Vivan Sundaram (Indian, B. 1943)Untitled (Composition) signed and dated 'Vivan August '91 lower rightengine oil and charcoal on paper, framed55.3 x 74.8cm (21 3/4 x 29 7/16in).Footnotes:ProvenanceAcquired directly from the artist in 1991/1992.Note: This work is on the artist's website under his 'Engine Oil and Charcoal drawings' series.Born in Shimla in 1943, Sundaram studied painting at both Maharaja Sayajirao University, Baroda (1961-65) under KG Subramanyan and at the Slade School of Art, London (1966-69). At the latter, he also studied the History of Cinema. Sundaram's career has spanned decades and he is known for being India's first installation artist. He works across mediums and scales and addresses issues pertaining to politics, familial and societal history and memorialisation. His early works embodied geometric abstraction and included elements of kitsch and pop art and his enduring interest in cinema led him to incorporating principles of collage/montage. It was in the 1990s however that he began working with unconventional materials, in response to the Gulf War (1990-1991) and created his 'Engine oil and charcoal on paper' series. The work in the present lot is from this series. In it he contrasts charcoal smudges with burnt oil to explore materiality and surface. This series marks a turning point in his career as it proves to be the catalyst for him to start working with photography, video art and installation; the Gulf War was the first televised war and clearly impacted him.His retrospective, 'Step inside and you are no longer a stranger' was held at KNMA, New Delhi in 2018, and featured works from 50 years of his career. He has exhibited his works at numerous shows worldwide including those in London, Paris, Amsterdam, Budapest, Copenhagen, New York, Dallas, Montreal and Vancouver and in the Biennales of Taipei, Shanghai, Sharjah, Sydney, Berlin, Havana and Johannesburg. He is the founding member of the Kasauli Art Centre, the Safdar Hasmi Memorial Trust (SAHMAT) and the Journal of Arts & Ideas, and is the editor of the 2010 two volume book on his maternal aunt, Amrita Sher-Gil, titled Amrita Sher-Gil: a self-portrait in letters & writings.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
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Liaqat Rasul (British, B.1974)Envelop industrial plastic sheeting, cardboard, chunky felt tips, staples, tissue paper, wooden coffee stirrers, nylon net, staples, polypropylene plastic strapping, printed silk khadi, old shirt fabric, leather, grey board, packaging card, receipts, biro, rizzla paper, framed99 x 78.5cm (39 x 30 7/8in).Footnotes:ProvenanceThe Artist's Collection.Liaqat Rasul is a gay welsh dyslexic Pakistani male. He was born in Feb 1974 in Wrexham, North Wales. Liaqat studied fashion, gaining a first-class degree, specialising in textiles. He spent a year in industry, working and studying in New Delhi, India. Liberty's in Regent Street, London, bought his graduating collection, and he ran the business Ghulam Sakina for ten years, creating beautiful textile clothing. After Ghulam Sakina was liquidated in 2009, Liaqat decided to explore his life and career choices. He worked at the Roxy Beaujolais -run pub the Seven Stars, in Carey Street, while exploring art exhibitions and public art. A huge, heavy penny dropped in 2017, and Liaqat started making collages for friends. Small but vital art practice was initiated. Liaqat made a few pieces for commission, and in 2019 had his first-ever solo exhibition of eight pieces at the Tracey Neuls shop in Coal Drops Yard, London. The collage works are not a social or political statement; they are abstract and cartographic, made from old envelopes, stamped tickets, wooden coffee stirrers, misplaced printing on cardboard boxes, leftover yarn, swing tags, creased tissue papers, napkins, abandoned receipts, an old t-shirt chopped up, tatty found papers, packaging... marked with biros and felt-tip pens and stuck with PVA glue, sellotape on to card inserts and graphics on cardboard boxes left out in the street. Their bold, odd colours and real-world experiences create unique, buoyant collage tableaux.Making art is an act of hope. Liaqat invites the viewer to experience his low-tech, textured works, eyes darting about to take in the many elements, in their own time, meditatively, diverted from smartphones and the persistent digital world. Liaqat aims to create bigger and bolder collages and fibre works. Think tactile. Think analogue.He has been commissioned by Ty Pawb, Wrexham in North Wales, his place of birth to have his first solo exhibition in June 2024, which will then be on tour from Autumn 2024. He was part of the group show at Grosvenor Gallery, 'Patterns of the Past: Weaving Heritage in Pakistani Art' in the Summer of 2021, which was held in collaboration with Canvas Gallery, Karachi. The Crafts Council acquired a 3.5m tall portrait mobile and he has also been commissioned to work on a project with the elderly South Asian community in Gloucester, focussing on the migrant journey from Sri Lanka, India, Bangladesh and Pakistan.For further information on this lot please visit Bonhams.com
INTERESTING BOX-FRAMED TREEN COLLAGE & PHOTOGRAPH OF THOMAS JONES, c. 1900, collage includes carved pine motifs of female figures, rifles, tool etc, apparently carved only with a penknife, 76 x 63cms, photograph of carver, Thomas Jones, on bench with wooden leg, printed label verso 'Gwyufryur near Wrexham 1900....' etc. with historical details relating to Jones and the collage, 30 x 24cms (2)Provenance:'The St John Perrott Stimson Collection of Treen & British Folk Art’ Please see This Autumn: Treen & British Folk Art — Rogers Jones Co (EN)Condition Report:frame with scuffs, lining good, photo mount tintedNo label on the rear of the box.Small label on the back of the photograph
James Rizzi1950 New York- 2011 New York - "SEE, HEAR, SPEK NO EVIL" - Farblithografie mit Collage/Papier (3D-Grafik). 293/350. 5,5 x 7,5 cm, 7,5 x 10,5 cm (Passepartoutausschnitt). Sign. r. u.: RIZZI. Im Druck betit. und sign.: "SEE, HEAR, SPEAK NO EVIL - 2002". Passepartout. Unter Glas gerahmt.
‡ JOSIE RUSSELL fabric collage - mountainscape with stream, signed with initialsDimensions: 19.5 x 24.5cmsProvenance:private collection Cardiff, consigned via our Cardiff officeAuctioneer's Note:The fabric collages are made almost entirely from recycled materials sourced locally from charity shops, family and friends.Condition Report:framed and glazed
Volkmar Haase, Säulenplastik, Modell, Unikat von 1979 & Brief-Collage des Künstlers an den Sammler Pachen von 2001Volkmar Haase, 1930 Berlin - 2012 Brüssow, deutscher Bildhauer, ab 1951 Studium der Malerei an der Hochschule für bildende Künste in Berlin, zuletzt als Meisterschüler von Max Kaus. Hier: Säulenplastik, abstrakte Komposition, Edelstahl, am Boden bezeichnet, datiert, signiert, H mit Steinsockel 48 cm (Pachen Inv. Nr. 0423), dazu ein handgeschriebener Brief mit bearbeiteter Fotocollage der Säule an Heinz Pachen vom 3.9.2001, 29,5 x 21 cm, gerahmt (Pachen Inv. Nr. 0427)
Edgar Jené, Frau mit Blumen, Mischtechnik von 1930, gerahmtEdgar (Erhard) Jené, 1904 Saarbrücken-Malstatt- 1984 La Chapelle-Saint-André, Frankreich, deutsch-französischer Maler, Grafiker und bedeutender Surrealist, Studium 1922-1924 an der Akademie der Bildenden Künste München. 1924/25 an der École nationale des Beaux-Arts, der Académie Julian und der Académie de la Grande Chaumière in Paris, im Wien der Nachkriegszeit (1945-50) wurde er zum Förderer und Vermittler des Surrealismus u. organisierte gemeinsam mit Paul Celan und Arnulf Neuwirth die erste Surrealismus-Ausstellung, Spiritus Rector der Wiener Schule des Phantastischen Realismus, hier: Frau mit großem Blumenstrauß, Mischtechnik (Öl/Collage)/Lw., 60 x 54,5 cm, sign. u. dat., im Holzrahmen
Daniel Maria Thurau, o.T., Mischtechnik, o.J., gerahmtDaniel Maria Thurau, *1972 Köthen, studierte Rechtswissenschaften in Halle an der Saale sowie Malerei in Norwich, England und an der HFBK Hamburg bei Werner Büttner und Jutta Koether, zahlr. Ausst., hier: Landschaft und Mann mit Sonnenbrille, Mischtechnik/ Collage/ Papier, 27 x 20 cm , verso Galerienetikett, hinter Glas gerahmt
Ute Wöllmann, 2 Ölgemälde und 3 Farbradierungen, alle signiert und gerahmtUte Wöllmann, *1962 Ravensburg, 1981-83 Studium an der Freien Kunstschule Stuttgart; 1983-89 Studium an der Hochschule der Künste Berlin bei Prof. Georg Baselitz; Lehrauftrag an der Freien Kunstschule Berlin bzw. Freien Akademie für Kunst Berlin; Gründungsmitglied der Künstlerinnengruppe GANGart. Hier: Abstrakte Komposition, Öl/Karton, ca. 13 x 18 cm, sign., dat. (20)04, verso sign., dat., unter Glas gerahmt; Abstrakte Komposition, Öl/Karton, ca. 13 x 18 cm, sign., dat. (20)04, verso sign., dat., unter Glas gerahmt sowie 3 Farbradierungen, einmal als Collage, ca. 24 x 30 cm, je sign., dat. 2002/2003, num. Aufl. 12 und 14 Exemplare, unter Glas gerahmt
Frank Ermschel, große signierte Mischtechnik, gerahmtFrank Ermschel, 1957 Bochum - 2017, 1983-89 Studium d. Malerei an der FH Aachen bei Prof. Christiane Maether, 1989-92 Kunstgeschichte u. Philosophie in Trier, seit 1995 versch. Auslandsaufenthalte (Togo, Venezuela, Bangkok, Paris), lebte und arbeitete zuletzt in Kerkrade/NL; hier: Abstrakte Komposition, große pastose Mischtechnik/Papier mit Collage, 74 x 98 cm, signiert, unter Glas gerahmt
Albert Wigand, Komposition mit der 25, signierte Collage von 1962, gerahmtAlbert Wigand, 1890 Ziegenhain - 1978 Leipzig, Künstler der verschollenen Generation, 1912/13 Studium bei Lothar von Kunowski an der Kunst-Akademie Düsseldorf; 1912 und 1919-22 Kurse bei Otto Ubbelohde in Goßfelden; lebte und arbeitete viele Jahre in Dresden (ab 1925); ab 1956 entstehen Collagen. Hier: Collage mit Farbflächen und Nummer 25, 16 x 12 cm, verso Widmung, sign., dat. (19)62, unter Glas u. P.p. gerahmt (Pachen Inv. Nr. 0955)
Elisabeth Ahnert, Früchtestillleben, signierte Collage mit Deckfarben von 1961Elisabeth Ahnert, 1885 Chemnitz - 1966 Ehrenfriedersdorf, 1908-12 Studium an der Kunstgewerbeschule Dresden; In Dresden erlebte Ahnert das Aufbranden der Moderne und stand in Kontakt zu Künstlern wie Paula Lauenstein, Theodor Rosenhauer, Paul Wilhelm oder Karl Kröner; seit 1925 erhielt sie eine Förderung durch den Galeristen Heinrich Kühl in Dresden. Sie pflegte eine Freundschaft mit Albert Wigand. Sie gehört zu den wichtigsten deutschen Malerinnen des 20. Jhs. Hier: Schale mit Früchten und Obst mit Blättern auf einem Tisch, Collage/Deckfarbe/Karton, 13 x 19 cm, verso sign., dat. 1961, unter P.p. (Pachen Inv. Nr. 1435)
Horst Hahn, interessanter Künstlernachlass von 37 abstrakten Originalen: 11 Gemälde, 20 Ölbilder auf Buchseiten (Serie), 4 Collagen, 2 Assemblage, ab 1985, Sammlung PachenHorst Hahn, *1937 Bergisch Gladbach, 11 Ölgemälde: "Ehrenfeld IV", Ansicht von Häusern, Öl/Platte, 28 x 22 cm, monogr., dat. 1992, gerahmt sowie 2x Öl/Karton, 7x Gouache/Karton, 1x Aquarell/Karton, Größen von 15,5 x 13 bis 30 x 26 cm, alle sign., dat. und bez.; 2 Assemblage: "Bild Nr. 274", Informelles Relief, Assemblage/Holzplatte, 28,5 x 22 x 6 cm, sign., dat. (20)03, verso bez. sowie "Bild Nr. 27", "Gestaffelt", Assemblage/Karton, 31 x 23,5 cm, sign., dat. (19)87; 4 Collage: Abstrakte Kompositionen, Größen von 19 x 15 cm bis 26 x 16 cm, alle sign., dat., bez., dazu Serie "Blick über den Gartenzaun", 20 Blätter, Öl/Buchseite, je ca. 22 x 13 cm,alle sign., dat. (19)98 - Selbstbesichtigung empfohlen!
Martin Breuer, Akte, Hauswand & Elemente, 5 signierte Zeichnungen/Mischtechniken, 1979-1987Martin Breuer, deutscher Künstler aus Framersheim, Elemente, Spritztechnik/Papier, 70 x 48 cm, sign., dat. (19)86; Weibliche Akte, 2 Bleistiftzeichnungen auf Fotographien von 1982 und 1987, 41 x 28 cm u. 19 x 13 cm, je sign.; Weiblicher Akt, Bleistiftzeichnung/Collage, 27 x 22 cm, sign., dat. (19)79; Mainzer Altstadtmotiv, Farbzeichnung auf Foto, 42 x 30 cm, sign., dat. (19)87; alle unter P.p. (Pachen Inv. Nr. 1535-1539)
Reinhard Roy, signierte Collage von 1992, gerahmtReinhard Roy, *1948 Klitten, Studium der industriellen Formgestaltung von 1969-74 an der Burg Giebichenstein Kunsthochschule Halle; Lehrauftrag an der Fachhochschule Wiesbaden im Bereich Farbe und Gestaltung; dominierendes Element seiner Formensprache ist seit 1986 der Raster. Hier: Collage, 15 x 56 cm, sign., dat. 1992, unter Glas gerahmt (Pachen Inv. Nr. 2155)
Roland Albert, Abstrakte Kompositionen, 9 Arbeiten mit verschiedenen TechnikenRoland Albert, *1944 Saarburg/Lothringen, lebt und arbeitet in Kaiserslautern; 1966-70 Studium der Malerei, Grafik und Objektkunst an der Akademie der Bildenden Künste München bei Prof. Günter Fruhtrunk und Prof. Heinz Butz. Hier: "Aufgeschnittene Frucht", Mischtechnik/Relief/Lw./Sperrholz, 50 x 35 cm, monogr., dat. 1981, verso bez., gerahmt (Pachen Inv. Nr. 0115) sowie "Aufgeschnittene Frucht" als Prägedruck, 11 x 8 cm, sign., dat. (19)82; Stufen, Filzstift/Soja-Soße/Karton, 1998, 15 x 11 cm; "Paar", Bleistift/Rapsöl, 15 x 11 cm, sign., dat. 2000; "Haus und Hof", Bleistift/Soja-Soße/Karton, 15 x 11 cm, sign., dat. (19)99; "Schreitende Beine", Aquarellstiftzeichnung/Papier, 15 x 11 cm, monogr., dat. (19)96; "Tür", Bleistift/Acryl/Tusche, 15 x 11 cm, monogr., betit., dat. (19)97; "Torso", Sand/Karton, 21 x 11 cm, sign., 2001; Weibliches Idol, Collage von 1975, 30 x 21 cm, sign.; alle kleinen Arbeiten verso mit Widmung
Robert Berkeley Green (American, 1909-2007). Mixed media and oil with collage on canvas titled "Pablo Picasso" depicting a surrealist depiction of the artist Pablo Picasso (Spanish, 1881-1973). Initialed along the lower right. Inspired by the book and poem "Work of the Painter: Le Travail Du Peintre" by Paul Eluard (French, 1895-1952). The poem set to music by Francis Poulenc (French, 1899-1963).Sight; height: 36 in x width: 39 5/8 in. Framed; height: 37 3/8 in x width: 41 in.
Satish Gujral (Pakistani/Indian, 1925-2020). Mixed media collage on board titled "Kali on the Mount" depicting a whimsical figure, 1968. Signed in Hindi and dated along the upper left quadrant.Provenance: Directly from the artist to a private Minnesotan collection. While the consignor's family lived in India they met Satish Gujral and became friends. While Gujral was visiting New York to work on a commission for the World Trade Center, he visited the consignor's family, who, at this point, had returned to the United States. In return for the lovely meal, he gifted them this artwork. It has been in their collection ever since.Satish Gujral was a multi-disciplinary artist that created sculptures, paintings, murals, architecture and interior design. He was considered an Avant Garde Indian artist. Gujral traveled in Mexico in 1952 and worked under Diego Rivera and David Siqueiros. Gujral was inspired by the textural qualities of the Mexican artists' works.In this collage, Gujral engaged his distinctive sense of surface quality by using mixed media collage technique to depict a whimsical figure. The figure is created with typesetting and visual references of the 1960s in its body, whose fantastical proportion inject a sense of humor and comedy into the composition. The earthy tones in the background combining with bright rich colors of the figure are referencing Gujral's Mexican past helps the figure comes alive in a joyful manifestation of grace and rhythm.Sight; height: 19 in x width: 26 1/2 in. Framed; height: 25 1/4 in x width: 32 1/2 in.
Craig Coleman (American, 1961-1994). Acrylic and photographic collage on paper titled "The Roman" depicting a figure against an abstract gray background, 1988. Signed and dated "Coleman YR 8000 88" along the lower right.Provenance: Distinguished Corporate Collection, Minnesota.Sight; height: 23 in x width: 17 1/2 in. Framed; height: 31 in x width: 24 in.
PANAMARENKOd.i. Henry Van Herwegen, Antwerpen 1940 - 2019 ebenda, Künstler, Stud. an der Königl. Akad. der Schönen Künste in Antwerpen, documenta-Teilnehmer. "The Aeromodeller", poetische Konstruktion eines Zeppelins, oben rechts sign., num. 50/75 und dat., Farblithographie, Collage/Papier, HxBxT: 100/83/3,5 cm. Altersspuren. Im Objektkasten gerahmt.
Aeschbacher, ArthurGenf 1923 - 2020 Issy-les-Moulineaux, Frankreich, Plakatkünstler, Schüler von Fernand Léger. "Cortage a Malette", unten links sign., unten rechts dat. 1961, verso von Hand bez., Collage-Arbeit aus verschiedenen Papieren/auf mit Packpapier kaschiertem Karton, HxB: 27/21 cm. In Objektrahmen frei unter Glas montiert.
Schultze, BernardSchneidemühle, Provinz Posen 1915 - 2005 Köln, deutscher Maler und Vertreter des Informel. "Herbst-leben", abstrakte Farbkomposition, unten rechts sign. und dat. (19)89, Collage, Aquarell, Tusche und Farbstift/Karton, HxB: 230/140 cm. Mit verglastem Rahmen. Lit.: Diederich/Herrmann, Werkverzeichnis der Gemälde und Objekte, 2015. Provenienz: Sammlung Süddeutschland.
World Cup 1954 Switzerland page signed by the Hungarian team who played in the 1954 World Cup, signed in ink by 13 players, includes Hidegkuti, Bozsik, Toth, Grosits, Kocsis, Puskas, Lantos, Czibor, etc., sold with booklet 1954 World Cup with head/shoulders photographs in collage, listed as autograph album, see Hungary centre page, (3)
JOSEP GUINOVART BERTRAN (Barcelona, 1927 - 2007).Untitled.Oil on cardboard.Signed in the lower right corner.Size: 51 x 74,5 cm; 75 x 98 cm (frame).Josep Guinovart trained at the Escuela de Maestros Pintores, at the Escuela de Artes y Oficios and in the classes of the FAD. He had his first solo exhibition at the Syra galleries in Barcelona in 1948. He soon acquired solid prestige, collaborated with Dau al Set and took part in the October, Jazz and Eleven Salons. In the 1950s, thanks to a grant, he lived in Paris, where he became deeply acquainted with the work of Cézanne and Matisse, who, together with Miró and Gaudí, were to be his most important influences. In 1955, together with Aleu, Cuixart, Muxart, Mercadé, Tàpies and Tharrats, he formed the Taüll group, which brought together the avant-garde artists of the time. Around 1957 he began an informalist and abstract tendency, with a strong material presence both through the incorporation of various elements and objects (burnt wood, boxes, discarded objects) and through the application of techniques such as collage and assemblage. From the 1960s onwards he moved away from the poetics of Informalism and began to produce works full of signs and gestures, which contain a strong expressive charge in the lines and colours. During the 1970s he systematically used materials such as sand, earth, clay, straw and fibre cement, and in the following decade he focused on experimenting with the three-dimensional projection of his works, which took the form of the creation of environments or spatial settings such as the one entitled Contorn-extorn (1978). Guinovart's artistic output is very varied: mural paintings, theatre sets and scenographies, such as the one made for Federico García Lorca's Blood Wedding, book illustrations, poster design, tapestries and sculptures. He took part in the Biennials of São Paulo (1952 and 1957), Alexandria (1955) and Venice (1958, 1962 and 1982), and his prizes include the City of Barcelona in 1981, the National Plastic Arts Prize in 1990 and the Generalitat's Plastic Arts Prize in 1990. In 1994 the Espai Guinovart was opened in Agramunt, Lérida, a private foundation with a permanent exhibition of the artist's work. He is represented in the Museums of Contemporary Art in Barcelona, Madrid and Mexico City, the Museum of Open Air Sculpture in Santa Cruz de Tenerife, the Museo Nacional Centro de Arte Reina Sofía, the Museo de Bellas Artes in Bilbao, the Museo San Telmo in San Sebastián, the Museo Eusebio Sempere in Alicante, the Museo de Navarra in Tafalla, the Casa de las Américas in Havana, the Bocchum Museum in Germany, the Museo de Bellas Artes in Long Island, New York, and the Museo Patio Herreriano in Valladolid.
JAUME PLENSA (Barcelona, 1955)."Tear" (Jerusalem), 1998.Collage of photography and plastic glue and plastic cover. Issue 19/30. Print run of 30 and three PA and 2 EHC.Work reproduced in the artist's catalogue raisonné and on his website.Publisher: Edición T.Barcelone.Printer; Magí Baleta, Barcelona.Signed in the lower right corner and justified in the lower left corner.Size: 40 x 26,5 cm; 21 x 10,5 cm (frame).This work belongs to the suite of 5 works (Tear (Jerusalem), Lips (Multindus II), Sigh (Réunion), Nail (Tokyo) and Eyes (Granada).Plensa studied at La Llotja School and at the Superior de Bellas Artes de Sant Jordi, both in Barcelona. He excelled in sculpture, drawing and engraving. His work focuses on the relationship between man and his environment, often questioning the role of art in society and the position of the artist. He currently lives in Paris, and was recently awarded an honorary doctorate by the School of the Art Institute of Chicago. Plensa began his career working with wrought iron mixed with polyester. Between 1983 and 1984 he began to mould iron using the casting technique, and developed a sculptural concept based on zoomorphic elements. His work gradually evolved, and he is now considered a precursor of Spanish neo-expressionism. In the nineties he introduced modifications in his work in both material and formal terms, and began to use different materials such as metal scraps, polyester and resins. During these years he produced series of walls, doors and architectural constructions, seeking to give space an absolute protagonist role. Between 1999 and 2003 Plensa became one of the pillars of world scenography, reinterpreting four classical operas by Falla, Debussy, Berlioz and Mozart with "La Fura dels Baus", and alone in a contemporary theatrical production, "La pareti della solitudine", by Ben Jelloun. He has had solo and group exhibitions all over the world, including a retrospective at the Museo Nacional Centro de Arte Reina Sofía in 2000. In June 2008, he unveiled his work "Breathing", a memorial to journalists killed in the line of duty, at the BBC headquarters in London. Throughout his career he has received numerous distinctions, such as the Medal of the Knights of Arts and Letters in 1993, awarded by the French Ministry of Culture, and the National Prize for Plastic Arts in 1997, awarded by the Generalitat of Catalonia. Considered one of the leading representatives of the new Spanish art of expressionist tendency, his work is present in the best national and international galleries and art fairs, as well as in the main museums of Europe and the United States, such as the MOMA in New York, the Kemper in Kansas, the Museo Patio Herreriano in Valladolid, the Palazzo Forti in Verona, the MACBA and the Museo Reina Sofía in Madrid.
HUNT SLONEM (Kittery, Maine, 1951)."Cockatoos" 2001.Silkscreen with collage on canvas.Copy 53/75.Signed and justified by hand.Size: 110 x 87 cm.Hunt Slonem is an American painter, sculptor and printmaker. He is known for his neo-expressionist paintings of butterflies, rabbits and his tropical birds, often based in a personal aviary in which he has kept from 30 to over 100 live birds of various species. Slonem's works are included in many major museum collections around the world; he exhibits regularly in public and private venues, and has received numerous honours and awards. After completing his studies, which included a stay in Nicaragua as an exchange student when he was 16, Slonem began his undergraduate studies at Vanderbilt University in Nashville, Tennessee. He then spent about six months of his sophomore year at the Universidad de las Américas in San Andrés Cholula, Puebla, Mexico, but later graduated in Painting and Art History from Tulane University in New Orleans, Louisiana. He also took courses at the Skowhegan School of Painting and Sculpture in Maine, where he met such influential New York area artists as Louise Nevelson, Alex Katz, Alice Neel, Richard Estes, Jack Levine and Al Held. More than fifty museums worldwide include Hunt Slonem's paintings in their collections, including the Smithsonian American Art Museum; the National Gallery of Art, Washington, D.C.; the Brooklyn Museum of Art, Brooklyn, NY;35 the Boston Museum of Fine Arts, Boston, Massachusetts; the Fundació Joan Miró, Barcelona, Spain; the Würth Museum, Künzelsau, Germany; the Metropolitan Museum of Art; the Whitney Museum of American Art; and the Solomon R. Guggenheim Museum, New York.
Nick Smith Wish You Were Here, 2022 Collage on Paper Signed recto, further signed verso 15 x 10cm (5¾ x 3¾ in.) About Contemporary artist who works in collage with hand-placed colour-chips, synonymous with colour swatches, combining text and image to create intriguing and provocative works. Education MDes Masters in Product Design from Coventry University. 2004 Graduate Select Exhibitions/Awards 9 solo exhibitions and counting... Gallery Representation Rhodes Contemporary, London Statement about AOAP Submitted Artwork This is a nude study, breaking down the image to the bare bones of just colour swatches, while still making it recognisable. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
David Pescod Suffolk Kitchen, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About I am a multi media artist, painting, film making and printmaking and also a published writer. Education BA Middx University MA Royal College of Art Select Exhibitions/Awards I have exhibited in the UK over the last forty years including the RA Summer Show and many group shows. My work is in the V&A and private collections. Statement about AOAP Submitted Artwork These are collages that I often make using mono-printed materials and they influence and inform some of my larger paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
David Pescod Workshop Vice, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About I am a multi media artist, painting, film making and printmaking and also a published writer. Education BA Middx University MA Royal College of Art Select Exhibitions/Awards I have exhibited in the UK over the last forty years including the RA Summer Show and many group shows. My work is in the V&A and private collections. Statement about AOAP Submitted Artwork These are collages that I often make using mono-printed materials and they influence and inform some of my larger paintings. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Ela Menescal Meet Cute, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022. Education She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process. Select Exhibitions/Awards Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz Gallery Representation 2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro Statement about AOAP Submitted Artwork MEET CUTE, 2022 Reinterpretation of 'Wheat Field with a Lark' (1887) painting by Vincent Van Gogh Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Ela Menescal The Kingdom We Have Made, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022. Education She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process. Select Exhibitions/Awards Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz Gallery Representation 2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro Statement about AOAP Submitted Artwork THE KINGDOM WE HAVE MADE, 2022 Reinterpretation of 'Eric Clapton' (1993) photo by Terry O'Neill Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Ela Menescal Open Arms, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022. Education She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process. Select Exhibitions/Awards Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz Gallery Representation 2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro Statement about AOAP Submitted Artwork OPEN ARMS, 2021 Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Ela Menescal Revelation, 2022 Mixed Media, Collage and Printing on Hahnemühle 310g Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About The art of Ela Menescal serves as a playful platform that, in its narrative, seeks to bring together elements that are sometimes contradictory but that are tuned in new senses and directions. Her work plays with the viewer's memories of childhood through metaphors with pop culture icons and images from her own childhood memories, resulting in a unique approach, with a touch of humor and irreverence. Ela Menescal is a Brazilian artist born on February 5, 1987, in Rio de Janeiro. She grew up in a musical and artistic environment; her own school notebooks were notably expressive and fun. Her collage works began at first, as a way of disseminating fashion and style. From these compositions, Ela Menescal's desire to migrate to the field of art with an approach to contemporary issues. Her production expands at an intense, original and invariably creative pace. The artist maintains lightness and poetry in her visual compositions, without leaving aside irony and criticism of current times. Her artworks are mostly inspired by music and movies. She held individual and group exhibitions in Rio de Janeiro. She participated in the SP-Arte fair in 2022 and in ArtRio fair in 2020 and 2022. Her artwork has been selected by the Royal Academy of Arts for the Summer Exhibition 2022. Education She went to Law School and practiced Intellectual Property and Fashion Law bridging a gap between Law and Fashion. In 2017, she became a fashion stylist, graduating with international certification from IRCNY (Image Resource Center of New York). Since 2021, Ela has attended Creative Thinking lectures and courses ministered by Scottish Charles Watson who is an independent researcher living in Rio de Janeiro and investigates the creative process. Select Exhibitions/Awards Exhibition 'Day Dreaming' (2019) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'I See You' (2020) - Galeria Martha Pagy Escritório de Arte, Rio de Janeiro Exhibition 'Saravá' (2022) - Galeria Anita Schwartz, Rio de Janeiro Exhibition 'Summer Exhibition 2022' (2022) - Royal Academy of Arts, London Art Fairs: ArtRio - Rio de Janeiro's International Art Festival (2020) - Galeria Martha Pagy Escritório de Arte SP-Arte - São Paulo's International Art Festival (2022) - Galeria Anita Schwartz ArtRio - Rio de Janeiro's Internacional Art Festival (2022) - Galeria Anita Schwartz Gallery Representation 2018 - 2021 Galeria Martha Pagy Escritório de Arte, Rio de Janeiro 2022 - Galeria Anita Schwartz, Rio de Janeiro Statement about AOAP Submitted Artwork REVELATION, 2022 Reinterpretation of 'The Last Supper' (1498) painting by Leonardo da Vinci Mixed media, collages and 
printing on Hahnemühle 310g paper Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Emma Davis Stop It I Like It, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night! Education Liverpool John Moores University University of Wolverhampton Fine Art BA Select Exhibitions/Awards Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford Statement about AOAP Submitted Artwork I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Emma Davis Seaham Seaglass, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night! Education Liverpool John Moores University University of Wolverhampton Fine Art BA Select Exhibitions/Awards Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford Statement about AOAP Submitted Artwork I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Emma Davis Beachcombing, 2022 Painted Papers on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About I live in Oxford and have a two storey Victorian paintshop studio in my garden. I'm a lover of colour, old books- (for their old cloth covers and interesting fly sheets) and vintage bits and bobs. I've moved away from purely painting to using painted papers and book covers in my work recently. I love the immediacy of painting the papers and then having a whole spectrum of colours to work with. Sometimes the most successful pieces come from offcuts that I pair up with a sharply cut semi circle and a touch of neon. I have two kids, a dog and a husband and a full sized replica ET in my life. I studied back in the early nineties, I was represented CCA galleries between 1997-2001 and worked as a freelance card designer for two Oxford companies for over 20 years. I designed in the day and painted by night! Education Liverpool John Moores University University of Wolverhampton Fine Art BA Select Exhibitions/Awards Discerning Eye 2018 Post war, modern and contemporary paintings - John Davies Gallery November 2021 Gallery Representation John Davies Gallery, Moreton in Marsh Wills Art Warehouse, London Irving Contemporary, Oxford Statement about AOAP Submitted Artwork I have a vaste stack of painted papers and old books that I use to make my collage pieces. I particularly love using touches of neon pink and other intensely coloured pieces against the contrast of yellowing book pages. Circles and semi circles feature heavily, I'm drawn to their shapes and the textures .Colour and form collide to create little structures, the painted papers add depth. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Helen Beard Crossed, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy. Select Exhibitions/Awards Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018 Gallery Representation Reflex, Amsterdam www.reflexamsterdam.com Statement about AOAP Submitted Artwork My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Helen Beard Cupped, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy. Select Exhibitions/Awards Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018 Gallery Representation Reflex, Amsterdam www.reflexamsterdam.com Statement about AOAP Submitted Artwork My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Helen Beard Caressed, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy. Select Exhibitions/Awards Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018 Gallery Representation Reflex, Amsterdam www.reflexamsterdam.com Statement about AOAP Submitted Artwork My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
Helen Beard Cosseted, 2022 Mixed Media Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About Helen Beard (b.1971) creates work that vibrates with movement and colour in a celebration of the erotic experience. Her paintings often represent explicit views of sexual acts and present a joyous, female-centric depiction of sensual joy. Select Exhibitions/Awards Sensitive Content' - co-curated group exhibition at Unit London, September - October, 2022; The Desire Path, Reflex Amsterdam, 2020; It's Her Factory, Unit London, 2019; True Colours, Newport Street Gallery, 2018 Gallery Representation Reflex, Amsterdam www.reflexamsterdam.com Statement about AOAP Submitted Artwork My submitted works are an exploration of negative space, working with 2D shapes to illustrate a physical action. Inspired by Baldessari, my concept was to use cutouts as minimal description: editing out any extraneous form and colour. The challenge was deciding what to leave in and what to leave out! Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
James Springall Movers and Shakers, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France. Select Exhibitions/Awards LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016 Gallery Representation LIE Gallery (UK). Don't Walk, Walk Gallery (UK). Statement about AOAP Submitted Artwork These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
James Springall Foot, 2022 Collage on Paper Signed verso 10 x 15cm (3¾ x 5¾ in.) About James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France. Select Exhibitions/Awards LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016 Gallery Representation LIE Gallery (UK). Don't Walk, Walk Gallery (UK). Statement about AOAP Submitted Artwork These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
James Springall Magic Tip, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France. Select Exhibitions/Awards LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016 Gallery Representation LIE Gallery (UK). Don't Walk, Walk Gallery (UK). Statement about AOAP Submitted Artwork These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
James Springall Adverse Conditions, 2022 Collage on Paper Signed verso 15 x 10cm (5¾ x 3¾ in.) About James Springall (b.1977) is a British artist who primarily works with found images from book and magazine pages that he reappropriates to take out of context. His work has been included in group exhibitions at the Royal Academy of Arts, Feinkunst Krüger and Saatchi Gallery, commissioned by VICE and Rough Trade, and profiled in The Age of Collage 3 (Gestalten). He has curated exhibitions of contemporary collage art for Jealous Gallery in London and the Viborg Museum in Denmark. He lives and works in Pécharmant, France. Select Exhibitions/Awards LESS Festival Viborg, Denmark 2020 Art Car Boot Fair Dreamland, Margate, UK 2019 The Age of Collage Feinkunst Krüger Gallery, Hamburg, Germany 2019 Tribute to Viborg, 1018 - 2018 Viborg Museum, Viborg, Denmark 2018 The International Weird Collage Show Jealous Gallery, London, UK 2018 London Original Print Fair Royal Academy of Arts, London, UK 2017 50 x 50 II Saatchi Gallery, London, UK 2017 Jealous Needs You Jealous Gallery, London, UK 2016 Gallery Representation LIE Gallery (UK). Don't Walk, Walk Gallery (UK). Statement about AOAP Submitted Artwork These four works, made specifically for the AOAP Winter auction, are in keeping with my regular practice of reappropriating found materials in order to make something new. By reusing, reassembling, recombining, erasing, rephrasing, redacting, adding and subtracting, I am resuscitating long forgotten imagery and bringing it back to life in different forms. Message from Art On A Postcard: Please do not bid if you intend to sell on the artwork. All artworks have been generously donated by the artists to raise money for The Hepatitis C Trust and when work is sold on the secondary market, it damages our relationship with the artist and prevents us from fundraising
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