A Chinese export porcelain dish, a Famille verte charger, and a Delft plate, 18th-20th century, the dish painted in famille rose enamels with a basket of flowers within a border of lotus blooms and ruyi lappets, 22.9cm diameter, the charger painted with quails, pheasants and ducks in a garden landscape scene, underglaze blue apocryphal six-character Kangxi mark to base, 37.1cm diameter, the Delft plate painted with a large spotted cat in a mountainous landscape scene, 31.3cm diameter (3) Please refer to department for condition report
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A Royal Crown Derby teapot, printed and painted with flowers, 10cm high, printed marks; Royal Crown Derby trinket boxes; 2451 coffee cup and saucer; Wedgwood Chinese Legend; Royal Albert Bramley Hedge Autumn teacup and saucer; Wedgwood Strawberry pattern miniature cup, saucer and side plate; etc
AN EARLY 19th CENTURY CHINESE NANKIN BLUE AND WHITE MEAT PLATE, of canted corner form decorated with birds on flowering boughs, 15 x 12, a pair of oval silver-shaped DITTOs, decorated with exotic birds 9 1/4" x 13", and four similar smaller plates decorated with deer, each 8 1/4" x 12", one a.f. (7) £150-£200
AN 18th CENTURY CHINESE PORCELAIN LOBED-SHAPED DISH with raised flower-head centre, floral decorated in a famille-rose palette, 6" diameter and an 18th century Chinese famille-rose PLATE decorated with a central basket of flowers within a floral and bird border, 8 3/4" diameter (2). £180-£220
A Chinese porcelain Canton tea service overall decorated in famille rose designs with designs of figures within interiors within foliate boarders. Late 19th century. Four cups with saucers, four side plates, two larger plates, two dishes, one small coffee cup, lidded sucrier and small teapot. (B.P. 21% + VAT)1 plate- chips the rim , 1 saucer - badly cracked Bowl - large chip and loss also cracked 1 cup - hairline crack to handle small oval dish - badly cracked 1 cup - chip to rim
TWO PIECES OF LATE 18TH CENTURY CHINESE PORCELAIN AND A LATER IMARI TWIN HANDLED VASE, comprising a Famille Verte saucer dish with foliate decoration, s.d., diameter 21.7cm, an Imari palette plate painted with flowers and foliage, gilt highlights, diameter 27.5cm and a twin handled Imari vase with shaped square rim over a gourd shaped body, decorated with flowers and birds, height 19.5cm (3) (Condition report: the saucer dish has a repaired hole to the centre with some chips still visible to the area on the top side and restoration to the underside, approximately twenty rim chips, the other two pieces are in good condition)
A collection of Chinese porcelain,18th-19th century, comprising: a blue and white tureen, of lobed form, painted with a landscape, 27.4cm long, a Canton famille rose vase, of baluster form, painted with a lady and boys in a garden in shaped panels surrounded by flowers, applied chilong to shoulder, Buddhist lion handles, 25.3cm high, and a blue and white plate, the centre painted with peony under a crackled glaze, 29cm diameter (3)Condition ReportTureen - cover missing. Small chips to rim.Vase - Small chips to handle and rim. Mouth restored. Plate - foot rim chipped.
A pair of Chinese blue and white ladles,19th century, painted with scrolling flowers, 16.5cm and 18.5cm longtogether with a Japanese vase and cover,20th century, of ovoid form under a yellow glaze, the cover similarly decorated with a spear knop,35cm highfour dishes, of irregular form, covered under a powder blue glaze, signed to base, 16.5 - 19cm long, five blue-glazed bowls and five white-glazed bowls, four blue and white dishes and one plate, and other miscellaneous (qty.)Condition ReportLadles - larger one chipped and cracked, smaller one chipped. Yellow vase - small chips in various locations, base cracked.Powder blue dishes - one with minute chips to rim, one restored to rim.One white-glazed bowl - chips to rim. Lacquered box - small chips to edges.
SWANSEA PORCELAINS IN THE MANDARIN PATTERN circa 1814-1822, comprising two plates and a breakfast cup and saucer, infill transfer with village scenes in the Chinese famille-rose style, includes figures and seated Mandarin, the borders with alternating panels of exotic birds and panels of iron-red buildings within gilt scrollwork frames, surrounded by profuse gilding, SWANSEA stencilled mark to baseDimensions: Plates 21.5cms diamProvenance:consigned by the family of preeminent Welsh porcelain collector Sir Leslie Joseph, bears his labels and his label for loan to Glynn Vivian Art GalleryCondition Report:fresh decoration, very small nibble to foot of plate, repaired chip / flakes to rim of plate, very minor nicks to foot
A Chinese Porcelain Plate, Kangxi mark and of the period, painted in underglaze blue with figures in an interior within a broad lotus and scale border with four panels of figures reclining in gardens, six-character mark in underglaze blue20.5cm diameterProvenance: With S Marchant & SonVery minor surface wear, minor chips to the foot rim, no further chips, free from cracks and restoration, some light fritting and glazed pitting
A Chinese Imari Porcelain Plate, Kangxi, painted with precious objects and peonies within a foliate scroll border on an unusual white enamel rim, 23cm diameter; and A Similar Plate, painted in famille verte enamels with swimming ducks and waterlilies within a border with pale-blue flowersprays, 22cm diameter (2)First plate with two conjoined chips under the rim, another small chip with associated crack, further fritting, and a foot chip, Famille Verte plate, two large pieces reglued to the rim with two associated cracks, another series of cracks inside the well, some fritting
A Samson of Paris Porcelain Armorial Plate, in 18th century style, painted with a central coat of arms within a panelled foliate meander border, the rim with four fruiting branches, 23.5cm diameter; A Chinese Porcelain Plate, painted in famille rose enamels with peony and ribbon-tied scrolls within a border of foliage and lattice panels, 23cm diameter; and Another Plate, painted with a central flowerspray within a blue border gilt with fruiting vine, 24cm diameter (3)Armorial plate, hair crack to the rim, star-shaped crack in the well, Famille Rose plate, some rim chips, and fritting, the third plate with two pieces broken out of the rim and riveted
A Chinese Canton Decorated Persian-Market Plate, circa 1855, typically painted in famille rose enamels with ladies playing Qi with figures looking on within a gilt ground border painted with flowers, finger citrons and butterflies, the reverse with Arabic inscription and date within a blue enamel cartouche, 25.5cm diameterNo chips, cracks or repair, minimal gilt loss
A Chinese Porcelain Persian-Market Saucer Dish, circa 1800, painted in famille rose enamels and gilt with four roses in a central roundel within foliate swags hung from lappet panels, 24cm diameter; and A Similar Plate, painted with a central flowerspray within foliate lozenge panels on a midnight-blue ground gilt with stars within a gilt ground border with flowers and butterflies, 22cm diameter (2)First dish with a rim chip and some wear to the gilding, second dish, foot rim chip, two hair cracks to the rim
A Chinese Porcelain European Subject Plate, Qianlong, painted in underglaze blue with a palace in a wooded landscape within a scroll border, 23cm diameterLarge flat chip to the reverse of the rim, other smaller chips and fritting, hair crack from the rim to the foot rim, glaze in good order, no restoration
A Chinese Porcelain Plate, Qianlong, of octagonal form, painted in underglaze blue probably after an English transfer-printed original with figures and pagodas in a river landscape, 23cm diameter; A Similar Plate, painted with dignitaries and a spotted horse in a garden, 22.5cm diameter; A Similar Soup Plate, painted with figures in a garden, 22.5cm diameter; another octagonal soup plate painted with a landscape; and Three Various Chinese Blue and White Plates (7)First octagonal plate, three rim chips, second plate with Horse, two V-shaped sections of loss to the rim, both with associated cracks, other rim chips, and fritting, soup plate, two abraded sections to the rim, other small chips and fritting, three circular plates, one with a small shard of loss to the rim and associated crack, two rim cracks and a small chip, the last with a star shaped crack in the well and rim fritting, landscape octagonal soup plate, large flat rim chip and other fritting to the rim
A Chinese Kraak Porcelain Dish, early 17th century, typically painted in underglaze blue with geese in a river landscape within a panel border of foliage and precious objects, 36.5cm diameter; A Provincial Porcelain Saucer Dish, Ming Dynasty, late 16th/early 17th century, painted in underglaze blue with a dragon amongst cloud scrolls, 25.5cm diameter; and A Similar Small Plate, painted with a stylised bird within a barbed rim, 20.5cm diameter (3)
A Samson of Paris Porcelain Plate, late 19th century, painted in Chinese famille rose style with figures in a fenced garden in a scroll panel on a gilt scroll ground with flowersprays and panels of auspicious objects, 24cm diameter; and A Similar Plate, painted in Chinese Imari style with birds amongst blossoming branches on a scroll panel within underglaze blue, iron red and gilt scrolling foliate borders, 23cm diameter (2)Samson plate, free from chips, cracks and repairs, similar plate, large rim chip, short hair crack to the rim
A Chinese Provincial Porcelain Tea Bowl, 17th century, painted in underglaze blue with stylised flowers and panels of diaper, 9cm diameter; A Similar Water Pot, of circular form, moulded with squirrels amongst foliage picked out in colours , 7cm diameter; A Crackle Glazed Jar, of ovoid form, moulded and painted in underglaze blue and brown with prunus, 12cm high; A Similar Pear Shaped Vase, on circular foot, painted in underglaze blue, iron red and gilt with flowering branches, 9cm high; and A Small Quantity of Modern Chinese Porcelain (qty)Provincial tea bowl, three large rim chips, cracked and with some crazing, water pot in good condition, the Crackle glaze jar with some staining, free from chips and cracks, Pear-shaped vase, a large section of loss to the rim with associated cracks and crazed, blue and white dish are in good condition, large blue and white bowl are crazed, the petal-shaped bowl is in good condition, the goblet is badly broken and restuck with a section of loss to the rim, celadon plate, some scratches otherwise good, green dragon is in good condition, two modern canton plates, good condition
A rare late 19th century French neo-Gothic oak table clock with calendarMathieu Planchon, Palais Royal, Paris, movement numbered 2883Surmounted by a crowing cockerel over a scroll frame housing the large bell and horizontal hammer, (with static Jack to one side), enclosed by cruciform brass strips 'rivetted' onto the carcass and twin side doors with bullseye glass and creature handles, the rear door with quatrefoil sound fret, raised on bifurcated scroll feet. The dial is divided with another 'rivetted' brass strip; above, the signed Roman chapter ring with sun centre and beetle and poker hands, the stylised Arabic calendar ring with arrow hand and clouded sun centre. The movement comprised of an upper clock movement with twin spring barrels, Brocot suspension, and an anchor escapement with outside count wheel, the back plate stamped 2883 Planchon Palais-Royal; the lower calendar movement with ratchet driven calendar wheel connected via a lever to the clock movement, and stamped with 775. The rear door carries a stamp depicting a clock and two pocketwatches within a shield, along with the number 3 595. The pendulum is stamped 2883·772. Ticking and striking, together with a a winding key. 27.5 x 26 x 60.5Footnotes:Mathieu Planchon was born in 1842 in Bourges, and served as apprentice to his father, one of the city's clockmakers, until 1862. By 1865/66, he had moved to Paris and was employed at Robert-Houdin's workshop: Robert-Houdin was a horologist and one of the most famous illusionists of all time; it seems likely that Planchon would have worked with Houdin's son, Emile Robert-Houdin who took over running the workshop after his father's retirement in 1855. After about two years he moved to work with a G. Phillippe in the Palais Royal, before taking over the business around 1870. Planchon had a strong interest in the antiquarian side of horology, and by 1896 was being described in the Horological Journal as 'the un-disputed authority in the horology of all countries, and, above all, on that belonging to the Middle Ages'. The 'Figaro' newspaper ran a competition in 1874, soliciting ideas for a watch it could give to its subscribers. Planchon entered and won with an apparently novel case design ....UNFORTUANTLEY THE DESIGN REMAINS UNKNOWN....; 22,000 of the watches were produced and Planchon became a well-known horological figure. He spent the next 15 years assembling a large collection of ancient timepieces, as well as making replicas of antique and middle ages clocks, but with modern, 19th century movements. He did not seem to regard these clocks as copies, but updates to otherwise fine clocks. By 1889, he had assembled enough to be able to exhibit at the Great Exhibition in Paris; he had a large variety of reproduction antique clocks, 75 in all, including clepsydrae and 15th century mantel clocks. He won a gold medal for this exhibition. In 1895, he relocated from the declining Palais Royal to the crossroads of Rue de la Chaussée d'Antin and the Rue Meyerbeer. He continued with his antiquarian pursuits, making, amongst other pieces, a clock in the shape of a fan, which would open to reveal the hours, before snapping shut at 6 'o' clock, which was based on a similar clock in a 16th century engraving he owned. He also extensively studied, and described, both traditional Japanese and Chinese clocks and time-keeping systems; he was the first European to publish a serious horological analysis of these timepieces. In the 1900 Paris Exhibition, Planchon not only won a Grand Prix, he was also allowed to write the official description for the horology section. This same year, in light of his accomplishments at the 1900 Exhibition, and his comprehensive book on the history of horology, L'horloge son histoire rétrospective, pittoresque et artistique published two years previously, he was made a member of the British Horological Institute. He would continue to practice horology and publish various related monographs, until his death in 1921, a few months after his latest work, La Pendule de Paris. Son évolution décorative was published. Paul Brateau, Planchon's son-in-law, employee for the past 21 years, and similarly enthusiastic antiquarian horologist, assumed control of La Maison Planchon, which he relocated to the Rue Meyerbeer proper in 1930, before his retirement, and the final closure of the shop in 1936. A very similar clock, with moon phase instead of a calendar dial and numbered 5885, was sold by Bonhams London in September 2009.Robertson, J. D. (1922) 'Mathieu Planchon', The Horological Journal, Vol. 64 (8), pp. 147-148. (Accessed: 18 May 2022)Bijou (1896) 'French Notes. From Our Special Correspondent.', The Horological Journal, Vol. 38 (9), p. 122. (Accessed: 18 May 2022)W.E.N. (1889) 'Further Notes of a Leisurely Saunter through the Horological Section of the Paris Exhibition',The Horological Journal, Vol. 32 (1), p. 6. (Accessed: 18 May 2022)Collanges, F. (2013) 'Third Lecture', Antiquarian Horology, Vol. 34 (2), pp. 259-261. (Accessed: 19 May 2022)This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Chinese famille verte plate, decorated central dragon, flowers and foliage, 8" dia, six-character mark to base, in matched box, a Chinese yellow ground bowl with incised dragon decoration, 6 1/2" dia, a similar square dish and other items Condtion pitting to glaze on green dragon decorated plate, no other visible damages or repairs
Three delft and one pearlware plate: comprising a London delft polychrome plate decorated with a seated Chinaman, a blue and white decorated example, possibly Liverpool, painted with a Chinese landscape, a Dutch delft example and a 'Three Dot Group' pearlware plate decorated with a Long Eliza figure, [some damages].
A small group of 18th century and later porcelain consisting of Meissen puce ground cup and saucer, decorated in floral sprays; three Paris Porcelain teacups and two matching saucers; a Paris Porcelain cup and saucer; a pair of English tea bowls and saucers painted with roses and gilt banding; two Worcester tea bowls; two 18th century porcelain saucers; together with two Chinese porcelain soup plates with lattice work borders and decorated with cornflowers, 24cm diameter (19)The Meissen cup with minor chips and wear to the gilding of the rim and with a cast metal replacement handle, the saucer with wear to the ornament, otherwise good condition; the Paris Porcelain teacups one with a break and repair, and associated chip, another with a hairline crack, wear to the gilding on all pieces; the Greek Revival-style Paris Porcelain cup and saucer with large chip to the rim of the saucer and wear to the gilding overall; the tea bowls and saucers with wear to the gilding otherwise good condiditon; one of the Chinese plates with chip to the rim and associated hairline crack through the rim, further small cracks and fritz to the rim; the other Chinese plate with hairline crack through the bottom of the bowl, firing crack approxiamtely 1cm in radiating from the rim, further small fritz to the rim.

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24686 item(s)/page