initial, marked only R. & W. Wilson, Philada., assumed plated, 22.3cm long; a pair of small late 19th/early 20th century German silver parcel gilt cake slices with scroll handles, Bruckmann & Sohne, Heilbronn, stamped 800, 12.8cm long; an early 20th century Dutch spoon with windmill terminal, 1909, maker HH, 20.7cm long; a gilt vase cover, stamped 800, 7cm dia., and a white metal strawberry, unmarked, total weighable silver approx. 6.5ozt (7)Condition Report: weight excludes strawberry and Philadelphia spoon

Decorative items, to include: Wade whimsies,  table cannon, cloisonné birds, stone eggs, also a Chantilly Wooden Dollhouse kit, Royal memorabilia, (A Lot). 

Rock n' Roll Skiffle 10" Shellac 78's, twenty-five to include Gene Vincent - Be-Bop-A-Lula (Capitol CL 14599), Eddie Cochran - 20 Flight Rock (London HLU, 8386), Big Boppa - Chantilly Lace (Mercury AMT 1002), Jacki Wilson - Reet Petite (Coral Q. 72290), Jerry Lee Lewis - Whole Lotta Shakin' Goin' On (London HL-S.8457), Little Richard - Miss Ann (London HL-0.8470), The Girl Can't Help it (London HL-0.8382) and more by Tommy Steele, Bill Haley, Paul Anka, Everly Brothers, The Cri kets, Peggy Lee, Marty Wilde, Don Lang and His Skifflers, Lonnie Donegan, Cliff Richard and The Chordettes.

Paris, 1 Paar ZiervasenWohl Samson, in der Art von Chantilly, um 1900. Porzellan. Imitierte Posthorn-Marke (aufglasur). Langhalsvasen. Farbige Blumenmalerei im Kakiemon-Stil, tlw. mit Gold gehöht. Fuss und Mündung mit vergoldeter Bronzemontur. H 24,5 cm.- Altersspuren. Bronze minimal berieben. 1 Bronzestandring neu verkittet.

Jan Hackaert (1628 Amsterdam 1699)Wasserfall in einer felsigen Landschaft, mit Jägern und Hund1653-1658Feder in Bister mit grauer Pinsellavierung auf Bütten mit Wasserzeichen "Fünfzackige Schellenkappe" (vgl. Laurentius II, Nr. 441, für Den Haag, 1663, dokumentiert, und 450, Den Haag, 1664)15,4x23,5 cmProvenienzSlg. J. Werneck (gest. 1893), Frankfurt am Main, Lugt 2561Auktion Frederik Muller, Amsterdam, 23.-25. Juni 1885, Sammlungen A. J. van Eyndhoven, J. Werneck Los 119 (dort bezeichnet: "J. Hackaert. Site montagneux. Bistre et encre de Chine. Hauteur 15, largeur 24 cent."), an MullerSlg. Eberhard W. Kornfeld, Bern, Lugt 913bAusstellungenIngelheim am Rhein 1964, Internationale Tage, Holländische Zeichnungen des 17. Jahrhunderts (mit einem Vorwort von Frits Lugt), Kat. Nr. 37ZustandUnten mit leichter vertikaler Falte. Vollkommen farbfrisch in der ErhaltungErläuterungenZwar wird Jan Hackaert stets zu den "Italianisanten" gezählt, doch war er selbst nie in Italien. Lediglich ein mehrjähriger Aufenthalt in der Schweiz ist belegt, und seine in der Gebirgswelt der Alpen gewonnenen Eindrücke prägten sein späteres Schaffen nachhaltig (vgl. Gustav Solar, Jan Hackaert, Die Schweizer Ansichten 1653–1656, Zeichnungen eines niederländischen Malers als frühe Bilddokumente der Alpenlandschaft, Zürich 1981).Annemarie Stefes bemerkt zu unserer Zeichnung: "Das vorliegende Blatt ist ein schönes Beispiel für diese von der Schweizer Gebirgswelt inspirierten Kompositionen. Hackaert setzte dabei auf eine technisch reizvolle Kombination von Graphit, grauer Tusche und brauner Tinte, womit sich gleichermassen sonnige Atmosphäre und Fernwirkung erzielen liess. Für diese imaginären, italianisierenden Gebirgslandschaften gab es offenbar einen Markt, dem Hackaert auf vielfältige Weise begegnete. Zeichnungen dieser Werkgruppe befinden sich in verschiedenen Graphischen Sammlungen, etwa in Amsterdam, Chantilly, Dresden, Haarlem, Hamburg, Paris, Rotterdam, Weimar und Windsor Castle.Hackaert hatte sich auf die Landschaft spezialisiert und war kein Figurenmaler. Mitunter liess er auch seine Zeichnungen von Kollegen staffieren. Auch im vorliegenden Blatt scheinen mehrere Hände an der Staffage beteiligt gewesen zu sein. Von Hackaert selbst stammen die beiden mit brauner Feder gezeichneten Wanderer am Ende des Weges. Der links davor am Weg sitzende Mann ist dagegen mit schwarzer Tusche gezeichnet und, ebenso wie die beiden kletternden Jäger rechts, eine spätere Zutat, vermutlich von anderer Hand. Auch bei dem an einen Felsblock gelehnten rastenden Mann mit Hund scheint es sich um eine spätere Ergänzung zu handeln, ebenso wie bei der nachträglich ausgelöschten Zweiergruppe links des Weges, ihm gegenüber."Wir danken Frau Dr. Annemarie Stefes für ihre Beurteilung der Zeichnung auf der Grundlage einer Bilddatei.KonvolutDabei: Reproduktion nach Hackaert. Zus. 2 BlattMWST / VATMehrwertsteuer auf dem Zuschalgspreis plus AufgeldErwartete Ausrufzeit (+/- 15min)12.09.2024; 20:30 h (MEST)VersandkostenSchweiz: CHF 165.-Europa: CHF 280.-Übrige Länder: CHF 335.-

An early 20th century French mother of pearl and sequin fan, embroidered with swallows and a dragon fly, within Duvelleroy of Regent Street box, with a Brussels lace and black mother of pearl effect fan, within Duvelleroy box, and a Chantilly lace fan, with an American Art Deco mesh and enamel bag, probably by Mandalian, and a mother of pearl calling card case (5) (at fault) CONDITION REPORT:The French mother of pearl fan shows breaks to both guards. The leaf is very fragile, showing several splits along the folds. One of the bone ribs shows a loss to the tip.Please note that we believe the Brussels lace mother of pearl coloured fan to be mother of pearl effect, rather than mother of pearl. The bone ribs of this fan show some staining but no breaks. The leaf shows some staining and the odd pull.

TWO FRENCH WHITE-TIN GLAZED PORCELAIN SAUCE TUREENS AND COVERS CHANTILLY, MID 18TH CENTURY Each naturalistically modelled as a partridge with a chick-shaped cover finial 19cm wideProvenance: Property of a Lady of TitleCf. Genevieve le Duc, Porcelaine Tendre de Chantilly au 18iem siecle, page 294. Please note, these are two of the same model rather than a left and right facing pair. The online description has been revised and this differs from the printed catalogue. Condition Report: Both with chips and losses, both with glued finials. Please see additional images available upon request from the Dept.Condition Report Disclaimer

Villeroy & Boch porcelain blue and white Vieux Luxembourg pattern part dinner and breakfast service, decorated with blue Chantilly sprigs within a spirally-moulded border, comprising: a salad bowl, a water-jug, a coffee and teapot and covers, an oval serving dish, 10 soup-plates, 13 dinner-plates, 13 small-plates, eight cups and saucers, a sugar bowl and cover, a smaller cover, a slop-bowl, two milk-jugsCondition ReportGood condition overall. Small chip to foot of large jug, tiny chip to edge of one dinner plate, teapot with crack and staining. General wear and tear.

A box of antique clothing and other items to include two late Edwardian petticoats, a 1920s brown silk dress, a late 1910s silk dress and similar tunic, a 1910s embroidered net stole, a 1920s black silk hat by Lucienne, Paris, a 19th century chantilly lace flounce, 4 metres long, net chemisettes, late 19th century jacket, a 1930s marabou cape  etc (qty, 1 box) Mixed condition, 1910s tunic and dress need re-stitching, seams are coming undone but the fabric is strong, there is some green discolouration to the fabric  1920s silk dress, black, poor condition 1920s silk dress, brown, structurally sound but stained/ colour variation petticoats have fade/ marks hats are good commensurate with age and wear lace is good shawls- two tone has holes, black good, net is good with some tiny holes chemisettes good 1920s knit has had an extra piece sewn in to one side black silk jacket has a split up the back seam and a patch

Lenordez, Pierre (1815-1892) "Fille de l'air", Bronze, Plinthe sign., Boden bez.: "Fille de l'Air. Née en 1861 par Faugh a Ballagh et Pauline par Volcano. 20 Victoires dont le Vootcote Stakes à Epsom, Molecomb Stakes à Goodwood, 1e Giterlum à Newmarket, Les Jaks à Chantilly à Epsom, Gs. St. Léger de France à Moulins, Les Oakes le Derby à Newmarket, St. Léger Continental à Bade, Prix du Prince Imp. at Gd. Prix de l'Impératrice, la Coupe à Paris, Derby=Trial Stakes à Newmarket &&&", 30,5x39,5x12cm, Patina partiell berieben, Martingal gerissen

A trio Royal Worcester 'Gold Chantilly' teacups (4) and saucers (3); together with a 'China Style' Simpson part dinner service to include two lidded twin handled tureens

LARGE SELECTION OF ROYAL WORCESTER EVESHAM DINNER WAREScomprising eight dinner plates, twelve bowls, an oval tureen and cover, a smaller oval dish and cover, seven individual flan dishes, a larger flan dish, a circular serving dish, a boxed cake plate and knife and a set of boxed place mats; together with a Royal Worcester Silver Chantilly cake plate

Collection of 19th century Spode blue and white transfer printed items to include: 'Chantilly' plate, 'Tiber' pattern square bowl, 'Union Reef' square dish, 'Lattice Scroll' plate, 'India' pattern plate, 'Oriental Birds' pattern oval dish and 'Miss Hacket' arms armorial plate together with a 'French Birds' shaped dish and a Modern Mementoes Spode pen tray. Provenance: Audrey White Collection (10) (B.P. 21% + VAT) NO IN-HOUSE SHIPPING ON THIS LOT

A Chantilly saucer, c.1730-35, painted in Kakiemon enamels with flowering plants and a winged beetle, brown line rim, red hunting horn mark, 12.2cm.

A Samson Chantilly-style snuff box or bonbonniere, late 19th century, modelled as a woman sitting on a chamberpot and lifting her skirt behind, and a Continental porcelain bonbonniere of a woman's head wearing a black eye mask, set with blue glass eyes, with gilt metal mounts, 7.8cm max. (2)

A pair of Chantilly custard cups and covers (pots à jus), c.1750, the squat spiral moulded forms painted with stylised flower sprigs, blue hunting horn marks, 7.5cm. (4)One with a paper label for the O. Lenhart Collection.

A pair of Chantilly glass coolers, c.1750, painted with flower sprays in blue monochrome, a pair of Continental porcelain custard cups or pots à jus and covers, and a Meissen coffee cup painted with puce flowers, one cooler broken and restuck, 10cm max. (7)Provenance: Rod Jellicoe.

Large quantity of Royal Worcester gold chantilly dinner wares

Hermes, Vintage Calf Box Leather Chantilly Bag, feines mokkabraunes Kalbsleder mit leicht heller abgesetzten Nähten, goldfarbene Hardware, schmaler variabler Schulterriemen, als kurze Doppelhenkel und längerer Schulterriemen tragbar, große frontale Überschlagslasche, verso Einschubtasche, Innenleben aus schokoladenbraunem Glattleder, mehrfach unterteilt, inkl. Staubbeutel und OK, altersgemäß guter Zustand, leichte Gebrauchsspuren, partiell min. ber., ca. 23 x 18,5 x 4,5 cm

11 Mokkatassen mit UT, verschiedene Manufakturen, Formen und Dekore, Schwanenhalstasse mit Weinlaubdekor, Meissen, Kakiemontasse, Chantilly, Blumentasse, Lichte, Tatzentasse, Pirkenhammer, Tasse mit Medaillon, Fürstenberg, etc., H. 9 cm

A quantity of late 19th/early 20th Century French black Chantilly lace panels and unfinished clothing segments on button mesh ground with embroidered floral sprays, the largest panel measuring approx 50cm wide x 380cm all housed in a Marshall and Snelgrove haberdashery box. Location:

Six Royal Doulton figurines: Emma HN3714, Bon Voyage HN3866, Alexandra HN3292, Ellie HN4046, Miranda HN3037 and Samantha HN2954,  five Coalport figurines: Barbara Ann, May Ball, Celebration Time, Minuetts-Michelle and Chantilly Lace-Panache, together with four Royal Worcester figurines: Emily, Eternity and Rachel-Les Petites (x2), (15).

Royal Albert - Chantilly - A 20th century Royal Albert Chantilly pattern bone china dinner service. The service comprising of dinner plates serving dish's, soup bowls, meat plate and tureen. All pieces with white ground and silver rims. 

FOUR UNUSED/BOXED BOTTLES OF FRAGRANCES, comprising a sealed box of 'Chantilly' eau de parfum 15ml, sealed box of Cacharel Loulou eau de parfum 30ml, a sealed box of Narcisse eau de toilette 30ml, and boxed bottle of Chloé eau de toilette 30ml (4) (Condition Report: three boxes are in sealed cellophane, Chloé is unused, box has a few scuffs and creases)

ROYAL WORCESTER 'GOLD CHANTILLY' PART DINNER SERVICE, seven dinner plates, six side plates, seven bowls, four small plates, two serving trays and sauce boat. (27)

SIX VINTAGE ROYAL DOULTON 'CHANTILLY ROSE' CUPS AND SAUCERS, CERAMIC POSIES AND TWO DUTCH VASES

Collection of 19th century Spode blue and white transfer printed items to include: 'Chantilly' plate, 'Tiber' pattern square bowl, 'Union Reef' square dish, 'Lattice Scroll' plate, 'India' pattern plate, 'Oriental Birds' pattern oval dish and 'Miss Hacket' arms armorial plate together with a 'French Birds' shaped dish and a Modern Mementoes Spode pen tray. Provenance: Audrey White Collection (10) (B.P. 21% + VAT)  NO IN-HOUSE SHIPPING ON THIS LOT

15 pieces of Paragon Athena tea china, 18 pieces of Royal Albert Chantilly tea china, and a Royal Albert Old Country Roses twin-handled cup on saucer.

Seven Royal Doulton figures to include Christmas Day HN3488, Babie HN1679, Home Again HN2167, Pride and Joy HN4102, Elaine HN3214, Kirsty HN3213 and Ninette HN3215 together with one Coalport figure Chantilly Lace poise (8)

Three Coalport figures Emily, Estelle and Chantilly lace together with damaged Peggy Davies figure lady of the stage and two similar (6)

Three Lady Figures to include Coalport Chantilly Lace High Style, Royal Doulton December Turquoise and Royal Worcester Moments With Love (3)

Doulton 'Royal Gold' Worcester Gold Chantilly, Wedgwood 'Ascot' and other table china, primarily in white and gilt, Worcester Evesham tureen:- Two Boxes.

A Caughley Chantilly Sprig pattern coffee cup, in underglaze blue, kick handle, 6cm high; a Caughley Salopian Sprig pattern cup, in underglaze blue, moulded basket weave border, kick handle, 5.5cm high; another similar, 6cm high (3)

ROYAL ALBERT; an 'Old Country Roses' pattern part dinner and tea service comprising cups, saucers, plates, tureens, jugs, etc, together with some Royal Albert 'Chantilly' items, a Royal Doulton 'Lisette' part tea and dinner service and some Creams china teacups and saucers (4).