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A rose quartz necklace, with eight rows of tumbled rose quartz beads, to an oval glass pendant and spherical rose quartz bead drop, to rock crystal quartz, rose quartz, and mother-of-pearl toggle clasp, approximately 470mm long, together with a tumbled smoky quartz bead and chiffon necklace, with heart shaped agate buckle style clasp, and a tumbled rose quartz and chiffon necklace (3)
A JAPANESE LACQUERED WOOD FIGURE OF AMIDA NYORAI (AMIDA BUDDHA) MUROMACHI PERIOD OR LATER, 16TH CENTURY OR LATER Depicted standing and wearing long robes loosely draped across his torso, the eyes downcast in a serene expression; with a glass or crystal urna on his forehead and remnants of gilt lacquer to the robes, 38.5cm. Sculptures and paintings depicting Amida Nyorai became popular during the 12th century and were placed near the beds of dying devotees to bring them comfort.
A JAPANESE WOOD MODEL OF SHO KANNON HEIAN PERIOD OR LATER, 11TH CENTURY OR LATER The body carved from a single block of wood, the figure shown standing with one arm raised higher than the other, dressed with long flowing robes and with a tall headdress, with a glass or crystal bead on her forehead signifying spiritual elevation, ushnisa, the head with remnants of gesso and traces of pigment, raised on a rectangular wood stand, the figure 61.5cm. (2)PROVENANCE: BY REPUTE, FROM A JAPANESE PRIVATE COLLECTION, KYOTO.
A JAPANESE LACQUERED WOOD FIGURE OF AMIDA NYORAI (AMIDA BUDDHA) MUROMACHI PERIOD OR LATER, 16TH CENTURY OR LATER Standing on an octagonal plinth and wearing long flowing robes loosely draped across his torso, the eyes downcast in a serene expression, his hands in the kubon mudra representing one of the nine levels of rebirth; with a glass or crystal urna on his forehead and a wooden bead amongst his knotted hair signifying spiritual elevation, ushnisa, with remnants of gold lacquer, the robes embellished with scrolls and asa-no-ha patterns, together with a tomobako wood box, the figure 39.5cm. (4) Amida Buddha is represented performing the kubon mudra when welcoming the souls of the departed as they reach the Great Western Paradise. Sculptures and paintings depicting this subject became popular during the 12th century and were placed near the beds of dying devotees to bring them comfort.
A Louise Kennedy Tipperary Crystal Presentation Vase, 10'' (25cms), a flared crystal Vase, 7 1/2'' (19cms), a small Waterford Vase, a Tipperary crystal Perfume and Stopper, a Tiffany & Co. Apple form |Paperweight, four John Rocha Waterford Tumblers, a Middleton Whiskey Tumbler, and a glass Biscuit Jar with plated mount and lid. (12)
A gold and steel reverse painted crystal intaglio charm/pendant, c.1890,the charm/pendant with a reverse painted crystal intaglio, depicting a polychrome swallow in flight, to a gold ground. A cabochon rock crystal cover enclosed in a curved steel nail, hand engraved verso in script 'revue toujours' 25 Août 1892. Tested as approximately 14ct gold and steel. 29.00 x 17.20mm, 6.05g,together with a diamond set silhouette bar brooch,the bar brooch with the circular silhouette of a boy holding a flower with a glass cover to a border of rose cut diamonds, mounted to a flat section bar. Tested as approximately 14ct gold and platinum. 66 x 14mm, 6.59g (2)Condition report: Charm:Rust and marks to the nail.Light surface marks commensurate with its age. Noticeable scratches and marks to the cover.Brooch:Noticeable scratches and marks to the cover. Dust below cover.Light surface marks commensurate with age to the bar.

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