We found 1462 price guide item(s) matching your search

Quantity of Children’s Hardback Annuals & similar, 1970’s to 2000’s.  Includes Buster, Krazy. Shiver and Shake, Cor!!, Warlord for Boys & Valiant.  Although unchecked for completeness condition is generally Fair to Good.  See photo.

Freischwinger-Sessel COR Sinus, Entwurf Reinhold Adolf und Hans-Jürgen Schröpfer für COR, um 1976, verchromtes Flachstahlgestell mit rotem Lederpolster, leichte Gebrauchsspuren, ca. 88 x 90x 76 cm

Seven HO scale American outline Passenger Coaches by Con-Cor and Rivarossi, including Amtrak aluminium double-deck cars and Rivarossi Santa Fe Heavyweight cars, all boxed together with ten Interior kits and three Lighting kits, some small parts may be missing.

A quantity of boxed HO scale American rolling stock by Bachmann, Tyco, Con-Cor and others including Four Amtrak Budd coaches and Six Roundhouse Freight Car kits (unchecked).

Approximately Twenty-one items of HO scale American rolling stock by Con-Cor, Tyco and others, together with an unbuilt kit set of Three covered hopper cars by Accurail (unchecked)

Over one hundred Cor!! British weekly humour comics, mostly 1970-74, IPC Magazines Ltd.

A 1960s COR armchair, the upholstered cushions on steel flat bar cantilever base. A/F.One webbing strap broken, and the four on the back slip downward. Back cushion held in place with added velcro which does not hold the weight for long. No maker's marks.

Cor van Oel. 1899 - 1979. The Waal near Woudrichem. Oil on panel. Dimensions: H 50 x W 70 cm. In good condition.

Cor Veenstra. 1889 - 1964 Almelo. Still life with jug. Oil on panel. Dimensions: H 46 x W 60 cm. In good condition.

Approximately Twenty Five N Gauge Outline American Freight Wagons, many boxed by Con-Cor, Atlas, Micro Trains and other.

Box of vintage Cor comics

James Ensor (1860-1949): Place Publique d'Ostende, scenery for La Gamme d'Amour, mixed technique on paper, 1914Work: 27,5 x 21,5 cm Frame: 43,5 x 33,5 cm Provenance:- The collection of Sidney Rothberg, Philadelphia, USA.- The collection of Auguste Taevernier, Ghent, Belgium. Published: - Paul Haesaerts, James Ensor, Harry N. Abrams, Inc., New York, 1959 , p. 324, no. 180 (illustrated as Décor pour La Gamme d'Amour). Numbered 27 on the back, which bears no further annotations. (see images 3 and 4) Shown here is a less detailed yet playful version of the Place Publique d'Ostende, the scenery for the second act of Ensor's play La Gamme d'Amour. He also painted a large, populated version, on canvas (Tricot 463). The paintings and the scenery designs were completed in 1912. An enhanced photo of La Place Publique was added to the note he sent to François Franck in 1924 as clarification for the construction of the stage scenery. (see image 5) The work will be reproduced and commented upon, in Xavier Tricot's forthcoming publication, James Ensor: La Gamme d'Amour, to be published with Pandora Publications, Antwerp. According to the author, the work was executed in 1914. Ensor’s fascination for theatre began early, before he embarked on a career as a painter. From his grandmother’s eccentric penchant for dressing up in strange costumes, through the sale of exuberant props in his family’s souvenir shop in Ostend, to the cacophonous annual Carnival celebration, the artist was enthralled by theatre’s many possibilities. He was particularly interested in masks, which regularly appear in his œuvre. For Ensor, masks were both able to disguise identity and reveal inner truth. He said: “The masks mean to me: freshness of color sumptuous decoration, wild unexpected gestures, very shrill expressions, exquisite turbulence.†At fifty, Ensor built on his passion for theatre and produced his own show, La Gamme d’Amour (Flirt pour les Marionettes), which the libretto describes as a “one-act Ballet Pantomime in two tableaux.†Composed solely on the black keys of a harmonium (he feared the white keys) between 1906 and 1911, La Gamme d’Amour debuted as a musical performance on January 17, 1920 to coincide with Ensor’s exhibition at the Galerie Georges Giroux in Brussels, before premiering as a proper ballet at the Antwerp Opera on March 27, 1924. Set during the Ostend carnival, the play opens in Grognelet’s shop, filled with masks, puppets, and other theatrical props, reminiscent of Ensor’s parents’ boutique. The first scenes introduce the main protagonists, love-interests Fifrelin and Miamia, whose passion is compromised by their quarreling families. By the end of the first tableau, however, the two characters are engaged, and the second tableau (the present lot) is devoted solely to preparing a festive wedding march in the town square.

Ca. 30 BC - AD 200 . A mosaic glass inlay with a circular, flat base and a convex upper face. The décor features yellow canes arranged in a radiating pattern within a green matrix. These pieces served as components in ancient gaming activities. For similar see: The Louvre Museum, Main number: AF 13367; The Metropolitan Museum of Art, Accession Number: 17.194.507. Size: 35mm x 32mm; Weight: 16.7g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 30 BC - AD 200 . A mosaic glass inlay with a circular, flat base and a convex upper face. The décor features yellow canes arranged in a radiating pattern within a green matrix. These pieces served as components in ancient gaming activities. For similar see: The Louvre Museum, Main number: AF 13367; The Metropolitan Museum of Art, Accession Number: 17.194.507. Size: 30mm x 29mm; Weight: 11.2g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 30 BC - AD 200 . A set of four mosaic glass inlays, each with a circular, flat base and a convex upper face. The décor features yellow canes arranged in a radiating pattern within a green matrix. These pieces served as components in ancient gaming activities. For similar see: The Louvre Museum, Main number: AF 13367; The Metropolitan Museum of Art, Accession Number: 17.194.507. Size: 16-18.9mm x 15.8-19.1mm; Weight: 12.9g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 30 BC - AD 200 . A set of five mosaic glass inlays, each with a circular, flat base and a convex upper face. The décor features yellow canes arranged in a radiating pattern within a green matrix. These pieces served as components in ancient gaming activities. For similar see: The Louvre Museum, Main number: AF 13367; The Metropolitan Museum of Art, Accession Number: 17.194.507. Size: 11-24mm x 11-24mm; Weight: 23g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 600 - 100 BC. A glass eye bead necklace strung with mostly spherical beads of varying sizes and décor scheme. Eye beads were traditionally used to provide protection and ward off negative influences. For similar see: Christie's, Live Auction 2057, Ancient Jewelry, 9 December 2008, Lot 224. Size: 140/280mm x 23mm; Weight: 61g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Ca. 30 BC - AD 200 . A set of four mosaic glass inlays, each with a circular, flat base and a convex upper face. The décor features yellow canes arranged in a radiating pattern within a green matrix. These pieces served as components in ancient gaming activities. For similar see: The Louvre Museum, Main number: AF 13367; The Metropolitan Museum of Art, Accession Number: 17.194.507. Size: 17-22mm x 18-21mm; Weight: 21g Provenance: Prince collection, 1990s-2014; Ex. Private collection 1970s-1990s.

Lima, Italeri, Con-Cor, OO / HO Scale Cars & Commercial Vehicles. To include Lima Articulated Truck & Dropside Trailer, Italeri Kenworth Artic Truck with Container Trailer "P&O", CO-Cor "Seaboard System Rail Road" twin artic trailer pack, plus many others. Conditions: Good to Mint in Fair to Excellent boxes & blister cards. (Qty)

Wills Ratio OO Kits Plus Others - Large collection of Wills and Ratio kits, 3x SS54, Ref:515 Platform Canopy, Ref:534 Goods Shed, Ref:502, Ref:545, Ref:508, Ref:506, Ref:531, Plus Roco Container Crane and Heljan Con-cor 802 Engine shed kit. Conditions: Assumed Mint, Unchecked for Completeness.

MICHAEL CRAIG-MARTIN RA (B.1941) ⊕ UNTITLED (GUN)signed, titled, dated and dedicated for Karsten / Michael Craig Martin / Untitled (Gun) / 1997 on the reverseacrylic on canvas 41 x 25.5cm; 16 x 10inunframedProperty from the Estate of Karsten SchubertMichael Craig-Martin depicts everyday items with a nuanced simplicity that exposes the tensions between objects and their representation. His work is distinguished by exceptional draftsmanship, vibrant colour, and uninflected line; intensely visual, it is rooted in an exploration of the relationships between perception, language, and meaning. In the mid-1990s Craig-Martin explored a range of quotidienne objects such as a pair of shoes, a coat hanger or an electric fan, but certain of his selected items from this period are emphatically more loaded such as handcuffs, or the present work (GUN). Born in Dublin, Craig-Martin spent his formative years in the United States, where his family moved in 1946. During the 1960s, he earned a BA and MFA from Yale University School of Art and Architecture, studying alongside Jennifer Bartlett, Brice Marden and Richard Serra (see lot 57). Returning to the United Kingdom in 1966, in 1972 he participated in The New Art, a landmark exhibition of Conceptual art at the Hayward Gallery, London. At Goldsmiths, University of London, where he taught from 1974 to 1988 and from 1994 to 2000, he profoundly influenced a generation of students, including Damien Hirst and Sarah Lucas. Craig-Martin was awarded a CBE in 2000 and Knighted by Queen Elizabeth II in 2016.Property from the Estate of Karsten Schubert (lots 53 & 54)IntroductionBorn in Berlin, Karsten Schubert (1961-2019) was a pioneer on the 1980’s London Art scene, opening doors of opportunity to many artists who were associated with the Young British Artist movement (YBAs). He began his career at the Lisson Gallery which, in the early 80’s, was one of the very few London galleries offering space to young undiscovered artistic talent. Inspired to create his own forum for a new generation of art, Karsten sought investment from dealer Richard Salmon, and at the age of 25 established a gallery on Charlotte Street, Fitzrovia.His first exhibition featured the work of Alison Wilding and, following on from Damien Hirst’s Freeze show of 1988, he began representing Goldsmith graduates Gary Hume, Michael Landy and Ian Davenport. Karsten typically gave his artists free reign to create as they pleased. In 1992 the exhibition Closing Down saw artist Michael Landy fill shopping trolleys with cheap tat emblazoned with banners: ‘Cor What a Bargain’ and ‘Everything Must Go.’ Equally as outlandish was Anya Gallacio’s project in which she covered the gallery interior with chocolate. Although groundbreaking and inspiring these exhibitions were ultimately uncommercial, Karsten was obliged to relocate to smaller premises on Foley Street and a number of his protégés left him for other representation in London’s popular West End.In 1995, Karsten turned his attention to publishing. Teaming up with Thomas Dane and Charles Asprey, he established Ridinghouse Editions focusing on prints. Later in his career, his literary focus shifted to more academic endeavours and Ridinghouse became a publisher of art history and theory including a number of artist monographs. Karsten's artistic focus also shifted and he concentrated on the works of the likes of Bridget Riley and Tess Jaray from his Lexington Street Gallery in Soho.Loved and admired in the London art world and beyond, in 2015, Schubert was diagnosed with a rare form of thyroid cancer. While recovering from surgery in a suite at Claridge’s, London (his hotel bill was met by two friends) he wrote a semi-autobiographical book, Room 225-6: A Novel. The book was published by Ridinghouse, with the proceeds going towards research into robotic surgery.

ANN-MARIE JAMES (B.1981) ⊕ (i) AS THOUGH SHE WERE STONE OR STRUCK BY THUNDER (ii) THE OBSERVER'S BOOK OF PAINTING, PLATE 50 (i) signed and dated Annmarie James 2012 lower right; numbered 1/25 lower left screenprint in colours on Fabriano paper 34.5 x 26.5cm; 13 1/2 x 10 1/2in 39.5 x 31.5cm; 15 1/2 x 12 1/2in (framed) (ii) signed, titled and dated The Observer's Book of Painting, Pl. 50 / 2015, Annmarie James on the endpaper The fourth reprint edition of The Observer's Book of Painting and Graphic Art by William Gaunt, 1976, with hand-colouring in gouache and biro on plate 50, contained in the artist's cloth-covered presentation box with printed title 14.6 x 9.4 x 1.5cm; 5 3/4 x 3 3/4 x 1/2in (book) 20.4 x 25.9 x 3.4cm; 8 x 10 1/2 x 1 1/2in (box) Property from the Estate of Karsten Schubert Ann-Marie James works with classical source materials, appropriating and mutating culturally-defined art historical masterpieces to create an image that is both recognisable and distorted. As Though She Were Stone or Struck by Thunder recalls Bernini's Rape of Proserpine, yet the repetition of figurative elements blended with complex abstract configurations results in a wholly new image that marries baroque iconography with the visual genius of a contemporary mind. In The Observer's Book of Painting James repetitively layers ink and gouache on top of plate 50, an illustration of Leonardo da Vinci's Madonna of the Rocks in the National Gallery, to give way to an abstract composition that, whilst still retaining a memory of Da Vinci's work, negotiates a new visual language. Property from the Estate of Karsten Schubert (lots 53 & 54) Introduction Born in Berlin, Karsten Schubert (1961-2019) was a pioneer on the 1980’s London Art scene, opening doors of opportunity to many artists who were associated with the Young British Artist movement (YBAs). He began his career at the Lisson Gallery which, in the early 80’s, was one of the very few London galleries offering space to young undiscovered artistic talent. Inspired to create his own forum for a new generation of art, Karsten sought investment from dealer Richard Salmon, and at the age of 25 established a gallery on Charlotte Street, Fitzrovia. His first exhibition featured the work of Alison Wilding and, following on from Damien Hirst’s Freeze show of 1988, he began representing Goldsmith graduates Gary Hume, Michael Landy and Ian Davenport. Karsten typically gave his artists free reign to create as they pleased. In 1992 the exhibition Closing Down saw artist Michael Landy fill shopping trolleys with cheap tat emblazoned with banners: ‘Cor What a Bargain’ and ‘Everything Must Go.’ Equally as outlandish was Anya Gallacio’s project in which she covered the gallery interior with chocolate. Although groundbreaking and inspiring these exhibitions were ultimately uncommercial, Karsten was obliged to relocate to smaller premises on Foley Street and a number of his protégés left him for other representation in London’s popular West End. In 1995, Karsten turned his attention to publishing. Teaming up with Thomas Dane and Charles Asprey, he established Ridinghouse Editions focusing on prints. Later in his career, his literary focus shifted to more academic endeavours and Ridinghouse became a publisher of art history and theory including a number of artist monographs. Karsten's artistic focus also shifted and he concentrated on the works of the likes of Bridget Riley and Tess Jaray from his Lexington Street Gallery in Soho. Loved and admired in the London art world and beyond, in 2015, Schubert was diagnosed with a rare form of thyroid cancer. While recovering from surgery in a suite at Claridge’s, London (his hotel bill was met by two friends) he wrote a semi-autobiographical book, Room 225-6: A Novel. The book was published by Ridinghouse, with the proceeds going towards research into robotic surgery.

Fourteen HO gauge model railway passenger coaches and freight wagons, including Roco, IHC, Lifelike, Con-cor, Lima and others, some boxedQty: 14

A group of Bachmann, Con-Cor and other model railway carriages, engines, etc.

Six boxed HO scale Con-Cor models to include pullman sleeper kit, dining car kit, etc.

CAREL VISSER (1928-2015)Mexico 1959Métal MetaalMetal39 x 52 x 24 cmFootnotes: Provenance / HerkomstCollection Arié Plas, Pays-Bas Bibliographie / Bibliografie Carel Visser, Cor Blok, Meulenhoff, 1968L'authenticité de cette oeuvre nous a été aimablement confirmée par le fils de l'artiste harm VisserThis lot is subject to the following lot symbols: ARAR Un pourcentage supplémentaire sera demander aux acquéreurs pour les lots précédés du symbole AR correspondant aux droits de suite aux artistes en vertu de la réglementation de 2006 sur le droit d'auteur. Veuillez vous référer aux conditions de ventes pour plus de détails.De koper is ons een extra premie verschuldigd ter dekking van onze kosten in verband met de betaling van royalty's krachtens de Artists Resale Right Regulations 2006. Zie onze algemene voorwaarden voor meer informatie.An Additional Premium will be payable to us by the Buyer to cover our Expenses relating to payment of royalties under the Artists Resale Right Regulations 2006. See our terms and conditions for further details.For further information on this lot please visit Bonhams.com

An assortment of 00 and H0 gauge railway accessories. Including a boxed Heljan Con-Cor H0 gauge Manual Turntable # B804. a boxed Hornby Dublo Pullman Car, unboxed track, layout accessories and more

René Magritte, Homme à la rose et au cor de brume. Homme fumant la pipe. Rose. Verso: Tour racinée.Vier Bleistiftzeichnungen auf Papier. Drei Blätter aus einem Skizzenbuch mit Perforation am Oberrand, ein Blatt doppelseitig. Jeweils 16,9 x 10,4/10,6 cm. Ein Blatt (Rose) unten rechts der Mitte verblasst signiert 'Mag'. - Jeweils im ehemaligen Passepartout-Ausschnitt schwach gebräunt.Jeweils mit einer Foto-Expertise von Charly Herscovici, Fondation - Comité Magritte, Brüssel, vom 11. April 2024.ProvenienzPrivatsammlung Nordrhein-WestfalenLiteraturVolker Kahmen, Erotik in der Kunst: Aspekte zur Kunst der Gegenwart, Tübingen 1971, S. 14, Abb. 3 (Rose)

Miniatures - Whiskies including Deanston 12 Y.O., Tamdu, Friar John Cor 10 Y.O., Ltd. Edn. No. 308 celebrating 500 years of Scotch Whisky, Glen Garioch 12 Y.O., ceramic and glass miniature decanters and bottles including Garnier 'dog' decanters, Nos. 343 & 344 (2), Beswick Golden Eagle modelled by J G Tongue 1969 for Beneagles whisky, other whiskies, liqueurs and beer bottles. (64)

Alfred Ehrhardt, Muscheln und SchneckenPortfolio mit 12 Gelatinesilberabzügen 1981. 26,4 x 20,1 cm (30,3 x 23,8 cm). Jeweils rückseitig vom Photographen mit Bleistift signiert, von Jürgen Wilde betitelt, nummeriert und fortlaufend beziffert '1' bis '12' sowie mit drei Archiv- und Copyrightstempeln. Einzeln unter Passepartout montiert und zusammen mit einem 4-seitigen Deckblatt mit ausführlichen Angaben zur Edition und zum Photographen in Deutsch und Englisch, darauf mit Tinte nummeriert, in Original-Portfoliobox. Exemplar 16/25 (+ 5 A.P.). Edition Galerie Wilde, Köln.ProvenienzChristie's Auktion, 25. April 2023, Lot 555; Privatbesitz, BerlinInhalt:Harpa imperialis, MauritiusScala pretiosa, Chinesisches MeerArgonauta gondola, Mittelmeer, Atlantik, Indischer OzeanSolarium maximum, Chinesisches MeerXenophora solaris, Sunda-MeerTridacna squamosa, Indischer Ozean, SüdseeNautilus pompilius, PhilippinenIsocardia cor, MittelmeerRostellaria fusus, Chinesisches MeerAtys naucum, PhilippinenTapes litterata, Indischer OzeanNautilus pompilius, Philippinen

A Quantity of American outline HO scale freight cars and freight car kits by InterMountain Railway Company and Con-Cor, including approximately Ten unbuilt kits, all boxed, unchecked and Six ready to run models, also unchecked.

Con-Cor HO. Mixed group of coaches. To include Pennsylvania RR 4549 Dining Car, L&N "Pan American" Louisville & Nashville 3263, Northern Pacific 589, plus others, some boxes require cleaning. Conditions: Excellent to Mint in Good to Excellent boxes. (13)

Con-Cor HO. Group of 3x rakes of coaches. To include VIA Rail 9164 Baggage Car, BN Executive "Lake Superior" Dining Car, "Illinois Central" 2202 Observation Car, plus others, some boxes need cleaning. Conditions: Excellent to Mint in Good to Excellent boxes. (15)

Con-Cor HO. Group of American boxed coaches. To include Chicago & North Western Observation, Burlington Northern 4x piece coach pack, Baltimore & Ohio - Connellsville, plus others. Conditions: Excellent to Near Mint in Fair to Excellent boxes. (7)

Con-Cor, Life-Like, Vacek & others. Group of HO rolling stock. To include Con-Cor "Southern Pacific" box car, Life-Like "Amtrak" gondola car, Vacek 3337 DB closed van, plus others. Conditions: Excellent to Mint in Fair to Good Plus boxes. 

VGT 2 Pc Christopher Radko Festive Santa Holiday Ornament, featuring Santa going down the Chimney with Toys and Gifts, suspended on a Custom Christmas Holiday Fireplace with Mantle filled with Gifts, with a Twisted Brass Arm Ornament Stand. Vintage, A sold out, retired edition from the 1990s. Holiday spirit, festive colors and quality craftsmanship adds a special touch to your Holiday D�cor with this work of art CR Ornament and Stand. Ornament Size: 6"H. Ornament Stand Size: 4"L x 2.25"W x 11"H. Made in Poland. Artist: Christopher RadkoIssued: 1990sDimensions: In DescManufacturer: Christopher RadkoCountry of Origin: PolandCondition: Excellent

Vintage, Ivory Decorated, A 2Pc Angel Figurine and Child Seated on a Piano Bench, playing a Grand Piano. Music Box internally plays the song of "I'll Be There." A Message in Song to all. A lovely Vintage Addition to your Holiday D�cor by Angel Star, introduced in 2004. ColdCast. SIze: Piano: 5.5"L x 6"W x 6.5"H. Angel With Child on Bench: 5"L x 3.5"W x 5.5"H. Artist: Angel StarIssued: 2004Dimensions: In DescEdition Number: OpenManufacturer: Angel StarCountry of Origin: ChinaCondition: Very Good, Minimum Age Related Wear

MARC NEWSON (1963), a white porcelain ‘Sci-Fi’ vase, designed for Cor Unum, circa 1993MARC NEWSON (1963), een witte porseleinen 'Sci-Fi' vaas, ontworpen voor Cor Unum, circa 1993H 33.5 cm

Cor Jaring (1936-2013), Provo zwart wit foto van Marijke Koger "The hippest chick in town" Happening "Stoned in the Streets", 1965; 'Met lichaam beschilderd door Simon Posthumus'. Atelierstempels Cor Jaring Javastraat 108, Amsterdam. h. 25,3 cm, b. 20,2 cm [1]

Christophorus Saxton and William Kip, Warwici Comitatus a cor: nauus olim inhabitus, 29x34.5cm; Christophorus Saxton and William Kip, Lecestriae Comitatus Siue Leicestershyre Pars Olim Coritanorum, hand-coloured, 28.5x35.5cm; and Comitatus Rotelandiae Tabula Nova & Aucta, Sold by A Swale and A Churchil & Partners, 28.5x36.5cm.Qty: 3

MOD, SKA, WAVE 7" COLLECTION - a collection of 43 Mod, Ska, and Wave 7"s. Collection to include: The Teenage Filmstars - (There's A) Cloud Over Liverpool c/w Sometimes Good Guys Don't Follow Trends - Clockwork Records (COR/002), The Charlie Parkas - The Ballad Of Robin Hood c/w Space Invaders - Paranoir Plastics (P.P.S. 001), Purple Hearts - Frustration c/w Extraordinary Sensations - Fiction (FICS 007) - Millions Like Us - Friends Again, The Lambrettas (x2), Magnets, Nine Below Zero, The Beat (x2), The Sinceros, The Thoughts, Squeeze (x5), and more. The collection is generally in VG to Ex+ condition.

Cor Noltee (1903-1967)Still life with vase of white peonies on a table, canvas 56x71 cm

An album of early 20th Century photographs formerly owned by Major S.F. B Russell of the Royal Artillery, containing images of the R.A Ballooning Course at Farnborough 1910 with names of attendees in a balloon, included are photographs of the ‘Cody Kite’, the aviator Lt R.A Cammell, a tug of war team, 78 Cor R.G.A Singapore 1909, Fort Grange Gosport football team 1909-1910, shells and weaponry, practice camp 4th Battalion 1910 and on the march near Kuchlak, images of Murdar, Khartom with officers in attendance, photographs of Lucknow, Punjab club Lahore, a street cazaar and various later full plate images of the Royal Artillery in Gibraltar circa 1920 including the visit of H.R.H in 1922. (qty) Condition reports for each lot are available on our website.

Cor Jong (geb. 1955), bruin gepatineerd bronzen sculptuur, 1979; Voorstellende verstrengeld paar. Gesigneerd, gemonogrammeerd en gedateerd. Op houten voet. h. 35 cm, incl. voet 38 cm [1]

Jehs, Markus und Laub, JürgenJehs+Laub, deutsche Designer, in Zusammenarbeit seit 1994, 1 Zweisitzersofa und 3 Sessel, Modell "Cuvert", Entwurf: 2007, Ausführung: 2008-2014, COR (Herstellerlabel), Deutschland, Sessel und Sofa mit Alcantara-Bezug, Nubukleder-Optik in Dunkelbraun und Khaki, die Formgestaltung ist inspiriert von der Faltung eines Briefkuverts, Sofa HxBxT: 72/180/80, Sessel HxBxT: 72/90/80 cm. Kaum Gebrauchsspuren, der Stoffbezug des Unterbodens teilw. eingerissen.

WORLD WAR II -- "OVERZICHT VAN DE WERKZAAMHEDEN, verricht door de afdeeling voor de Geheime Berichtenwisseling, gedurende de bezettingstijd". (Amsterdam, "Mei 1945"). (4), 36 lvs. (r° only). Typescript survey of the activities of the '[Illegale] Code-dienst', falling under the organisation 'Bureau Inlichtingen'. W. 8 caricature drawings in colour, signed in pencil, presumably by Cor ter Brugge, 17 tipped in or. photographs, and 6 tipped in documents (1 being a cotton cloth flag 'Oranje'). 4°. Cont. clothbacked brds. w. drawing by hand by C. ter Brugge on front side. NOTE: Account written by an unidentified 'I' who describes his work at the 'Code-dienst' between October 1944 and May 1945 which was located in a factory (part of an old bakery (the 'MBF Bakkerij) on the Vijzelgracht). Unveiling how he and his colleagues worked there under harsh conditions and in complete secrecy. Names occurring: M. Oortman, J.C. Beck, J.H. Schoorel, S. van Straten, L. Vié, K. Zimmer, Bloos, Deys, Van Kempen. Illustrated with original photographs of the 'office' and its location and with tipped in examples of the sort of messages that were conveyed. With autograph dedication on upper endpaper, signed by M. Oortman, to 'Jhr. P[ieter] J[acob] Six' who was a high official within the Dutch resistance ('Ordedienst' (OD)).

TACITUS. Opera quae exstant. Iustus Lipsius postremum rec. (…). - J. LIPSIUS. Ad annales Cor. Taciti. Liber commentarius. - Id. Ad libros Historiarum notæ. - VELLEIUS PATERCULUS. (Historiae Romanae) cum animadversionibus I. Lipsi. - J. LIPSIUS. Ad C. Velleium Paterculum animadversiones. - Antw., Ex off. Plantiniana, J. Moretus, 1600. 5 parts in 1 vol. (12), 385, (11); (8), 246; lxxxii, (30); 69, (11); 48, (4) pp. W. lge printer's devices on ti-pp. (first engraved, rest woodcut), some text-woodcuts. Fol. Mod. brds. (A bit browned in places). NOTE: Dibdin II, 450: "The edition of 1600, the last which he superintended himself (he dying in 1607) is considered to be the best of those which were published before his death". - Schweiger II, 1000.

Eikenhouten Haagse School theekastje met een deels glazen paneeldeur, circa 1930, 75 x 90 x 42 cm., in de stijl van Cor Alons.

A collection of comic annuals including Valiant dated 1964-81, Cor!! dated 1972, 73, 75, 76, 77, 78 and 79 and Whizzer and Chips 1973 and 1975 **PLEASE NOTE THIS LOT IS NOT ELIGIBLE FOR IN-HOUSE POSTING AND PACKING**

Michelis, F.: Schlafender Knabe nach Guido ReniSchabkunstblatt "Cor Meum Vigilat … seiner hochfürstlichen Durchlaucht Paul Friedrich August Erbprinzen von Holstein Oldenburg", "unterthänigst gewidmet von F. Michelis", Papier leicht wellig, 34x45cm, mit Passepartout hinter Glas in echtvers. Galerieleiste gerahmt (leicht besch.), Z2.

Cabart a Paris Cor Anglais Brevete S.G.D.G. Oboe Cased Classical Musical Instrument

A quantity of N Gauge model railway to include engines, rolling stock, accessories and track by Graham Farish, Roco Minitrix, Peco, Lima, Triang, Hornby, Iberten, Eckon, Micro-Trains and Con-Cor (full list available)

1675 | PUBLISHER: Viennae, Typis Joannis Jacobi Kurner | NUMBER OF PAGES: 276 + index | LANGUAGE: Latin | DIMENSIONS: 133 x 75 mm | THE FULL TITLE OF THE WORK: Cor amoris Dei sive amor magister cordium cum. Dei corde concordium | CONDITION: insect damage, damaged boards, damaged spine | Bidders are requested to inquire about the condition of the lot prior to the auction. Any complaints will be disregarded.

Seven HO Gauge U.S.A Outline Locomotives, comprising two unboxed Alco SI 'Switchers' Western Pacific and Gulf/Ohio liveries, both with AIX decoders; a Walters EMD SW-I unfinished boxed kit; a Con-Cor boxed E-7A unpowered 'Southern Pacific' R/No 6004; A Bachmann 61047 'Brill Trolley' Bus; a Bachmann 60530 San Francisco cable car; and a unboxed Santa Fe unpowered F7A R/No 310: all good untested condition.

Forty HO Gauge Boxed U.S.A Outline Items of Rolling Stock, by Athearn, Con-Cor, Walters, Model Power etc; comprising tank wagons, box vans gondola's etc, kit and ready to run in good to very good condition.

Three N gauge American locos to include a Con-Cor DL-109 dummy, in Santa Fe silver and red livery, an Atlas RS-3 loco, in Louisville & Nashville livery, and a Life Like FA2 loco in Louisville and Nashville livery.

Three N gauge American locos, including a Con-Cor Alco DL-109, in Southern livery, an Atlas GP-40-2, in Florida east coast livery, no.417, and a Life Like F-7 in Florida east coast livery. All are boxed in the original boxes and are in good condition.

Three N gauge American locos, to include a Life Like GP38-2, in Norfolk Southern livery, no.5189, a Con-Cor SD50, in Norfolk Southern livery, no.6523, a Bachmann GE U 36 in CSX livery. All are in original boxes and are in good condition, with some hand weathering to the bogies of one.

AHM, Con-Cor & others. Group of HO Santa Fe Diesel Loco's. AHM 5131 C 2099 & 5131CD 2099 Non Powered Loco, Con-Cor 85710 EMD GP-40 3781, Mehano T038 GP18 2654 plus others unboxed. Conditions: Good to Near Mint in Fair to Good boxes. (8)

Arnold & Con-Cor N Gauge mixed pair comprising of Con-Cor Pullman Coach Set and Arnold Circus Set. Conditions are Excellent to Near Mint in Good boxes.