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A pair of Chinese bonsai trees, 20th century, each plant with hardstone flowers and leaves, in a shaped rectangular cloisonne planter decorated with scrolling lotus, 42 and 44cm high, and a Chinese hardstone table screen, 20th century, the rectangular scene with inset multicoloured hardstone decoration in the form of a flowering tree, on a pierced hardwood stand, 23cm high (3)Provenance: The David and Sarah Battie Collection.Condition ReportBonsai trees - some leaves detached, some leaves or flowers possibly missing. Screen - surface scratches and minute chips to edges.
Three framed prints with a converted fire screen: A Chinese silk embroidery of a cockerel on a flowering branch, late Qing-early Republican period, mounted on silk and displayed behind glass in a gilt frame converted into a fire screen, frame dimensions: 59 x 63.5 cm; James Basire (1730-1802) - 'Plan of the Town and Fortifications of Gibraltar, exactly taken on the Spot in the year 1738,' hand-coloured engraving, taken from 'Mr Tindal's Continuation of Mr Rapin's History of England', 43 x 64 cm; Two maps: Emanuel Bowen - 'An Accurate Map of Devon Shire Divided into its Hundreds. Drawn from the best Authorities, assisted by the most approved Modern Maps...', printed for Carrington Bowles & Carver, Robert Wilkinson, c.1785, 54 x 70 cm; together with a reproduction map of Gloucester (4)
A GROUP OF CHINESE CERAMICS AND WORKS OF ART ( 13)19th/20th century Comprising; a white glazed porcelain elephant candle holder, 13cm high, wood stand; a brown glazed buffalo water dropper, 8.5cm length; a blue and white teabowl and six blue and white saucers; a rectangular soapstone screen, carved with an insect above flowers and rocks, the reverse with calligraphy, 18cm by 11.5cm; a large crackle glazed olive ground bowl , 33cm diameter with wood standElephant- some restorationWater dropper- some small chips around the holeTeabowl and saucers- restoration to the teabowl and three saucers. Small rim chips to two saucers.Soapstone screen- overall in good condition. Lacking its standBowl- overall in good condition
A Chinese hardwood inlaid mother of pearl table screen. Height 85 cm, top diameter 46 cm.The table screen has a full-length split running across the centre and there are some mother of pearl sections missing to the central tree. There are also further losses to the figures on the left-hand side to their bodies and to the horses where the joints of timber have met on the bottom left-hand and right-hand sides. There are also further signs of separation and missing sections of mother of pearl. The base section has splits to the circular section at the top where it joins to the framework on the left-hand side and to the right in a similar place.
A Chinese hardwood table screen, with carved stone cockerel and flowers to the removeable panel. Height 59 cm, width 39 cm, depth 18 cm.On the side of the screen which is painted blue with the chickens, the golden flower to the left-hand side centre has been replaced or re-painted and the framework to the upper left-hand side appears to have some water damage. The base section is generally in good order, however one of the rear left-hand side supports has some movement to it but this does not have any impact on its structural integrity.
Chinese School (Qing dynasty), a large ancestor group portrait, depicting twenty-six seated figures in front of a screen and an altar table, oil on cotton canvas,187 x 142cmProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.Condition ReportOverall good condition with only light traces of wear and age.
A fruitwood window screen, 19th century, Chinese, with pierced geometric decoration, set into a later frame, 125cm wide 7cm deep 125cm highProvenance: A Chester Jones Interior - The collection of Robert and Jenny Borgerhoff Mulder, Kensington, London W8.Condition ReportGeneral surface wear, scratches, splits, knocks, and historic losses commensurate with age and use. General knocks and wear to later frame. Overall appears structurally stable and in relatively good condition.
A black and gilt lacquer folding screen, Qing dynasty (1644-1911), Chinese, consisting of six panels, each decorated with figures, pagodas, animals, rockwork and foliate scrolls, each panel 52cm wide 274cm highProvenance: A private collection, Cadogan Gardens, Chelsea, London SW3.Condition ReportCracks, small chips, and losses to the lacquer throughout with some evidence of touching up and cosmetic repair. Hinges appear later. Some of the lacquer is a little unstable, particularly to edges and ends of panels, but overall it appears stable, solid, and in fairly good order.
A Chinese ancestor portrait - probably first half 20th century, finely painted in ink and colours on paper with an elderly nobleman in his court robes in an interior, a screen with panels of calligraphy behind him and a clock and vase at his side, with various attendants to the foreground, 122.5 x 65cm, on a hanging scroll, overall size 165 x 73.5cm.The watercolour does appear to be considerably earlier than the scroll backing and is in good condition overall, with some evidence of old restorations and retouching. There are several patches which have been retouched in the past - these include two thumbnail sized patches of repainting to the blank panel to the left of the seated figure's head. Another two larger patches to the top left hand panel with gold on black calligraphy. A retouched tear to the top edge at the centre and two small retouched spots to just to the right of the screen behind the seated figure. Two small retouched areas above the outstretched hand and head of the child figure at the lower left and a few small retouched restored tears to the right hand margin and the lower right corner. There is also evidence of some retouching / overpainting around the seated figure's headdress. There are horizontal creases across the paper throughout the painting and the paper shows some time staining across the surface.
Tomb Raider The Cradle of Life (2003) - Screen used number plates and (very large) truck side drapes (on poles) from Chinese lorry seen clearly in the 2003 Jan De Bont directed action adventure film. Angelina Jolie film, Tomb Raider The Cradle of Life, based on the popular Sony computer game of the same name. Truck drapes 250cm x 160cm approx. Provenance: from the collection of Tony King, an avid movie prop collector, many items purchased at auction and collected over the past 30 years
Chinese carved mother of pearl table screen, late 19th Century, the shell carved profusely with figures, peony and fish, 22.5cm, supported on a carved wooden prunus blossom stand, height 30cm; also a Jesuit carved mother of pearl shell, 15cm diameter; and two carved shells, one inscribed 'Mother', the largest, uninscribed, 15.5cm (4) (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).
Oriental six fold screen, late 20th Century, hand decorated on one side with Chinese cranes, bamboo and rock, against a patinated gold leaf effect ground, height 160cm, width 345cm (Please note condition does not form part of the catalogue description. We strongly advise viewing to satisfy yourself as to condition. If you are unable to view and a condition report is not already available, please request one and it will be provided in writing).
A CHINESE PORCELAIN TABLE SCREEN IN WOODEN FRAME, 19/20TH CENTURY. The circular tile decorated with enamelled dragon and carp amidst cloud scrolls. Mounted on a carved and pierced wooden stand featuring a Shou characters flanked by dragons on cross section legs. 53cm tall. Circular section 30cm diam. Section of wooden frame restuck at left side. Slight crack in circular wooden frame at bottom.
A Pair of Chinese Silkwork Face Screens, late 19th/early 20th century, of circular form, worked in coloured threads with birds amongst flowering branches within gilt lacquer frames and handles44cm wideOne silk panel detached at one end from the frame. The other screen has been repaired where the handle meets the frame. Lacquer mainly good with some wear and one small chip. Silk faded and slightly discoloured but free from holes / tears.The handles have been drilled for hanging.
A Chinese Hardwood Table Screen, late 19th century, of rectangular form, set with a panel applied with carved bone relief of a bird perched on a branch amongst rockwork within Greek Key borders on a trestle base with carved and pierced scroll decoration40cm highSome discolouration / fading to the bone. Some minor splits and joint movement to the frame of the panel. Glass intact.Stand with a large square section of loss to the rear of the frieze (see image).
* Chinese. A painting on silk depicting ladies in an interior, early 20th century, watercolour and gouache on a cream silk ground, depicting 6 ladies in an interior furnished with a large screen painted with birds in a tree within a star and swastika border, and a number of pots and vases containing flowering plants and sprays on tables and jardinières, 4 x 1 mm worm hole, 36.5 x 40.5 cm (14.5 x 15.75 ins), framed and glazed (40.5 x 44 cm), backboard with worm holes and old manuscript label 'Right of Top Fireplace', together with:A hand-embroidered long banner, worked in blue, green, white, and black silks, on a gold silk ground (beginning to perish, with several tears, and lower edge frayed), depicting a motif with two fish at the top, and 2 large roundels below, each with a crane in the centre surrounded by floral motifs, and cornerpieces of flowers, bats, butterflies, and swastikas, lined with bright green silk (some marks and mottling), black plastic mount and hanging cord to upper edge, 150.5 x 47.5 cm (59.25 x 18.75 ins)QTY: (2)
CHINESE FAMILLE ROSE RECTANGULAR PORCELAIN SCREEN WITH WOODEN STAND QIANLONG MARK 乾隆款 粉彩山水人物紋長方形硯屏 帶木座one side finely painted with small figures crossing a bridge in a mountainous landscape, enclosed by a pink ground continuous key-fret frame then a blue-ground frame with square pattern, the reverse covered in turquoise enamels painted with black lines in imitation of mineral cracks, the underside inscribed with a six-character Qianlong mark in gilt, the plaque supported on a wooden stand plaque: 21.5cm x 13cm; 21cm high x 22cm wide with stand
[PRIVATE ENGLISH COLLECTION, ENGLAND] CHINESE HARDWOOD MARBLE-INSET TABLE SCREEN QING DYNASTY, 18TH CENTURY 清 硬木嵌大雲石硯屏the rectangular screen with hardwood frames inset with a marble slab in black and white, fixed on either side to the base inset with another marble plaque 24.8cm wide x 23.2cm high x 12.6cm deep Private English collection, England英格蘭私人收藏
Miniature Chinese Folding Tabletop Screen A decorative four-panel folding tabletop screen, likely of Chinese origin. Each panel features a hand-painted ceramic or porcelain tile set within a light-toned wooden frame, connected by brass hinges. The frames include pierced fretwork designs at the top and bottom, with darker-toned openwork detailing at the base adding to its craftsmanship. The painted porcelain tiles depict traditional Chinese scenes, carefully rendered with delicate brushstrokes. These include landscapes showcasing mountains, trees, rivers, bridges, and pavilions in soft tones alongside female figures in vibrant traditional attire engaging in cultural activities such as playing a pipa (lute), painting, or holding decorative objects. The paintings use a naturalistic palette with occasional bright accents. Each tile contains vertical Chinese calligraphy inscriptions and red seal stamps, likely artist markings or poetic verses related to the imagery. One panel includes a date, "1988.6.7," suggesting a late 20th-century creation, possibly drawing on traditional artistic styles. Approximate dimensions estimate the height of the panels to be 25–40 cm. This screen served as a decorative display item, highlighting traditional Chinese artistry and cultural themes. It is an intact example of craftsmanship, reflecting both aesthetic and collectible value.
A purple-glazed stoneware ritual "peaches" dishChina, Qing Dynasty (1644 - 1912), Yongzheng (1722 - 1735)Made of stoneware, it is covered in a rich green-purple glaze, most likely a vibrant purple, though the exact color may vary depending on lighting and screen settings.The dish most striking feature is the four-dimensional peaches, meticulously crafted and attached to the rim. Peaches in Chinese culture symbolize longevity and prosperity, making this cup a fitting object for rituals and ceremonies.The use of stoneware, a durable and high-fired ceramic, suggests that this cup was not only beautiful but also meant to withstand regular use. The smooth, glossy glaze adds to its aesthetic appeal and highlights the natural contours of the peaches.Dish like this were likely used in ancestor veneration or other important ceremonies, where the offering of symbolic fruits like peaches would have been significant.Provenance: French private collection - Galerie art asiatique, MarseilleHeight: 22 cm, , Diameter: 22 cm€ 800 - € 1 000
SIX BOXES AND LOOSE WOMEN'S CLOTHES AND ACCESSORIES to include assorted woolly jumpers, a blue Radley purse, two boxed pairs of shoes (size 5.5) a box of woolly hats and gloves, assorted scarves, a screen printed kaftan with Chinese characters, a quantity of hand bags etc (6 boxes and loose) (s.d)
Two hand-blocked 'Chinoiserie' wallpaper panels, probably 18th/19th century French (?) decorated with colourful exotic birds browsing the branches of flowering and fruiting shrubs, with simple hand gilt frames, 159 cm x 73 cm, together with a Chinese four-fold painted table screen,20th century decorated with Chinese Quail sheltering beneath bullrushes and peonies in lacquer colours on a silvered ground, 148 cm wide x 92 cm highA private estateThe two wallpaper panels are surprisingly bright and colourful they have some small holes at their periphery see the extra images.The screen is in two halves and has some damage to the frame and some to the edges of the painted panels. Please see the extra images supplied.
CHINESE BLACK AND GILT LACQUER TWELVE-FOLD SCREEN LATE 19TH CENTURY one side with a continuous scene depicting female immortal figures flying with cranes in celestial clouds, above a mountain and lake landscape, the lower section with repeating panels of two phoenix, the reserve of the panels all with four scrolling floral cartouches and auspicious symbols each panel 229cm high, 35cm wide; 436cm wide overall
This remarkable four-panel Chinese lacquered screen showcases a blend of artistry and traditional craftsmanship. Each panel is decorated with intricate mother-of-pearl inlay, depicting scenes of courtly life, including scholars, nobles, and attendants engaged in refined activities. The figures are set within delicate garden settings featuring bamboo, flowering plants, and elegant furniture, all rendered with exceptional detail. The frame is adorned with hand-painted gold filigree patterns that enhance the overall aesthetic, showcasing the screen's luxurious appeal. The reverse side features hand-painted gold designs of traditional Chinese floral arrangements, including bamboo, orchids, and vases, offering a beautiful decorative alternative. This piece is both a functional room divider and a decorative art piece, highlighting the timeless beauty of traditional Chinese lacquerwork combined with mother-of-pearl craftsmanship. A standout addition to any space, it reflects the cultural richness and artistic legacy of Chinese decorative arts. One double panel does not fold. Each panel dimensions: 18"L x 80"H x 1.75"W. Double panel dimensions: 36"L x 80"H x 1.75"W. Issued: 19th-Early 20th centuryDimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear. The center hinge requires two screws.

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5341 item(s)/page