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Click here to subscribeEnglish School, 19th Century/Horse in a Landscape/with attendant wearing a grey coat/oil on canvas, 45cm x 61cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/Portrait Miniature of a Young Man in Profile/half-length, wearing a blue coat/watercolour and pencil on card, 11cm x 9.3cm CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
English School, 19th Century/Portrait Miniature of a Young Man/wearing a black coat and a white stock/watercolour on ivory, 6.8cm x 5.8cm/Ivory registration reference: AG12BDHD CONDITION REPORT: Condition information is not usually provided in the description of the lot but is available upon request; the absence of a condition report does not imply that a lot is without imperfection
Edith Emerson (American, 1888-1981)Portrait of Miss Elinor McCaulleysigned and dated 'Edith/Emerson/1935' l.r., crayon and watercolour43 x 34cmExhibited: Pennsylvania Academy of Fine Arts, '33rd Annual Watercolour Exhibition', 1935.Edith Emerson was an American painter, muralist, illustrator, writer, curator and a pioneering champion of women in the Arts.Born in Ohio, Emerson studied at the Art Institute of Chicago and Pennsylvania Academy of Fine Arts where she attended Violet Oakley's Mural painting class. She won scholarships in 1914 and 1915 and travelled throughout Europe, received prizes for Mural painting and exhibited at the Pennsylvania Academy of Fine Arts between 1918-45. Emerson became Violet Oakley's devoted partner, living and working with the famed muralist for over 40 years. She was a visionary female curator of the Woodmere Art Museum from 1940-1978 and, following Violet Oakley's death in 1961, founded the Violet Oakley Memorial Foundation promoting her life partner's work.An oil version of this work is held by the Woodmere Art Museum, and a reproduction of the present work is held in the Pennsylvania Academy of Fine Arts Archive.Condition ReportFramed: 67 x 57cm. Time staining and discolouration to the paper. The green hues of the coat are possibly slightly faded. Not viewed out of glazed frame.
THE GRAF SAWOROW RIMINSKI SEAL A FINE MID-19TH CENTURY CONTINENTAL AMETHYST AND GOLD SCULPTURAL DESK SEAL The carved amethyst modelled as a Grecian female bust, to a stepped oval gold mount with gadrooned and fluted borders, the oval amethyst matrix with the coat of arms finely engravedDimensions:Length: 8cm, matrix: 2.6cm x 2cm
THE MAJOR GENERAL SIR PATRICK ROSS GCMG, KCH (1778 – 1850) FOB SEAL A FINE EARLY 19TH CENTURY SMOKY QUARTZ AND GOLD SWIVEL FOB SEAL The open scrolling mount with integral suspension ring and reeded shoulders, enclosing a three sided smoky quartz swivel seal, each side bearing a full coat of arms Dimensions:Length: 4.5cm, matrix: 30mm x 24mm Note: Note:The armorial to the three sides are for Ross impaling Sydenham, Sydenham and Ross. These are the pre and marital arms of The Major General Sir Patrick Ross and his wife Amelia Sydenham (1787 – 1847).
THE HONOURABLE ADOLPHUS FREDERICK CAPELL SEAL A VICTORIAN AGATE AND GOLD MUSICAL INTEREST SEAL, CIRCA 1860 The agate stem set with gold foliate mounts pierced and engraved to each terminal, the matrix engraved with coat of arms and motto to one terminal and the musical notes to the other terminal, in fitted case Dimensions:Length: 8.1cm Note: Note:The Honourable Adolphus Frederick Capell was the grandson of the 4th Earl of Essex.The musical notes AFC represent his initials
THE LIEUTENANT GENERAL SIR FRANCIS LLOYD, GCVO, KCB, DSO (1853-1926) DESK SEAL AN EARLY 20TH CENTURY ROCK CRYSTAL AND SILVER-GILT MOUNTED DESK SEAL The baluster rock crystal handle with an engraved lion rampant, the domed terminal engraved 'fecit Cecil Thomas 1914' the silver-gilt mount to the neck with embossed Roman lettering 'HWY PERI CLOD NA GOLUD', the mount to the terminal modelled as a stylised coronet, above a laurel wreath, to a canted rock crystal matrix with engraved coat of arms Dimensions:Length: 8cm, matrix: 2.6cm x 2.1cm Note: Note:Lieutenant General Sir Francis Lloyd (1853-1926)Born to a military family, Lloyd was commissioned as a sub-lieutenant into the 33rd Regiment (or The Duke of Wellington's Regiment) in 1874 after which he transferred to his father's regiment, the Grenadier Guards, later that year. Two years later he was promoted to full lieutenant. On the occasion of the coronation of George V in 1911 he was made a Knight Commander of the Bath. In 1913, at the age of 60, his command of the Welsh Division expired. He was promoted to Major-General commanding the Brigade of Guards and GOC London District. In 1913 Lieutenant General Sir Francis Lloyd was appointed to the supreme position reserved for Guardsmen, the command of the London Districts. The war saw an extension of his responsibilities to include the hospitals and main railway terminals??? in the metropolis. On his death in 1926 his funeral was held at Guards Chapel, Wellington Barracks. Unusually for this seal we not only know who it was made for by who made it. Created by Cecil Thomas (1885- 1976) who was a s a sculptor and gem carver by trade. He received many important commissions from all over the world including gem carving for the House of Fabergé.
THE TOWERS OF NORTHAMPTON SEAL AN EARLY VICTORIAN GOLD MOUNTED HARDSTONE DESK SEAL, CIRCA 1840 The tapering facetted handle of mottled bone-colour and shadowy grey agate with gold button terminal, banded collar cast with flowering scrollwork, the rounded rectangular white chalcedony matrix engraved with a coat of arms, 'The arms of Towers of Northampton impaling Yate of Woton Waven, Co. Warwick, descended from Richard Yate of Buckinghamshire'Dimensions:Length: 8.5cm, matrix: 1.9cm x 1.8cm
THE FIELD MARSHAL SIR PATRICK GRANT (1804 – 1895) DESK SEAL A LATE VICTORIAN NOVELTY LABRADORITE, GARNET AND GOLD DESK SEAL, CIRCA 1860 The carved labradorite owl with cabochon garnet eyes in gold collet mounts, the owl resting on a labradorite socle base which forms the matrix, engraved with coat of arms within laurel garland suspending Grand Cross of the Order of the Bath Dimensions:Length:12.2cm, matrix: 3.8cm Note: Note: Field Marshal Sir Patrick Grant, GCB GCMG (1804-1895), was born in Inverness-shire in Scotland, into a military family, with his father assigned to the 97th Regiment of Foot. Sir Patrick Grant's own military career began in India and via various promotions within the East India Company, by 1854 Grant was Major-General. By 1861, he had returned to England with the honour of the Knight Grand Cross of the Order of the Bath, which is seen depicted on this seal and dates it to the early 1860s. Grant took the post of Governor of Malta in 1867, which was followed by his promotion to Field Marshal in 1883 and the further honour of Knight Grand Cross of the Order of St. Michael and St. George in 1868. A highly decorated member of the British Army, The National Portrait Gallery have in their collection an oil on canvas illustrating Grant in full Field-Marshal's uniform of post-1880, wearing the sash, star and cross of the Bath, and the star of the order of St George and St Michael (NPG 1454). A Governor of the Royal Hospital Chelsea until his death, Grant's link and service to the British Army could be seen throughout his life.
Carolyn Sergeant Oil on board "Honeysuckle, Spindle and Michelmass Daisy", initialled 'CS' and dated 01, 40cm x 55cm Condition Report Overall good condition with some marks. White marks appear to be lack of paint on primer coat. Small dent in the board in top right corner. Possbly some fading and discolouration. General wear and tear
Italian 17th/18th century carved walnut cassone, the front carved in the Renaissance style with a shield-shaped coat of arms flanked by scrolling acanthus with lion supports, the corners with male and female caryatids above gadrooned base, raised on beast carved supports, with carry handles, the interior fitted with a candle box, 69cm high x 163cm wide x 60cm deep (top and other elements probably later replacements)
A 19TH CENTURY CAST IRON COALBROOKDALE HALL STAND with arched leaf cast frame above a floral star base with lift out tray and leaf cast hooks - stamped with registration mark and coalbrookdale signature.182cm high 74cm wideThere are two small losses, hard to spot, but they are the scrolled sections where the two gaps are on either side of the centre section, no other damage or repairs. The coat hooks are loose and would require the bolts tightening. It has been repainted several times.
AN OVERSIZED 19TH CENTURY BROWN SALT GLAZE STONEWARE TWO-HANDLED VASE STAMPED J & A SCHOFIELD 1835 the footed rounded two-handled body with flared neck decorated raised harvesting, drinking and hunting scenes enclosing a central royal coat of arms - Stamped and dated 1835.29cm high, 34cm wide across handlesIn good overall condition. There is a chip approximately 2cm across on the top rim. There are no other cracks or hairlines in the body.
TWO ARMORIAL POLYCHROME WOOD CARRIAGE PANELS the coat of Arms of King George III in gilt frame and a Royal Edwardian coat of arms (2)Edwardian armorial 32.5cm high, 25cm wideThe framed panel is in good condition, with some minor marks on the surface but no cracks or restoration, and no losses to the paint. The unframed panel has a crackled finish to the surface due to heat damage, two small scratches running across the text, and no other damage or losses to paint.
A group of Staffordshire figures and figure groups, 19th century, comprising: a pair of seated King Charles spaniels with painted yellow eyes, approx. 32cm high; a figural spill vase of Jesus and the Samaritan woman at the well, Jesus on the right with hand resting on an urn atop a stone well, the Samaritan woman with hand raised to her chest, approx. 30.5cm high; a figure group of the dog Tray with his owner, the owner resting against a tree, the dog seated and alert atop a rocky outcrop, raised letters DOG TRAY to the base, approx. 25cm high; a figure of a man in Highland dress and holding a pipe, standing cross-legged next to a vase of flowers and a beehive on a plinth, approx. 28cm high; a figure of a child seated side-saddle atop a large dog, the dog with a basket of flowers in its mouth, approx. 26cm high; a pair of figures of a boy and a girl, both seated on a brocade and wearing pink outer clothes, each with a bird resting on one hand, the boy holding a bowl of fruit in his right hand, the girl resting a basket of flowers in her lap, each approx. 19cm high; a seated King Charles spaniel with patches of ochre to its coat and wearing a collar, approx. 13cm high, and a small figural spill vase of a shepherd and shepherdess, both seated, he with a dog by his side, a lamb recumbent in front of them, approx. 12cm high (10)
Große Napoleonbüste mit Bronzeadler, 19./20. Jhdt. Weißer Marmor. Vollplastische Figur von Kaiser Napoleon I. mit Zweispitz und Mantel. Realistisches, fein gestaltetes, sorgfältig geglättetes Gesicht, detaillierter Hut. Rauer vierkantiger Sockel. Schauseitig vorgeblendet ein reliefierter, braun patinierter Bronzeadler. Vereinzelt leicht bestoßen, Oberfläche teils gedunkelt, Farbspuren. Gesamthöhe 65 cm.Sehr ausdrucksstark und repräsentativ. A large bust of Napoleon with bronze eagle, 19th/20th century A large bust of Napoleon with bronze eagle, 19th/20th centuryWhite marble. Three-dimensional figure of Emperor Napoleon I with bicorn and coat. Realistic, delicately crafted and carefully smoothed face, detailed hat. Rough quadrangular base. On the obverse a superimposed bronze eagle in relief with brown patina. Minimal isolated knocks, surface partly darkened, traces of paint. Overall height 65 cm. Very expressive and representative.Condition: II
Mantel für Offiziere im Infanterie-Regiment von Wittich (3. Kurhessisches) Nr. 83, um 1914 Zweireihiger Mantel aus feinem hellgrauen Tuch mit Kronenknöpfen aus feldgrau lackiertem Buntmetall. Die vernähten Schulterstücke aus Silbergespinst (gedunkelt) mit schwarzen Durchzügen und aufgelegter goldener Regimentsnummer "83". Beigefarbenes Seidenfutter mit einer Brustinnentasche. Vereinzelt minimale Mottenlöcher, leichte Trage- und Altersspuren. Feine Qualität. A coat for officers in the Infantry Regiment von Wittich (3rd Kurhessian) No. 83, circa 1900 A coat for officers in the Infantry Regiment von Wittich (3rd Kurhessian) No. 83, circa 1900Zweireihiger Mantel aus feinem hellgrauen Tuch mit Kronenknöpfen aus feldgrau lackiertem Buntmetall. Die vernähten Schulterstücke aus Silbergespinst (gedunkelt) mit schwarzen Durchzügen und aufgelegter goldener Regimentsnummer "83". Beigefarbenes Seidenfutter mit einer Brustinnentasche. Vereinzelt minimale Mottenlöcher, leichte Trage- und Altersspuren. Feine Qualität.Condition: II +
Wilhelm Albermann (1835 - 1913) - monumentale Bronzefigur des Reichskanzlers Otto von Bismarck Bronze, braun patiniert, seitlich am Sockel "W. Albermann fec.", rs. am Sockel der Gießereistempel. Fürst Otto von Bismarck in der Uniform der Seydlitz-Kürassiere mit Kürassierhelm, langem Rock und hohen Sporenstiefeln, die linke Hand aufgestützt auf den Kürassierdegen. Vereinzelt kleine Druckstellen, grüne Alterspatina, Gebrauchs- und Altersspuren. Höhe 86 cm, Gewicht ca. 35 kg. In allen Einzelheiten detailliert ausgeführte, vollplastische Figur, die Haltung und Charakter Bismarcks treffend ausdrückt. Sehr selten in dieser Größe. Wilhelm Albermann studierte während seiner Militärdienstzeit in Uniform an der Berliner Kunstakademie und ist mit monumentalen Werken vor allem im Rheinland präsent. Wilhelm Albermann (1835 - 1913) - a monumental bronze figure of Reichskanzler Otto von Bismarck Wilhelm Albermann (1835 - 1913) - a monumental bronze figure of Reichskanzler Otto von BismarckBronze with brown patina, marked "W. Albermann fec." on the side of the base, the foundry stamp on the back of the base. Prince Otto von Bismarck in the uniform of the Seydlitz cuirassiers with cuirassier's helmet, long coat and tall boots with spurs, his left hand resting on a cuirassier's sword. Small dents here and there, green age patina, signs of use and age. Height 86 cm, weight ca. 35 kg. Very detailed figure adequately representing Bismarck's attitude and character. Very rare in this size.Wilhelm Albermann studied at the Berlin art academy while serving in the military and is especially present in the Rhineland with his monumental works.Condition: II
Manfred Freiherr von Richthofen (1892 - 1918) - persönliches Petschaft des legendären Jagdfliegers Bronze, zweiteilig gearbeitet. Das Griffstück in Form des Ikarus mit ausgebreiteten Flügeln. Das runde, abschraubbare Podest mit gravierter Siegelfläche, dem Familienwappen von Richthofens. Gesamthöhe 10,2 cm, Spannweite der Flügel 7,8 cm. Dabei zwei moderne Siegelabdrücke.In gewisser Weise erfüllte sich das Schicksal des Ikarus auch für von Richthofen. Er flog zwar nicht zu hoch, aber an seinem Todestag viel zu weit hinter die britischen Linien, vermutlich hervorgerufen durch den Kopftreffer eines Projektils am 6.7.1917 und eine daraus resultierende Schädigung des vorderen Hirnlappens, was am 21.4.1918 wohl dazu führte, dass er fixiert auf sein Opfer, den kanadischen Leutnant Wilfrid May, nicht mehr abließ und von australischen MG-Schützen tödlich getroffen wurde.Provenienz: ZAM - Zentrum für Außergewöhnliche Museen, München. Ausgestellt unter der Inventarnummer 20 in der Sonderausstellung "Das Siegel in meiner Hand - Petschaften bedeutender Persönlichkeiten des 18., 19. und des frühen 20. Jhdts." vom 23.7. bis 15.11.2001. Dazu das ehemalige Ausstellungskärtchen und in Kopie ein Presseschreiben für die Ausstellung der damaligen Museumsleiterin, in dem dieses Petschaft erwähnt wird. Manfred Freiherr von Richthofen (1892 - 1918) - a personal seal of the legendary fighter pilot Manfred Freiherr von Richthofen (1892 - 1918) - a personal seal of the legendary fighter pilotBronze, made of two parts. The handle in the shape of Icarus with outstretched wings. The round, detachable base with engraved seal matrix featuring the coat of arms of the von Richthofen family. Overall height 10.2 cm, wingspan 7.8 cm. With two modern seal impressions.In a certain way, Icarus and von Richthofen shared the same fate: The German aviator didn't fly too close to the sun, but on the day of his death he ventured too far behind British lines, his boldness presumably caused by a projectile that hit his head on 6 July 1917, leading to a frontal lobe injury which probably made him relentlessly pursue his target, Canadian Lieutenant Wilfrid May, on 21 April 1918 before being fatally wounded by Australian machine gunners.Provenance: ZAM- Zentrum für Außergewöhnliche Museen (Centre for Exceptional Museums), Munich. Displayed under inventory no. 20 in the special exhibition "Das Siegel in meiner Hand - Petschaften bedeutender Persönlichkeiten des 18., 19. und des frühen 20. Jhdts." (tr. "The seal in my hand - seals belonging to significant personalities of the 18th, 19th and early 20th century") from 23 July to 15 November 2001. With the former exhibition card and a copy of the press release for the exhibition, written by the director of the museum at the time.Condition: I - II
Ferdinand Graf von Zeppelin (1838 - 1917) - zwei große silberne Vorlegeteller aus seinem persönlichen Tafelsilber Kgl. Württembergischer Hofjuwelier Föhr in Stuttgart um 1900. Silber, im Boden jeweils gepunzt "Foehr" und "800M", geschweifter Rand, auf der Fahne das gravierte Wappen derer von Zeppelin. Durchmesser 32 bzw. 32,5 cm, Gewicht 929 bzw. 982 g. Ferdinand Graf von Zeppelin begann seine militärische Karriere in der württembergischen Armee, war zeitweise Kommandeur des Ulanenregiments 19 in Ulm, später württembergischer Gesandter in Berlin und musste 1891 als Generalleutnant seinen Abschied nehmen. Seit etwa 1880 beschäftigte er sich mit der Entwicklung eines lenkbaren Ballons und ab 1899 widmete er sich dem Bau seines ersten Luftschiffes. 1908, nach der erfolgreichen Fahrt von LZ 3, ernannte ihn Kaiser Wilhelm II. zum General der Kavallerie. 1917 verstarb Graf Zeppelin und wurde in Stuttgart beigesetzt. Von großer Seltenheit. Ferdinand Graf von Zeppelin (1838 - 1917) - two large silver serving plates from his personal table silverware Ferdinand Graf von Zeppelin (1838 - 1917) - two large silver serving plates from his personal table silverwareRoyal Württemberg Court Jeweller Föhr, Stuttgart, circa 1900. Silver, each punched "Foehr" and "800M" at the bottom, curved edge, the border engraved with the von Zeppelin coat of arms. Diameter 32 and 32.5 cm, weights 929 and 982 g. Count Ferdinand von Zeppelin began his military career in the army of Württemberg, commanding Uhlan Regiment 19 in Ulm and serving as the Württemberg envoy in Berlin before his retirement as a Generalleutnant in 1891. He was engaged from about 1880 in the development of a steerable balloon, and from 1899 he was dedicated to the construction of his first airship. In 1908, following the successful cruise of LZ 3, Kaiser Wilhelm II appointed him General of the Cavalry. Count von Zeppelin died in 1917 and was buried in Stuttgart. Of great rarity.Condition: II +
Wintermantel für einen Oberst des Heeres, Zweiter Weltkrieg Derbes dunkelgraues Wolltuch mit roten Vorstößen, zweireihig Löwenknöpfe aus Bakelit (einer fehlt), Kragenspiegel aus schwarz eingefasstem violetten Tuch, vernähte Schulterstücke für einen Oberst, vernähtes Band des Tapferkeitsordens. Braunes Wollfutter mit Innentasche. Trage- und Altersspuren. A winter coat for an army colonel, World War II A winter coat for an army colonel, World War IIDerbes dunkelgraues Wolltuch mit roten Vorstößen, zweireihig Löwenknöpfe aus Bakelit (einer fehlt), Kragenspiegel aus schwarz eingefasstem violetten Tuch, vernähte Schulterstücke für einen Oberst, vernähtes Band des Tapferkeitsordens. Braunes Wollfutter mit Innentasche. Trage- und Altersspuren.Condition: II
A vintage mid 20th century oak hall stand. Having a flared top, with central bevelled edge mirror flanked by a configuration of metal coat / hat hooks. With a pierced back central draw key cabinet flanked by umbrella stands complete with drip tray. Measures approx. Measures 193cm x 71cm x 31cm.
Pre-revolutionary France, 1677-1700i. Louis XIV, King of France (1638-1715); order, signed Louis, to [François de Montlézun de] Besmaus, governor of the Bastille, Paris; written at the camp before Cambrai, 12 April 1677 To fire the cannon of the Bastille on the day on which the Te Deum is to be sung at Notre Dame as part of the thanksgiving for the victory achieved by his brother the Duc d’Orleans [at Cassel on 11 April]; countersigned by [Jean-Baptiste] Colbert (1619-1683), First Minister of State.The battle of Cassel took place during the Franco-Dutch war, and led to the surrender of Saint-Omer and Cambrai.François de Montlézun de Besmaus (c1613-1697), a Gascon, was in 1649 appointed captain in the guards of Cardinal Mazarin, who in 1658 appointed him governor of the Bastille, a post he held until his death.ii. Certificate of the arms of Louis de la Grée, seigneur de la Ferriere, with an illustration of the arms, issued by Charles d’Hozier, Keeper of the General Armory of France; Paris, 5 February 1700Register 5, number 110A Louis de la Grée, seigneur de la Ferriere, one of the men-at-arms of the king’s company, living on the Isle-de-la- Cité, Paris, married Madeleine Manjot, widow of Henri Fremin, advocate in Parliament, in 1662.An Edict of 1696 declared that, for a coat of arms to be valid, it had to be registered with the King of Arms, for a fee naturally. As a consequence, 110,000 coats of arms were registered (of which 80,000 by non-nobles) by Charles d’Hozier, the King of Arms. The registers are still in the National Library. By 1709 registration of arms ceased altogether, and the Edict was ignored from then on.The surname d’Hozier is often associated with the both the manuscript and printed versions of the Armorial général de France. The manuscript blazons and illustrations were done under the auspices of Charles-René d’Hozier (1640-1732), while the printed work was done by his nephew Louis-Pierre d’Hozier (1685-1767). They were the Judges of Arms appointed by the king to verify claims of nobility and decide issues regarding the use of arms.
Christian Dior blue chiffon sleeveless shift labelled "Christian Dior Beachwear" blue and white, a Louis Feraud white and black sleeveless cocktail dress with faux peplum, a black and white silk Louis Feraud duster coat, probably to match the aforementioned dress, size UK 12 as is the dress, a Caroline Charles pink rayon and polyester vintage suit, jacket and skirt probably size 16, a Caroline Charles viscose cream shift dress with matching three quarter length jacket in beige printed with white polka dots, a Condice cocktail dress black raw silk, the short sleeves trimmed with cream embroidery with matching raw silk cream jacket with collar embroidered white on black, size 16, a Jaegar 1980's day dress batwing sleeves colour block blue orange mustard
Group of Oriental & Oriental-style ceramics to include a Chinese Famille Rose circular vase with figural, floral & foliate decoration; a Thai twin-handled blue & white octagonal vase (approx 37.5cm high); a blue & white rectangular planter with landscape panels; and a pair of Willow pattern planters (coat of arms marks to bases)
Edwardian Leeds pottery commemorative creamware tea service for the Royal Visit to Leeds on 7 July 1908, comprising teapot, sugar bowl and cover, milk jug and two tea cups and saucers, with relief moulded Leeds Coat of Arms and overpainted in silver, the bases impressed 'Royal visit to Leeds July 7, 1908, W.L. Hepton, Lord Mayor, Leeds Pottery'. Teapot 21 cm long, teacups 5.5 cm high x 6cm diameter, with a period illustrated advert titled 'Leeds Pottery, Souvenir of the Royal Visit to Leeds'
An Austro-Hungarian Silver Bowl, Maker's Mark, Vienna, 1872-1922, the bowl tapering cylindrical and with shell heightened rocaille border, chased on one side with a coat-of-arms within foliage and rocaille border, with associated moulded glass liner 27cm diameter, weight of silver 18oz 15dwt, 584grThis lot will be sold under the Auctioneers' Margin Scheme Marked under rim with 'Diana head' 800 standard mark and maker's mark. There is some wear to the marks, particular the maker's mark which is only partly visible. There is some overall surface scratching and wear, consistent with age and use. The glass bowl is associated and somewhat ill-fitting.
A 20th Century Brass Wall Shelf, with baluster and scrolled brackets and coat hooks 78cm wide Two Solid Brass Cauldron Shaped Buckets, with iron swing handles 34cm high and 25cm (3)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 20% on the hammer price and 20% on the buyer's premium. Wall Shelf - good condition. Two Cauldrons - with some natural? pitting to the brass and some minor bruising.
Porcelain plate in iron red and gold decorated with the sichtermann family coat of arms and squirrels under a crown - Qianlong period (乾隆) - Weight: 330 g - Shipping available - Region: Chine - Sizes: D 230 MM - At first glance: normal wear / patina of use - Condition details: 2 petits coups sur bord interieur
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