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A LATE 19TH CENTURY CHINESE EXPORT MOTHER OF PEARL AND MARBLE INSET HARDWOOD RECTANGULAR TWO TIER TABLE (2)44cm wide; 34cm deep; 81cm high together with a similar tile inset table, 41cm wide; 31cm deep; 80cm highOld marks and scratches present to both, marble topped example has a small crack to the under platform, ceramic tile table, multiple hairline cracks to the tile, with the joins starting to separate, both solid and in usable condition
A GROUP OF LARGE CERAMICS AND LAMPS, to include six large serving platters, oval shaped, approximately 50cm, one round, names include Midwinter, A. Santos etc. two rectangle shaped glass vases, height 22cm and 27cm, etched with a floral design, two oriental vases and a planter, a large deep red bulbous shaped glass vase, two brass vintage oil lamps converted to electric, Chinese porcelain ceramic red jasmine blossom table lamp by Mandarin Arts Ltd. Model JC9065, height 52cm, a brown ceramic and metal table lamp with a cream shade by Home Works No 7644, tall thin table lamp, height 71cm with shade, a variety of small modern table lamps etc. (Condition Report: all lamps are untested, some ceramics have slight damage but in ok condition), (qty)
Elegant antique original Chinese finely carved wood round plant stand or display table with a bamboo leaves design that runs from the top down to each curved legs, The top includes an inset beige marble top. Stand dimensions: 15"L x 15"W x 36"H. Issued: Late 19th centuryDimensions: See DescriptionCountry of Origin: ChinaCondition: Age related wear. Two small pieces of wood missing from the lower parts of two central carvings.
Pair of antique Chinese hand-carved rock crystal table lamps with cream color shades. Each base is carved in a vase shape with flora designs and include a removable lid. The interior of each base includes a small light socket that glows beautifully. The base is attached to teakwood and metal stand. Jade finials on each lamp. Each lamp dimensions: 7"L x 6.50"W x 33"H. Each lamp dimensions with shades: 18.50"L x 12.50"W x 33"H. Issued: 20th centuryDimensions: See DescriptionCondition: Age related wear. Lamps are in working condition. Parts of the lids and bases show signs of internal cracks. Shades have tears.
'antique' neoclassical chess table with an antique 32 pcs Chinese chess game in ivory with CITES certificate chess pieces have damages due to usage'Antiek' neoclassicistisch schaaktafeltje (66 x 45 x 45 cm) met antiek 32-delig Chinees schaakspel in ivoor met CITES-attest schaakstukken hebben beschadigingen
An attractive set of four Chinese Famille Rose porcelain vases, Qianlong Style, apocryphal Xuantong marks, each decorated in enamels with figures before a table, and inscription, the base with four character mark, 20cm high, 10cm diameter One vase has repaired chip to rim Iron red four character reign mark to each base appears to be for Emperor Xuangtong, otherwise known as Puyi, the last Emperor of China, but probably apocryphal.
A Russian/Chinese Silver Table-Service, With Cast Pseudo Kokoshnik Mark, Probably Harbin, First Quarter 20th Century each piece with rococo style decoration, comprising11 table-spoons12 table-forks12 dessert-forksA soup-ladleA caddy or sugar-spoonand the following with filled handles12 table-knives, with stainless steel blades12 cheese-knives, with stainless steel blades12 fruit-forks, with silver-gilt tines12 fruit-knives, with silver-gilt blades6 forks with two tines, with silver-gilt tines6 smaller forks with two tines, with silver gilt-tines, one detached2 serving-slices2 ladles, one with silver bowl and one with silver-gilt bowlweighable silver 92oz 4dwt, 2,868gr (101)Harbin is a city in Manchuria, in northeast China. During the Russian revolution many Russians fled by train to the east, ending up in Harbin, indeed by 1921 something like a third of the population of 300,000 were of Russian extraction. As the Russian currency the emigrees brought with them was now worthless their worldly possessions were instead often converted to wrought silver wares to allow them to carry their wealth with them. This was accommodated by a group of silversmiths who had also fled to Harbin and used their skills to produce items in traditional Russian styles. As there was no assay office for them to turn to and as they also had no marks to use on their wares they instead cast into the articles they produced silver marks resembling the pre-revolutionary Kokoshnik marks that they were familiar with.The pieces are marked with a cast pseudomark. There is some overall wear and scratching. The handles on some of the filled pieces are detached from the attachments.
A Pair of Chinese Carved Hardwood Plant Stands, circa 1900, with brocatelle voilette marble insets within flower-carved and beaded borders with pierced and scrolled aprons, on cabriole legs headed by berries and foliage and joined by a pierced circular undertier 42cm by 42cm by 82cmPlant Stand One - some movement in joints. The marble top to the bottom tier has a gap (as photographed). Some natural? fine splitting to the foot. Small losses to the carved details, but otherwise reasonable. Plan Stand Two - again, with some movement in joints. The table top has some general scratches and some further losses to the carved detail, mainly around the feet. One section of the carved frieze is loose/detached, and so needs attention. Some gaps also visible to the bottom tier, with a small split/repair? . Please see online for further images.
A Pair of Chinese Porcelain Jars, in Kangxi style, of baluster form, painted in underglaze blue with dignitaries and attendants sitting at a garden table with musicians to one side26cm high, with associated carved and pierced covers and standsCrazed and with some small firing tears. No breaks or repairs. Some minor edge flakes only.
A small Chinese famille rose bowl with wooden cover, Qing Dynasty Yongzheng Period (1723-35), finely painted with a continuous domestic scene with ladies and other figures, including a maid tidying hair for an old man, three ladies chatting around a table, a lady talking to a boy with other maids standing by, all surrounded by a lavished setting with tables, stands, antiques and flowers; diameter 9cm, height 6.5cmProvenance: an East Anglian based collector清雍正 粉彩人物帶木蓋小盅 A vertical crack on the body ca. 5cm with two chips on the outside. Free from other damages or restorations器身有一條約5厘米的豎直沖線及連個相連的飛皮,其他完好
China.A four-piece Chinese export silver-mounted dressing table set, comprising hand mirror, dressing table box, and two brushes, each decorated with floral garlands, marked "YOK SANG", together with two unmarked oval clothes brushes decorated in relief with dragons on a stippled ground, actual silver weight indeterminable, length of hand mirror 31.5cm approx
A Chinese blue and white vase, late 19th century, painted with figures playing a game around a table, 33cm high and a Chinese blue and white vase and cover, late 19th century, painted with scrolling foliage and flowerheads, 36cm high (2) 晚清 青花人物紋瓶及青花花卉紋瓶共兩件 Condition Report: the figural vase with extensive repairs cracks and restorationthe scroll and flower vase with cracks to both the cover and the body and base Condition Report Disclaimer
A Chinese red silk table frontal with matching pelmet used in the Pekin Opera, Qing dynasty, circa 1900, embroidered with gold thread and mirrored glass sequins, decorated with playful Buddhist lions, embellished with green glass eyes, 80cm x 88cm, framed 清 紅地京劇獅子圖桌圍 Condition Report: unexamined out of frame Condition Report Disclaimer
A Chinese export silver circular small box and cover, 3.5cm high, a similar shallow dish with carp, and a collection of silver filigree miniature pieces to include a needle case, circular box, table and chairs, piano, two ewers and six tea cups. (qty)Dimensions of the circular box are 4cm wide and 3.5cm high, and of the shallow dish with carp 3.2cm wide. The other pieces in the lot are small. One chair has a leg missing.
A Chinese cloisonné 'holy water' vase, ganlu ping, 18th century, tapering towards the spreading foot, the high-shouldered body surmounted by a tall, cylindrical neck encircled by a narrow, gilded collar, decorated overall with lotus scrolls on a turquoise ground, 24cm highProvenance:Property of a LadyThe shape of this bottle-vase is similar to iron-red-decorated porcelain examples made during the Qianlong period as court gifts to Tibetan monks. The Emperor Qianlong is portrayed with one of these porcelain vases on a table next to him in a painting by Giuseppe Castiglione illustrated by E.S. Rawski and J. Rawson (eds.) in China: The Three Emperors, London, 2005, p. 282, no. 194. Another porcelain example in the collection of the Nanjing Museum is illustrated by Xu Huping in Treasures in the Royalty: The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, p. 225, and a pair in the collection of the National Palace Museum, Taiwan, is illustrated in Monarchy and Its Buddhist Way: Tibetan-Buddhist Ritual Implements in the National Palace Museum, Taipei, 1999, p. 184, no. 91. Cloisonné enamel examples of this type of 'pure water' bottle-vase appear to be rare, however, a similar ganlu ping was sold at Christie's Paris, 8 June 2010, lot 242.清十八世紀 掐絲琺瑯纏枝蓮紋甘露瓶拍品來源:英國私人女士收藏 Condition Report: restoration mainly to the turquoise ground and wear to the gildingwear and scratches to the surface and small knocks to the rimsCondition Report Disclaimer
A fine pair of Chinese Famille Verte dishes, Kangxi, each depicting a seated woman elegantly dressed and coiffured, resting one arm on a table whilst the other holds a tasselled stick that she uses to tease a cat, floral borders, both with jue mark in underglaze blue within double circle to bases, 22.5 cm diameter (2) The scene is possibly taken from one of the 'Twelve Beauties of Leisure', painted for Prince Yinzhen which is said to have precipitated the depiction of a single elegant lady as a popular subject of many mediums during the Kangxi period. Provenance: The Property of a Lady Konrad O. Bernheimer Ltd, Munich, 19th March 1998 清康熙 五彩仕女圖葵口盤一對拍品來源:歐洲女士私人珍藏,1998年3月19日購自慕尼黑古董商Konrad O. Bernheimer Condition Report: both with bright enamels and in very presentable condition but with some scratches to surfaces and some friting to unglazed foot rims Condition Report Disclaimer
A fine set of four Chinese red silk table frontals, Qing dynasty, 19th century, the borders embroidered with classical square fret-work with scrolling flowers and enclosing a central quatrefoil panel with flower surrounded flower buds and scrolls, overall sizes approximately 85cm x 93cm and each embordered area approximately 55cm x 92cm (4)Please note this lot is to be offered without reserve. Provenance: By Family descentMme Marie Violet who was a private collector circa 1890-1915清 紅地團花桌圍一組四件拍品來源:瑪麗·維奧萊特 (Marie Violet) 女士家族傳承,入藏於1890 年至 1915 年間 Condition Report: overall very presentable condition with minor fading and some scattered stains mainly to the corners unfinished with no lining or cotton pelmets Condition Report Disclaimer
A collection of various small silver wares to include five various 19th Century "Fiddle" pattern forks, an engraved evening purse, two napkin rings, small fork, Chinese white metal and embossed card case, two silver backed dressing table brushes, two ivorine napkin rings, a Mouseman oak napkin ring and a Chinese soapstone seal decorated with rat upon a column bearing hand inscribed inscription to one side, together with Beijing ink pad by the Beijing Yidege Ink Factory
Hong Kong. Hong Kong. London: Geographical Section, General Staff, No. 4691, published by The War Office, 1st edition, 1949, colour printed folding map, additional title of 'Kwantung sheet PII NW', table of explanation, mileage scales and index map below the image, 490 x 560 mmQTY: (1)NOTE: Although Japan had surrendered in 1945 and the British reclaimed their territory two weeks later, it took until 1949 for the British Government to make a firm decision not to abandon Hong Kong to the Chinese Communists. It had substantially strengthened the garrison to serve as an anti-communist deterrent, but its primary aim was to subdue internal security threats and reassure both the resident British and Hong Kong Chinese residents and bring some much-needed security and stability to the region. Chinese forces had massed on the New Territories border in October of 1949, but there was a degree of posturing and sabre-rattling in this show of strength and they would eventually withdraw. The map covers Kowloon and its vicinity, Lamma Island, Lo Chou, the Ping Chou Island Group and Cheung Chou.
A CHINESE HARDWOOD TABLE CLOCKLATE QING DYNASTYThe white enamel dial with Roman numerals, surrounded by a gilt-metal frame decorated with bats and lotus scrolls, with a factory mark of Mei Hua Li, contained within a rectangular case with a sliding back plate, 45.5cm x 30.7cm including stand. (2)OFFERED WITHOUT RESERVE. 本拍品不設底價。
A SMALL CHINESE QUATRELOBED CINNABAR LACQUER BOX AND COVERLATE MING DYNASTYThe cover carved in relief with bamboo on a scholar’s table, a plantain growing from rockwork behind a fence, reserved on a diaper ground, the sides with two bands of key fret, 5.5cm. (2)OFFERED WITHOUT RESERVE 本拍品不設底價。
A Chinese hongmu and floral mother of pearl inlaid console table, late 19th/early 20th century, the half-moon shaped top insert with a ‘dreamstone’ marble panel, the frieze pierced and carved with ruyi sceptre motifs, on four rounded legs joined by a half-moon shaped stretcher, 105cm wide, 88cm high, 54cm deep PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A good Chinese mother-of-pearl inlaid and marble topped hongmu altar table, late 19th/early 20th century, the rectangular top inlaid with three Dreamstone grey and white marble panels, flanked by a pair of scrolled ends, the frieze carved, pierced and inlaid with mother-of-pearl creatures and prunus, the tapering front legs headed by dragon heads, terminating in claw and ball feet, plain back legs, 154.5cm wide, 112.5cm high, 51.5cm deep PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese famille rose baluster vase, Yongzheng period (1723-35), finely painted with a scholar, two ladies and an attendant standing on a garden terrace with precious objects laid out on a table, beside them two phoenixes flying amongst peonies, the shoulder with a band of tight scrolls and flowers, the lower register with a band of pendant lappets, underglaze blue double circle to base, 35.5cm high, star crack to side There is a large star crack to the shoulder, occasional scratching to the glaze and some occasional wear to the enamels in places, a little grubby in places, otherwise in good condition with no chips or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A fine Chinese famille rose ‘Romance of the Western Chamber’ dish, Jiaqing-Daoguang period, superbly enamelled with two ladies seated at a table on a pavilion terrace, with the figures of two men on the walls below flying a kite to catch their attention, within intricately painted butterfly, fruit and flower border, the underside with Jiang Zhenglong zhi seal mark reserved on a turquoise ground, 20.1cm diameterAn attractive dish. Occasional minor scratches to the glaze and gilding, some slight fritting to the turquoise enamel on the underside. Some over enamelling to some manufacturing splinters on the inside edge of the foot, otherwise in good condition with no restoration, chips or cracks detected. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese enamelled porcelain and hongmu framed table screen, Republic period, the rectangular porcelain plaque painted with fishermen in a mountainous river landscape scene, inscribed with a poem to the top, 37 x 24cm, the hongmu frame and stand carved and pierced with bamboo and fruiting vines, total height 81cmThe porcelain plaque appears to be in good condition but has not been examined outside of the frame as it is fixed in position. The wood frame for the plaque is in good condition but the stand has lost some of the moulding which the frame slots into and one of the brackets is loose, otherwise in good condition. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Chinese School, c.1800, ink and colour on paper, beautiful ladies in a garden, the figures on a terrace around a large table with precious objects, a landscape beyond, image 67cm x 44cm, repairs and a fragment of a larger work This is a fragment of a larger painting and has some repairs to the paper at the bottom and is very discoloured in general.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.

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27640 item(s)/page