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After Rembrandt Harmensz. van Rijn,  Dutch 1606-1669- Portrait of a bearded man in a cap; oil on canvas, feigned oval, 62 x 45.5 cm. Provenance:  Property from a European Private Collection. Note:  The present work appears to be a copy after Rembrandt's 1642 painting of a bearded man wearing a cloak and a hat, described as a rabbi, which was recorded as being in the private collection of the financier Jules Porgès (1839-1921). The original was illustrated on page 393 of Adolf Rosenberg and Wilhelm Reinhold Valentiner's 1908 catalogue raisonné of Rembrandt's work, and was again referenced in Abraham Bredius's 1935 catalogue raisonné of the artist (no.220). 

Mattel, Toy Biz, Hasbro - 4 x boxed figures to include Star Wars, Lord of the Rings, Harry Potter - Lot includes a Mattel Harry Potter Aragog and Invisibility Cloak figures. A Toy Biz Lord of the Rings The Two Towers Gollum figure. A Star Wars Hasbro Attack Of The Clones Anakin Skywalker Speeder. Boxes appear in good condition with minor storage wear. Figures appear in mint condition. (This does not constitute a guarantee) (M)

A set of twelve mirror anamorphosis cards, possibly French, circa 1860, twelve hand-coloured lithographs, toned and spotted, with some soiling, 15.5 x 19cm with cylindrical viewing mirror with turned wood base and finial (finial cracked), subjects include crowned princess, ten of hearts playing card, lady in green cloak, elephant, hooded man smoking a pipe, ballet dancer, gentleman with blanket, matador, bunch of flowers, puss in boots, child with animal, and a squirrel, Similar to a set of twenty-four cards designed by Armand Louis Henri Telory.

A SMALL QUANTITY OF PICTURES AND PRINTS ETC, to include two unframed early 20th century oils on board signed A. Mearns, an unframed oil on board depicting a Jubilee class steam locomotive 'Kolhapur', early 20th century portrait photographs, a black and white print after James Gutherie 'The Velvet Cloak', Mabel Oliver Rae etching 'The Bridge of Sighs, Cambridge', etc

Frankreich - Bronzemedaille 1901, Jahresfeier der Gobelin Manufaktur Paris, von Alphée Dubois (1831 - 1905), Av: CHARLES LE BRUN / 1619 - 1690, sign. "Alphée Dubois", 3/4- Büste Charles le Bruns mit Umhang und Perücke nach links, Rv: Darstellung Athenas mit zwei Eroten. Sie unterweist eine junge Frau in der Kunst der Tapisserie, TROISIEME CENTENAIRE DES GOBELINS 1601 - 1901 in Kartusche "DESCLEFS", sign. ALPHÉE DUBOIS D'APRÈS TRÉMOLIÈRES, Rand: Randpunze "Füllhorn" und "BRONZE", vz., mehrere kleine Randfehler, feine Patina, geringe Kratzer, kleine Randkerben, teils Berieb des Reliefs, ca. 129,9g.Bei der Vorlage des rückseitigen Reliefs handelt es sich um ein Gemälde von Pierre-Charles Trémolières (1703 - 1739) im Pariser Hôtel de Soubise. Der Hofmaler Charles le Brun (1619 - 1690) war u. a. Direktor der königlichen Gobelin-Manufaktur in Paris. | France - Bronze medal 1901, anniversary of the Gobelin Manufactory Paris, by Alphée Dubois (1831 - 1905), Obv: CHARLES LE BRUN / 1619 - 1690, sign. "Alphée Dubois", 3/4- Bust of Charles le Brun with cloak and wig to the left, Rv: Depiction of Athena with two Erotes. She is instructing a young woman in the art of tapestry, TROISIEME CENTENAIRE DES GOBELINS 1601 - 1901 in cartouche "DESCLEFS", sign. ALPHÉE DUBOIS D'APRÈS TRÉMOLIÈRES, edge: edge punch "Füllhorn" and "BRONZE", several small edge defects, fine patina, minor scratches, small edge nicks, some rubbing of the relief, approx. 129.9g.

Wooden pine cloak rack measures approx 59 inches wide

Bronze giltTibet , 20th century Dimension: Height 13 cm Width 10 cm Depth 7 cmWeight: 435 grams Depictions of spiritual masters in Tibetan Buddhism show mostly deceased lamas who acquire divine features only after their death. They were made for commemorative purposes for the disciples. Representations were usually individualized and stereotypical, however they can bear small details which makes them distinguishable apart from a dedicatory inscriptions. This lama is seated cross-legged on rectangular cushions with decorative patterns on the side. His hands are gently lying on his knees, he is wearing flowy robes and a pleated cloak, a high headdress covers his presumably bald head. He has a broad, distinctive face and is smiling lightly. The statue is hollow. 

ROHWEDDER, HEINRICH (geb. 1935), "Hirtenreiter", 1977, Bronze, patiniert, stilisierte Figur eines Hirten mit weitem Umhang, H: ca. 29 cm, Gewicht ca. 7,2 kg. PROVENIENZ: Galerie Dorn, Stuttgart, Rechnungskopie mit Beschreibung von 1989 liegt bei.| ROHWEDDER, HEINRICH (born 1935), "Hirtenreiter", 1977, bronze, patinated, stylised figure of a shepherd with a wide cloak, h: approx. 29 cm, weight approx. 7.2 kg. PROVENANCE: Galerie Dorn, Stuttgart, copy of invoice with description from 1989 enclosed.

A police officer's woollen cloak with chain clasp in the form of two lions heads, approx. 95cm l

FLEMISH SCHOOL (17TH CENTURY) CRUCIFIXION Oil on panel 104 x 71.5cm (40¾ x 28 in.) Condition Report: The panel has two beams on the verso which cradle the painting. The panel presents various visible crack; starting from the left: the first crack starts from the top border and ends on the foot of the crossed man on the left; the second crack starts from the top, crosses the right hand of Christ, and continues in a straight line to the bottom; the third crack, similarly, passes from Christ's left arm and follows to the bottom; the forth crack follows the pole of the crucified on the right; while the last crack starts from the top right corner and ends at the bottom, crossing by St. John's cloak. UV light reveals various retouches scattered across. The most visible are the ones covering the abovementioned cracks, especially the first, third, and forth crack, where the applied paint is thick enough to see without UV light. Furthermore, there is a restoration of about 6cm long on the right to Christ's pelvis, and various retouches on the dress of Mary Magdalen, of which some of them up to 3cm wide; other a present above the head of Christ, on the body of the crucified man on the left, and a few more on the borders. To conclude, a thick varnish is applied unevenly across the whole surface. Condition Report Disclaimer

A large Russian porcelain figure of a Sart Woman, Imperial Porcelain Factory, dated 1913, from the Peoples of Russia series modelled by Pavel Kamensky, standing with her hands on her hips, wearing a brightly coloured cloak and cap, her long black hair in two plaits falling down her front, printed mark dated 1912, painter's mark dated 1913, 39cm. Provenance: a private English collection; acquired in Latvia during the 1920s and thence by familial descent.Cf. State Hermitage Museum, inventory number: Мз-И-1761 for a similar version.

An early Victorian silver cloak pin by Henry Samuel Ellis, each circular terminal intertwined with a foliate engraved ribbon motif, with a pendant drop hung from an anchor link chain, detailed ‘Combmartin Silver H.S. Ellis Exeter 1847’, weight 16.1g, width 10.2cm.

A Dan mask with mudcloth cloak 'Angel', Cote D'Ivoire, 24cm high.

A Grebo (Kru) six eyed warrior mask with raffia beard and cloak, Liberia, approximately 50 years old, 35cm high.

Black-purple tricorn and cloak.Series: Characters From Williamsburg. Royal Doulton backstamp. Artist: Max HenkIssued: 1963 - 1983Dimensions: 3.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

Dark blue tam; green cloak.In a poem written by Robert Burns in 1791, Tam O' Shanter is a drunken farmer who happens upon witches who pursue him and his horse. He escapes, but his horse doesnt quite make it - one witch pulls its tail off. The Scottish woolen cap is reputedly named after this poem's hero. Royal Doulton backstamp. Artist: Max HenkIssued: 1973 - 1980Dimensions: 2.5"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

Limited edition of 5000, variation two; brown deerstalker hat and red cloak. Royal Doulton and Lawleys backstamp Issued: 1972Dimensions: 3"L x 2.25"W x 4"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.

A Tukuna cotton braceletRio Solimoes, Brazilof flared cylindrical form with 'rolled' ends,17cm long, and a pair of similar childs' bracelets, 9.5cm long, a Shipibo boat shape dish with painted geometric decoration, 41.2cm long, a Kayapo club handle, 45.5cm long and a Peru copper cloak pin, with pierced and punched decoration, 15.5cm long. (6)ProvenanceThree bracelets - Sotheby's, London, Tribal Art, 27th March 1985, lot 424.Romy Rey Collection, London.

A Fon staff asenBeniniron, the top with a seated figure wearing a hat, a flowing cloak, chameleons, plants, a hand with a tortoise and sun and moon symbols, the edge hung with aluminium lozenges,123cm high, on a stand. (2)

ATTRIBUTED TO FRANCIS WHEATLEY (5)Boy with a rake signed 'F. Wheatley' (lower left) pencil and watercolour heightened with white 24 x 19.5cm together with Vesuvius Erupting, a watercolour after JMW Turner; Woman in blue cloak, an indistinctly signed watercolour by another hand; Portrait of a gentleman in a turban, a watercolour by another hand; Boats on a river, a watercolour by another hand (5)

Four Staffordshire pearlware figures, emblematic of the four seasons, 'Summer' as a young girl holding a sheaf of wheat; 'Autumn' as a young boy squeezing grapes into a goblet; 'Winter' as a boy holding his cloak; 'Spring' as a maiden holding a basket of flowers. 7½" high. c. 1820.

A collection of clothing to include:- a long black Dracula type cape (1930s/40s) with gold lining, the fabric of the cloak is Gaberdine. A extra large gold satin loose dress with a gold rolled collar, full sleeves gathered into a gathered cuff with a covered button, the dress is full and gathered and was previously owned by an American opera singer. A strapless crepe cobalt blue dress which has tiers and frills in layers, metal zip, cocktail length (some fading) 1960s. A Jean Muir long navy top in crepe, 1990s. A red satin Chinese dress with butterfly embroidery detail, high collar, mid skirt length with slit on right side (1980s). A black evening dress with sculptured bodice with a pleated design, the belt is attached to the dress and the fabric is man made, size 14 by Biba (1980s). (6).

65-58 BC Celtic early uninscribed gold Belgae Chute type Stater (S 22). Obverse: wreath motifs with crescents and cloak. Reverse: horse body and legs with pellets above. Weight: 6.08g. Diameter: 16.7mm.

2023 Royal Mint gold proof King Charles III Sovereign in original presentation box with certificate included. Obverse: exclusive crowned portrait of His Majesty King Charles III, facing left. Artist: Martin Jennings. Legend: 'CHARLES III · DEI · GRA · REX · FID · DEF ·'. Reverse: Benedetto Pistrucci's Saint George mounted on a rearing horse wearing a cloak and helmet, pointing his sword at a winged dragon. Date - 2023 - below. Mintage: 15,000. Face value: £1. Finish: proof. Composition: 9167 gold. Weight: 7.98g. Diameter: 22.05mm.

A POLYCHROME CARVED FIGURE OF ST MICHAEL NORTH ITALIAN, 18TH CENTURY In medieval armour and red cloak crushing a demon underfoot, on a square plinth base, heightened in gilt 149cm high Condition Report: (losses to arms and extremities)Condition Report Disclaimer

An Edwardian silver model of Grocers' Hall 'St Anthony the Great'Carrington & Co, London 1904 Cast silver statue of Saint Anthony the Great, as found in the Worshipful Company of Grocers' Hall in London, a little pig peeking out of from his cloak at his feet, standing atop a square dark wood plinth, with an applied silver camel mounted to the front, height 14cm.Footnotes:The statue of St Anthony the Great was made for the Grocers' Hall of 1889. It stands by the front entrance of the present hall. In medieval times, grocers also supplied medicinal herbs and spices, so they liked to associate themselves with St Anthony. The Grocers' Company was originally incorporated in 1348 as the Fraternity of St Anthony. The old hermit is shown with his attributes: a pig (he is said to have been a swineherd), a cross of Tau, a bell and a book.For further information on this lot please visit Bonhams.com

A SCOTTISH SILVER IONA CLOAK CLASP, with Celtic decoration, stamped Iona with hallmark for Alexander Ritchie, Glasgow 1928, diameter 42mm, approximate weight 12 grams (condition report; overall fair condition, heavy tarnishing, moderate to heavy surface scratches)

SPECTACULAR SPIDER-MAN #54 to 69, 75, 79, 97 to 100, 120 + ANNUALS #1, 2, 3, 4, 6 (28 in Lot) - (1981/1986 - MARVEL) - Includes the first appearance and origin of Cloak and Dagger + the first appearance and first cover appearance of Spot - Flat/Unfolded

MARVEL GRAPHIC NOVEL LOT (6 in Lot) - Includes #4 (NEW MUTANTS), 9 (THE FUTURIANS), 30 (A SAILOR'S STORY), 34 (CLOAK AND DAGGER), 46 (AMAZING SPIDER-MAN), 61 (BLACK WIDOW) - Flat/Unfolded

SPECTACULAR SPIDER-MAN #1, 39, 44-57, 61-66, 76, 81, 88, 89, 91-95, 97-124, 126-147, 149, 150 + ANNUALS #1, 2, 4, 5, 6, 7, 8 (92 in Lot - 2 copies of issues #53 & 61) - (1976/1989 - MARVEL - US & UK Price Variant) - Includes the first appearances Cloak and Dagger, the Answer, Spot, Sin-Eater + the second appearance of Tombstone - Flat/Unfolded

Two Pratt Ware Figures, Circa 1790-1800, one emblematic of autumn holding cornucopia, 7ins high, the other a standing lady wearing yellow cloak, 6.75ins highAutumn with cornucopia - star crack to back figure at lower part. Figure of girl in yellow cloak - no obvious damage/loss/restoration

Felix Martin Miller (1820-1880) - A bisque porcelain figure of "The Lady of the Lake", impressed F.M. Miller SCU, 36ins high, on turned faux marble columnFigure's natural left foot cracked vertically through, and with some associated staining. Hairline crack running from the base at front, through the swan's neck, under the figure's shoe and onto the rim. Two small stained firing cracks to the lower part of her cloak, each measuring approximately 2cm. Third chip to the left corner at back of base. Pedestal - some scattered chipping to the upper rim. 

Royal Worcester owl candle snuffer together with a unmarked candle snuffer of a girl wearing a cloak (2)

Josh O'Connor (as Prince Charles): A replica of the Investiture outfitSeason 3, Episode 6, 'Tywysog Cymru'Custom-made replica ensemble comprising a purple velvet cloak with gold fastenings at the front, embroidered with fleur-de-lis motifs, together with a spotted ermine fur collar; a navy woollen single-breasted military jacket with silvered buttons, with 'Hero Collection' label and production label reading Karol 188/96/88, and a pair of blue high-waisted woollen trousers with red stripe; a shirt by Darcy with a white stud collar and double cuffs; braided epaulettes, white elasticated braces, a pair of black leather Chelsea boots, a black peaked military hat with a red band, together with a textured gold-coloured ring with a purple oval stone (9)Footnotes:As worn by Josh O'Connor (as Prince Charles) in the Prince of Wales Investiture scene.The Investiture of the Prince of Wales in Caernarfon Castle took place on the 1st July 1969 and was the ceremony to formally mark Prince Charles as the Prince of Wales.The Investiture was televised and watched by 500 million people worldwide, however, it was opposed by many Welsh Nationalist organisations. To appeal to the Welsh public, the young Prince studied the Welsh language at Aberystwyth University and gave a speech during the ceremony in both Welsh and English.For further information on this lot please visit Bonhams.com

BRITISH SCHOOL (LATE 18th/EARLY 19th CENTURY), WAIST LENGTH PORTRAIT OF A YOUNG LADY IN A RED DRESS AND BLUE CLOAK, OIL ON CANVAS, RELINED, 54.5 X 74cm.

A LARGE ANTIQUE RED AND WHITE PASTE BUCKLE BROOCH / CLOAK PIN. UNHALLMARKED, ASSESSED AS SILVER. MEASURMENTS 6.5 X 5.5cms. WEIGHT 32.97grms

J.R. Edgar (19th Century) Galway Cottage, lady eating a bowl of porridge against a cottage wall, wearing a red cloak, signed and dated 1860 lower left, oil on canvas, 30 x 25 cm, frame 44 x 39 cmProvenance: private South Staffordshire collection

Octavius Oakley (1800-1867) Girl in a red cloak stood in a wheat field and straw hat carrying a wheatsheaf, watercolour, 48 x 31.5 cm, frame 68 x 50 cmLabel verso for Boydell Galleries Condition:The painting is a watercolour, framed under glazing. The sheet appears in generally good condition- no obvious creases, tears or losses. The paint condition appears stable, no obvious paint loss- the colours are bright and generally well preserved- some potential minor fading. There are some faint spots of foxing to the upper left. Frame has general wear and tear,

An Order of St. John ceremonial tabard and hooded cloak bearing a gold embroidered panel for 'Lancashire', with two ceremonial swords and a further example.

A Knights Templar ceremonial tabard and hooded cloak bearing a large gold embroidered panel for 'Lancashire' and two ceremonial swords, one with skull pommel, both with brass and leatherette scabbards.

W. H. KERR & CO, WORCESTER; a Parian ware figure of King Lear, with printed blue mark to base, height approx. 44.5cm.Condition Report: - Chipping to the hair at the front of the cloak, possible repair to right arm.

A large metal netsuke, possibly pewter, formed as a gentlemen wearing dog of foo cloak along with an intricately carved nut shell.

Zwei Heiligenportraits, 19. Jh.: Maria mit blauem Umhang, Pastell, 40 x 31 cm; Heilige auf einer Leier spielend, Öl/Lwd., 36 x 29 cm, beide Altersspuren. /Two portraits of saints, 19th century: Mary with a blue cloak, pastel, 40 x 31 cm; Saint playing a lyre, oil on canvas, 36 x 29 cm, both with traces of age.

Portobello Bears Romanov family artist designed teddy bears by Amy Goodrich, depicting the Russian Royal family, LE 10/10 (paper swing labels and signed certificates give the limit numbers as 10/10 but sewn in tags are numbered different), made exclusively for Teddy Bears of Witney, including: (1) Nicholas II, brown sparse mohair with brown backing, brown felt pads, black glass eyes, black vertically stitched nose, shaved muzzle, fully jointed, wearing cream and blue cotton uniform, sewn-in tag (LE 2/10), swing labels, certificate, 14”/36cm; (2) Tzarina Alexandra, blonde mohair with beige backing, brown felt pads, black glass eyes, black vertically stitched nose, shaved muzzle, fully jointed, wearing blue silk dress and cloak, velvet hat, pendant necklace, sewn-in tag (LE 2/10), swing labels, certificate, 14”/36cm; (3) Olga, pink sparse mohair with pink backing, painted velveteen pads, black glass eyes, black vertically stitched nose, shaven muzzle, fully jointed, wearing cream cotton Cossack trouser suit edged with lace, flower crown, cross pendant and miniature bible necklaces, no sewn-in tag, swing labels, certificate, 12”/31cm; (4) Tatiana, grey sparse mohair with green backing, brown felt pads (hole to right foot pad -please see photographs), black glass eyes, black vertically stitched nose, shaven muzzle, fully jointed, wearing cream cotton shawl and dress edged with lace, flower crown, heart pendant necklace, sewn-in tag (LE 2/3) swing labels, certificate, 12”/31cm; (5) Maria, cream sparse mohair with peach backing, brown felt pads, black glass eyes, black vertically stitched nose, shaven muzzle, fully jointed, wearing cream cotton shawl and dress edged with lace, flower crown, seashell pendant necklace, sewn-in tag (LE 2/10), swing labels, certificate, 12”/31cm; (6) Anastasia, lilac sparse mohair with pink backing, brown felt pads, black glass eyes, black vertically stitched nose, shaven muzzle, fully jointed, wearing cream cotton shawl and dress edged with lace, flower crown, butterfly pendant necklace, sewn-in tag (LE 2/10), swing labels, certificate, 12”/31cm; (7) Alexis, kingfisher blue sparse mohair with blue backing, painted ultrasuede pads, black glass eyes, black vertically stitched nose, shaven muzzle, fully jointed, wearing cream cotton sailor suit, no sewn-in tag, swing labels, certificate, 11”/28cm; all are dressed in vintage or hand aged fabrics and notions, the seven bears come with four wicker baskets for storage, all are Excellent Plus (apart form the the one hole in Tatiana's pad which is noted); (7).

A vintage painted composite and metal female mannequin upper body torso, and pair of legs, along with a silk wedding dress;  another, reproduction military uniform;  a late 19th century judge’s cloak, velvet cap (black mannequin not included) (4)

To Be Sold With No ReserveA Moroccan, Berber tribe, Aknif or Red Eye embroidered cloak from the High Atlas region and a North African, 20th century leather bag, cloak 140cm.  (2)Provenance: The Private Collection of  Viscount CowdrayCondition Report: The cloak presents as dusty overall and would benefit from cleaning. This lot shows some areas of light discoloration on the black reverse of the robe, especially on line between the hood and the body of the cloak. It is stained throughout and along its hem. It is lacking its buttons or hooks, although the loops are all present. Fair remnants of threads and broken weave can be noticed where the buttons or hooks would have been. The weave is broken in scattered places and shows pulled threads in places. The opening's hem is frayed and shows some losses. The orange field in the back is rather clean except for a strained weave.This lot is in a condition consistent with its former use. It would now benefit from attention and cleaning.The leather bag in very good condition unused 

FOUR CELTIC PATTERN BROOCHES, to include a large Celtic pattern circular brooch, fitted with a brooch pin and safety clasp, hallmarked Birmingham, a smaller open work Celtic pattern circular brooch, fitted with a brooch pin and safety clasp, hallmarked Edinburgh, approximate gross weight 20.8 grams, a brooch in the form of a Celtic cloak pin, fitted with brooch pin and safety clasp, stamped 925, and a white metal three swan brooch, stamped to the reverse 'Three Nornes Verdandi Present Skuld Urd Future Past' stamped 'Silver', fitted with a brooch pin and safety clasp (condition report: general light wear, all pins and clasps in working order)

Ca. Late 4th-3rd Century BC. An Attic red-figure bell krater, decorated with a Dionysiac scene attributed most probably to a Telos painter. The vessel features a stylised wreath pattern below the rim, egg-and-dart and palmette motifs around the handles, and a Greek key ornament on the lower part of the body. On one side is a beautiful scene presenting Dionysus and a female figure, most probably Ariadne. Ariadne is the focal point of the scene, painted nude with lavish use of added white. She holds a fan and has an elaborate cloak draped at her shoulders. Dionysus sits above and to the right, nude with a headdress and holding a thyrsus. The pair is surrounded by four satyrs in various dynamic poses. On the other side is a well-known scene on Late Classical kraters, depicting three standing male figures wrapped tightly in himatia, one brandishing a ritual implement. The item is accompanied by a TL report from QED. Item comes with a professional historical report from Ancient Report Specialists. Size: 390mm x 380mm; Weight: 5.45kg Provenance: Property of a London ancient art gallery; formerly acquired on the Spanish art market; formerly in a private collection, Cannes, France; previously acquired at Pierre-Eric Becker Gallery, Cannes, 1998. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

Original antique propaganda poster published by the Budget League - The Budget League. Our old nobility. Noble lord: You have served me faithfully for 60 years; now I'm going to reduce your wages by half, then you'll be eligible for the old age pension! See? - featuring an illustration of a noble man in a crown and red fur cloak talking to a bent older gentleman holding his hat in one hand and a shovel in the other. Printed by Stafford & Co Netherfield Notts. Good condition, creasing, tears, paper losses, folds, staining Country of issue: UK, designer: Unknown, size (cm): 102x77, year of printing: 1910s.

Set of 7 original vintage elections propaganda posters issued in Vosges, France and othr French posters. 1. Anti-American facts listed in the poster promoting votes for the alliance of Communists and Antifascists. Good condition, creasing, folds, repaired tears, small paper loss and red pencil mark at top right corner. Country of issue: France, designer: Unknown, size (cm): 80x60, year of printing: 1951; 2. Union Republicaine Sociale et Familiale. The Republican Union (French: Union republicaine, UR), later known as the Progressive Union (French: Union progressiste, UP), was a French parliamentary group founded in 1871 as a heterogeneous alliance of moderate radicals, former Communards and opponents of the French-Prussian Treaty. Good condition, creasing, folds, repaired tears, red pencil mark at top right corner. Country of issue: France, designer: Unknown, size (cm): 80x60, year of printing: 1951; 3. The Socialist Party is a social-democratic political party in France. The PS was for decades the largest party of the French centre-left and used to be one of the two major political parties in the French Fifth Republic, along with The Republicans. It replaced the earlier French Section of the Workers' International in 1969 and is currently led by First Secretary Olivier Faure. The PS is a member of the Party of European Socialists, Progressive Alliance and Socialist International. Good condition, creasing, folds, repaired tears. Country of issue: France, designer: Unknown, size (cm): 80x60, year of printing: 1951; 4.The poster details election platform of the independent candidates. Good condition, creasing, folds, small tears. Country of issue: France, designer: Unknown, size (cm): 80x60, year of printing: 1951; 5. The poster details election platform of the Union Republicaine. The Republican Union (French: Union Republicaine, UR), later known as the Progressive Union (French: Union progressiste, UP), was a French parliamentary group founded in 1871 as a heterogeneous alliance of moderate radicals, former Communards and opponents of the French-Prussian Treaty. Good condition, creasing, folds, repaired tears, red pencil mark at top right corner. Country of issue: France, designer: Unknown, size (cm): 80x60, year of printing: 1951; 6. exhibition at Decorative Arts Advertising Museum in the Palais du Louvre in 1992 - It was titled The Poster Competition Circa 1900 - Byrrh the imaginary poster. It uses a poster design for Byrrh - an aromatised wine apéritif made of red wine, mistelle, and quinine created in 1866 - Artwork featuring a lady in a green cloak and flowery hat drinking from a wine glass on a yellow background with bold red lettering below. Good condition, creasing. Country of issue: France, designer: Unknown, size (cm): 80x61, year of printing: 1992; 7. 1984 Wishes - To Write is to Make People Happy / Voeux 1984 - Ecrire, C'est Faire Des Heureux - Issued by La Poste. Great artwork features a red fountain pen writing hearts onto a letter in an envelope. Very good condition, creasing at edges. Country of issue: France, designer: Unknown, size (cm): 60x60, year of printing: 1984.

Alexis D'AMBROSSI (Italian 19th/20th Century) Portrait of a Cavalier with a Red Cloak Oil on board Signed upper left Framed Picture size 31 x 22cm Overall size 48 x 40cm

18th Century School probably French Portrait of a Noblewoman, powdered hair, dress with flowers to bodice, ermine lined blue embroidered cloak signed lower right F Bu??.,  12.5 x 9.5cm, gilt framed, velvet lined reverse applied witih gilt initials  Further details: glass broken to reverse frame  Non transferable standard ivory exemption declaration number: QUQCS2B2

Regency School (circa 1815)  Portrait miniature of a Lady, white lace ruff above lace bodice and blue cloak with fur trim oval, 6.8cm long, ebonised frame with gilt metal acorn and oak leaf mount Further details: appears to be in good condition Non transferable standard ivory exemption declaration number: QZF5VH1L

Christian Dior 100% black cashmere cloak/cape garment with a midnight blue lining. Made in Italy

Variation One. Black hat, red cloak, black hair and moustache.One of the much-loved three musketeers in the 1844 novel by Alexandre Dumas, Porthos roamed Europe with his merry band in search of adventure. "One of the Three Musketeers" was included in the early backstamp to indicate that Porthos was one the famous Musketeers. Series: Characters From Literature/The Three Musketeers. Royal Doulton backstamp. Artist: Max HenkIssued: 1956 - 1991Dimensions: 7.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good

Variation One. Dark green deerstalker hat, brown cloak. Comes with original box.Arthur Conan Doyle (1859 - 1930), an unsuccessful doctor, published the first of his widely popular detective stories in 1887. The amateur sleuth Sherlock Holmes shared rooms on Baker Street, as well as many adventures, with his friend and foil, Dr. Watson. Artist: Alan MooreIssued: 1973 - 1996Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Dark blue tam, green cloak.In a poem written by Robert Burns in 1791, Tam O' Shanter is a drunken farmer who happens upon witches who pursue him and his horse. He escapes, but his horse doesn't quite make it - one witch pulls its tail off. The Scottish woolen cap is reputedly named after this poem's hero. Artist: Max HenkIssued: 1973 - 1980Dimensions: 7"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Variation Two. Brown deerstalker hat; red cloak.Arthur Conan Doyle (1859 - 1930), an unsuccessful doctor, published the first of his widely popular detective stories in 1887. The amateur sleuth Sherlock Holmes shared rooms on Baker Street, as well as many adventures, with his friend and foil, Dr. Watson. Artist: Alan MooreIssued: 1987Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Variation One. Dark green deerstalker hat; brown cloak.Arthur Conan Doyle (1859 - 1930), an unsuccessful doctor, published the first of his widely popular detective stories in 1887. The amateur sleuth Sherlock Holmes shared rooms on Baker Street, as well as many adventures, with his friend and foil, Dr. Watson. Artist: Alan MooreIssued: 1973 - 1996Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.

Dark blue tam; green cloak.In a poem written by Robert Burns in 1791, Tam O' Shanter is a drunken farmer who happens upon witches who pursue him and his horse. He escapes, but his horse doesn't quite make it - one witch pulls its tail off. The Scottish woolen cap is reputedly named after this poem's hero. Artist: Max HenkIssued: 1973 - 1980Dimensions: 3.25"HManufacturer: Royal DoultonCountry of Origin: EnglandCondition: Good.