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A pair of Chinese famille rose tea bowls and saucers, circa 1900. Height of bowl 7.5cm, diameter of saucer 13cm; an oval box and cover, circa 1900, height 4cm, width 12cm; a signle circular cover, circa 1900, diameter 9cm; a twin-handled jar and cover, height 12cm; and four cups, height 7cm. (11)One of the pair of saucers has an anchor shaped hairline measuring 3 x 3cm. A tea bowl has two hairlines measuring 1cm and 2cm, the other tea bowl has a single hairline measuring 5cm long. The twin handled jar cover is in half and also losses to the flange. One cup has lost the handle.
Asian coins to include: REPUBLIC OF CHINA silver ‘Junk’ dollar. Chinese cash coins. JAPAN 20 sen 1895 年八十二治明. JAPAN 5 sen 1891 年四十二治明. JAPAN 100 yen 1959 昭和三十四年. JAPAN 100 yen 1957 昭和三十二年. JAPAN 10 yen KIANG-NAN copper ten cash. KIRIN copper ten cashes. HONG KONG dollar 1960. TAIWAN aluminum 1 jiao and 5 jiao coins. CHINA (Under Japanese Control) ten fen. FRENCH INDO-CHINA cent 1912, etc.
STRAITS SETTLEMENTS, a coin art belt made from twenty Queen Victoria Straits Settlements coins to include two 50 cents 1890 and 1897 and eighteen 20 cents including 1877, 1889, 1893, 1894, 1895, 1896, and 1897, the buckle with Chinese silver hallmarks, 159g gross.
Postcards collection held in an Art Nouveau design album containing over 150 postcards including models and actresses, classical art, Chief Washakie, Girls School Lachwa, Chinese Temple Hong Kong, Moray Floods 1915 showing the flooded railway line and station, etc. also an album of stamps, a small collection of banknotes, cribbage board etc.
A pair of alabaster table lamps, height to top of shade 56cm, also four assorted Chinese style lamps (6). Condition Report: Light surface wear and scratches throughout, otherwise good The item or items in this lot are sold as decorative works of art only and would need to be rewired and tested on installation by a qualified electrician.
KEYFORD FRAMES LTD; an Elizabeth II hallmarked silver mounted easel back photograph frame, embossed with a golfer and clubs, London 1990, modern Chinese screen, Baccarat paperweight, limited edition bronzed metal model of a clown, indistinctly signed, possibly 'RM94', numbered 638/2500, etc.
A pair of Chinese Qianlong enamel circular dishes, each painted with a scene of butterflies, insects and flowers on a white ground, the edges painted with further panels of flowers insterspersed by panels of purple foliage, with green patterned borders to the rim, each base painted with a pink flower head. 16.5 cm diameter. Provenance: Spink & Son. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel tea bowl and saucer, each painted with a scene of an Asiatic pheasant seated on a branch with prunus flowers, rocks and large flowers below, the borders painted with trailing blue flowers with gilt lines. The base with applied label 'Chien Lung Period 1736-1795 AD', and catalogue number 1. Saucer 11.25 cm diameter, cup 7 cm diameter. Provenance: John Sparks Ltd. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel coffee pot of European silver shape, painted in famille rose colours with sprays of orchids, magnolia and other flowers, the lid with a larger flower head, the neck, spout and foot painted with trailing blue foliage, with wooden handle. With applied catalogue number '103' to base. 20.5 cm high. Provenance: Spink & Son. Purchased by the vendors in the 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A chinese scroll depicting fish in a pond with lily pads, with Chinese character marks and two red seal marks. '原曾知樂方為樂首说忘機便有樣丁亥六暑寡生遺與望產' 'Originally, Zeng Zhile (曾知樂) was the chief of music (樂首). He spoke about 'forgetting worldly concerns' (忘機), saying that there is a pattern to it. In the year of Dinghai (丁亥, a year in the Chinese zodiac), during the sixth month of summer, a person of few desires (寡生) left behind something and hoped for a legacy.' overall size 204 x 48 cm, image size 110 x 35 cms.
A Chinese Qianlong enamel inkstand, the main pen compartment with hinged cover decorated in famille rose colours with a scene of figures in a garden, with fitted recesses for pounce pot, candlestick and inkwell, with removable liner and lid, the whole painted with leaves and flowers and pink floral ground borders. With original John Sparks retail box. 22 cm wide, 13.5 cm deep. Provenance: John Sparks, London. Purchased by the vendors in the late 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel charger, the central grounddecorated in famille rose colours with chrysanthemums and flowering branches, surrounded by a double border of waves and a band painted with coloured foliage. 22cm diameter. Provenance: Spink & Son. Purchased by the vendors in the 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A pair of Chinese Qianlong enamel pricket candlesticks, the fluted tapering stems painted with panels of flowers in famille rose colours, the drip panels, bases and undersides painted with overlapping flower heads, with central spikes, the bases with applied catalogue numbers '94'. 12.5 cm high. Provenance: John Sparks Ltd. Purchased by the vendors in the 1980s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel teapot and cover, with fixed over handle, the lobed body painted with panels of flowers on a ground of green and yellow flowers, the neck and spout painted with pink flowers, the underside painted with flowers. 18 cm high x 12cm wide. Provenance: Spink & Son. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel vase, the yellow ground neck painted with blue trailing three claw dragons, the body painted with a scene of birds seated on branches with trailing flowers and branches. 17 cm high. Provenance: Spink & Son. Purchased by the vendors in the 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham (1933-1999).
A pair of early Chinese Qianlong enamel ladles / spoons, with gilt peacock head terminals, the necks painted with peacock feathers, the interiors painted with pink bats and clouds, the exteriors painted with trailing leaves and flowers, with painted fruit to each base. 10 cm long. Provenance: Spink & Son. Purchased by the vendors in the 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
Zhongtao Tong (born 1939) Chinese, a mid 20th century Chinese scroll, ‘Ten Thousand Mountains’, painted with a scene of towering mountains with trees, with Chinese character marks '我充登去享心圈氣常', 'I rise fully to enjoy the constant flow of energy and peace within my heart.', overall size 154 x 54cms, image size 68 x 45 cms.
A pair of early Chinese Qianlong enamel pomode pots and covers, each painted in famille rose colours with three panels of flowers against a dark blue ground with flower heads and green foliage scrolls, the covers with gilt edges and painted with a pink flower head and trailing foliage on a blue ground. Each with catalogue labels '76' to base, one with British Antique Dealers Association (BADA) customs label to base. 8.5 cm high. Provenance: John Sparks Ltd. Purchased by the vendors in the 1960s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A mid 20th century Chinese painted scroll, depicting an extensive landscape scene with trees and buildings, figures walking and mountains in the distance, with Chinese character marks and red seal mark, '部前落雳吴江清晓软呀竟' 'Before the storm, at Wujiang, the soft dawn quietly approached, as if unexpectedly.' '柿的不列,南山同影该俑移松升结柠读预防私雪后意蛴髓著' "The persimmons are not in order. The southern mountain casts its shadow, and the clay figures shift, pine trees rise, forming knots. The lemons are readied as a precaution for snow's aftermath, with concerns even in the marrow.' Overall size 194 x 46 cms, image size 126 x 31 cms.
A Chinese Qianlong enamel teapot and cover, with looped fixed handle, the lobed body painted in famille rose colours all round with panels of chrysanthemums and flowers on a white ground, against a patterned ground, the top and handle decorated with yellow and blue basket weave panels, the spout painted with blue scrolls. The base painted in blue with a Shòu 寿 symbol. 18 cm high. Provenance: John Sparks Ltd. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel teapot and cover, with fixed loop handle, the globular lobed body painted with panels of flowers and insects on a purple and yellow ground of foliage, painted with orange and pink flowers to the spout and pink flowers to the base, with applied catalogue number '69'. 19.5 cm high. Provenance: Spink & Son. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A Chinese Qianlong enamel coffee / chocolate pot or ewer, the lobed body decorated in famille rose colours with lotus scrolls in cartouches, overlapping petals at the shoulders and scattered flower heads to the spout. With '95' catalogue label to base. 16.5 cm high. Provenance: Spink & Son. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.
A fine Chinese Qianlong enamel bowl, the interior painted with four, five clawed dragons, in green, pink, red and blue, each surrounded by colourful clouds on a white ground, the exterior painted with scattered flowers and trailing leaves on a rich Imperial yellow ground. The base painted with a blue dragon and with applied label 'Chien Lung Period 1736-1795 AD'. 18.5 cm diameter. Provenance: John Spark Ltd, with origial John Sparks retail box. Purchased by the vendors in the 1970s. This piece was loaned by the vendors to be included in an exhibition of Chinese Painted Enamel at the Ashmolean Museum in Oxford in 1978, curated by Michael Gillingham.

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720259 item(s)/page