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A SANDSTONE FIGURAL CORBEL, 19th century, modelled as a Medieval King's head, 12 1/2" x 6 1/2" x 10 1/2" (Est. plus 21% premium inc. VAT)

A SANDSTONE FIGURAL CORBEL, 19th century, modelled as a Medieval male head wearing a hat, 10" x 9" x 10 1/2", together with another similar (2) (Est. plus 21% premium inc. VAT)

An 18th century polychrome softwood figural corbel, carved as the head of a bearded saint, 24cm high

Oak corbel, carved as a horses head (height 9cm), small early 20th C oak candle box (height 25cm) and a small burr elm vase (3)

A weathered natural stone corbel with deep carved scrolling foliate detail, 38 cm in diameter approx

An antique possibly early reclaimed carved natural stone corbel/corner stone with bull and shield detail, 28 cm high x 30 cm wide x 26 cm deep

A Gothic carved stone postern dog corbel mounted on a hanging plaque. Old inked label reads 14th-15th century, stone 18cm.

An Antique Fragmentary Limestone Corbel, with a deeply carved floral design, carvers mark to the top,.9"high x.6"wide. chips to the corner and foliage.a/f

Gothic Period or Earlier, Pair of French Limestone Corbel Heads, of a young man with curling locks and a similar one, possibly key stones, carved on a square block, weather-worn. 14" wide, 10" high.

A medieval style carved stone corbel, in the form of a knight, together with another similar, each 35cm high

Oriental inspired basket with sliding lid, similar dish, hardwood and metal band chest of 8 small drawers, Indonesian corbel, hardwood and brass inlaid writing box and small box with hinged lid (6)

A post-Medieval oak corbel grotesque, carved as a bearded man, his tongue protruding, 14cm long; another, as a lady bearing a vessel, 15.5cm long, (2)

A pair of Napoleon III gilt bronze mounted tortoiseshell and brass 'Boulle' marquetry ebony and ebonised pier cabinetsCirca 1870, each with 'contrepartie' inlay of scrolled foliage, rosettes and stylised flowers, the marble top above an arched shaped glazed door enclosing two mahogany shelves, flanked by acanthus cast corbel scroll mounted canted angles, each side with a Hercules mask mount, over a shaped apron mounted with foliate adorned Flora mask, 89cm wide x 43cm deep x 110cm high, (35in wide x 16 1/2in deep x 43in high) (2)This lot is subject to the following lot symbols: * TP Y* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lots denoted with a 'TP' will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.Y Subject to CITES regulations when exporting items outside of the EU, see clause 13.For further information on this lot please visit Bonhams.com

* Medieval corbel. A stone corbel carved as a head, 12cm high x 11cm wideQty: (1)

A reconstituted stone fountain, 66cm high, together with a marble corbel

A carved wooden figural corbel, 32cm high

A late Victorian gong, in an oak frame, 108 cm high, with a beater, removal cost AReport by RBThe stand lacks a corbel section to the base, a little faded in parts

GOOD VICTORIAN MAHOGANY MIRROR BACK SIDEBOARD the central arched top and flanking side mirrors all having carved detail, on a serpentine front base with central frieze drawer and lower cupboard doors, having corbel-type detail and outer curved end doors on a plinth base, 268cms high x 210cms wide x 65cms deep

A Life Sized Unglazed Stoneware Finely Sculpted Angelic Cherubs Head Corbel Bracket, In The Manner of George Tinworth ( 1843 - 1913 ) Doulton Lambeth Artist and Designer, He Worked on Many Building Projects for Doulton Including Stone Friezes at Sandringham Church, Norfolk, Altarpiece, Pulpit and Font at St Albans Anglican Church 1887 and Many Other Church Buildings. Size 12 Inches Wide, 10 Inches High & 8 Inches Deep. A/F.

2nd-3rd century AD. A carved schist frieze or corbel fragment with part of a foliage canopy above a pair of dancers(?) one with his right hand to his cheek, the other with right hand raised above his turbaned head; mounted on a custom-made stand. Cf. Jongeward, D., Buddhist Art of Gandhara in the Ashmolean Museum, Oxford, 2018, item 48, for stance. 2 kg total, 18.5cm with stand (7 1/4"). Property of a London collector, acquired early 1990s. Fair condition.

1st-3rd century AD. A carved schist corbel representing a centaur carved in the round, advancing with human arms holding a set of graduated panpipes, hair dressed in a ponytail with wreath to the brow. 2.7 kg, 22.5cm long (8 3/4"). Ex South London collection; acquired in the late 1990s. Fair condition, repaired.

18th-early 19th century AD. A carved limestone corbel with D-section moulded capital, scrolled acanthus-leaf decoration. 8 kg, 18cm high (7"). Property of an English gentleman; formerly in a collection formed in the 2000s. [No Reserve] Fine condition.

14th century AD. A carved stone corbel with keyed rectangular block, ledge carved with the bust of a king, probably that of Edward III (r. 1327-1377) with crown, neat beard and recessed collar. 9.6 kg, 31cm (12 1/4"). Property of a gentleman; acquired in the 1970s. Edward III was a king of the Plantagenet dynasty, who came to the throne when his father (Edward II) was deposed by his mother, Isabella of France, and her lover Roger Mortimer, Earl of March. Edward led a coup d'état against his mother and Mortimer and began his reign at the age of seventeen. He undertook a successful military campaign in Scotland and declared himself heir to the French throne in 1337. This dispute started the so-called 'Hundred Years' War.' English victories in France (notably at Crécy and Poitiers) led to the French king ceding territory to England in return for Edward's withdrawal of his claims. Edward failed to capitalise on his early success, partly due to failing health. He died of a stroke at Sheen on 21 June 1377 and was succeeded by his ten-year-old grandson, King Richard II, son of Edward of Woodstock, better known as the Black Prince. Fair condition.

12th-14th century AD. A large and impressive carved limestone corbel stone depicting a grotesque male face with furrowed brow, very prominent lentoid eyes, flaring nostrils and gaping mouth; drilled vertically through and linked to horizontal drilling through the mouth, possibly a later modification. 31.1 kg, 31cm (12 1/4"). Property of a Cambridgeshire gentleman since 1990; previously in a private collection formed in the 1980s.Fine condition.

A Medieval sandstone corbel, carved with the head of a man, 43cm long, 13th/14th century

Four acanthus and foliate carved corbel stones or bosses, S/D. (4)

*A VERY LARGE VICTORIAN STRIPPED PINE SHOP FRONT CORBEL

A Charles II oak geometric chest of drawers, circa 1680, In two parts, with a twin mitre-moulded long drawer centred and flanked by corbel mouldings, above a deep drawer with a pair of elongated octagonal mitre mouldings, with two drawers below, each centred and flanked by pairs of split bobbin mouldings, on bun feet, 96 cm high, 100 cm wide, 54 cm deep. Provenance, Bonhams, the Beedham Collection, 24 May 2012.

Roland Gill "Place de Furstenberg, St Germain-des-Pres, Paris", ink and watercolour on board, signed in pencil Corbel 72A, inscribed verso with title and artist signature and dated 1972. 31 cm x 47 cm.

A 19TH CENTURY CARVED LIMEWOOD ARCHITECTURAL CORBEL OF UNUSUALLY LARGE PROPORTIONS, 20 cm, x 25 cm x 85 cm

ϒ A pair of George IV rosewood and gilt-metal mounted side cabinets, in the manner of Banting, France & Co, circa 1825, the rectangular white marble tops above panel-moulded friezes with carved bead-mouldings, each pair of doors with pierced gilt-brass grille panels enclosing shelves, the sides with acanthus carved scrolling corbel pilasters with anthemion ornament, on egg-and-dart moulded plinths, 92cm high, 123cm wide, 41cm deep The present pair of cabinets stylistically relate to the lower sections of two pairs of bookcases by Banting, France & Co., in the collection at Ickworth House, Suffolk. Please note, this lot should be dated as 'circa 1825 and later' and not as originally catalogued. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

A Fine George II carved mahogany, dressing commode, circa 1735, possibly by John Boson and Cornelius Martin or Benjamin Goodison, now with an eared rectangular green marble slab top, the four long graduated drawers with original gilt-brass handles and escutcheons, flanked by a pair of guilloche-carved corbel pilasters headed by acanthus leaves and lion masks holding brass rings, the panelled sides with further conforming pilasters, on paterae-carved bracket feet, 80cm high, 123cm wide, 54cm deep, the drawer retaining a label with ducal coronet above a monogram contained within roundel bearing the motto `honi soit qui mal y pense', the back bearing a small paper label 'LADY LEVER COLLECTION' together with the inventory number 'X3933' and another paper manuscript label 'KENT ROOM S. RIGHT', the back also with chalk inscriptions `518 NX' and 'C185', originally with a fold-over top and pull-out supporting front pilasters; the top drawer probably originally fitted. Provenance: 'M. Harris & Sons, sold 17 June 1920 (£350) to William Lever, 1st Viscount Leverhulme (1851-1925) The Leverhulme Collection.The Lady Lever Art Gallery, Port Sunlight.Sold Christie's London, 27 May 1965, Lot 74 (£472.10s) The architectural form of the present lot, featuring distinctive lion mask pilasters with brass ring handles, relates to a group of documented 18th furniture associated with the furniture makers John Boson (d.1743) and Benjamin Goodison or Cornelius Martin (d.1767). Both makers were associated with the celebrated Royal architect designer William Kent (d.1745) who was the protégé of Richard Boyle, 3rd Earl of Burlington. The group includes the 'Owl' tables supplied by Boson for the Summer Parlour at Chiswick House in 1735 (See. T. Rosoman, 'The decoration and use of the principal apartments at Chiswick House 1727-7-`, Burlington Magazine, October 1985). Another related desk from Viscount Downe's collection at Wynham Abbey, Yorkshire, is illustrated in F. L. Hinckley, Metropolitan Furniture of the Georgian Years, New York, 1988, p. 78, pl. 44, fig. 93. A further library table supplied to 2nd Duke of Montague for Montague House, Northamptonshire, circa 1737-41 has been traditionally attributed to Goodison on the basis of invoices supporting the assertion that Goodison was the principal cabinet-maker to the Duke. However the discovery of payments in the Montagu accounts to John BosonSummer Exhibition Catalogue, 1987) calls this into question. A George II gilt-brass mounted and marble topped commode attributed to either Boson or Goodison, with provenance from the Dukes of Northumberland, sold Sotheby's, London, 'Treasures including selected works from the collections of the Dukes of Northumberland', 9 July 2014, lot 7. Shortly prior to the sale of this lot, a much anticipated exhibition William Kent: Designing Georgian Britain, was held at the Bard Graduate Center, New York in September 2013. This gave rise to certain key items being conserved before being loaned to either the Bard Graduate Center or the Victoria& Albert Museum where the exhibitions were staged consecutively first in New York and followed by London. Included in the conservation was the aforementioned Owl Suite, by John Boson, comprising a pair of mahogany and parcel-gilt dressing commodes and companion gilt pier glasses. The evidence for the suite's attribution to Boson is based on a receipt dated 11 September 1735, made out to Lady Burlington who had commissioned the complete furnishing of her Garden Room (later referred to as the Summer Parlour) at Chiswick House. During the course of the 'Owl' dressing commodes conservation, their Victorian leather-lined tops were removed in order to reveal the original top surfaces of the commodes. Interestingly this revealed fragments of a green textile, likely to have been a silk velvet fabric matching that of the green silk damask decorating the walls of the Garden Room at Chiswick during the 1730s. However the most exciting discovery lay to the underside of one of the commodes in the form of faint pencil signatures with the inscriptions 'W. Kent', 'B' standing for John Boson and lastly that of 'Cornelius Martin / 1735'. The latter may be the same Cornelius Martin who was recorded at Dover Street in 1763 (See Geoffrey Beard and Christopher Gilbert, The Dictionary of English Furniture Makers 1660-1840, 1986, p. 580). Hence the 'Owl' commodes would represent the first documented examples of his work. The geographical proximity of Dover Street to Savile Row where Boson had taken a lease for a plot since 1733/1734 (from his patron Lord Burlington), makes this collaboration appear highly feasible. (see Matthew Hirst 'Conservation Discoveries: New Insights into Lady Burlington's 'Owl' tables for her Garden Room at Chiswick, Furniture History, 2014, pp. 205-215). John Boson's career was relatively short (See Virtue Note Book, III, Walpole Society, 22, Oxford, 1934, for an obituary recording Boson's death in 1743) dying at 'an age not considerably above middle age'. It was also noted that he was 'a man of great ingenuity and undertook great works in his way for the prime people of quality and made his fortune well in the world'. Tradition has it that Boson's first apprenticeship was as a ship's carver, possibly at Deptford, prior to acquiring his own yard at Greenwich in the early 1720s. His earliest known documented work was for the Duke of Kent in 1727 when he undertook carving at 4 St. James's Square. Significantly the majority of Boson's known commissions were for carved work in wood and marble rather than cabinet-work. His documented furniture is limited to a small group seven surviving pieces. These include the aforementioned 'Owl Suite', now at Chatsworth, and a pair of candle-stands with 'Boys heads' also commissioned by the Burlingtons.

A 19th century architectural putty coloured, painted open bookcase, the moulded cornice above and arrangement of corbels and a central aperture flanked by open shelves with further corbel supports below, 236cm high, 375cm wide, 33cm deep Provenance: Possibly supplied to Rt. Hon. Henry Goulburn, who acquired Betchworth House, Surrey in 1816. By descent to Lord Hamilton of Dalzell Acquired directly from the Music Room at Betchworth House, Surrey.

A pair of George III style architectural painted and parcel-gilt open breakfront bookcases, the moulded cornices above an arrangement of corbels and a central arched aperture flanked by open shelves with corbel supports below, 235cm high, 194cm wide, 27cm deep Provenance: Possibly supplied to Rt. Hon. Henry Goulburn, who acquired Betchworth House, Surrey, 1816.By descent to Lord Hamilton of Dalzell.Acquired directly from Betworth House Surrey.

ϒA Regency rosewood side cabinet in the manner of Banting, France & Co., circa 1830, the replaced Verde Antico marble top above a cut-brass inlaid frieze and a pair of panelled cupboard doors now with glazed pleated fabric panels, on an egg-and-dart moulded plinth flanked by acanthus carved and moulded corbel pilasters, 90cm high, 160cm wide, 45cm deep Provenance: The cabinet here relates stylistically to the lower sections of two pairs of bookcases by Banting, France & Co, recorded at Ickworth House, Suffolk. ϒ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information. 

A late 15th/early 16th Century carved oak corner boss or corbel: of a tonsured monk's head, 25.5cm high.*Note A comparable boss is in Clyst St Lawrence Church, Devon.

A 19TH CENTURY CARVED LIMEWOOD ARCHITECTURAL CORBEL OF UNUSUALLY LARGE PROPORTIONS, 20 cm, x 25 cm x 85 cm

A Charles II joined oak chest of drawers, circa 1680Typically in two-parts, the boarded top with ovolo-moulded edge, above dentilated mouldings and four long mitre-moulded drawers, all drawer fronts with applied split-mouldings, and the top drawer with the addition of a central corbel moulding with matching carcase end-mouldings, and with the painted initials 'M G', the third and deepest drawer with a central arch-moulded reserve, on extended stile supports, the rear of both parts unusually triple-panelled, 112.5cm wide x 59.5cm deep x 102.5cm high, (44in wide x 23in deep x 40in high)

An early 16th century carved oak roof corbel, or beam endCarved as a woman wearing a hat and holding a banner, furled at the end, 15cm wide x 23cm deep x 22.5cm high, together with another 16th century carved oak roof corbel, or beam end, the male figure wearing a cap and holding a banner, 12.5cm wide x 20.5cm deep x 21.5cm high, (2)Footnotes:Provenance:Reputedly from Bury St. Edmunds, Suffolk.Reputedly formerly in the collection of the Metropolitan Museum of Art, New York.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.

AN EARLY 19TH CENTURY ROSEWOOD CABINET IN THE MANNER OF GILLOWS having a thick cut veined marble top with a moulded reeded edge, above a pair of mirrored doors with corbel side columns; standing on reeded bun feet 124cm wide 62cm deep 93cm high.

Plesiosaurs fossilized vertebra segments (3) very well preserved with letter of identification by the Norfolk Museums and Archaeology Service , found on the East Coast of England. Lovely examples Prehistoric Fossils including: large teeth, snail shells, cockle and clam shells, squid etc. A good collection worth investigating. -Metal detector finds including many Corbel bells and Musket balls in a tub .Celtic and Pre-Roman era stone beads in a tub

An 18th/19th century carved oak angel corbel

A ROUGH HEWN STONE CORBEL with carved image of a human face, approx. 30 x 19cm

A 19TH CENTURY CONTINENTAL CARVED WALNUT CORBEL with foliage and scrolls emerging from a head

A stone corbel with carved face, approx 32 x 21.5cm.  Provenance: Found in an old manor house garden next to a church in the City of York.

Two painted cast iron columns, four cast iron panels a pelmet and an iron corbel

Gold coloured corbel shelf faux marble top table crackle painted shelf and a gilt wood hall table

VICTORIAN OAK & MAHOGANY CWPWRDD GWYDIR, twin upper glazed doors with interior shelving, the base with single frieze drawer and two cupboard doors with applied mahogany panels and carved corbel detail on a plinth base, 232cms H, 145cms max W, 47.5cms D

A pair of cast wall brackets or corbel with gargoyle faces

Two pairs of painted wooden corbel / brackets height 24cm

*CRATE CONTAINING APPROX SEVENTY WHITWICK.COLLIERY.CO, COALVILLE, LEICESTERSHIRE DECORATIVE CORBEL BRICKS

William VI Mahogany sofa table with 2 apron drawers, corbel design over a twin bulbous shaped pod, on 4 splayed legs, 146cm w x 85 cm diameter

13th-14th century AD. A corbel or plinth element with chamfered underside, keyed surfaces, upper face with concentric rings and hole to accept the gnomon, scale of five graduated marker lines. 11.1 kg, 21.5cm (8 1/2"). Property of a Norfolk collector; acquired on the UK art market; found South Norfolk, UK. [No Reserve] Fine condition. Very rare.

13th century AD. A carved oolitic limestone corbel with female bust wearing a coif and barbette. 5.9 kg, 28cm (11'"). Found Dorset, UK; in 1980. The figure resembles the statue heads on the mid-13th century Naunberg Cathedral, specifically those of Gräfin Uta and Gräfin Reglindis, the founders of the establishment. Fine condition; some evidence of burning.

An 18th century Flemish polychrome carved corbel bracket. Modelled in the Baroque style as a putto and supporting a trefoil oak shelf, 49cm wide. Condition report intended as a guide only.Some wood worm damage, chips and flaking. The shelf probably a marriage. 

Plesiosaurs fossilized vertebra segments (3) very well preserved with letter of identification by the Norfolk Museums and Archaeology Service , found on the East Coast of England. Lovely examples Prehistoric Fossils including: large teeth, snail shells, cockle and clam shells, squid etc. A good collection worth investigating. -Metal detector finds including many Corbel bells and Musket balls in a tub .Celtic and Pre-Roman era stone beads in a tub

A group of 19th century marble and stone architectural fragmentsComprising a large 19th century carved white marble lion’s paw, two 19th century white marble chimneypiece scrolls (one black painted), a 19th century alabaster lion after Canova (part of the tail lacking), 19th century Gothic corbel possibly in Coade stone and a stoneware corner stone with a grotesque mask, the marble foot 16cm high, 24cm deep. (6)

Antique stone corbel in the form of a face, 23cm high

A 19th century grit stone stone corbel, of a grinning face, 34cm high

Antique carved polychrome painted mask head corbel