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Lot 3427
Spoerri, Daniel(Galati 1930)"Tableau Piège". 1973. Farboffset als Collage in einer Faltmappe. Mit einem Zündholz. 600/485. Verso nummeriert, in Filzstift signiert, datiert und von 1-4 (Reihenfolge des Aufklappens) nummeriert. Masse aufgeklappt: 68,7x68,7 (zusammengklappt: 48,5x48,5) cm. Mit Original-Kartonschachtel. -Farboffset mit wenig Papierverlust in den Kanten und Ecken. Ränder leicht bestossen. Wenig Abrieb.
Lot 13
450x620mm Unframed. Collage on wooden board. ARTIST STATEMENT: As part of studying illustration I have been interested in exploring collage. While in lockdown, away from university, I used my home as my inspiration and found I loved using bunkers as a subject. In the twisting entrance to an underground bunker in Pleinmont I studied the textures in layers of paint and graffiti. I added 'II/152. 11.6.42' which is carved onto the concrete on another entrance to record that it was built by the 2nd Company Army Construction Battalion 152. The photo incorporated was taken during occupation and shows a marching band. I really enjoyed working on this piece, learning history and discovering new places. ABOUT THE ARTIST: Collage created aged 20. Emma won the SAF Students Prize in 2019. Emma is currently studying a Ba Honours in Illustration at Falmouth University.
Lot 5013
BBC Zig Zag, Greek myths (from the Odyssey), Paul Birkbeck 1939-2019 Polyphemus in his cave, carrying wood and surrounded by his sheep, collage and water-colour, 53 x 41 cms but cutting out damage to the collage effective size, 34 x 41 cms not signed, 1985-6 first broadcast for BBC Zig-Zag ABOUT PAUL BIRKBECK; an appreciation, written by one of his daughters and published in the Guardian following his death. "My father, Paul Birkbeck, who has died aged 80, was an artist and illustrator whose work is familiar to those of a certain generation brought up on BBC childrens TV programmes such as Crystal Tipps and Alistair, Play School and Jackanory. His distinctive style and keen eye for detail ensured that he became one of the BBCs most-used artists through the 1970s and 80s. Born in Woolwich, south-east London, Paul attended Brighton College and Epsom School ofArt. After completing his national service, he also became the banjo player for the Dedicated Men Jugband, who signed to Pye Records in 1965. The bands single, Boodle Am Shake, did not trouble the charts but Paul soon began designing sleeves for Decca Records. In 1965 working with BBC childrens TV he became a prolific illustrator for its programmes. For Jackanory he illustrated 14 stories, including A Dog So Small (read by Judi Dench) and Peter Pan, (some in this sale), as well as the BBC Sunday afternoon Bible stories series In the Beginning. His work for Jackanory continued for many years. He created the memorable opening titles for The Vikings in 1980, presented by Magnus Magnusson, and the iconic Miss Marple series, starring Joan Hickson. Paul also drew the backgrounds for the ground-breaking TV series Jane, starring Glynis Barber, which mixed cartoon backgrounds with live actors and was based on the 1940s comic strip of the same name. (some in this sale). In 1991, as well as supplying illustrations, he was in front of the camera playing himself each week in the BBCs six-part childrens TV history programme Now Then, an educational show that cleverly brought our ancestors to life. Paul taught illustration at Leicester Polytechnic, Epsom College and the Royal College of Art, but continued to work in TV, including delivering the titles for the Stanley Baxter Show on Channel 4. He branched out into book illustration with Salman Rushdies 1990 childrens fairy tale Haroun and the Sea of Stories, for which his lavish pictures were much lauded, not least by Rushdie. My father spent the latter part of his life on personal commissions. His work appeared at the Keith Chapman Gallery, London, in Royal Academy summer shows and Sunday Times watercolour exhibitions between 2003 and 2008, and in the Mall Galleries Discerning Eye exhibitions. PROVENANCE The artworks in this sale have been consigned by his family. NOTES: The pictures in this sale were prepared in various mediums often used by the artist and often in conjunction with one another, including, pen and ink, crayon, water-colour, gouache, pastel, and oil and acrylic paints on card or on paper. The auctioneers acknowledge the help of his family in cataloguing this collection, and where-ever known each picture has been listed under its broadcast designation. but the vendors do not guarantee that all attributions in this respect are correct. The family do however guarantee that the pictures, both signed and unsigned are the work of Paul Birkbeck. . All sizes are approximate.
Lot 22
SIMON HANTAI (1922-2008)Sans titre circa 1952 techniques mixtes et collage de papier imprimé marouflé sur cartonmixed media and collage of printed paper laid on cardboard25 x 22 cm.9 13/16 x 8 11/16 in.Exécuté circa 1952.Footnotes:L'authenticité de cette œuvre a été confirmée par Monsieur Daniel Hantai.ProvenanceCollection particulière, Milan (acquis auprès de l'artiste)Puis par descendance au propriétaire actuelLittératureEmmanuel Gignon, Automatismos paralelos, La Europa de los Movimientos Experimentales 1944- 1956, Las Palmas 1992, p. 224, illustré en noir et blancClick for an instant shipping quoteThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 182
δ Tracey Emin (b.1963)Hades Hades HadesScreenprint on hand stitched cotton collage, 2009, signed, dated and numbered from the edition of 200 in blue ink, published by Counter Editions, London, overall size 410 x 520mm (16 x 21in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 60
δ Edward Bawden (1903-1989)A Study for ObidosLinocut printed in colours with collage and pen and pencil notations, circa 1962, on wove paper, the full sheet, image 340 x 375mm (13 3/8 x 14 3/4in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 116
δ Peter Blake (b. 1932)BeatlesScreenprint in colours with photo collage and diamond dust, 2010, signed and numbered from the edition of 100 in pencil, published by Paul Stolper Gallery, London, on wove paper, with full margins, image 600 x 440mm (23 5/8 x 17 3/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 129
δ Eileen Cooper (b. 1953)Echoes, ProposalMonotype with collage and pastel in colours, 2019, signed and dated in pencil lower right, the full sheet printed to the edges, sheet 610 x 460mm (24 x 18 1/8in)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 100
BENJAMÍN PALENCIA (Barrax, Albacete, 1894 - Madrid, 1980)."Lilies", 1976.Oil on canvas.Attached certificate issued by the Benjamín Palencia Archive.Signed and dated in the lower left corner.Measurements: 54,5 x 46 cm.Founder of the School of Vallecas together with Alberto Sánchez, sculptor, Benjamín Palencia was one of the most important heirs of the poetics of the Castilian landscape typical of the Generation of 98. With only fifteen years Palencia leaves his native town and settles in Madrid to develop his formation through his frequent visits to the Prado Museum, since he always rejected the official teachings of the Royal Academy of Fine Arts of San Fernando. In 1925 he participates in the Exhibition of Iberian Artists held at the Retiro Palace in Madrid, and in 1926 he travels for the first time to Paris. There he met Picasso, Gargallo and Miró and came into contact with the collage technique, which he would later apply to his work, incorporating new materials such as sand or ashes. It will be from this Parisian stay when Palencia's work acquires a surrealist tone, evidenced in an increasingly greater expressive freedom that will reach its fullness in his period of maturity. On his return to Madrid he founded the Vallecas School (1927), and made his individual debut at the Museum of Modern Art (1928). Palencia will gradually abandon still lifes to take up again the Castilian landscape, capturing it through a magnificent synthesis between tradition and avant-garde. This personal aesthetic of the landscape will reach its culmination in the School of Vallecas and, after a brilliant surrealist incursion in the early thirties, at the outbreak of the Civil War Palencia remains in Madrid, suffering like his peers of his generation a period of deep crisis. After the war, between 1939 and 1940 his painting took a radical turn; he abandoned the cubist and abstract influences and even the surrealist aspects, in search of an art of strong chromatic impact, linked to Fauvism. Focused on his work as a landscape painter, in 1942 Palencia took up again the experience of the Vallecas School together with the young painters Álvar Delgado, Carlos Pascual de Lara, Gregorio del Olmo, Enrique Núñez Casteló and Francisco San José. His work will gather images of the Castilian countryside and its peasants and animals; his painting becomes a testimony of the rough, the coarse and the rural, of the subtle expressiveness of the Castilian sobriety. Already fully consolidated, in 1943 he obtains the first medal at the National Exhibition of Fine Arts and in 1944 he is selected to participate in the Salón de los Once de Eugenio D'Ors in Madrid. The following year he was awarded the medal of honor at the National Exhibition, although he gave it up in order to facilitate its concession to José Gutiérrez Solana, who died days before the jury's decision. From this decade on, his exhibitions in art centers and galleries such as the Círculo de Bellas Artes in Madrid or the Estilo gallery, and in 1946 he was once again selected for the Salón de los Once. He also began to participate in international exhibitions, such as those of Spanish Contemporary Art held in 1947 in Buenos Aires, Rio de Janeiro and Sao Paulo. He was also awarded the Grand Prize at the Hispano-American Biennial in Madrid (1951) and exhibited at the Museum of Modern Art in Paris (1951), the Venice Biennial (1956), the Princess of Paravinci's Palace in Rome (1965), etc. In 1973 he was appointed member of the Royal Academy of Fine Arts of San Fernando, and in 1978 he joined the Academy of San Jorge in Barcelona. That same year he was awarded the Gold Medal for Merit in Fine Arts. Benjamín Palencia is currently represented in the Reina Sofía National Museum, in the Patio Herreriano in Valladolid and in the Fine Arts Museums of Valencia and Albacete, among many others.
Lot 11
JULIÁN GRAU SANTOS (Canfranc, Huesca, 1937)."Field of poppies". 1993.Oil on canvas.Signed in the lower right corner.Measurements: 54 x 65 cm; 67 x 79 cm (frame).With label on the back of the Sala Parés.Son of Emilio Grau Sala and Ángeles Santos Torroella, he is formed in Barcelona. In 1949 he makes several trips to Paris, where he has the opportunity to contemplate first hand works by Sisley, Van Gogh and various impressionists and post-impressionists. He held his first individual exhibition at the Sala Libros in Zaragoza in 1957. Since then he has held personal exhibitions in the Syra, Rovira and Vayreda galleries in Barcelona; Alas, Abril, El Cisne, Collage and Biosca in Madrid; Justin Lester in Los Angeles, Art Roman in Tokyo, etc. Since 1966 he regularly exhibits individually at the Sala Parés in Barcelona, and in 1968 he participated in the Salon des Artistes Français at the Grand Palais in Madrid. His work, linked to expressionism and very much based on color, is characterized by a very elaborate technique and a deep knowledge of drawing. He also made numerous drawings, which were published in various newspapers and magazines. His awards include the La Rambla Prize (Barcelona, 1961), the Ramón Rogent Medal (Salón de Mayo, Barcelona, 1962), medal of the Fine Arts Exhibition (Madrid, 1961), III Sant Jordi Prize and Van Gogh Prize (Barcelona, 1963), City of Barcelona Medal (1965), Huesca Painting Biennial Prize (1976), Condesa de Barcelona Medal (Madrid, 1983) and Medal of Honor in the BMW Competition (Madrid, 1987). In recent years he has participated in the ARCO fairs in Madrid and ARTEXPO in Valencia, Barcelona, Basel, New York, Chicago, Miami and Hong Kong. In 1993 the Mapfre Vida Foundation in Madrid dedicated a retrospective exhibition to him.
Lot 7
BENJAMÍN PALENCIA (Barrax, Albacete, 1894 - Madrid, 1980)."Botijo".Painted ceramic.Certificate of authenticity issued by the Benjamín Palencia Archive can be issued at the buyer's expense.Measurements: 35 x 18 cm.Founder of the School of Vallecas together with Alberto Sánchez, sculptor, Benjamín Palencia was one of the most important heirs of the poetics of the Castilian landscape typical of the Generation of 98. With only fifteen years Palencia leaves his native town and settles in Madrid to develop his training through his frequent visits to the Prado Museum, since he always rejected the official teachings of the Royal Academy of Fine Arts of San Fernando. In 1925 he participates in the Exhibition of Iberian Artists held at the Retiro Palace in Madrid, and in 1926 he travels for the first time to Paris. There he met Picasso, Gargallo and Miró and came into contact with the collage technique, which he would later apply to his work, incorporating new materials such as sand or ashes. It will be from this Parisian stay when Palencia's work acquires a surrealist tone, evidenced in an increasingly greater expressive freedom that will reach its fullness in his period of maturity. On his return to Madrid he founded the Vallecas School (1927), and made his individual debut at the Museum of Modern Art (1928). Palencia will gradually abandon still lifes to take up again the Castilian landscape, capturing it through a magnificent synthesis between tradition and avant-garde. This personal aesthetic of the landscape will reach its culmination in the School of Vallecas and, after a brilliant surrealist incursion in the early thirties, at the outbreak of the Civil War Palencia remains in Madrid, suffering like his peers of his generation a period of deep crisis. After the war, between 1939 and 1940 his painting took a radical turn; he abandoned the cubist and abstract influences and even the surrealist aspects, in search of an art of strong chromatic impact, linked to Fauvism. Focused on his work as a landscape painter, in 1942 Palencia took up again the experience of the Vallecas School together with the young painters Álvar Delgado, Carlos Pascual de Lara, Gregorio del Olmo, Enrique Núñez Casteló and Francisco San José. His work will gather images of the Castilian countryside and its peasants and animals; his painting becomes a testimony of the rough, the coarse and the rural, of the subtle expressiveness of the Castilian sobriety. Already fully consolidated, in 1943 he obtains the first medal at the National Exhibition of Fine Arts and in 1944 he is selected to participate in the Salón de los Once de Eugenio D'Ors in Madrid. The following year he was awarded the medal of honor at the National Exhibition, although he renounced it to facilitate its concession to José Gutiérrez Solana.
Lot 216
Maginel Wright Barney (American, 1881-1966) Felt Collage 1961, monogrammed and dated lower right, depicting a colorful floral composition in fabric, crewel work, applied beads and shells, matted and framed under glass Property from: a Vernon Hills, Illinois estate Height: 18 1/2 inches, Width: 14 1/2 inches (sight)Frame Size: 28 1/8 inches by 23 1/2 inches Condition: Good, glue residue visible through felt; fading Disclaimers: not examined out of the frame Category: Fine Art > American Paintings Estimated Sale Time: 12:45 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4
Lot 274
Romare Bearden (American, 1911-1988) 'School Bell Time' Serigraph Undated, signed and #368/950 lower right margin, depicting a paper collage of children and adults in a landscape, matted and framed under acrylic Property from: an Oak Park, Illlinois collector Height: 25 7/8 inches, Width: 37 3/4 inches (image)Frame Size: 40 1/4 inches by 52 1/8 inches Condition: Very Good, no condition issues to artwork noted; wear to frame at corners Disclaimers: not examined out of the frame Category: Fine Art > Prints Estimated Sale Time: 1:42 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5
Lot 286
Artwork Assortment (10) 20th century decorative framed items including a 1998 watercolor waterfront scene signed P. Deichmann lower right; (2) similarly framed hand colored book illustrations; a Egyptian style papyrus floated between glass in a wood frame; a varnished collage on papyrus depicting giraffes; (2) uniformly framed half-tone reproductions of Japanese prints; (2) uniformly framed hunting print reproductions; and an off-set lithographic reproduction of a French botanical print having an oval wood frame Property from: a Chicago, Illinois (Lincoln Park) estate Height: 12 1/2 inches, Width: 16 inches (Egyptian papyrus, full sheet)Frame Size: 19 1/4 inches by 23 1/4 inches Condition: Very Good, papyrus having rough edges typical of the material; no damage to artwork noted; overall light wear to frames Disclaimers: not examined out of frames Category: Fine Art > Other Estimated Sale Time: 1:54 pm (America/Chicago) Shipping Status: Leonard Auction Shipping Quote Sales Tax (United States Only): Kansas (6.5%), New Jersey (6.625%), Pennsylvania (6%), Washington (10.5%) Download High Resolution Photographs:Photograph #1Photograph #2Photograph #3Photograph #4Photograph #5Photograph #6Photograph #7Photograph #8
Lot 95
•Barbara Rae C.B.E., R.A., R.S.A. (British, born 1943), "Lily Pond, Calderbank", signed lower right, mixed media and collage, framed. 29cm by 31.5cm. Provenance: with The Scottish Gallery, Works on Paper Exhibition, February 1987; with Leinster Fine Art, London, 1986. This lot will be subject to ARR.
Lot 3921
Winkler, Woldemar (1902 Mügeln - Gütersloh 2004) "Ach wenn doch alles so leise ginge wie das Schmettern der Schmetterlinge", so verso betitelt und bez. "No. 1736". Öl/Mischtechnk und Collage auf Platte, li. u. monog., dat. (19991 und mit Werk-No. 1736 in Bleistift. 48x 32 cm. Aufwendiger Acrylglas-Rahmen.
Lot 103
Victor Vasarely (Hungarian/French, 1906-1997)Procion; Pleione, two plates from 'Descartes - Discours de la Methode' Screenprint in colours with collage elements, 1959, signed and numbered 134/138 in pencil, printed by Atelier Broutelles and Launay, published by Editions Essellier, Paris, with full margins, 460 x 400mm (18 1/8 x 15 3/4in)(SH); together with 'Pleione', screenprint in colours, 1961, signed and inscribed 'IV' pencil, an artist's proof aside the numbered edition of 138, printed by Atelier Broutelles and Launay, published by Editions Essellier, Paris, with full margins, 460 x 400mm (18 1/8 x 15 3/4in)(SH)(unframed)(2)This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 140
Christo & Jeanne-Claude (AMERICAN, 1935-2020; 1935-2009)Pink Store Front, Project (Schellmann 105) Lithograph printed in colours with collage of brown paper, 1980, on wove, signed, dated and numbered 77/100 in pencil, printed by Landfall Press, Chicago, published by Nantenshi Gallery, Tokyo, with the printer's blindstamp, the full sheet printed to the edges, 565 x 457mm (22 1/4 x 18in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 141
Christo & Jeanne-Claude (AMERICAN, 1935-2020; 1935-2009)Orange Store Front, Project, from 'Fifteen Years of Polígrafa' (Schellmann 102) Lithograph printed in colours with collage of brown paper, 1979, on Arches, signed and numbered 37/100 in pencil, printed and published by Ediciones Polígrafa, Barcelona, the full sheet, 375 x 270mm (14 3/4 x 10 5/8in)(SH)This lot is subject to the following lot symbols: * AR* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.AR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 247
After David Hockney XVI RIP Arles, 1985, Festival Poster Poster for Recontres Internationales de la Photographie, Arles (Arles photographic festival) Nude, Theresa Russell, photo collage, 1984 109 x 72.5cm (42¾ x 28½ in.) Unframed Condition Report: In good original condition. This work is rolled. Condition Report Disclaimer
Lot 697
Mimmo Rotella, 1918 Catanzaro – 2006 MailandMARILYNSerigrafie und Collage auf Leinwand119 x 83 cm.Mittig unten signiert „Rotella“,links unten nummeriert "30/100". Anmerkung:Herausgegeben durch: Ateliers Jerry Art, Evry et Graph 2000, Cagnes/ Mer.Literatur:Vgl. Werk abgebildet in: 23 Artistes pour médecins du monde, Editions de la Tempête, Paris 1994, S. 44. (1291424) (1) (18)
Lot 274
Nigel Henderson (1917-1985)Head, 1952signed and dated (lower right)collage27.5 x 32cm. Exhibited:The Barbican Art Gallery, A Paradise Lost, 1952, catalogue no. 115.Provenance:Bohun Gallery, Henley on Thames. Head, an early collage by Henderson demonstrates the inventiveness of his darkroom practice. He coated glass sheets in gouache paint or thin plaster and ‘doodled’ into these coatings with sharp tools. He then used the inscribed glass sheets as negatives to produce photographic prints. Collage is made up of several prints with oil paint added.The work just pre-dates The Independent Group, or IG, which was first convened in the winter of 1952-3 and then again in 1953-4. It was responsible for the formulation, discussion, and dissemination of many of the basic ideas of British pop art and of much other new British art in the late 1950s and early 1960s. Along with Henderson, the group involved Richard Hamilton, John McHale, Eduardo Paolozzi, and William Turnbull.
![Signed by the Liberator [Daniel O'Connell] A mounted Collage, including German Print of O'Connell, with manuscript sign](https://cdn.globalauctionplatform.com/6e4c89b0-9e21-45b6-97ed-ade100bf2b2d/ebae77d1-3b48-45e5-9ea6-adf0009777cd/468x382.jpg)
Lot 84
Sir Terry FROST (1915-2003)Longbow (Kemp 176)Screenprint with collage elementsSigned and dated '98Numbered 2/50Image size 27.5 x 87cm, paper size 50 x 108cmIt is highly probable that this work was bought directly from the artist.Condition report: Lovely condition but for a few very faint foxing spots. The paper is not flat
Lot 41
Sir Terry FROST (1915-2003)3 SunsAcrylic and collage on canvasSigned and inscribed and dated April '85 to versoChristie's label to verso97 x 127cmProvenance - Waddington Galleries, London Exhibited - Penzance, Newlyn Orion Gallery - Painting in the '80s (no catalogue) Literature - The Artists Magazine - 'A Brush With Colour: Terry Frost Paintings in the 1980s', March 1987 p. 29The University of Reading - 'Terry Frost: painting in the 1980s', 1986, illustrated p. 31Auctions - Christie's, 7th June 1991, lot no. 340 Condition report: This work presents as being in truly excellent condition, however, close examination reveals a few minor issues. We have noted a scratch above the top left circle and another on the left of the center right circle. The bottom right corner has had a knock with minor paint loss as a result.None of this affects the stunning appearance of this major piece.
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