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TWO CHINESE YIXING TEAPOTS AND A LARGE GROUP OF CHINESE PORCELAIN the larger teapot with twin dragon handle, dragon spout and the body decorated with dragons chasing the flaming pearl, the other teapot with pig head spout and Chinese text to the body, as well as Chinese porcelain comprising a vase, saucers, wine cups, coffee cups, bowls and a Kutani tea pot and an English tea bowllarger tea pot 21cm high
A rare Chinese Canton famille verte 27-piece tea service, 19th C.L.: 15 cm - H.: 13,5 cm (the sugar bowl, incl. cover)L.: 21,5 cm - H.: 13,2 cm (the tea pot, incl. cover)Dia.: 20cm (each plate)L.: 12,5 cm - H.: 6,8 cm (each cup)Dia.: 15,7 cm (each saucer)L.: 18 cm - H.: 9,5 cm (the cream jug)
A Dutch Delft yixing style red earthenware teapot and cover, Ary De Milde mark, 1678-1724 L.: 18 cm - H.: 11,5 cm Marked on the base for Ary de Milde, the "De Gecroonde Theepot" workshop, Delft, 1678-1724. Ary de Milde was one of three Delft potters experimenting with fine red stonewares in imitation of contemporary Chinese teapots imported from Yixing. The other two were Lambertus Cleffius of the 'Metal Pot' pottery and Samuel van Eenhoorn, owner of the 'Greek A' factory. While all three were given permission to sell their own marked red stonewares, nothing is known for certain of the products of these last two, while more is known about the wares of Ary de Milde as they are usually marked with his name and symbol of a running fox in an oval medallion. Unlike the Chinese redwares which were built out of slabs of clay and hand-modelled, de Milde's teapots were thrown on a wheel. The prunus blossom sprigs were moulded and applied separately, closely imitating the Chinese originals. De Milde died in 1708, his son-in-law in 1717, and his daughter Elisabeth closed the pottery in January 1724.
A very extensive Chinese Canton famille rose 81-piece dinner service, 19th C. L.: 37 cm - H.: 28 cm (the largest tureen) Dim.: 37,5 cm x 31,5 cm (the largest stand) L.: 15 cm - H.: 8 cm (the smallest tureen) Dim.: 15,7 cm x 12,5 cm (the smallest stand) Dim.: 24,5 cm x 14 cm x 19,5 cm (the rectangular tureen) L.: 24 cm - H.: 21 cm (the tallest coffee pot, incl. cover) L.: 27 cm - H.: 19,5 cm (the smallest coffee pot, incl. cover) Dim.: 24 cm x 11,5 cm x 20 cm (the largest openworked basket) Dim.: 23 cm x 10,5 cm x 18,7 cm (the smallest openworked basket) Dim.: 20 cm x 18 cm (the largest openworked dish) Dim.: 20,7 cm x 18,5 cm (the smallest openworked dish) Dia.: 25 cm (the largest plate) Dia.: 19,7 cm (the smallest plate) L.: 20,5 cm - H.: 15,5 cm (the leaf-shaped dish) L.: 46 cm - H.: 37,5 cm (the largest dish) L.: 26,5 cm - H.: 19,5 cm (the smallest dish) Dim.: 35,5 cm x 8,5 cm x 29,5 cm (the raised stand) Dia.: 14,5 cm (each of the saucers) Dim.: 12,5 cm x 10 cm x 6 cm (the largest cup) Dim.: 10 cm x 8 cm x 6 cm (the smallest cup) L.: 16,5 cm - H.: 9,5 cm (the smallest milk jug) L.: 15,5 cm - H.: 10 cm (the largest milk jug)
Halcyon Days - a collection of 12 Halcyon Days pill boxes, five in original boxes, plus 3 others and a clock in ceramic case by Alastor enamel, together with a Chinese blue and white lidded pot with four character mark to underside and wax seal within, miniature cup and sauce and Spode two handled cup and a boxed Metropolitan Police 150th anniversary medallion. (19). M
Including a 17thc Chinese lidded porcelain bowl, painted with a floral design on a blue ground and with a collection label to the base (Hatcher Collection, Christies Amsterdam, 14-03-1984), 7.5cms high. Also with a Japanese Meiji period rectangular shaped lacquered box, decorated with butterflies and foliage and with a gold coloured interior, (18cms by 6cms), and an alabaster or onyx cylindrical brush pot (8.5cms high). (3). *CR Lacquered box, base of the box has a tiny nick to the rim, small nick to the base and some wear, inside rim of the lid has a couple of tiny nicks and a little wear, inside of the lid has a few spots of surface loss and small crack on one corner. Porcelain lidded jar, the inside of the rim has a couple of small nicks, small firing crack to the base and footrim, small nibble to the footrim, finial is plain in colour - possibly trimmed? Cylindrical pot, some red marks around the rim, some surface cracks to the base and some wear around the base.
A collection of 18th and 19th Century Chinese and Japanese pottery. A Late 18th Century Chinese Qianlong Mandarin Famille Rose ‘An Offering’ teapot. A Late 18th/Early 19th Century Chinese late Qianlong/Jiaqing blue and white dragon teapot 23x13x25cm. A large 18th Century Chinese Qianlong punch bowl 29x12cm. A large Early 18th Century Chinese Yongzheng punch bowl 28x12.5cm. A large Late 19th Century Japanese Meiji Imari 2 handled bowl, probably Kutani, with 6 character mark 31x27.5x9.5cm. A pair of Late 19th Century Chinese Prunus ginger jars with covers 15x26cm. A 19th Century Chinese Koi fish plate/shallow bowl 23.5cm. A Late 18th Century Japanese Meiji Imari pot with cover 22cm
Chinese Porcelain: Lot of 6 different pieces of Chinese porcelain. A dragon dish, a brush pot, 2 monochrome vases, a famille rose vase with decoration of roosters and peonies and a small gourd-shaped vase. 18th and 19th century. Dragon dish: diam.: 21 cm. (good condition)Brush pot: Height 13 cm. Diam.: 10 cm. (small baking error on the inside and bottom.)2 monochrome vases: H. 18 cm. + Height 15 cm. (good condition)Gourd-shaped vase: H. 6 cm. (a small shard at the top)
A Chinese turquoise ground rice bowl with floral painted decoration to exterior, plain interior, stamp to base, dia. 11cm; a small oriental terracotta colour wine cup, dia. 5cm; a Chinese cloisonne covered pot, figure to lid, dia. 5.5cm; a modern plate and a white ground Japanese vase with gilt decoration of trees, stamped ARITA, in wood case blue bowl chip and hairline, enamel damaged other 2 pieces OK
A CHINESE PORCELAIN BLUE AND WHITE BOWLIN CHENGHUA STYLE, PROBABLY KANGXIpainted with foliate rondels beneath a scrolling border, the interior with a 'Chenghua' style six character mark beneath a landscpe border, with Chengua style six character mark to the base, together with other blue and white items to include a ginger jar, possibly Kangxi, with a later wooden cover, a bottle vase with a chilong handle, Qianlong, a coffee pot and cover, a square box and cover with Wanli marks and a circular box and cover (7)
A mixed lot of Chinese porcelain, Qing dynasty comprising a pair of Canton dishes decorated in famille rose colours with figures, birds and flowers and with central circular panel painted with a crest and motto, 24cm; a Chinese famille verte wine pot and cover, Kangxi, 13cm (fritting, handle lacking) and a Chinese famille rose bowl, 23cm [damaged].
MIXED PORCELAIN/GLASS GROUP, Copeland plate, mid-19th century with pierced and gilded border, painted to the centre with fruit, green printed mark, 22.5cms (diam.), a Sevres plate, painted to the centre with lovers within a white gilded and pink border, 21cms (diam.), Art Deco clear glass scent bottle, the stopper Intaglio engraved with dancing lady and cherubs, Chinese lidded pot of squat globular form, painted with chrysanthemums, 9cms (h), and a Coalport Shrewsbury pattern circular lidded pot, 8cms (diam.)Provenance: private collection Conwy
a toast rack, a glass mounted vesta ball, a thimble, a vase (loaded base), two small photograph frames, three napkin rings (initialled/ inscribed), a glass mounted mustard pot, a condiment spoon, two small "armada" dishes, a Chinese coin dish and a cased scent flask, mixed makers & dates; the toast rack 5.1" (13cm) long; 20.8ozt weighable silver (15). *CR All pieces with wear & in mixed conditions Please contact Connor for further information connor.swanwick@lawrences.co.uk.
A BOX, A BAG AND LOOSE CERAMICS, METALWARE, CAMERAS AND SUNDRY ITEMS, to include a bronze Chinese vessel raised on four legs, a bronzed bust of HM Queen Elizabeth II, a Mason's Chartreuse jug, a Royal Doulton 'Sunday Best' HN3218 figurine, a Japanese Marutomo Ware honey pot with moulded bees, a Chinese reverse painted glass sphere, a brass corkscrew, a pyramid form glass inkwell, a Booths Real Old Willow meat plate, a Canon T70 camera fitted with a Tokina 3.5-4.5 35-135mm lens, a Sigma f2.8 28mm lens, other cameras including a Zeiss Ikon, Yashica Electro 35 and a Paktika MTL3, a vintage metal lunch tin, a leather sporran, etc (1 box + 1 bag + loose) (sd)
A Chinese famille rose six place setting tea service, including a large tea pot and cover, a smaller water pot and cover, two sugar bowls with covers, a large milk jug (handle broken) a small cream jug and a cake plate,(31) Large circular plate has a hairline crack running from the top rim downwards approx 2cm.One fluted edge plate has been broken and repaired.Large milk jug handle is missing.Four cups have minor chips/cracks.The smaller teapot has damage to the spout.Two hexagonal plates have chips/cracks.Two saucers have chips/cracks.The other pieces are in generally good condition with some wear to the gilding and decoration.
A pair of antique Japanese Satsuma Vases, of bottle form, with dark brown and black ground decorated with flying gilded birds, H 30cm, together with a kutani Bottle Vase, H 30.5cm, three Kutani Plates, a miniature pair of Kutani Vases, a trinket pot, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese enamelled Plate, decorated with central figural scene enclosed within blue enamels, D 19cm, together with a pair of lobed Chinese enamel Plates with central floral motif, D 17cm, a small enamelled Pot and Cover, a small Beaker with zhou mark, also together with a pair of lacquer and mother of pearl inlaid Bowls, lined with metal, D 12cm x H 6cm (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A late 19thC Chinese blue and white Bottle Vase, of small proportions, together with Chinese blue and white Brush Pot, two blue and white Teabowls, a Chinese willow Pattern Teapot Stand, and willow pattern Jug, etc. (13)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.

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19467 item(s)/page