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Lot 489
A Compton Pottery relief pottery wall plaque of St Michael the Archangel, painted in muted tones, with impressed circular backstamp verso, 19 x 11.5cm Condition Report / Extra Information Approx 5x4mm low relief surface chip to top left hand corner.General age wear throughout.No further losses or damage apparent.
Lot 2238
Pair Compton Potters Art Guild Celtic terracotta jardinieres with stands, designed by Mary Seton Watts, cast in low relief with scroll motif, impressed circular wheel stamp mark, Reg. No 409999 58cm. diam. Literature: Veronica Franklin Gould Archibald Knox and Mary Seton Watts, Modern Celtic Art Garden Pottery, page 29 for a contemporary photograph illustrating this design, circa 1899 (One with repair and significant loss to one side)
Lot 3095
Pair Compton Potters Art Guild Celtic terracotta jardinieres with stands, designed by Mary Seton Watts, cast in low relief with scroll motif, impressed circular wheel stamp mark, Reg. No 409999 58cm. diam. Literature: Veronica Franklin Gould Archibald Knox and Mary Seton Watts, Modern Celtic Art Garden Pottery, page 29 for a contemporary photograph illustrating this design, circa 1899 (One with repair and loss to one side).
Lot 1006
Pair Compton Potters Art Guild Celtic terracotta jardinieres with stands, designed by Mary Seton Watts, cast in low relief with scroll motif, impressed circular wheel stamp mark, Reg. No 409999 58cm. diam. Literature: Veronica Franklin Gould Archibald Knox and Mary Seton Watts, Modern Celtic Art Garden Pottery, page 29 for a contemporary photograph illustrating this design, circa 1899 (One with repair and loss to one side).
Lot 1021
Terracotta figure of a mythical beast with incised decoration, 32cm high unmarked Provenance: In the same ownership since new. The family home was adjacent to the Compton Pottery and from there lumps of clay were often sold to local people who worked them and were then able to ask the pottery to fire them in their kilns. it is likely that this figure originated in this way..
Lot 231
COMPTON POTTERY: A "FLOREAT" TERRACOTTA JARDINIERE, probably designed by Archibold Knox, ovoid form, moulded stylised decoration, the borders cast with "Floreat" in high relief, 34cm high. Literature: Archibold Knox and Mary Seton Watts, Modern Celtic Art Garden Pottery, by Veronica Franklin Gould, pages 20 and 38.
Lot 171
Alan Compton Luckham for Royal Norfolk Pottery, a 1950s vase, ovoid bottle form, relief moulded with dimples and lappets on a speckled orange ground, printed marks, 27cm highNote: Alan Compton Luckham moved to Hornsea Pottery where he became better known for similar relief moulded Neoclassical inspired vases
Lot 1432
Very large late 19th / early 20th century terracotta garden pot by Compton Pottery after a design by Gertrude Jekyll, of swollen form, with everted rim, on cylindrical stand, impressed mark, approximately 56cm CONDITION REPORT Base of pot is missing, some chips to inner rim and generally to the projecting elements, general weathering
Lot 20
A collection of various pottery and porcelain including a pair of Royal Worcester Fine Porcelain Compton & Woodhouse cornucopia wall pockets, a pair of Continental porcelain floral decorated plates, a pair of modern Chinese famille-rose tea caddies, one with lid, pair of Continental porcelain gourd-shaped floral encrusted vases and a floral and gilt decorated ten piece dessert service
Lot 165
Archangel Michael Killing the Seven Headed Dragon a Compton Potters Arts Guild wall plaque, rectangular, modelled in low relief and painted in green and red on a black ground, and another Compton plaque entitled Gloria in Excelsis and another depicting a saint and three children, impressed marks to two, 21 x 11.5cm (3) Literature Hilary Calvert Compton Pottery, Watts Gallery, page 29 for the Archangel Michael panel illustrated, this plaque is based on a 15th Century wooden Rood Screen in St Helen's Church Ranworth, Norfolk.
Lot 20
Sculpture: An extremely rare terracotta figure of Pan by the Compton Pottery early 20th century 72cm.; 28ins high The Compton Potters Art Guild was started by Mary Watts, the wife of G.F. Watts the Victorian allegorical painter. In 1895 work began on the Watts Mortuary Chapel. Designed by Mary Watts, it was to be built from local clay by the villagers of Compton, near Godalming, Surrey. Mr and Mrs Watts were dedicated supporters of the growing Home Arts and Industries Association, a voluntary movement launched by Earl Brownlow in 1885 to revive the dying art of handicraft among the working classes. The Pottery Art Guild made a variety of garden ornaments including pots, sundials and a few rare figurative pieces, winning medals at the Royal Botanical Society and the Home Arts’ highest award, the gold cross. Although not stamped the modelling and consistency of clay would certainly suggest a Compton attribution and this figure is illustrated in the early 20th century Potters Art Guild catalogue. (See engraving )
Lot 162
A number of books and catalogues on Japanese and Asian Art, including: 'Joly's List of Names and Kakihan' (1963); Two Christie's catalogues of the Dr. Walter A Compton collection of Japanese Swords and Sword Fittings (1992); 'One Hundred Masterpieces from the Collection of Dr.Walter A.Compton' with Essays by William Tilley and Walter Compton II; Catalogue of Collection J.Jacques Reubell (Paris 1934); 'Das Kunstgewerbe in Japan Von Otto Kummel' (Berlin 1911); 'Netsuke/A Guide for Collectors' by Mary Louise O'Brien; 'Japanische Schwertzieraten' von Gustav Jacoby (Leipzig 1904); 'Japanese Eroticism' presented by Bernard Soulie (1981); Netsuke' by Richard Barker and Lawrence Smith; 'Japanese Inro and Lacquer' (Spinks 1984); Two Eskenazi catalogues of 'Eighteenth to Twentieth Century Netsuke' (1978); 'Tamba Pottery' by Daniel Rhodes; 'The Art of Modern Japan' by Hugo Munsterberg; 'Tansu' by Ty & Kiyoko Heineken; 'Dictionary of Chinese and Japanese Art' by Hugo Munsterberg (1981); and two volumes of 'Art Treasures of Japan' edited by Yashiro Yukio (1960) (28) Condition Report Please note that this is a group lot where condition may vary from book to book; areas of damage include wear, deterioration, loss and/or soiling.
Lot 63
CRICKET, selection, inc. signed Middlesex, 1951 (2), full-size Dennis Compton bat (23 signatures, most faded) & team photo for match v Leicestershire (13 signatures, heavy creasing); 1982 team sheet (20 of 23 signatures); full signatures for Worcs v West Indies (2000) to mount with aerial photo; ceramics, Leicestershire glass tankard (1975 Champions), Melbourne pottery mug (1977), set of stumps, FR to EX, 7
Lot 210
A rare Compton Pottery figure group of St. Christopher with child and staff, on a plinth base, bearing studio stamp, 21.5 cm high CONDITION REPORTS A chip to one sleeve, plus some some frits. Large chip to corner of base and some smaller chips and frits. Wear to base. Quite a lot of wear, dirt and discolouration overall. Crack to the chin / neck of the child, although this may be a firing or potting fault. Various scuffs and wear to the painted decoration, with much of the painted decoration flaked away.
Lot 212
A rare Compton Pottery sundial of putti and bowl form with bronze gnomon, bears studio stamp to reverse of bowl, 31.5 cm high CONDITION REPORTS Overall with dirt, weathering, wear. Has a chalky type paint / wash to parts of the figure and sundial. Weathering and pitting and some chips, including large shallow chip to one shoulder/arm, a small chip to the other. Large chip to base and various smaller chips throughout.
Lot 213
A rare Compton Pottery figure of an owl upon a plinth base, bears stamp to underside "Compton Pottery Guildford", 52 cm high CONDITION REPORTS Overall with wear, dirt, weathering, lichen type growth / deposits. Remnants of an ochre red colour. Various chips, including chips around base and corners and some larger chips to back and side of the rectangular base. Large chip / tip of one ear missing.
Lot 454
A Compton Pottery plaque, of madonna and child, decorated in green and red egg tempera, the halos picked out in gilt, APC mark verso 16.5cm x 14cm There is a very small chip to the top edge, and to the halo of the Madonna, there is also a more significant chip to the lower edge which has been coloured out.
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