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Vinyl - Pretty Things SF Sorrow LP on Columbia IC06204004 German pressing, gatefold sleeve, sleeve vg- with laminate lifting rear of gatefold and spine, vinyl vg+

Vinyl - Pink Floyd The Piper at the Gates of Dawn LP on Columbia SCX6157 Stereo, blue/black label with sold in UK and Gramophone Co text matrices YAX3419-1 YAX8420-1 flip back sleeve with Ernest J Day printing credit, sleeve and vinyl vg+

Vinyl - Pink Floyd The Piper at the Gates of Dawn LP on Columbia SX6157 mono, blue/black label with Sold in UK, The Gramophone Co text, matrices XAX3419-2 and XAX34201 flip back sleeve with Ernest J Day printing credit, sleeve and vinyl vg+

Vinyl - Georgie Fame Rhythm And Blues At The Flamingo (Columbia 33 SX 1599). Sleeve & Vinyl VG-

Vinyl - 10 original US pressing Psych albums to include Summerhill - Summerhill, 1969 US Tetragrammaton Records (Still in shrink), Elephant Candy - The Fun And Games, 1968 US, Uni Records), The National Gallery - The National Gallery 1968 US, Philips Records, (in shrink, with rare insert included), The Boston Tea Party - The Boston Tea Party, 1968 US, Flick Disc Records,?Beast - Beast (1969, Cotillion Records), Aorta - Aorta (1969 US, Columbia Records, Promo), The Electric Prunes - Underground (1967 US Reprise Records), The Griffin - The World?s Filled With Love (1968 US, ABC Records), The Hour Glass - The Hour Glass (1973 US, United Artists Records, Double LP), The American?Revolution - The American Revolution 1968 US, Flick Disc Records, overall vg+

The Favourite Philatelic Album nicely laid out with interesting Stamps Including 12 Venezuela, 14 Vatican City, 18 Tangier, 13 San Marino, 14 Philippines, 13 Persia, over 40 Mexico, 17 Luxembourg, 11 Liechtenstein, 15 Lebanon, over 60 Yugoslavia, 36 Ireland, 26 Iceland, 17 Brazil, 35 Columbia, 14 Belgium, plus others. Good condition. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

Terence Cuneo (British, 1907-1996)Queensborough Bridge, New Westminster, British Columbia signed and dated '-CUNEO-/MAY '60.' (lower left)oil on canvas76.5 x 102cm (30 1/8 x 40 3/16in).Footnotes:ProvenanceCommissioned from the Artist by John Laing LtdPrivate Collection, U.K.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com

** Donald Sultan (b.1951)Ten Greens, March 20Screenprint in colours, 2006, signed and inscribed PP in pencil, one of ten printer's proofs aside from the edition of 25, published by Cascadia Publishing, British Columbia, on Museum Board, the full sheet printed to the edges, sheet 1213 x 1524mm, (47 ¾ x 60 in)** This lot has been imported from outside the United Kingdom to be sold at auction under temporary importation, and therefore the buyer must pay the import VAT at a rate of 5%. On proof of export outside the United Kingdom, this duty can be refunded.

MAJOR LANCE - AIN'T NO SOUL (IN THESE SHOES) 7" (ORIGINAL UK DEMO - COLUMBIA DB 8122). Get your soul shoes on with this original UK 7" demo of Ain't No Soul (In These Shoes) c/w You'll Want Me Back. The record is in lovely clean Ex condition with just a couple of very light and minor surface marks. Sharp labels, the four prong centre fully intact, light WOL A side. Housed with original company sleeve.

CD COMPILATIONS - ROCK & ROLL/SOUL/R&B/ROCKABILLY. A brilliant collection of approx 250 compilations. All typically Rock & Roll, Soul, R&B and Rockabilly CDs. Titles include ‘The Cruisin’ Story’, ‘The Songs of’ Carol King, Mann & Weil, Pomus & Shuman, ‘Feeling Fine - Gems from The Columbia Vaults’, ’Runnin’ Wild - The Everest Records Story’, ‘The Top Rank Story’ etc.All CDs generally in Ex+, with many appearing as new.

60s UK SOUL/NORTHERN/R&B/MOTOWN 7" RARITIES. Another pack of essential 60s UK issue 7" rarities with 4 included. Titles are Major Lance - Too Hot To Hold c/w Dark And Lonely (Columbia DB 7688 - VG with surface marks, no heavier scratches), Bessie Banks - Go Now c/w It Sounds Like My Baby (Red Bird BC. 160 - Ex a very well presented copy), Bobby Parker - Watch Your Step c/w Steal Your Heart Away (London 45-HLU 9393 - VG+ a few light surface marks) and Roy Hamilton - The Dark End Of The Street c/w One Hundred Years (Deep Soul DS 9160 - glossy VG+ a few light surface marks. All centres fully intact.

ROBERT JOHNSON - KING OF THE DELTA BLUES SINGERS LP (US 6 EYE MONO - CL 1654). Here we have a stunning sealed original 6 eye mono LP example of Robert Johnson's 1961 release King Of The Delta Blues Singers (CL 1654, US mono release on the 6-eye Columbia label. -2A/ -2A matrix. The record is M/ Archive condition, still sealed within the original serrated edged polybag inner sleeve. The sleeve is in beautiful Ex+ condition, but does have a small sticker on the bottom left corner of the cover).

SOLO MALE - SOUL/FUNK/R&B EU EP/7" PICTURE SLEEVE RARITIES. Wonderful offering of 8 x scarce 60s EU EPs. Titles are Solomon Burke - Cry To Me (French Atlatnic 232026 - Ex just a couple of very light and minor surface marks/VG+ sticker removal mark and small pen mark on the reverse, the front very clean and sharp), Junior Wells - Up In Heaven (Swedish Atlantic ATL 70.186 - Ex+/Ex very well stored), Roy Hamilton - Mr. Rock And Soul (French Columbia ESDF 1449 - archive/Ex+), James Phelps - Love Is A 5-Letter Word (Chess AR 45.173, Dutch - Ex/Ex), Little Milton - Feel So Bad (Chess 169524 - Ex+/Ex), Larry Williams - Just Because (Epic 4-7294 - VG+/VG), King Curtis - Ode To Billie Joe (ATL 70.238 - Ex/Ex) and Ben E. King/The Drifters (Atlantic 212 037 - Ex/VG+).

CONTEMPORARY/FUSION JAZZ - LPs. Lovely pack of 12 x wonderful albums. Artists/titles are Michael Gibbs - Taqnglewood 63 (UK Deram 1971 original SML 1087 - sublime archive condition record/Ex clean sleeve), Mike Westbrook - The Paris Album (2655 008) and The Westbrook Blake (ORA 203), Stan Tracey Quartet - Captain Adventure (SJ 102), The Charles Lloyd Quartet - Dream Weaver (587025 - Ex+/Ex), Charlie Haden - Closeness (SP-710), Keith Jarrett - The Mourning Of A Star and Arbour Zena, The Don Weller Spring Quartet, Joe Harriott/John Mayer - Indo Jazz Fusions II (SCX 6215 UK black/blue Columbia og - VG copy), The Don Ellis Orchestra and M. S. Subbulakshmi. Condition is primarily clean VG+ to Ex+.

Three: Sergeant H. A. Perkins, 19th Canadian Infantry 1914-15 Star (55271 Pte. H. A. Perkins. 19/Can: Inf:); British War and Victory Medals (55271 Sjt. H. A. Perkins. 19-Can. Inf.) very fine (3) £50-£70 --- Harry Ashby Perkins was born on 25 March 1887 and attested for the Canadian Overseas Expeditionary Force at Toronto on 11 November 1914. He served with the 19th Battalion (Queen’s Own Rifles), Canadian Infantry during the Great War on the Western Front, and was discharged at Toronto on 11 July 1919. He died in Kelowna, British Columbia, on 10 April 1977. Sold together with a 19th Canadian Infantry cap badge; a 2nd Queen’s Own Rifles of Canada cap badge; and a ‘Q.O.R.’ shoulder title; and the engraved plate for the recipient’s calling card.

The War Medal 1939-45 awarded to Flying Officer R. E. Dowson, Royal Air Force Volunteer Reserve War Medal 1939-45, unnamed as issued, extremely fine £70-£90 --- Ronald Eric Dowson was born on 20 April 1925, at Reigate, Surrey, the son of George Dowson and Maud Elizabeth Dowson (née Ellis). He was Cadet 166 with III Flight , 311 Squadron Air Training Corps, Brentford & Chiswick, and joined the Royal Air Force, becoming 1812038 Leading Aircraftman R. E. Dowson. He was at R.A.F. Tiree in Scotland between 1943-44, and attended Navigation course No. 114 at No. 1 Central Navigation School, Royal Canadian Air Force Station at Rivers, Manitoba. He attended the No. 1, C.N.S. Graduation Dinner on 27 March 1945, and gave the Toast to The King. He was given a commission as a Pilot Officer with a new service number of 16839 on, 29 March 1945. He began training as a Navigator and flew on Anson V 12383 on 25 November 1944 as 1st & 2nd Navigator, and qualified as an Air Navigator on 30 March 1945. On 24 May 1945, he was at No. 6 Officer Training Unit at Comox, British Columbia. On 30 September 1945, he was posted to 232 Group, flying from Lyneham to Castle Benito, then on 1 October to Lydda, 2 October to Shaibah, 3 October to Karachi, 10 October to Calcutta and finally, on 13 October, to Rangoon. He was then promoted to Flying Officer, 29 September 1945. On 14 October 194,5 he was posted to No. 96 Squadron, Transport Command, on Dakotas at Bilaspur, and on 1 May 1946 No. 96 Squadron was renamed No. 110 squadron, flying Dakotas. His logbook shows his last flight as a navigator was on 20 April 1947. In 1949 he was living at 10a Boston Manor Road, Brentford, Middlesex. Sold with original R.C.A.F. Flying Log Book for Aircrew other than Pilot for the period 6 November 1944 to 29 March 1947; Graduation Dinner Menu from Navigation Course, Rivers, Manitoba; Notification of passing Navigation course; Certificate of qualification as Air Navigator dated 30 March 1945; and a quantity of photographs of time training and stationed at R.A.F. Transport Command No. 3 Staging Post; together with related Gazette notices and other research, mostly copied to CD.

Columbia portable windup gramophone. Not available for in-house P&P, contact Paul O'Hea at Mailboxes on 01925 659133

Space Sally Ride signed 10x8 colour photo. Sally Kristen Ride (May 26, 1951 - July 23, 2012) was an American astronaut and physicist. Born in Los Angeles, she joined NASA in 1978, and in 1983 became the first American woman in space. She was the third woman in space overall, after USSR cosmonauts Valentina Tereshkova (1963) and Svetlana Savitskaya (1982). Ride remains the youngest American astronaut to have travelled to space, having done so at the age of 32. After flying twice on the Orbiter Challenger, she left NASA in 1987. Ride worked for two years at Stanford University's Center for International Security and Arms Control, then at the University of California, San Diego, primarily researching nonlinear optics and Thomson scattering. She served on the committees that investigated the Challenger and Columbia Space Shuttle disasters, the only person to participate in both. Having been married to astronaut Steven Hawley during her spaceflight years and in a private, long-term relationship with former Women's Tennis Association player Tam O'Shaughnessy in her years after, she is the earliest space traveller to have been recognized as LGBT. Ride died of pancreatic cancer on July 23, 2012. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99

A Columbia black leather case table top wind up gramophone and a similar HMV model. (2)

A Pink Floyd LP 'The Piper at The Gates of Dawn', Columbia SX6157, 1st pressing, Mono, blue/black label, with 'Sold in the UK....' text, matrix XAX.3419.

FOUR TINS OF GRAMOPHONE NEEDLES (COLUMBIA, HMV)

PORTLOCK, Nathaniel (c. 1748-1817). A Voyage Round the World; but more particularly to the North-West Coast of America.PORTLOCK, Nathaniel (c. 1748-1817).  A Voyage Round the World; but more particularly to the North-West Coast of America: performed in 1785, 1786, 1787, and 1788. London: Printed for John Stockdale & George Goulding, 1789. 4to (320 x 250mm). Engraved portrait, 11 engraved plates, of which 3 (of birds) hand-coloured, only ([?]of 13, but 2 (of birds) supplied in modern facsimile, and loosely-inserted), 6 folding engraved charts, tables (some offsetting and mainly marginal spotting and staining, one text leaf torn and repaired without loss). Contemporary marbled paper boards (rebacked with modern spine label, new endpapers, corners bumped, rubbed and scuffed). Provenance: Hopetoun (armorial bookplate); from the Collection of Lt. Cdr. Andrew David (bookplate). FIRST EDITION of this account of the first commercial voyage to the American north-west coast, taking in Hawaii, British Columbia, Alaska, Vancouver and Queen Charlotte’s Island. Chapter XV includes a partial transcript of “A Court of Enquiry held at the Request of Captain Greer of the Belvidere, on his People who mutinied in his Absence.” Brunet III, 820 (calling for a total of 20 “figures”); Cox II, 27; Forbes 177; Hill p. 1376; Howes P-497; Sabin 64389; Streeter sale 3485; Zimmer 495.

LIEBER FRANZ: (1800-1872) German-American Jurist and political Philosopher. Lieber edited an Encyclopaedia Americana and was the author of the Lieber Code, considered the first document to outline rules regulating the conduct of war, laying the foundation for the Geneva Convention. A.L.S., `F. Lieber´, one page, 8vo, n.p., n.d., to Dr. Gibbes, Columbia. Lieber states `I send you a catalogue. If you make out a wish of books please to remember that natural history always costs much, although but one of very many branches.´ With address leaf. Small creasing and few pinholes to the upper left corner. G

KASNER EDWARD: (1878-1955) American Mathematician who introduced the term 'googol'. D.S., Edward Kasner, with his position as Professor of Mathematics at Columbia University added in his hand beneath his signature, one page, 4to, New York, April 1953. Kasner responds to a researcher's questionnaire in homage to Albert Einstein, with their questions at the head of the page, 1. What kind of a place do you assign to Einstein in modern science? 2. What sort of an influence has he exerted upon your work? Or what do you owe to him? 3. What kind of a place does he occupy in the history of world science? Kasner's dictated answers appear immediately beneath in an unidentified hand, '1. The Greatest. 2. I have written a dozen papers on the Einstein Theory. These are published mainly in American Journal Mathematics…….3. Next to Archimedes and Newton'. Rare. A few light creases and a couple of light, minor stains to the right edge, none of which affect the signature. About VG

BRIDGES JEFF & BEAU: Jeff Bridges (1949- ) & Beau Bridges (1941- ) American Actors. Signed 10 x 8 photograph by Jeff and Beau Bridges, the image showing both brothers in a scene of The Fabulous Baker Boys (1989). Individually signed by both of them in bold blue ink at the base of the image to largely clear areas of the images. Together with Jeff Bridges & Rachel Ward (1957- ) English-Australian Actress. Signed 10 x 8 photograph by Bridges and Ward, the promotional Columbia pictures attractive image showing both actors in a scene of Against All Odds (1984). Signed in bold black ink across the image. VG, 2                       

CINEMA: A large 30 x 24 colour poster featuring the logo used by Columbia Pictures between 1936-76 multiple signed by eighteen movie stars associated with the film studio comprising Gene Autry, Iron Eyes Cody, Clayton Moore, Penny Singleton, Jane Wyatt, Richard Farnsworth, Elena Verdugo, Terry Frost, Alan Hale Jr., Pat Buttram, Denver Pyle, Gail Davis, Hugh O'Brian, Sheb Wooley, Terry Moore, Jock Mahoney, Walt La Rue and Dub Taylor. All have signed with their names alone in bold black inks to clear areas. Rolled and with a few very minor, small surface creases, largely to the edges. VG

PIAF EDITH: (1915-1963) French Singer. Signed 8.5 x 11.5 paper photograph by Piaf, being the front page of a gala printed programme, the Harcourt Paris image showing a young Piaf in a head and shoulders pose. Signed in purple ink `Edith Piaf´, to the upper white border. The eight pages programme includes Piaf´s records issued with Columbia, and presents the gala songs. G

PIAF EDITH: (1915-1963) French Singer. Vintage signed and inscribed 5 x 7 photograph of Piaf, the promotional Columbia image depicting the French artist in a head and shoulders pose. Photograph by Maurice Seymour, New York. Signed in red to a black background `Pour Bernard, Cordialement, Edith Piaf´. Small overall age wear, otherwise G

 Paganini Violin Concerto No 1 On The Columbia Label, Blue Label With Gold Writing. Catalogue Number  33cx 1562 Matrix Number XLX 336 21 B XLX 337 21BM6167140M6167141Record Is In NM And Sleeve Is VG++ 

Vintage oak cased gramophone, Columbia Grafonola gramophone together with a quantity of records. 

Mick Softley - songs for swinging survivors, on blue Columbia label, circa 1965, 33SX1781, surface mark on track five and six, side one, surface mark on track six, side two, VG condition.

Two vinyl LPs by Pink Floyd, Medal on EMI Harvest label, vinyl in very good condition, cover has buffering and wear to the spine; also Piper at the gates of dawn, on Boxed EMI White Columbia label, vinyl in near excellent condition, cover near excellent,

Three Bob Dylan wall art pictures, comprising one with photograph Bob Dylan The Times They Are A Changin CD, note and book from album cover, together with a Columbia Gold Record The Times They Are A Changin record, 12 disc display with plaque, and art by Bradley J Cooper limited edition 41 or 100 Bob Dylan print. (3)

An oak cased Graphophone, Columbia Phonograph Co, with horn and reproducer, box width 26cm.Additional InformationGrubby throughout with general age wear, scratches and scuffs, the mechanism currently but although this is no guarantee of working order, the metalwork on the inside is tarnished and with general knocks and scratches, the reproducer is perished on the inside, horn with general wear and with a non-original wood fitting supporting it to the mechanism inside the box.

A 1920s Columbia Grafonola gramophone in mahogany case with record compartment below, complete with a generous assortment of soft, medium and hard needles.

East Lillooet Sheet, Department of Lands, British Columbia, Jan 4th 1926 Large coloured map, scale 2miles to 1 inch. c.40 X c.75cms. Interesting map with detailed text on reverse.

A 1977 lobby card for the film "The Eagle Has Landed", Columbia Pictures, 77/61, 28 cm x 36 cm

A 1920's Columbia Viva-Tonal Grafonola portable gramophone

Sarah Bernhardt, Figure of Shylock, carved alabaster, on red marble plinth base, signed and monogrammed, 42.5cm high Note: although best known as an actress, Bernhardt was also an accomplished sculptor, exhibiting widely including at the Exposition Universelle, Paris 1900 and Columbia Exposition, Chicago

HEARTS Programme for the match v British Columbia Allstars 4/6/1960 in Vancouver. Good

Jo Shepherd Blackbird, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.  

Jo Shepherd Puffin, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.  

Jo Shepherd Robin, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) A full time artist, I have been painting all my life.I am drawn to living things. My portrait exhibition 'Face to Face' which celebrated people with profound disabilities was featured on the BBC news in 2016.My work has been exhibited in many group and solo exhibitions over the years and my paintings are held in private collections around the world. Education Kingston poly BA Hons fine art painting Exhibitions Royal academy summer show 2017 Columbia Threadneedle prize exhibition, Mall Galleries 2018 About the postcard artworks A bird a day! Having always loved birds, I made the decision in August 2020 to paint a bird a day and haven't looked back since.  

Marina Adams Art on a Postcard for Hep C, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Marina Adams is a painter based in NYC, Bridgehampton, NY and Parma Italy. She earned degrees from Tyler School of Art, Temple University, Philadelphia, PA and Columbia University, New York, NY. Upcoming solo exhibitions include Wild Is Its Own Way, Stephen Friedman Gallery, London; Deep Breathing, Von Bartha, S-Chanf, Switzerland; and Works on Paper (2016-2021), Stephen Friedman Gallery. Recent solo exhibitions include The Journal Gallery, New York, NY; FOCUS: Marina Adams, The Modern Art Museum, Fort Worth, TX; Anemones at Salon 94 Bowery, NYC, which was accompanied by her monograph; and The Secret of Greek Grammar at Larsen Warner Gallery in Stockholm, Sweden. Adams has collaborated with poets generating Actualities with Norma Cole (Litmus Press, 2015); Portrait and a Dream with a poem by Charles Bernstein; Taormina with Vincent Katz (Kayrock, 2012); The Tango with Leslie Scalapino (Granary Books, 2001); and Vue sur Mer with Christian Prigent (Gervais Jassaud, 2010). Education Tyler School of Art, Temple University, Philadelphia, PA Columbia University, New York, NY Exhibitions Marina Adams: Works on Paper (2016-2021) at Stephen Friedman Gallery, London, UK, June 4 - July 10, 2021 Marina Adams, Deep Breathing, Von Bartha, S-chanf, Switzerland, July 8 - August 28, 2021 Marina Adams, Wild Is Its Own Way, Stephen Friedman Gallery, London UK, September 17 - October 23, 2021 Current group shows are: Affinities for Abstraction: Artists on Eastern Long Island 1950 to 2020, Parrish Art Museum, Water Mill, NY, May 2 - July 18, 2021 Shapes, Alexander Berggruen, New York, NY, April 21 - May 27, 2021 She is a 2016 recipient of the John Simon Guggenheim Memorial Fellowship, and received the 2018 Award of Merit Medal for Painting from the American Academy of Arts and Letters.   Gallery Representation Salon 94, New York and Stephen Friedman Gallery, London, UK.  

Timothy Gatenby Fake Charizard, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Timothy Gatenby is a contemporary British figurative artist who nostalgically paints modern imagery such as motorways and pop culture with a traditional Old Master approach. Through his limited palette and a ghostly distortion of imagery a sense of foreboding lurks behind the softly executed painting surface in Gatenby's world. His work has been displayed at the National Portrait Gallery, Royal Academy of Art, Mall galleries and Birmingham Society of Artists. In recent years Gatenby's work has been selected for the Columbia Threadneedle Prize Exhibition (2018), Royal Society of British Artists (2018), the New English Art's Club (2014), BP Portrait Prize (2012) and the Royal Academy Summer Exhibition (2019, 2012) Gatenby's paintings feature nostalgic characters from 90s television, rendered with a painterly quality more associated with the esteem of Fine Art than the amusement of light entertainment. Familiar characters, usually known for being brightly colored and fun, are depicted in washed-out hues; their smooth cartoon-like surfaces represented as textured and greyed. The usually jovial characters of popular television are stripped of their bright, happy personalities and on them, something much more sinister is superimposed. There is a sense that these characters from happy childhood memories have been lost to the passage of time; that history has forgotten them, that they have been brushed aside in the wake of newer incarnations of characters for popular amusement; washed up at the banks of the mainstream of entertainment, becoming just an afterthought no longer foregrounded, except in these paintings. The same dynamic underlies Gatenby's motorway paintings, which take the often disparaged aesthetics of concrete and tarmac from some of Britain's major roads, and sets them as the atmosphere of landscape paintings that hint at the classical discipline which they reappropriate for a brutalist, modern setting. All the while, throughout the various styles and themes that Gatenby explores, small idiosyncratic moments crop up, where, as if for his own amusement as much as anybody else's, a joke or a pun is given expression through a depicted object seen out of place, or an expectation subverted by an oddity, giving the work a touch of the absurd, since the emotional thread spun on the notion of disgraced and forgotten figures of childhood television 'and the depressing vision obscured by petrol exhaust fumes on the highways and byways of life' becomes an irony. The works thereby achieve a certain circularity of meaning, by which a tragi-comic interpretation can be pursued as far as one wishes to take it. The forgotten characters are not forgotten after all, but return under a different guise.  

Ariane Heloise Hughes Dinner Party (1), 2021 Oil on Primed Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Ariane Heloise Hughes is a British/Australian painter based in London. Graduating with a BA in painting from Camberwell in 2019, Ariane then spent a year making work and assisting sculptor Dario Ghibaudo in Milan. She currently has a space with VO Curations in Aldgate and spends most, if not all, of her time in the studio covered in paint. Hughes' paintings navigate the tenuous threshold of the subject/object dichotomy. Through her blending of contemporary and traditional imagery, amalgamation of figuration and setting, she challenges this rigid paradigm. Throughout her practice, the female nude is a recurring subject as it personifies the subject/object dualism within the Western Canon of Art. Through investigating this traditional trope and by playing on both sides of the threshold between the mundane and the surreal, Ariane hopes to conceive of a new visual vernacular for desire. One that operates outside the norms of conventional beauty and 'the gaze'.   Painting BA (Camberwell UAL)Columbia/Roman Road residency (May-June 2021) 'Get A Load Of This' (Daniel Raphael Gallery, May 2021) 'First Swing Of The Bat' (Gallery 46 Whitechapel, April 2021)     About the Postcards   I recently attended a dinner party where octopus had been served and watched as the host prepared the slimy, glistening tendrils. I was captivated by the aesthetic interplay between their fingers and the octopus legs - unpleasant yet beautiful. I wanted to capture this visual paradox within the postcards, creating a sense of intimacy and beauty despite the strange and slightly off putting subject.  

Ariane Heloise Hughes Dinner Party (2), 2021 Oil on Primed Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Ariane Heloise Hughes is a British/Australian painter based in London. Graduating with a BA in painting from Camberwell in 2019, Ariane then spent a year making work and assisting sculptor Dario Ghibaudo in Milan. She currently has a space with VO Curations in Aldgate and spends most, if not all, of her time in the studio covered in paint. Hughes' paintings navigate the tenuous threshold of the subject/object dichotomy. Through her blending of contemporary and traditional imagery, amalgamation of figuration and setting, she challenges this rigid paradigm. Throughout her practice, the female nude is a recurring subject as it personifies the subject/object dualism within the Western Canon of Art. Through investigating this traditional trope and by playing on both sides of the threshold between the mundane and the surreal, Ariane hopes to conceive of a new visual vernacular for desire. One that operates outside the norms of conventional beauty and 'the gaze'.   Painting BA (Camberwell UAL)Columbia/Roman Road residency (May-June 2021) 'Get A Load Of This' (Daniel Raphael Gallery, May 2021) 'First Swing Of The Bat' (Gallery 46 Whitechapel, April 2021)     About the Postcards   I recently attended a dinner party where octopus had been served and watched as the host prepared the slimy, glistening tendrils. I was captivated by the aesthetic interplay between their fingers and the octopus legs - unpleasant yet beautiful. I wanted to capture this visual paradox within the postcards, creating a sense of intimacy and beauty despite the strange and slightly off putting subject.  

David Edmond Beach B21, 2021 Fabriano Tela Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) The subjects of David Edmond's, figurative paintings are varied and generally developed from the artist's own photographs. While in each series the subjects and landscapes change, what unites each of David's paintings is that all the subjects are captured in moments of quiet contemplation. The Beach series stems from the artist's recent visits to Coney Island, New York, Italy and the Kent coast in the UK. Parasols offer the viewer punches of colour that punctuate the horizon and the overall scene of people relaxing and enjoying the hot sun generates a real sense of yearning for the long sunny days of summers past. The scenes depict the kind of calm, contemplative drama that is akin to the paintings of Edward Hopper. In David's series of lake paintings, a similar quiet contemplation goes on and tend to feature fewer figures they depict the landscapes of Maine in the USA and western Austria. What's particularly interesting is the landscapes David paints are quite layered and abstract yet the figures are very detailed. The juxtaposition is interesting and draws your eye. David is not afraid to leave large areas unpopulated and creates a sense of space that appears almost to expand beyond the canvas, like a snapshot of a bigger world. David's pathway to painting has been rich and varied. He originally studied a Furniture Design BA at Leicester Polytechnic followed by a Printed Textile Design MPhil at the Royal College of Art London. David began painting in 2009. Between 2014-16 the artist attended the Turps Banana Painting Programme in South London. Since then his work has been included in a number of exhibitions including: The Columbia Threedneedle Prize, Mall Gallery, 2018, the Lynn Painter Stainer Prize, Mall Gallery, 2017, Discerning Eye, Mall Gallery, 2016, Arcade Fine Arts, 2016, Turps - Art Bermondsey Project Space, 2016, and Clifford Chance Annual Pride Art Exhibition, 2015 and in June 2019 at the Creekside Open. David's work has been bought by national and international collectors. David's work has been published in Michael Petry's book 'Nature Morte' for Thames and Hudson.    

Dasha Shishkin Pickle 1, 2021 Ink on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Education Parsons School of Design, NYC Columbia University   Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA   Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA  

Dasha Shishkin Pickle 3, 2021 Ink on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Education Parsons School of Design, NYC Columbia University   Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA   Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA    

Dasha Shishkin Pickle 4, 2021 Ink on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Education Parsons School of Design, NYC Columbia University   Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA   Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA    

Dasha Shishkin Pickle 5, 2021 Ink on Paper Signed on verso 10 x 15cm (3¾ x 5¾ in.) Education Parsons School of Design, NYC Columbia University   Selected Exhibitions / Awards NYCbodylines, solo, Neues Museum, Nuremberg, Germany erry icket, solo, Museum of Contemporary Art, Santa Barbara, USA I Surrender, Dear, solo, Contemporary Arts Center, Cincinnati, USA Monanism, Museum of Old and New Art, Tasmania, Australia The More I Draw, Museum fur Gegenwartskunst, Siegen, Germany World Receiver, Hamburger Kunsthalle, Hamburg, Germany The Compulsive Line: Etching 1900 to Now, MoMA, New York, USA Greater New York 2005, PS1, New York, USA   Gallery Representation Gio Marconi, Milan, Italy Vielmetter Los Angeles, LA, USA L21, Palma, Spain Nancy Littlejohn Fine Art, Houston, USA  

Craig Jefferson Head Study, 2021 Gouache on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Craig makes paintings and drawings that explore still life, figure and landscape subjects, seeking to investigate the profound qualities that exist in our surroundings. Craig approaches his subject matter by careful observation and depiction of form to develop an understanding and personal connection with what he sees. He then moves from an observational response to an intuitive one seeking to get beyond the 'presented appearance', as Bomberg puts it, to the 'other side' of the subject. Craig allows his imagination to speak and inevitably abstract relationships develop within the work resulting in paintings and drawings of an ambiguous form that occupy the space between realism and abstraction. EDUCATION 2010-2011 Leith School of Art Advanced Drawing Course 2003-2006 Edinburgh College of Art Bachelor of Arts with Honours 2002-2003 Leith School of Art Foundation Course with Distinction EXHIBITIONS (SOLO) April 2021 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Feb 2019 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Nov 2017 Exhibition of work by Craig Jefferson, Ards Arts Centre, Newtownards, NI Feb 2017 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Nov 2016 Exhibition of work by Craig Jefferson, The Engine Room Gallery, Belfast Mar 2016 Exhibition of work by Craig Jefferson, The Engine Room Gallery, Belfast EXHIBITIONS (GROUP) May 2021 Contemporary Landscape, 155a Gallery, East Dulwich, London Nov 2020 Winter Exhibition, JP Art Consultancy July 2020 Impact Exhibition, Chaiya Art Awards, online only Jun 2020 Reaction in Seclusion, curated by Beatice Hasell-McCosh, online only April 2020 In Bloom Exhibition, Contemporary Six Gallery, Manchester Feb 2020 Exhibition of NEAC Artists, Chris Beetles Gallery, Mayfair, London Dec 2019 Winter Exhibition, Contemporary Six Gallery, Manchester July 2018-19 Boyle Arts Festival, Roscommon, Ireland Mar 2019 Spring Exhibition, JP Art Gallery, Blackheath, London Mar 2018 Selection of NEAC Artists, Geedon Gallery, Essex Nov 2017-18 ING Discerning Eye Exhibition, Mall Galleries, London May 2017 Selection of NEAC Artists, Zillah Bell Gallery, Yorkshire Mar 2017 Lynn Painter-Stainers Prize Exhibition, Mall Galleries, London June 2016-20 New English Art Club Annual Open Exhibition, Mall Galleries, London Mar 2016 Royal Hibernian Academy Annual Exhibition, Dublin Feb 2016 Columbia Threadneedle Prize Exhibition, Mall Galleries, London GALLERY REPRESENTATION 2019 - present Contemporary Six Gallery, Manchester SOCIETY MEMBERSHIP 2016 - present New English Art Club, Federation of British Artists, London PRIZES 2017 Shortlisted for the Lynn Painter-Stainers Prize 2017 Shortlisted for the Discerning Eye Drawing Bursary 2018 Longlisted for the Chaiya Art Prize and featured in their book 2018 Winner of the Discerning Eye Drawing Bursary  

Craig Jefferson Girl, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Craig makes paintings and drawings that explore still life, figure and landscape subjects, seeking to investigate the profound qualities that exist in our surroundings. Craig approaches his subject matter by careful observation and depiction of form to develop an understanding and personal connection with what he sees. He then moves from an observational response to an intuitive one seeking to get beyond the 'presented appearance', as Bomberg puts it, to the 'other side' of the subject. Craig allows his imagination to speak and inevitably abstract relationships develop within the work resulting in paintings and drawings of an ambiguous form that occupy the space between realism and abstraction. EDUCATION 2010-2011 Leith School of Art Advanced Drawing Course 2003-2006 Edinburgh College of Art Bachelor of Arts with Honours 2002-2003 Leith School of Art Foundation Course with Distinction EXHIBITIONS (SOLO) April 2021 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Feb 2019 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Nov 2017 Exhibition of work by Craig Jefferson, Ards Arts Centre, Newtownards, NI Feb 2017 Exhibition of work by Craig Jefferson, The Stafford Gallery, Wimbledon Nov 2016 Exhibition of work by Craig Jefferson, The Engine Room Gallery, Belfast Mar 2016 Exhibition of work by Craig Jefferson, The Engine Room Gallery, Belfast EXHIBITIONS (GROUP) May 2021 Contemporary Landscape, 155a Gallery, East Dulwich, London Nov 2020 Winter Exhibition, JP Art Consultancy July 2020 Impact Exhibition, Chaiya Art Awards, online only Jun 2020 Reaction in Seclusion, curated by Beatice Hasell-McCosh, online only April 2020 In Bloom Exhibition, Contemporary Six Gallery, Manchester Feb 2020 Exhibition of NEAC Artists, Chris Beetles Gallery, Mayfair, London Dec 2019 Winter Exhibition, Contemporary Six Gallery, Manchester July 2018-19 Boyle Arts Festival, Roscommon, Ireland Mar 2019 Spring Exhibition, JP Art Gallery, Blackheath, London Mar 2018 Selection of NEAC Artists, Geedon Gallery, Essex Nov 2017-18 ING Discerning Eye Exhibition, Mall Galleries, London May 2017 Selection of NEAC Artists, Zillah Bell Gallery, Yorkshire Mar 2017 Lynn Painter-Stainers Prize Exhibition, Mall Galleries, London June 2016-20 New English Art Club Annual Open Exhibition, Mall Galleries, London Mar 2016 Royal Hibernian Academy Annual Exhibition, Dublin Feb 2016 Columbia Threadneedle Prize Exhibition, Mall Galleries, London GALLERY REPRESENTATION 2019 - present Contemporary Six Gallery, Manchester SOCIETY MEMBERSHIP 2016 - present New English Art Club, Federation of British Artists, London PRIZES 2017 Shortlisted for the Lynn Painter-Stainers Prize 2017 Shortlisted for the Discerning Eye Drawing Bursary 2018 Longlisted for the Chaiya Art Prize and featured in their book 2018 Winner of the Discerning Eye Drawing Bursary  

Zoe Hawk Windy, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Zoe Hawk's work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. Zoe holds a BFA in studio art from Missouri State University, and MFA in painting from the University of Iowa. Her work has been exhibited both nationally and internationally, and included in publications such as New American Paintings, Plastik Magazine, ArtMaze Mag (UK), and JOIA Magazine (Chile). She has attended artist residencies in Ireland, Norway, Belgium, and Qatar, and the Women's Studio Workshop in Rosendale, NY. Exhibitions include From Pangs to Pangolins, curated by Trenton Doyle Hancock (Shulamazit Nazarian, Los Angeles), The Four Stages of (Art) Love by The Street and the Shop (FRIEZE LA), SPRING/BREAK Art Show 2019 by the Desert Center (Los Angeles), Contemporary Art Qatar (Kraftwerk, Berlin), and solo exhibition Dreaming As The Summers Die (Glass Rice, San Francisco). Special collaborative projects have included pieces for ZARA's Women in Art clothing collection, released worldwide in 2019, and the Day Dreamers Tarot deck, created for international documentary film festival TRUE/FALSE in 2020. Zoe is currently based in Columbia, Missouri.  

Zoe Hawk Posture, 2021 Oil on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Zoe Hawk's work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. Zoe holds a BFA in studio art from Missouri State University, and MFA in painting from the University of Iowa. Her work has been exhibited both nationally and internationally, and included in publications such as New American Paintings, Plastik Magazine, ArtMaze Mag (UK), and JOIA Magazine (Chile). She has attended artist residencies in Ireland, Norway, Belgium, and Qatar, and the Women's Studio Workshop in Rosendale, NY. Exhibitions include From Pangs to Pangolins, curated by Trenton Doyle Hancock (Shulamazit Nazarian, Los Angeles), The Four Stages of (Art) Love by The Street and the Shop (FRIEZE LA), SPRING/BREAK Art Show 2019 by the Desert Center (Los Angeles), Contemporary Art Qatar (Kraftwerk, Berlin), and solo exhibition Dreaming As The Summers Die (Glass Rice, San Francisco). Special collaborative projects have included pieces for ZARA's Women in Art clothing collection, released worldwide in 2019, and the Day Dreamers Tarot deck, created for international documentary film festival TRUE/FALSE in 2020. Zoe is currently based in Columbia, Missouri.  

Nell Brookfield Diving for a Frog, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Moving Day, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Cavity, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.) Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.    

Nell Brookfield Squid Fishing, 2021 Acrylic on Paper Signed on verso 15 x 10cm (5¾ x 3¾ in.)   Nell Brookfield is a London-based artist who, through painting and drawing, responds to the human and natural world around her. Brookfield's work often weaves together sight, imagination and memory. She graduated from the Royal Drawing School in 2018, after studying Anthropology at UCL. Brookfield has recently spent a year studying Painting at the Pratt Institute in New York City. She has exhibited in group shows in London at Christies, The Royal Drawing School, Protein Studios, September Gallery, The Willis Museum, Bowes Parris, Matchett & Page Gallery, and RISD.   2019-2021 MFA Painting, Pratt Institute, New York City 2017-2018 Postgraduate MA-Level, Royal Drawing School, London 2014-2017 BSc, Anthropology, University College London 2021, Eve Leibe Gallery, 'Cave Canem', March 2021, Sunday Times Watercolour Competition Exhibition, Willis Museum, Basingstoke 2020, 'Buildings', Group Exhibition with Matchett and Page Gallery, Somerset 2020, 'Curated For Christmas', All Mouth and Bowes Parris, London 2020, 'A Show of Hands', Group Exhibition with September Gallery, Hudson, NY 2020. 'A Crowded Room', Group Exhibition with Matchett & Page, Somerset 2020, Royal Drawing School Alumni Summer Show 2019, 'Saturnalia', Group Show, 124 Columbia Road 2019, 'Man-Made Disater' curated by 'Do the Green Thing', at Protein Stuios, London 2019, The RISD Drawing Marathon Exhibition, RISD Nature Lab, Providence, USA 2018, Group Exhibition at Christies London 2018-2019, The Drawing Year End of Year Exhibition, Royal Drawing School Residencies/Awards Winter Session Residency/ Drawing Marathon at Rhode Island School of Design, January-February 2019, Providence, USA Borgo Pignano Painting Residency, July 2018, with the Royal Drawing School, Italy The Drawing Year, Royal Drawing School   About the Postcards Painting with raw pigments on paper, intense colours and patterning accentuate the charged moments that I have drawn from memory and imagination. The houses and animals reflect emotional states of the experiences remembered.