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A late 19th century French gilt brass and champlevé enamel boudoir mantel clockthe waisted cartouche case with scrolling floriate acanthus mounts and finial on scrolling feet, the case with coloured scrolling allover decoration, the 1.75' floral enamel Arabic dial set within a paste bezel, the spring driven brass movement with vertical platform escapement, with key, 21cm high For further information on this lot please visit Bonhams.com
A late 19th century French carriage clock with repeat, with original travelling casethe Anglais Rich style rectangular case with spiral column supports, rectangular bevelled edge glazed viewing panel to the top and reeded shaped scrolling swing handle, the rectangular enamel dial with 2' Arabic chapter ring with an elaborate gilt floriate pierced and engraved mask, the brass twin train movement with gilt platform with jewelled lever escapement with compensated balance, striking the hour and half hours on a coiled steel gong, with key, the travelling case lacking handle, the clock, 19.5cm high overall (2)For further information on this lot please visit Bonhams.com
An impressive late 19th century French gilt bronze and white marble figural mantel clockin the Louis XVI style, the movement with indistinct pastille mark, probably for Japy Freres the elaborate rectangular case with swept top surmounted by a floral wreath and quiver of arrows trophy flanked by floriate urn finials, the twin draped putto and shaped oval cartouche cresting united by floriate and fruiting ribbon tied pendant garlands, the front with foliate scroll inset mounts, the canted corners with floriate pendant garlands above female maskheads, on foliate toupie feet, the 4.5' floral enamelled dial with Arabic numerals and outer five mintue track, the brass twin movement striking on two bells with pendulum, winder and adjusting key, 55cm high, 47cm wide, 32cm deep This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century ebonised and gilt-metal mounted single pad top bracket clockthe dial signed Barwise, Londonthe arched case with foliate cast handle on a brass-bound pad over fish scale side frets to a plinth base on ball feet, the retouched 7' painted Roman dial with strike/silent over pierced quadrants, the twin gut (now wire) fusee movement with shouldered plates united by five knopped pillars, the anchor escapement with stirrup type regulation to the pendulum, signed backplate and striking on a bell, 42cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A 19th century French gilt brass mounted 'Boulle' tortoiseshell inlaid mantle clockthe movement signed Vincenti et Ciethe swept arched case with intricate brass inlay and foliate mounts surmounted by an urn above a fully glazed front door and sides on scrolling feet, the cast brass dial with separate Arabic and Roman enamel cartouche insets to the chapter ring, the winding holes on a matted and foliate case ground with blued steel hands, the twin spring barrel movement with Brocot escapement and suspension, with elaborate sunburst pendulum, case key, winding key and suspension key, 57cms highFootnotes:Born in Corsica in 1786, Jean Vincenti's family moved to Montbeliard in1791. By 1823 he had established a factory making rough movements for clocks and watches. It seems that the bulk of the ebauche/rough movement machinery used in the factory was self-made. The factory went bankrupt in 1828, but by October 1829 Albert Roux had possibly enerted into partnership with Vincenti, or possibly bought his factory outright, however the name, Vincenti & Cie, was kept. Around 1830, in addition to the rough movements (of which 3,000 were being produced a year), mechanical devices were being made as well, including metronomes, oil lamps, music boxes, etc. In 1834, Roux took over an old sawmill and weaving factory and, as the building dated to 1773, updated it and based Vincenti & Cie there. Before this move it was known in the area as L'usine de la Petite Raisse (The Factory of Petite Raisse); by the time Vincenti & Cie ceased trading, it was known as L'Usine Roux (Roux's Factory). Vincenti died in 1834, the same year Vincenti & Cie won a silver medal at the Exposition. They would go on to win medals at the Expositions of 1839,1844,1849,1855, and 1867.In 1850, workers lodgings were built on the site and six years later, a house for Roux and his family was constructed within the factory's footprint. Albert died in 1858 and was succeeded by his son Amédée. His son would expand the output of the factory to encompass chiming clocks, travel alarm clocks, Morse code receivers, and several other devices. 1864 saw the addition of a foundry to the factory; in this same year, it is recorded that 5,500 rough clock movements were made per month. Amédée died in 1876, when his son was 9. It seems likely (based on similar situations with other horologists) that Amédée's wife, Emma de Freystedt, would have taken over the running of the factory, until Albert had been educated. Albert was listed as an horological manufacturer, as were his father and grandfather, therefore it seems likely he would have taken over the running of the factory eventually. 1890 saw another expansion into phonograph movements and mechanisms for various meters, extinguishers, etc. Initially their customers had been in Paris, and later the Jura region. By 1890, however, their client base had expanded to neighbouring Belgium and Switzerland, as well as slightly further afield in the UK and even the USA. To meet demand, they were making 80,000 clock movement per year, though this figure does include the clockwork motors and meters mentioned above. Around this same time, the foundry was being used to make brass and bronze wire, an operation that was expanded in 1895. That same year, a salesroom was established in Paris, 110 rue Vielle-du-Temple.The last expansion of the factory took place in 1902, when a new steam engine and steam engine room were installed, to modernise the factory's water wheels and 1840's steam engine. By 1926, 57 people remained working in the factory, and the doors were finally closed in 1929. At its peak, in 1863, the Vincenti & Cie factory had employed 400 workers, and been the largest rough movement manufacturer of clocks in France, with the exception of Japy freres.Raphaël, F., Région Franche-Comté, Inventaire du patrimoine (2012) Usine d'horlogerie et de mécanique de précision Roux et Cie. Available at: https://patrimoine.bourgognefranchecomte.fr/dossiers-inventaire/usine-dhorlogerie-et-de-mecanique-de-precision-roux-et-cie-ia25001019This lot is subject to the following lot symbols: TP YTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze clock garniturein the Louis XV style, the elaborate cartouche case cast with panelled acanthus foliate scrolls and flowers and quiver of arrows and torch trophy, the top surmounted by a putto holding a sun dial, the integral platform base with foliate pierced apron and scrolling feet, the 5' enamel Roman dial with outer five minute Arabic track, the brass twin train movement with Brocot type escapement and outside countwheel striking on a bell, with pendulum and winder, the matching five light candelabra with the acanthus cast urn nozzles and dished drip pans on floral and foliate bulbous baluster foliate panel cast supports and corresponding footed bases, the clock, 43cm high, the candelabra, 45cm high (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A fine mid 18th century chinoiserie japanned cased table clock with pull cord repeatthe dial signed Thomas Utting, Yarmouththe caddy top rectangular case surmounted by a brass knopped handle over a broken arch and glazed side panels on a plinth base with block feet, the 6.5' arched brass dial with silvered Roman and Arabic chapter ring with diamond half hour markings, blued-steel hands, matted centre with mock pendulum aperture and signature cartouche with subsidiary date with strike/silent lever above, the twin fusee movement now with anchor escapement with highly engraved backplate depicting birds and baskets of fruit surrounded by foliate scrollwork, striking the hour on a bell, with pull quarter striking on six bells with hour repeat, with a brass bob pendulum, winding key and two case keys, 49cms high (5)Footnotes:Thomas Utting was active pre-1730, then succeeded his uncle Daniel Manley 'near the bridge' at Great Yarmouth 1730-43. Also at Beccles (Suffolk) from 1743.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 19th/early 20th century carved oak table clockthe dial signed J. Smith & Sons, Clerkenwell, Londonthe architectural case with carved pediment over canted corners, the sides with sound frets, on footed plinth base, the signed 5' rectangular silvered Roman dial with engraved mask and matching blued steel hands, a regulation dial above XII, the twin chain fusee movement with anchor escapement striking on a coiled gong, with pendulum, two case keys and a winding key, 35cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An impressive late 19th century Continental carved oak quarter chiming table clockthe architectural case with broken swan neck pediment on carved composite columns to a stepped moulded plinth, the 8' arched brass dial with subsidiaries for chime/silent, regulation and chime on 8 bells/Westminster over a silvered chapter ring, the substantial triple chain fusee movement with anchor escapement sounding the hours on a large coiled gong and the quarters on a run of eight graduated bells, 59cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An impressive late 19th century German carved oak quarter chiming table clockthe movement numbered 758the caddy top centred by a Green Man mask over a fish scale cornice, leopard's heads and carved corbels to an inverted breakfront base, the 7.5' arched brass dial with subsidiaries for chime/silent, regulation and chime on eight bells/Westminster over a silvered chapter ring with applied gilt Arabic numerals, the substantial triple chain fusee movement with high count pinions and anchor escapement striking the hours on a large coiled gong and the quarters on either four graduated gongs or eight bells, with pendulum and two winding keys, 60cms highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century ebonised single pad top table clockthe dial signed Paul, London, the movement, Paul, Cleveland Street, Fitzroy Square, Londonthe arched rectangular case surmounted with a brass-bound pad and carrying handle, silvered brass bezel, brass pilasters, fish scale sides and quadrant frets, raised on gilt ball feet, the repainted signed 7.5' Roman dial with blued steel hands, the five pillar twin chain fusee movement with arched plates and anchor escapement, rack striking on a bell, together with brass pendulum and winding key, 45cms highFootnotes:'Paul, London' is likely to be Philip or George Paul who are listed as working at 15 Cleveland St. Fitzroy Square from 1802-1828 and from 1830-1835 respectively, though some records list Philip as 1810-1823 and George as 1835-1838. Mary Paul, possibly Philip's widow, was recorded as working at the same address in 1832. The surname 'Paul' is alternatively listed as 'Paule' or'Paull'.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century brass-mounted mahogany single pad top table clock with trip repeatthe dial and movement signed Thomas Pacethe arched case surmounted by a cast brass handle on a brass-bound pad, over a finely moulded cornice, the sides with fish scale frets to a moulded base on brass ogee bracket feet, the front with brass uprights framing the cast bezel over fish scale quadrants, the 8.5' signed painted Roman dial with matching fancy spade hands, the gut (now wire) twin fusee movement with shouldered and footed plates united by five knopped pillars, signed within a formal border, the anchor escapement with engraved adjustable pendulum rod terminating in a large decorated bob, with rack striking on a bell, ticking, repeating and striking, together with a crank key, 41cms (16ins) high.Footnotes:Thomas Pace was a member of the Pace dynasty of horologists who began working in the second quarter of the 18th century and who continued working for over a century. There are two Thomas Paces recorded; Thomas Pace Snr. (1753-1819) and his son, Thomas Pace Jnr. (1777-1829). Both made bracket clocks, with Pace Snr. also making longcase clocks, while Pace Jnr. also pursued watchmaking and silversmithing in addition to clocks. The Pace family collection of clocks was sold in these rooms 15 July 2020.For further history, see Pace, D. (2013) 'The Pace family of Quaker clockmakers', Antiquarian Horology, Volume 34 (1), pgs. 60-71 (Accessed: 27 April 2022).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 19th century French gilt bronze and marble figural mantel clockthe dial signed Hartingue, a Paris, the movement stamped Etienne Maxant, Paristhe signed 4.25' enamel dial with outer Arabic numerals framing the Roman hours, signed in red enamel and with good pierced and engraved gilt hands, set in a bow fronted column flanked by a standing classical woman draping a garland of flowers holding a putto, on a bow-fronted ormolu-mounted base and cast feet, the twin train movement striking on a bell, 34cms highFor further information on this lot please visit Bonhams.com
A mid 20th century Swiss Atmos 'clock' with casethe dial and movement signed and numbered Jaeger-LeCoultre, No 88854, Calibre 526-5the rectangular case with lacquered brass framework sunk into the narrow polished matte base, the side hinged door opening allow for case height adjustment and to free or restrict the pendulum, the white and brass Roman dial with skeletonised centre bearing two counterpoised brass hands, the exposed movement with delicate jewelled train and Elinvar wire, terminating in an indexing platform with 'SF' and 'RA', screws blued throughout the movement, together with is original presentation case and some paperwork detailing the working of the clock, 22.5cmm high Footnotes:This calibre, 526-5, was manufactured throughout the 1950's. The serial numbers in 1950 began with 60,000 and it has been suggested that up to 4,700 Atmos' per year were being manufactured at this point in time. If this was the case, it would suggest a date of manufacture of around 1957 for the current clock.Walliman, A. (2017) Dating Your Atmos Clock. Available at: http://atmosclocks.com/dating.html. For further information on this lot please visit Bonhams.com
A 20th century Swiss Atmos 'clock'the dial and movement signed and numbered LeCoultre & Cie Calibre 528-8 Serial number 276676the rectangular case with lacquered brass framework sunk into the substantial chamfered polished base, the latched door opening to allow for case height adjustment using the integral spirit level, the white and brass Arabic dial with skeletonised centre bearing two counterpoised brass hands, the exposed movement with delicate jewelled train and Elinvar wire, terminating in an indexing platform with 'SF' and 'RA', 24cm high Footnotes:This calibre, 528-8, was manufactured between 1960-1980. The serial numbers in 1960 began with 107,001 and it has been suggested that LeCoultre were manufacturing up to 25,000 Atmos' per year. If this was the case, it would suggest a date of manufacture of around 1967 for the current clock.Walliman, A. (2017) Dating Your Atmos Clock. Available at: http://atmosclocks.com/dating.html. Polish Gemmalogical Labratory (2019) Jaeger-LeCoultre Clock, Atmos 528-8. Available at:http://www.antyki.podgryfami.pl/katalog/zegarki/stolowe/zegar-jaeger-lecoultre-atmos-528-8.html?hl=en.For further information on this lot please visit Bonhams.com
An early 20th century brass and enamel Eureka 'Clock'the dial signed Eureka Clock Co. Ltd, London, '1,000 Day Electric Clock'together with an associated modern glass dome and turned stained wood basewith 4' signed dial, the movement marked PATENT No 14614 and No 2919, the electric compensated balance wheel above a twin pillar stand, raised on a later turned wood base and bun feet, the frame, 14.5cm high, 28.5cm high overallFootnotes:Invented by American engineer Timothy Bernard Powers at the turn of the 20th century, Eureka clocks were patented by the Kutnow brothers in 1906 and made in London between 1908 and 1914.For further information on this lot please visit Bonhams.com
An early 20th century French brass four glass clockthe plain rectangular case with moulded cornice above a narrow vertical reeded decorative border, on moulded foot plinth foot, the 3.5' Arabic dial set within a foliate bezel with pierced hands, the recessed centre with visible Brocot type escapement, the brass twin train movement striking on a gong, with mock mercury pendulum, 29cm high For further information on this lot please visit Bonhams.com
A very rare late 19th century Japanese brass Dai-Dokei with side-pendulum and engraved dial platesurmounted by a heavy bronze straight-sided bell mounted on a turned brass post set on the overhanging brass top plate, the shaped rectangular dial plate engraved with scrolling foliage around the rotating 3.5'' twenty-four hour dial now marked in Roman hours twice I-XII, subdivided into ten minute divisions, with brass alarm setting hand and elaborately pierced stationary hour hand, the weight-driven birdcage movement with twin vertical verge escape wheels and double-sided pallets, each wide swing of the crutch (pendulum now lacking) acting on alternate wheels, with trains of four wheels, each wheel of brass and with solid centres to steel high-count pinions, the striking train with solid brass toothed count wheel striking the hours, 1-12 on a vertical hammer, governed by a four-vane fly, 27cms highFootnotes:Japanese lantern clocks belong to a larger group of traditional Japanese clocks known as Wadokei. Within the category of 'lantern clock' are various sub-divisions, including Dai-dokei which are lantern clocks that were displayed under a hood on a specially made four-legged stand, Yagura-dokei a lantern clock on a pyramidal prism stand and a Hashira-dokei the closest to a European lantern clock, which would sit on a wood wall bracket, occasionally with a hood. It is difficult to say definitively which category this clock belongs to as it does not have a stand or bracket with it. However, it is clear from examining the movement that it is not missing any side doors, which suggests that it would have been covered by something to protect it from the elements. Furthermore, as it has a four wheel train it is considered to be a larger clock, by Wadokei standards, which means it is unlikely to be hung on a wall; most Japanese house walls at this time were made of light wood and paper, with the exception of the central wooden beam which supported the structure. Considering these two factors, this clock can be tentatively classified as a Dai-dokei, though this remains conjecture.This is likely to be a transitional clock; beginning in 1873 Japan converted their national time system from temporal hours to equally divided hours. Before this date, most clocks made in Japan had dials and striking that reflected a day being variably divided into six toki during the day, and six during the night. The exact length of the toki would vary depending on the season; however, there would always be six divisions in both day and night. The numbers used to refer to each toki were a sequence from 9-4 with 9 representing midnight, 6 representing dawn down to 4, before repeating the sequence with 9 representing midday and 6 representing dusk. The numerals would be represented by animals as well, with twelve animals used so that in conversation 'the toki of the Horse' clearly referred to 9 during the day (or Noon), whereas 'the toki of the Rat' was 9 during the night (midnight). In order to display this on a clock dial a foliot escapement was used which could be regulated to go faster or slower depending on the day; double foliots were created as well with automatic, cam-assisted switch over between the daylight rate and the night time rate. Clocks without foliot escapements would be provided with moveable hour plaques, which could be pushed manually or mechanically around the chapter ring as the season dictated.In 1875, the first clock factory opened in Japan, primarily making American-type domestic clocks, all with uniform hours. Before this point, all clocks in Japan had been made by individual clockmakers; there was no wholesale 'rough movement' industry either, so generally one craftsman would create a clock from metal plate and rod, perhaps spending a year making each one. This accounts for the unique qualities of the clocks made before 1875; although they look similar, no two are interchangeable. This clock has a pendulum movement and vertical double crown wheel escapement, which is occasionally seen pre-1873, but a fixed Roman numeral chapter ring as well as a standard 12-hour count wheel, both features which were not seen until after 1873. However, the spring finger on the striking detent which connects with the hour pin on the back of the revolving dial is a pre-1873 construction, as is the traditional bell with its thickened inner rim. It seems likely that this clock was made circa 1873, having a combination of older and newer features, looking similar to other earlier clocks, but using the new system of time display. That it is a fully brass movement and has a fixed hour hand with a revolving dial, suggests it is at the later end of the Wadokei timeline.Provenance-Sold in these rooms 12 December 2018, Lot 101Strachan, A. (2014) 'Japanese Clocks,' Horological Journal, Volume 156 (9), pgs. 394-398 (Accessed 9 May 2022).Ward, F. A. B. (1956) 'Informal Meeting', Antiquarian Horology, Volume 1 (11), pgs. 169-170 (Accessed 9 May 2022).Strachan, A. WADOKEI.ORG: Sharing a passion for Japanese Edo Period Clocks. Available at: https://wadokei.org/ (Accessed 9 May 2022).Japan Clock & Watch Association (2022) History of the Japanese Horological Industry. Available at:https://www.jcwa.or.jp/en/etc/history01.html (Accessed 9 May 2022).For further information on this lot please visit Bonhams.com
A George III and later gilt and black japanned longcase clockthe dial signed Thomas Utting, Yarmouththe rectangular arched hood with caddy top and onion spire finials above a pair of plain columns, the trunk with moulded door on panelled plinth base, the door and lower panel with flowering tree, figural and pavilion landscape landscape decoration, the whole with floral scroll decoration, the brass dial with applied dolphin and floral urn spandrels, the 11' silvered Roman chapter ring with outer Arabic five minute track, the matted centre with matching silvered Arabic subsidiary seconds below XII, the arch with Strike/Silent subsidiary, the brass twin train movement with anchor escapement striking on a bell, with pendulum, winder and a pair of lead weights, 245.5cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 17th century brass winged Lantern Clockthe dial signed Thomas Bradford, Londini fecitthe strapped bell over urn finials, heraldic frets, turned columns and ball feet, the 6.5' brass Roman chapter ring with double wheat-ear half-hour markers and single hand, signed Thos. Bradford Londini fecit above a floral spray to the centre, the weight driven movement with knife-edge verge escapement and central short bob pendulum situated between the two trains, with countwheel strike on the bell, together with a later wooden wall bracket the clock, 39cms high, the bracket, 17.5cms high (2Footnotes:Literature: Loomes, B. (2008) Lantern Clocks and their Makers. Mayfield: Mayfield Books, figure 9.54 with the caption 'Lantern clock with original centre pendulum (no wings) signed 'Tho Bradford Londini fecit'...'For further information on this lot please visit Bonhams.com
A good late 19th century German oak quarter chiming bracket clock with pull repeat and matching bracketthe movement stamped for Winterhalder and Hoffmeierthe architectural case with triangular pediment over reeded pilasters and a stepped rusticated stonework base, the 6' rectangular dial with subsidiaries for regulation and chime/silent over the silvered chapter ring, the heavy triple chain fusee movement with anchor escapement chiming the quarters on a set of four gongs and striking the hours on a fifth (the block stamped J. & F.D.), together with pendulum, winding key and case key, the clock, 46cm high, the bracket, 37cm high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A large late 19th century oak striking wall clockthe dial signed John Thwaites, Londonthe 17' painted Roman dial with minute track and matching pierced brass hands within an angled sight ring behind a heavy bevelled glass within a substantial bezel hinged at XII, the moulded frame secured via four turned wooden pegs to the case (with side-doors, lower-door and sound fret above), the twin gut fusee movement with shouldered plates united by five knopped pillars, anchor escapement and rack strike on the bell, 63.5cms diameterThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French gilt metal and Sevres style porcelain inset mantel clockin the Louis XVI style, signed Phillipe H. Moureyof elaborate panelled form, the panels with 'rose Pompadour' floral and scenic painted decoration, the top with urn finials, the matching porcelain dial with Roman numerals, on toupie feet, the reverse stamped,'11 PH MOUREY 74', 42cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century French gilt bronze and Sèvres style inset porcelain figural mantel clockin the Louis XVI style, the movement stamped J T Paris and numbered 84the architectural case with Bleu Celeste and floral enamelled porcelain inset panel decoration, the 3.5' Roman dial within laurel wreath fronds below a flambeau finial above a central oval panel depicting a courtly figures within a rustic landscape flanked by twin columns and draped seated putti, the elaborate base with fringed lambrequin panels enamelled with floral vases and a central putto on toupie feet, the brass twin train movement with Brocot type escapement striking on a bell, 48cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good early 19th Century mahogany longcase clock with deadbeat escapementthe dial signed Ellicott & Taylor, Royal Exchange, the movement supplied by Thwaites, numbered 3598. the arched hood surmounted by a concave moulded plinth supporting a brass ball finial over fish-scale side frets, stop fluted canted front angles and a circular glazed aperture above quadrant frets, the long door with intricately moulded edge flanked by matching canted stop-fluted angles, on a base with applied shaped moulded panel and double stepped plinth, the 12' repainted convex circular Roman and Arabic dial with matching gilt serpentine hands, with strike/not strike lever at XII, the movement with shouldered plates united by five knopped pillars, stamped on the frontplate THWAITES 3598 and repeat numbered along the top edge of the plate, with deadbeat escapement to a pendulum terminating in a heavy lenticular bob, with rack strike on the shallow bell (the bell inscribed in ink for the one-time owner or repairer 'J. Pritchard, Southgate, 8 July 1840.') together with the pendulum, two lead weights, two crank keys, a hood key and trunk key, 216cm highFootnotes:Thwaites records suggest that movement number 3598 was sold by them in 1805. See Rose, E.D. (1978) English Dial Clocks. Suffolk: Antique Collectors' Club, Appendix III.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George III mahogany longcase clockthe dial signed William Gaite, Shepton Malletthe hood with swept top with trellis pierced sound grill above a moulded arched cornice and pair of brass mounted reeded columns, the trunk with moulded arched door flanked by corresponding reeded quarter columns, the moulded panel plinth base on bracket feet with shaped apron, the 11.5' arched brass dial with Roman chapter ring with outer Arabic five minute track with scrolling vase spandrels, the matted centre with silvered subsidiary Arabic seconds below twelve and engraved arched silvered signature enclosing date aperture, the arch with 'Tempus Fugit' engraved silvered circular boss within scrolling dolphin spandrels, the brass twin train movement with anchor escapement striking on a bell, together with a pendulum, winder, case key and a pair of brass cased weights, 227cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A George III oak longcase clockthe dial signed Heywood, Northwichthe rectangular hood with moulded cornice above a later painted frieze and freestanding reeded columns, the trunk with quarter reeded column corners flanking a door with re-entrant cut corner top, the plinth base similarly with canted quarter reeded column corners on ogee bracket feet, the 13' square brass dial with maskhead and scrolling spandrels, the silvered Roman chapter ring with outer Arabic five minute track, the silvered and foliated engraved centre with subsidiaries for Arabic minutes below XII and date calendar above IV, the brass four pillar movement with anchor escapement striking on a bell with case key, winder, pendulum and twin lead weights, 205cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A matched late 19th century French gilt bronze clock garniturethe clock in the Louis XV stylethe elaborate waisted cartouche case cast with acanthus foliate scrolls and flowers, the top surmounted with fruiting acorn leaves, the integral scroll footed platform base with rocaille and foliate apron, the 4' enamel Roman dial with outer five minute Arabic track, the brass twin train movement with Brocot type escapement striking on a bell, with pendulum and winder, the four light gilt bronze and black slate four light three branch candelabra with cusped column supports, (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A small early 20th century quarter chiming mahogany table or mantel clockthe arched case with moulded cornice over carved Corinthian reeded pillars and foliate side frets, the moulded carved and fluted plinth base on bun feet, the 5' engraved silvered dial with gilt brass scroll pierced mask and and fret pierced Arabic numerals, the arch with three subsidiaries for Chime/Silent, Slow/Fast and Westminster Chime/Chime on eight bells, the brass triple fusee movement chiming and striking on a steel gong, with pendulum and two case keys, 36cm high For further information on this lot please visit Bonhams.com
A 20th century skeleton timepiece with endless chain, glass shade and custom casesigned F. H. Whitlockthe open frame surmounted by a phoenix perching on a steel ball, the lower section flanked by twin colums on a green marble plinth base and bun feet, the dial with a skeletonised centre and silvered Roman chapter ring with blued steel hands, above a silvered thermometer plaque with engraved Fahrenheit and Réaumur gradients, the single chain-driven barrel movement with anchor escapement and graduated crutch ꟻHWhitlock engraved on the backplate, ticking, with custom built wood transport box included, 55cm cmFootnotes:Fred H Whitlock made a number of clocks for Dent & Co. in the 1960's and 1970's, including a clock to commemorate the Concorde airline, sold by Bonhams in New Bond Street in 2014. It is likely that this clock would also have been sold by Dent & Co.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late Regency mahogany and brass inlaid table or bracket clock with pull repeatthe dial signed Bentley and Beck, Royal Exchange, 1823the lancet arched rectangular case with engraved brass decoration, the front with entwined serpents, acanthus scrolls and central lyre above further similar scrolls terminating with serpents heads, the sides with flowerhead drop ring handles above arched sound frets, on ball feet, the 7.5' signed painted dial with Roman numerals and pierced gilt hands, the substantial turn brass four pillar twin fusee movement with shaped rectangular plates and anchor escapement striking on a bell, with brass pendulum, winder and three case keys, 50cm high This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Dickens (Charles). Master Humphrey's Clock, 1st edition, 3 volumes, London: Chapman and Hall, 1850, etched frontispieces, etched plates throughout, spotting (heavier to preliminaries), 19th-century ownership inscriptions to front blanks, near-contemporary red half calf gilt over marbled boards by Tout, rubbed, 4to, together with Master Humphrey's Clock, 3 volumes,1st edition, London: Chapman and Hall, 1850, etched frontispieces, etched plates throughout, occasional spotting, original publisher's purple cloth, backstrips faded, extremities rubbed, 8voQTY: (6)
* Edwards (Lionel, 1878 - 1966). Wilkin's Horse, Wynnstay Hunt, watercolour, goache and pencil on sketch book leaf, showing an alert dark bay hunter in profile, working sketches in pencil to margins and verso, perforations to right hand margin, 25.3 x 35.4 cm (10 x 13 7/8 ins), together with'Golden Miller' Elsenham Stud Miss D Pagets, watercolour and goache on grey brown paper, depicting two horses in a field standing in front of a large row of stables with a clock tower in the background, plus two more studies of mounted hunters (a chesnut and a dapple grey) on sketch book leaves titled: Dick Perkins Huntsman, The Grove & Rufford 1957 and Miss King's Grey Mare, annotations to margins, all 25.3 x 35.4 cm (10 x 13 7/8 ins)QTY: (4)NOTE:Provenance. Consigned by the artist's descendents.
A late 19thC French porphyry marble cased mantel clock, circular enamel dial bearing Roman numerals, eight day movement by L Marti & Cie, with bell strike, the case of fluted column form, raised on a square plinth, on embossed brass feet, bell, pendulum, and key lacking, 25cm wide, 20.5cm deep.
A late 19thC gilt spelter mantel clock, circular metal dial bearing Arabic numerals, French movement, the case of floral and leaf moulded form, surmounted with a pair of Marly horses and handler, with key, 40cm high, together with a pair of spelter figures, modelled as Le Travail and La Science, 34cm high. (3) (AF)
A Georgian mahogany longcase clock, by Andrew Padbery Bishops Waltham, the Tempus Fugit break arch dial with dolphin and mask spandrels, silver chapter ring bearing Roman and Arabic numerals, subsidiary seconds dial and date aperture, eight day movement with bell strike, the broken arch pediment above a hood with brass capped fluted columns, plain trunk, raised on bracket feet, with pendulum, weights, no key, 233cm high.
A Georgian and later longcase clock by MS Johnson of Lincoln, the break arch dial painted with dog's heads, dial bearing Roman numerals, subsidiary seconds dial, date aperture, eight day movement with bell strike, the hood with break arch pediment, raised on a pair of turned columns, brass capped, plain trunk, raised on bracket feet, with pendulum weights and key, 202cm high.

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