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LARGE CHINESE PORCELAIN FAMILLE ROSE VASE LAMP 19TH CENTURY of baluster form with a domed cover, decorated with a fence with ruyi motifs, and with rockwork, flowering peonies, chrysanthemums and weeping willow, below a foliate ruyi border, mounted on an ormolu base with foliate details and scroll feet, now mounted as a lampDimensions:56cm high (excluding fittings)
A small collection of 19th & 20th century Chinese / Oriental metalwork and cloisonné items to include; an 1840's nautical gyroscopic torch / lantern gimble lamp (Whalers/Whale oil lamps), late 19th / early 20th century hand held Tibetan Buddhist prayer wheel, along with a matching pair of Chinese cloisonné vases (small dent to one),
Chinese 18th century powder blue porcelain vase with a carved wooden lid and stand. Decorated with gilt floral and foliate designs throughout. The underside with a double circle Kangxi mark. Drilled as a lamp.Vase (without stand or lid); height: 11 3/4 in x diameter: 8 1/2 in. />Condition: Please contact us for a detailed condition report. Please note that the lack of a condition statement does not imply perfect condition. Email condition@revereauctions.com with any condition questions.
Chinese porcelain vase, decorated with a scene of scholars seated in a garden in famille rose enamels. With a six-character Daoguang seal mark along the underside in red enamels, partially obscured by a drill hole. The vase has been mounted as a lamp.From the collection of Katherine Walker Griffith, a descendant of T.B. Walker, founder of The Walker Art Center in Minneapolis, Minnesota, and a renowned collector of Chinese porcelain.Height: 29 1/4 in x diameter: 6 1/2 in. />Condition: Other than the hole drilled in the bottom, vase is in very good condition with no chips, cracks, or restorations. There is very little wear to the enamels.
A GROUP OF OIL LAMPS, FIGURES AND ORIENTAL JARDINIERE, comprising an Oriental planter on a traditional Chinese wooden stand decorated with a fruit design on a blue ground, the interior is painted with gold fish, height 29cm on stand, two Victorian gilt metal oil lamps with globe glass shades (green shade is cracked), a brass figural lamp base, height 27cm (no wiring), and a bronzed French spelter figurine, height 30cm (5) (Condition Report: wear to gilt metal oil lamps, cracked green glass shade)
A Chinese celadon glazed table lamp of twin handled shouldered octagonal form, mounted to turned hardwood plinth, height excluding fittings 42cm, together with a celadon glazed vase of compressed circular form, a celadon glazed jar and cover on hardwood base, and blanc de chine stick stand relief decorated with Chinese characters (4)
A mid-19th century Barnall & Sons Ltd large lidded tea tin later converted into a lamp. The tin painted and gilt with a Chinese scene of figures on a harbour terrace. Applied stamp reading 'Parnall & Sons Ltd. Manufacturers & complete shop outfitters for all trades, Narrow Wine St. Bristol'. Height of tin 50cm.
A Pair of Chinese Cloisonne Tripod Censers, in 17th century style, of compressed globular form with ropetwist handles, decorated with lotus flowers and scrolling branches on a turquoise ground15cm diameterA Similar Vase, in Archaic style, of pear shape with angular handles, decorated with formal foliage on a blue ground, converted to an electric table lamp16cm high (3)Censers - handles slight mishappen. Usual pitting / pinholes to the enamel. One with a large bruise to one side with lacking enamel.Lamp - later converted and drilled to the underside. Small bruise to one side. Usual pitting as above.
A Chinese Famille Rose vase, Qing Dynasty, 19th century, painted with a pair of magpies amongst flowers and foliage, 33cm high 清十九世紀 粉彩花鳥圖將軍罐 Condition Report: base drilled and old white paint on base but does not appear restored probably left over from when mounted as a lamp Condition Report Disclaimer
A Chinese Famille Noire vase, late Qing Dynasty, painted with a flowering prunus tree and birds in white and green enamels contrasted against the black ground, the vase approximately 35cm high, now fitted as a lamp 晚清 墨地五彩花鳥紋瓶 Condition Report: unexamined under mounts but from what can be seen vase appears to be in good condition Condition Report Disclaimer
Two Chinese famille rose ceramic lamp bases, 46cm highProvenance: Heydon Grange, NorfolkBoth vases are converted for electricity. Both stuck to wooden stands. Staining and markings to the surface. One with crack and chipping to the side, with some areas crudely re-filled. The crack runs through the center - see images. Collection of dirt around the rim.
A Chinese Famille Rose vase, late 19th century, enamelled to the exterior with birds perched on flowering branches, adapted as lamp, the vase 45cm high Provenance: From the estate of Lionel Alfred Martin, Ingram Avenue, London (1855-1933), Chairman of Tate & Lyle. 晚清 粉彩花鳥圖瓶拍品來源:Tate & Lyle集團主席Lionel Alfred Martin 倫敦私人大宅(1855-1933)舊藏 Condition Report: adapted as lamp Condition Report Disclaimer
A late 19th century Chinese Canton Famille Rose vase converted to a table lamp, decorated with panels depicting figures and exotic birds with floral sprays, height including fitting 50cm (af).Condition Report: Large broken piece to the top rim which has partly been glued, two pieces are separate, pieces missing from the break, losses to the decoration.
Two late 20th Century / contemporary ceramic lamp / lights. Each piece being hand painted with floral design, one with birds. One in a Chinese style of baluster form with wasted neck and flared rim. One with brass electrical light fittings, both raised on wood plinth bases. Largest measures 44.5cm (height).
A Chinese blue and white 'hundred antiques' baluster vaseQing dynasty, Kangxi period,Painted to one side with a medallion of antique vessels holding flower bouquets, the reverse with a bird alighting over blossoming prunus and magnolias issuing from craggy rocks, mounted as a lamp.21.4cm high.清康熙 青花繪博古圖紋瓶Condition Report: Lamped (with the wire coming off the mouth mount). Areas of damage and restoration, including a long hairline running around shoulder and up the neck, with associated patches of restoration/overpainting, an at least one further hairline running horizontally above the foot, with associated restoration, and an infilled chip to foot. Overpainting to base.
A Chinese powder-blue and gilt rouleau vaseQing dynasty, Kangxi periodThe powder blue glaze gilt with 'Shou', wan symbols, and auspicious characters to the neck, the cylindrical body with traces of a long calligraphic inscription and a scene of boats by a palace, mounted as a lamp.41.8cm between mounts.清康熙 灑藍地描金繪宴船圖紋棒槌瓶Condition Report: Mounted as a lamp and probably drilled through base. Unexamined under mounts. The vase has been extensively broken off and repaired back together. Extensive rubbing to gilt.Images at this link: https://roseberysauctioneers-my.sharepoint.com/:f:/g/personal/rassennato_roseberys_co_uk/Ekk79CEknmBEhB1sYYk0G0sBBDC_Id74BfaOmwJhhMgL0Q?e=3ZwzjL
Four Chinese blue and white porcelains and a Dutch Delft earthenware dish18th-20th centuryComprising two dishes, each painted with leafy flower branches, 18th-19th century, a Kraak dish, painted to the central roundel with a garden scene, 18th century, a twin-handled vase, painted to the exterior with riverside scene, 19th-20th century, and a Dutch Delft blue and white earthenware dish, painted with two Chinese figures in the central roundel, 18th century.Chinese dishes 21.2cm - 22.7cm diameter, vase 26.5cm excluding the mount, Dutch dish 35cm diameter (5).十八至十九世紀 中國及荷蘭瓷器一組五件Condition Report: Delft ware: A repaired section (approx.120mm long across the surface) to the mouth rim. A star-shaped creak to the inner wall (approx. 200mm across). A 110mm long hairline starting from a minor nibble to the rim with old staple repair to the base. Firing flaws, surface wear and reside throughout.Vase: Base drilled. An area appeared visible beneath the rim. Mounted as a lamp. Kraak dish: An approx. 40mm long 'Y'-shaped hairline starting from a chip to the rim. Firing flaws and nibbles to the rims.Two flower dishes: Nibbles to the rims, one with 38mm long hairline to the rim, another with 3 hairlines to the rim (approx.20mm-40mm).
A large Chinese archaistic twin handled Ge type vaseQing dynasty, 19th century, apocryphal Chenghua markThe heavily potted vase of baluster form raised on short splayed foot to everted rim, flanked by a pair of deer handles to the shoulder, a layer of creamy glaze applied in between a band of applied ruyi heads and carved sea waves, the neck with a layer of ge-type glaze, base with carved four-character apocryphal Chenghua mark in archaistic style.44cm high.清十九世紀 仿古鹿耳尊,暗刻「成化年製」款Condition Report: Please note the inside of the vase has not been examined due to the presence of the lamp fitting.A chip to the left horn of one handle, general surface wear commensurate with age, otherwise good condition.
Two Chinese blue and white vases mounted as lamp bases20th centuryComprising a lidded vase decorated with double happiness characters to the shoulders between scrolling lotus foliage, the other vase painted to the front and back with panels depicting a lady in courtyard and birds on prunus branch.the tallest 37cm high, each with a wood stand (2).二十世紀 青花瓶兩支Condition Report: Please note none of the two vases have been de-lamped.The figurative vase with a hairline from the rim through the body of approx. 23cm long, the other vase good condition.

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10746 item(s)/page