We found 68149 price guide item(s) matching your search

Postcards, Victorian Greetings, a collection of 75+ cards to include gilded and embossed, children, angels, smoking, train, flowers, birds, foodstuffs, snow scenes, toadstools etc. A pretty selection (gen gd)

STAFFORDSHIRE, pair of figures children with sheep and ram , also a Continental floral decorated posy basket and cup with kittens

Attributed to Frederick Goodall RA, watercolour, interior scene with children seated, 30cm x 37cm framed and glazed, gilt frame, 60.5cm x 71cm.

Francis Wilfred Lawson (British, 1842-1935), watercolour, children with puppy, 22cm x 27cm, signed 'F W L' to lower left and dated 1915, framed and glazed, 39.5cm x 44.5cm.

Joseph Clark (British, 1834-1926), watercolour, interior scene with woman, man and children, 15.5cm x 21cm, signed 'J Clark' to lower right, framed and glazed, 31.5cm x 40cm.

Group of nine Spanish porcelain Lladro figurines to include: 'Peaceful Moment' depicting a mother and child, 6179 marked to base Christmas 1997 and signed, girl with chamberstick, seated boy with brush, girl with lamb, various children, dogs etc. (9)(B.P. 21% + VAT)

Tray of Lladro Spanish porcelain to include: Lladro collectors society scroll with dove and plaque with printed signatures, figures of children; girl with goose, girl with slippers, girl with lamb etc.(B.P. 21% + VAT)

Vinyl records, circa 32. See photos for a selection of Albums, Anthrax Armed and Dangerous, Easy Action, Poison, Look What the Cat Dragged in, White Lion Big Game, Wasp The Headless Children, Metallica Master of Puppets, Exodus Pleasures of then Flesh, Dokken Under Lock and Key, Raven All for One, Britny Fox, Anthrax I'm the Man, Ratt Invasion of your Privacy, Over Kill Fuck You, Doomsday News The New Generation of Heavy Metal, Skid Row, Lita, Lita Ford Out for Blood, Lizzy Borden Master of Disguise, Metal Hammer Best of British Steel, All Systems Go, Vinnie Vincent Invasion, Cinderalla Night Songs, Agent Steel Unstoppable Force, Agent Steel Mad Locust Rising, Shell Bounds Rockin Reckless, Tankard Alien, Raven Nothing Exceeds Like Excess, Racer X Second Heat, Bubba Sparxx Ugly, Megadeth Killing is my Business, The Dead Daisies Burn it Down, Wasp Live Animal Fuck Like a Beast, Raven Life's a Bitch. Condition varying sold as found

Trollop (Anthony). The Prime Minister, Can You Forgive Her?, Phineas Redux, The Duke's Children, The Eustace Diamonds, and Phineas Finn, six vols, with slipcases, published by the Folio Society.

Tony Hart (1925-2009) - 'Flying Pig' - a large sketch of a flying pig, signed in black ink to the bottom. Likely drawn during a school / theatre visit c1970s / 1980s. Rolled. Measures approx: 84x60cm Norman Antony Hart (15 October 1925 – 18 January 2009) was an English artist best known for his work in educating children in art through his role as a children's television presenter.

Cilla Black (1943-2015) - a personally owned silk embroidered handkerchief, with monogram 'C,' as owned by Black and supplied with a signed photograph. Undedicated.  Provenance; donated by Black to a 1986 Children In Need Appeal charity auction held in Bristol.

18TH CENTURY GOLD MOURNING RING, set with oval cut rock crystal and two rose cut diamond shoulders, the scrolled panel shank engraved and white enamel-filled with inscription: 'Emblin Mabley OB:8 May 1761 AE:9', similarly engraved to the inside of the shank: 'I* Mabley OB:8 June 1764 AE:10', recording the death of two children, 3.5gmsProvenance: private collection CardiffComments: very small enamel loss, inside shank worn, vacant receptacle beneath crystal. Condition Report:Size K/L

‡ HELEN BRADLEY MBE (1900-1979) oil on board - 'Oh where, Oh where can Gyp and Barney be!', lady with a lantern and children at play, inscribed on card verso detailing the 1906 occasion when Helen and Aunt Mary returned from a walk without the pet dogs, signed and dated 1972, 28.5 x 24cmsProvenance: private collection CardiffAuctioneers Note: Born in 1900 as Nellie Layfield in Lees, a small industrial town on the northern fringe of Oldham, Helen Bradley would become one of the nation's most loved painters, but not until her late sixties. Helen (who changed her name from Nellie by deed poll) was born into a well-established family of local business owners. She attended art school in Oldham where she met fellow student Tom Bradley, who was considered the star pupil. Following a long engagement, the couple would marry in 1926 with two children to follow, Peter born in 1927 and Betty in 1931. Whilst both Helen and Tom painted throughout their lives, and it was accepted between them that if either had a chance of painting professionally Tom was the stronger candidate, neither pursued this career initially. Throughout the interwar years Tom worked in textile manufacturing for a Manchester based firm who specialised in hand printed fabrics (including several Omega patterns by Vanessa Bell and Duncan Grant) whilst Helen kept the home. Following the Second World War, Tom's work led the family to relocate to Middlesex. This afforded Helen the opportunity to visit the National Gallery and British Museum regularly and to attend art school in Harrow. The family returned to the North West in 1952 when Tom took early retirement to allow him to focus on his painting which consisted of portrait and flower commissions. They initially settled in Cheshire before buying a cottage in Cartmel on the edge of the Lake District in 1964. Now in her 60s, Helen painted with a renewed vigour, traveling around the Lakes producing misty landscapes in watercolour, whilst Tom rented a second nearby cottage as a studio for his portrait work. Together the couple joined the local Saddleworth Art Society, through which Helen first met L.S. Lowry. She once expressed to Lowry that she had always struggled to paint figures and he suggested that she should 'paint someone you know well, go home and paint your mother'. This she did, and the resultant portrait proved to be an important turning point. Shortly after she began painting scenes from her own childhood that she would become so loved for, depicting a world full of incident viewed with innocence and rendered in exquisite detail. It was not until 1965, at the age of sixty-five that Bradley had her first solo exhibition. Staged by the Saddleworth Art Society to much local acclaim, it led to a request from Cork Street's Mercury Gallery for six of her works to be included in an exhibition of naïve art the next year. There followed a little over a decade of subsequent highly successful exhibitions in Britain, America and Japan, and the publication of many much-loved books and prints. Bradley enjoyed a broad public profile that few artists ever achieve; she was announced by the media as 'The Jolly Granny' and 'England's own Grandma Moses' (although she notes her personal inspirations as Avercamp and Turner). She was appointed an MBE in the 1978 Queen's Birthday Honours, but sadly died before her investiture.Comments: Card reads, 'Oh where Oh where can Gyp and Barney be? We had been on a lovely walk that afternoon with the dogs romping along and enjoying themselves, but when we got near home they were not with us. We had our tea and still they did not come, so Aunt Mary lit the storm lantern and took George and me with her to see if we could find them. She asked some boys playing in Dove Street, if they had seen two little black dogs, "No Missus we haven't" they said, so sadly we had to return home without them and the year was 1906. Helen Layfield Bradley'. Framed, ready to hang.

A 9ct gold curblink bracelet with 9ct gold heart padlock clasp and hung with ten charms, 1960s Comprising of a polished grey stone; 9ct gold statue of liberty; a 9ct gold television screen; a 9ct egg cup and spoon with ‘egg’; a 9ct church opening at base to reveal wedding scene with vicar and betrothed couple, the church clock set with a Stanhope viewer probably of the marriage vows (needs adjustment); a 9ct gold dragon; a St Christopher medal stamped ‘STERLING’; a 9ct gold cruise ship; a fob seal with cornelian carved with demi lion rampant and a 9ct gold boot-house, opening to reveal enamelled ‘woman and so many children who lived in a shoe…’. Length approximately 16.5cm / 6.5’’, 45g gross

Russian Officers, 2 cabinet cards, 1 photograph 165mm x 110mm and a document. 1 cabinet shows a highly decorated naval officer, handwritten inscription in Russian on back with name, “Zagaransky-Kisel, December 15th 1904”, in the time of the Russo-Japanese war. The same officer sits with a group in the photograph. 1 cabinet shows a military officer with his wife and children. Hand written inscription in Russian with names of family. Nikolay Nikolayevitch, Anna Apollonovna Charyagin?, Zhenya and Lena? And also Zagaransky-Kisel. The document, with photograph appears to be the naval officer in later years. Document relating to the Department of Food in the city of Samara, confirming that “Appolinariy Sergeivitch Zagaransky-Kisel is indeed working for the City's Executive Committee as an archivist”. (Rough translation) The photographs come from the archive of Vladimir and Eugenie Kadloubovsky and direct from a descendant of the Kadloubovskys. Condition: Very Good

T. R. Williams Stereocard, Scenes in Our Village, The Last Load-Gleaners Waiting at the Gate, T. R. Williams Stereocard, Scenes in Our Village,No.20, text to reverse reads 'SCENES IN OUR VILLAGE. THE LAST LOAD-GLEANER'S WAITING AT THE GATE. No rake takes here what heaven to all bestows Children of want! for you the bounty flows, And every cottage from the plenteous store Receives a burden nightly at its door.’ Stamp for ‘London Stereoscope Company’ Condition: card good, images clear and strong . Note: These 1850's views are of the village of Hinton Waldrist in Oxfordshire and are considered to be Williams's masterpiece. They were the subject of the book 'A Village Lost and Found', by Brian May & Elena Vidal, published 2009.

Seesaw Magic Lantern Lever Slide, ‘children (witch?) on seesaw’ hand painted magic lantern lever slide. works well. measuring 7” x 4”.

A Vienna porcelain seated girl defending a piece of bread from a chicken, painted gold and pale brown, numbered 1037 —5in. (12.5cm.) high; and two Heubach bisque seated Dutch children

A pair of Hertwig children with their dogs, a boy dressed in a grey sailor suit with gilt buttons, a pug under each arm —13 ¼in. (34cm.) high; and a little girl with a puppy under her arm, the other arm raise to hold something between fingers

A rare German mid 19th century pink tinted china shoulder head with Royal provenance with blue painted eyes, white highlight dot, pink lips, dark pink lip detail, nostrils and dot to inner corner of eye, exposed ears, unusual brown painted and moulded hair with strands painted onto the face and short curls all over head, stuffed body with bisque hands and unusual string and hook mechanism on legs, so you can unhook and allow her to sit down, original blue and white striped silk dress, dusty pink cloak/coat, straw and pink silk bonnet and underclothes, attached to the dress a note ‘Doll given to Elizabeth Sprague by Princess Royal the Empress Frederick, when both where children 1840-50’, in original cardboard box with similar note on lid —11in. (28cm). High (broken across her shoulders)Condition Report - Please see additional images.

*SALEROOM ANNOUNCEMENT - THE GIRL IN THIS LOT, AFTER FEELING HER BODY AGAIN, APPEARS TO HAVE SOME DAMAGE AROUND THE WAIST.*Two small German all-bisque googly eyed children dolls, both with black side glancing eyes, open/closed smiling mouths with teeth, fixed necks, jointed at shoulders and standing on velvet bases, her with brown painted and moulded windswept hair and green and white gingham dress and him with blonde painted hair with green velvet trousers —5 ½in. (14cm.) high (bodies not completely checked for damage due to clothing) Condition Report - the girl in this lot, after feeling her body again, appears to have some damage around the waist.

*SALEROOM ANNOUNCEMENT - THE RIGHT HAND DOLL HAS LEFT ARM REPLACE WITH SUITABLE ANTIQUE ARM.*Two small German all-bisque comic children dolls, one made up as a pin cushion with salmon pink velvet, black painted side glancing eyes, fixed neck and jointed at shoulders and hips —5 ¼in. (13.5cm.) high (missing finger and tiny flake to toe); and a grumpy child with jointed arms and white cotton dress Condition Report - the right hand doll has left arm replace with suitable antique arm.

Three German bisque children, a tiny seated girl with blonde topknot and holding a black cat, impressed 611 —2in. (5cm.) high; a seated Goebels boy; and a standing black boy in moulded clothes

Comic Books - a collection of assorted vintage and later comic books, graphic novels and other items. Including: The Death Of Captain Marvel (7th Printing), Doctor Who Magazine, Ivanhoe, Vampirella, Bloodseed, Children Of The Voyager, Eastman And Laird's Teenage Mutant Ninja Turtles, Wonder Man #5, Gay Comix, The Simpsons (including #1), and others. Along with an album of trading cards - Hammer Horror, Marvel Comics and Star Trek The Next Generation.

A large Fulham stoneware flagon or serving bottle, mid 19th century, of four gallon size, impressed inscription '335 George Dady Norwich' beneath the spout, the handle impressed with a 4, beneath that 'Fulham Stone Pottery Glazed Inside', 46cm.Provenance: formerly the Jonathan Horne Collection.George Dady was landlord of The Walnut Tree Shades pub in Norwich, and is listed as a wine and spirit merchant in directories of the 1850s. He died in a suspected suicide in 1859 at the age of 27, having been found drowned in a cistern after experiencing financial worries. His wife took over the pub but was killed the following year in a gunpowder explosion. Their two young children were rescued from the blast by a passing sailor and were cared for by their grandparents before being transferred to a London orphanage in 1865.

A Limbach tea canister and cover, c.1780, one side painted with a ragged mother and two children, the reverse with a seated man, perhaps their father, holding a tankard, red crossed Ls mark, and a Meissen sucrier and cover, c.1740, painted with flowers, blue crossed swords and dot mark, 13cm max. (4)

Four Continental porcelain figure groups, 19th century, one Vienna after Meissen and emblematic of Smell, another after Berlin of a peasant mother and two children, and two Vienna style figures from a monkey band, one of a violinist, the other carrying drums, some faults, 18cm max. (4)

Four small Meissen figures, 19th century, two of Cupid in Disguise, one as a musician, the other as a traveller, and a pair of figures of children, raised on low square bases, blue crossed swords marks, minor faults, 10.3cm max. (4)

Two miniature Meissen figures with cows, 18th/early 19th century, a man leaning against the back of a heifer, the other a girl riding on the back of a bullock, and a pair of Meissen figures of children, 19th century, modelled as gardeners, blue crossed swords marks, small losses, 12.8cm max. (4)

Six Lladró/Nao figures of children in night dress.

A 19th century Berlin woolwork panel, mother and children, 72cm x 65cm, c.1880

Photography - Travel - India/Pakistan - The Middle East - Military Interest - a collection of World War I period photograph albums, profusely annotated, 2nd Bn 5th Leicestershire Regiment, Loughborough 1915; Laying the Foundation Stone of the Ravi Bridge 1913; Opening of the Ravi Bridge; Mesopotamia; Sreet Children; View of the Golden Mosque from a Neighbouring Roof; British Residency, Baghdad; others; a scrap and sketch book, various pen and ink drawings, including comical depictions of the family's attendant Shankar, a classroom scene titled John Evershed is Top of His Form, etcProvenance: By repute from the family of artist Dr Arthur Evershed MRCP (1835 - 1919)

A pair of 19th century Sitzendorf figural table salts, of children holding seashells, decorated in polychrome, 11cm high, painted mark in blue, c.1880

Pierre Joseph Toussaint (Belgian 1822-1888)Children at Work and Play,signed and dated 1861, oil on mahogany panel, 42.5cm x 32cm

English School (19th century)a pair, Children and Dogs,indistinct monogram, oils on panels, 18.5cm x 24cm

Continental School (early 20th century)Children,oil on board, 25cm x 40.5cm

A large Victorian silver rounded rectangular table snuff box, the hinged cover set with a polychrome print of children on a woodland path, gilt interior, 11.5cm wide, D & J Welby, London 1900, 212g gross

COHEN, WEENEN & Co.: Star Artistes, series No 4, circa 1905, four cards; COHEN, WEENEN & Co.: Wonders of the World, 1923, one card: The Radfflesia Arnoldi; ANGLO-AMERICAN CHEWING GUM: Underwater Adventure, 1966, Full set of 40; FRANKLYN, DAVEY & Co.: Children of All Nations, 1934, part set 40/50; R.J. LEA (CHAIRMAN): Wonders of the World, 1938, Full set of 48; GODFREY PHILLIPS: Shots From the Films, 1934, part set 38/48; GALLAHER (PARK DRIVE): Stars of Screen & Stage, 1935, Full set of 48; GALLAHER (PARK DRIVE): Champions of Screen & Stage, 1935, Full set of 48; GALLAHER (PARK DRIVE): Famous Film Scenes, 1935, part set 43/48; GALLAHER (PARK DRIVE): Shots From Famous Films, 1936, part set 40/48; ARDATH: Film, Stage, & Radio Stars, 1935, part set 12/50; GODFREY PHILLIPS: Red Indians, 1927, Full set of 25; STEPHEN MITCHELL: Money, circa 1913, set of 25, but lacking No 25; UNITED SERVICES: Bathing Belles, 1939, part set 30/50; STOGL PUBLICITY SERIES: Stars of Today, circa 1930, one: D. Fairbanks, M. Pickford & C. Chaplin; CARRERAS: Christie Comedy Girls, 1928, No 10 only; PLAYERS: Those Pearls of Heaven, 1914, Full set of 25; PLAYERS: Wonders of the World, 1913, set of 25, but lacking No 25; ROTHMANS: Prominent Screen Favourites, 1934, Full set of 24; PLAYERS: Past & Present, 1916, Full set of 25; GALLAHER: Film Episodes, 1936, part set 44/48; STANDARD CIGARETTES: Film Star series, 1933, No 71 only; WILLS (THE FLAG CIGARETTES): one: D. Fairbanks, M. Pickford & C. Chaplin; WILLS: Wonders of the Past, 1926, Full set of 50; WILLS: Romance of the Heavens, 1928, set of 50 but lacking No 20; WILLS: Time & Money in Different Countries, 1906, Full set of 50; FRY’S COCOA: Time & Money in Different Countries, 1908, Nos 24 & 46 only; KELLOGS: Famous Firsts, 1963, Full set of 12; OGDENS: Children of All Nations (cut-out), 1923, Full set of 50; BROWNES TEA: Wonders of the World, 1970, Nos 1 to 25 inclusive; BASSETTS: Pop Stars, 1974, Full set of 25.

A Collection of Ceramics to Comprise Meat Plates, a 19th/20th Century Transfer Printed Porcelain Tankard with Children in Snow Scene, Goss Beaker, Art Deco Jug with Brick Square Body with Bird Perched on Handle etc (Various Condition)

A Pair of Reconstituted Stone Garden Figures Modelled as Standing Children, 69cms High

A Third Reich Bevo woven armband of the "SS-Polizei-Division", with the owner's name "W.H. Benoit" in ink, GC (not joined at the ends); also two reprint photographs of W H Benoit, one in SS uniform with two other soldiers in 1943, the other taken at Harperley p-o-w camp in 1946, and copies of two newspaper articles of him speaking to school children in 2005. £80-100

Oil painting on cardboard depicting The Berbers - A. Pannocchia - Oil painting on cardboard depicting The Berbers.Dimensions: 49x33.5 cmWorks by Amleto Pannocchia(Lari, 1911 - Rome, 1987)De Francesco Auction House presents a suite of works by the artist Amleto Pannocchia that primarily reflect his latest production. The oil works on cardboard and canvas boards showcase a mature use of the medium and mastery in discerning the numerous tonal transitions of the same color.Numerous lots are present, including figurative ones belonging to the "polyptych" of the paladins, as well as female figures and still lifes. Some abstract lots conclude the capsule of Ampleto Pannocchia, a poetic and innovative artist with a pure and powerful language.Ampleto Pannocchia's life is itself a work of art, swinging between the need to express himself through graphic gesture and the will to self-determine once maturity is reached. Born in Lari, the son of an anarchist cobbler and a young girl from the upper bourgeoisie, beautiful and elegant, their indissoluble love resulted in several children, with Ampleto being the firstborn during the cholera pandemic.Later, his father went to war and returned with an even more rooted anarchist conviction. Ampleto entered the workshop, tiny, where he witnessed numerous conversations of his father and spent his youth among the shops, the port, and summers at his grandparents' house, listening to more "scholarly" conversations filled with quotes from great classics of literature. He heard, knew, and read about Orlando Furioso, Armida, and Don Quixote, attempting to give each of them characteristics drawn from the characters of his reality. Cowboys, port workers, and fruit stalls emerge, with changing colors and sharp, clean shapes more like sculptures in rocks than fluid brushstroke portraits.His art teacher, a priest from the college he entered with reservation (due to his father's political stance) and from which he was soon expelled, saw in him the clear and pure expressive force that warmed the artistic salons of Neo-Fauvism and German Expressionism. His teacher predicted a bright future in the art world, a prediction the young Ampleto struggled to believe. But the creative drive was undoubtedly strong in him, causing a true pictorial emergency that led him to represent the reality around him, even with chalk on the sidewalks of the city of Lari.One day, dirty and messy but completely absorbed in his works, he locked eyes with a blonde and graceful girl, elegant, who lingered on his works, appreciating their characteristics. That encounter, which did not result in a real acquaintance for a long time, instilled in him a new determination to emerge. He worked as a lithographer at Belforte's workshop under the guidance of Zanacchini, a famous engraver. Unsatisfied, he started his period of moral wandering, moving from a marriage without conviction to assignments at Cinecittà, both as a set designer and an actor.While in Rome, he met again the love of his adolescence, but this time she had a name, Mirella. They never parted again. The most mature artistic phase begins, with confrontations with gallery owners and the art market of the upper-class Rome of the early 1970s stimulating his anarchic past. His artistic production enriched itself with true polyptychs, created around a theme. We know "the Crusaders," the "paladins," and finally, from 1973, that of the "red battle." His pictorial production spans three fundamental colors: red, green, and blue, which sometimes blend depending on the subject to be portrayed. In his polyptychs, there are not only knights and figures from ancient and modern mythology but also inhabitants and patrons of taverns, ports, and markets. Simple girls, students, and dancers.

Pair of bronze Spelter models of children together with composition model The Three Graces, dressing table mirror and a model car

A CHINESE JADE GROUP DEPICTING A LUOHAN WITH FIVE CHILDREN, 22.5cm x 19cm

Teddy Bears - an original German Steiff made soft toy teddy bear 654398 Children In Need Pudsey bear. Yellow mohair with spotted bandana and ' Pudsey ' stitched to the right paw. White tag and button to the left ear. Measures approx 30cm. Boxed with certificates and outer carton.

Group of various Hummel and Hummel style figures of children

TWO WEATHERED COMPOSITE BIRD BATHS in the form of three ladies around a column and three children around a tree heights 75cm and 55cm (2)

A Russian yellow metal (tests as 14k) Imperial Philanthropic Society for the Vocational Education of Poor Children stick pin, 48mm, 0.7 grams.

Barry Leighton-Jones (1932-2011), pair of oils on canvas board, Two children, signed, 83 x 36cm

Deltiology - In excess of 500 early to mid-period UK cards with some foreign and subjects to include children. [W]

CHILDREN: Dickens, C: 1- The battle of life. Bradbury & Evans, 1846, 1st. Edn; 2- The Haunted man & the ghost's bargain. Bradbury & Evans, 1848, 1st. Edn. The volumes bound in matching Cont. half leather; rubbed, damp stain frontis and extra title of the second work; Croker, TC (edit): The Christmas box: an annual present for children. 1829. Cont. full calf; rubbed; Andersen's Tales for children. Bell & Daldy, 1861, with plates and illustrations. Cont. half leather; rubbed; PLUS: Illustrated children's books, Including: Kate Greenaway; W Heath Robinson; Edmund Dulac; Arthur Rackham; etc. (qty.)

LEWIS, C S: The Lion, the Witch and the Wardrobe: A Story for Children. Illustrated by Pauline Baynes. Geoffrey Bles, 1950, 1st. Edn. 1st. Impr. Recent full dark green Morocco, with raised bands, gilt devices and lettering to spine, gilt inner dentelles and all edges gilt; FINE COPY

J M BARRIE: a collection of books removed from 23 Campden Hill Square, the home of the Llewelyn Davies family, whose children J M Barrie befriended and who were the inspiration for the Darling children and the Lost Boys. The window at the top of the house inspired Tinkerbell's entrance into the children's bedroom. Including two editions of Peter Pan, illustrated by Arthur Rackham, and numerous books by Barrie (qty.)

T.R.H The Princess Elizabeth and The Duke of Edinburgh and Their Children Vol 1 hardback book. Unsigned. Good Condition Est.

Matchbox Lesney Superfast Boxed Model, England: MB-68 Cosmobile with AVOCADO body & rarer WHITE interior as opposed to more common CHROME interior, PURPLE glass, Black base, model is near mint with a small mark below one headlight and 3 small corner edge marks to base in a very near mint J box with NEW to end flaps. Box variation with Not Suitable for Children Under 3 Years in FRENCH writing along one bottom face (1 item)

Matchbox Lesney Superfast Boxed Model, England: MB-7 VW Golf, Red body with MATT Black base & Light Amber Glass, Yellow interior & Tow Hook, model is mint in near mint to mint K box with 7 VW Golf to faces & Not Recommended for Children under 36 months to one striker side (1 item)

Matchbox Lesney Superfast Boxed Model, England: MB-22 Blaze Buster with rare NOT RECOMMENDED FOR CHILDREN UNDER 3 box, DARK Red body, DARK Amber glass which makes interior look Yellow but is in fact White interior, DARK GREY base as opposed to Black base, FIRE labels, Yellow ladder, Wide 5-Spoke wheels, model is mint in a near mint J box with NOT RECOMMENDED in top right corner of faces, very slight creasing in small area to top and bottom right side striker corners (1 item)

Two Matchbox Lesney Superfast Boxed Models, England: MB-21 Renault 5TL, 2 model and 2 box variations 1) Blue body, SILVER painted base and 2) Yellow ‘Le Car’ body, FLAT Black base not gloss, models very near mint and mint, very small mark to one front mudguard edge on yellow model, in near mint and mint boxes. 2 Box variations with one striker side on one box having Not Recommended For Children under 3 instead of model picture, plus ink printing shade variations (2 items)

Two Matchbox Lesney Superfast Boxed Models, England: MB-43 Steam Locomotive, 2 model and 2 box variations 1) Red body with Light coloured labels and 2) Red body with Dark coloured labels, both models mint in mint boxes. Box variations with NEW and without NEW to faces, plus Not Recommended For Children Under 3 on one striker side instead of picture of model (2 items)

Matchbox Lesney Superfast Boxed Model, England: MB-14 Mini HA-HA with rare NOT RECOMMENDED FOR CHILDREN UNDER 3 box, PINK man as opposed to Flesh coloured man, LIGHT Red Body, Blue glass, unpainted base, model is mint in a mint J box with NOT RECOMMENDED FOR CHILDREN UNDER 3 in top right corner of both faces (1 item)