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A Chinese famille rose stem cup, Guangxu six-character mark and probably of the period, the bowl of inverted bell form raised on a knopped tapering stem, painted in colours with a dragon and a phoenix bird chasing a flaming pearl with bats and waves below, a key border to the rim, a bat and peach inside centre, 15.5cm dia., 11.5cm high.
An Elizabethan style oak court cupboard, the triple panel top with single door carved with arches, on cup and cover supports, over a pair of carved quartered doors, raised on straight legs 182cm wide, 56cm deep, 144cm high. Auctioneers Note: We have specific vendor instructions to sell WITHOUT RESERVE
A collection of Leicester Tigers Rugby programmes, dating from 1980 and with numerous programmes from 1980 and 1990s, also away matches including Coventry, Harlequins, London Scottish, Moseley, etc, also some testimonial programmes, and John Player and Pilkington Cup Finals, and a Leicester Tigers signed shirt, (AF).
SIR THOMAS LIPTON'S SILVER CIGAR CASE, by Edwin Page, hallmarked for Birmingham 1924, of standard form, the lid bearing the coloured enamel flag of the Royal Ulster Yacht Club (Lipton's 'home' club) above his personal yacht flag, the two flying from a yellow-enamelled pole, lacking internal elastic as usual; together with an interesting autograph letter to W.C. Dodge from Thomas Lipton on S.Y. Erin notepaper, dated New York, 7th October 1901, and clearly thanking Dodge for his commiserations following the defeat of Lipton's Shamrock II in his third America's Cup challenge just days before; and a copy of Laurence Brady's 2007 book The Man Who Challenged America; the Life and Obsession of Sir Thomas Lipton, as new; the first a highly personal memento and the second a poignant reminder of Lipton's repeatedly unsuccessful attempts to win the America's Cup, -3, By 1924, the year this cigar case was manufactured, Sir Thomas Lipton, the immensely wealthy British tea magnate of Irish parentage, had already mounted four costly but unsuccessful challenges for the America's Cup - or as he habitually called it "the Auld Mug" - in 1899, 1901, 1903 and 1920. Each challenge had required a new boat so he commissioned a succession of big cutters, each (numerically) named Shamrock, in addition to his own personal cutter, also called Shamrock. His final challenge came in 1930 soon after which Lipton died with his greatest ambition unfulfilled.
CHARLES DIXON (BRITISH, 1872-1934), The 1901 America's Cup; a set of three pen and ink drawings comprising 'The Start', 'At the First Stake' and 'The Finish', Two signed, with yacht names and inscriptions throughout including Shamrock and Columbia, Pen and ink, 8 x 12¼in. (20.5 x 31cm.), (3, a set),
A SILVER-MOUNTED GOBLET MADE FROM QUEBEC TREEN, CIRCA 1779, with pie-crust rim and cartouche inscribed This cup was part of the Quebec which after having Silenced her Enemy Surveillante was blown up off Ushant the 6 day of Oct 1779 due honor to the Captain Farmer and his brave seamen -- 5½in. (14cm.) high,
Four pieces of 19th Century porcelain, ironstone and tin glazed porcelainTo include an Augustus Rex hand-painted cup, decorated with figures camping beside sailing vessel, Middle Eastern tin glazed porcelain tankard, having blue and white stylised decoration, height 8cm, Masons Ironstone tureen and cover, hand-painted twin handled pedestal urn vase, with two gilt mask head handles, height 7cm CONDITION REPORT: Twin handled urn with gilt wear and very minimal flat chip to foot rim, tin glazed tankard with chipping to edges of both rims otherwise good
A famille rose Canton enamel small square Cup,Yongzheng Period/Early Qianlong Period, with handle and scroll feet, painted on one side with a European man wearing a yellow jacket in a landscape, the reverse with a European lady with low cut dress, both sides within double ring panels, the other two sides with flowering peony and other plants in similar panels reserved on a ground of various diaper patterns in green and turquoise,3.2cm highProvenance: Formerly in a private American collection c.1960. Literature: For a similar square cup with handle, see 'Chinese Painted Enamels' by Michael Gillingham, Ashmolean Museum, Oxford 1978, no. 31, dated Yongzheng Period/ Early Qianlong Period.清雍正/乾隆早期 铜胎画珐琅开光欧洲人物图方杯
Five famille rose Canton enamel Pieces18th century, comprising:a square openwork inkwell, the four openwork panels with stylised fluting and foliage panels on a yellow diaper ground,8.1 x 1.1cm square,a pair of small wine cups, the exterior painted with a band of peaches, finger citrons, peonies and chrysanthemums,5.5cm diameter,a black ground cup painted with two dragons chasing the flaming pearl, with seal mark qing wan (pure plaything),5.8cm diameter, anda small quatrefoil wine cup painted with two panels enclosing antique bronze vessels on a ground of en grisaille scrolling foliage reserved on a pale lavender ground. 5.2cm long (5)Provenance: Formerly in a private American collection c.1960. 清十八世纪 铜胎画珐琅墨水瓶及茶杯 一组五件
An ivory Ball and Stand,late 19th century, the ball exterior carved with peony and other flowers, and enclosing at least six pierced balls and resting on a cup, turned stems, a diapered cylinder above another with flowers and rocks against cell diaper,32cm overall, wood stand (3)清十九世纪末 象牙镂雕牡丹纹同心球摆件
An exceptional rhinoceros horn Libation Cup,late Ming, c.1600, the unusually-large body finely carved with a literatus-idealised landscape of pine and parasol trees with gnarled and warty trunks, two forming the handle, under vast, slab-sided, overhanging rocks beside a lake, its surface disrupted by almond-shaped wave diaper, three literati are playing qi on one side while a boy tends the brazier, the wide mouth with cloud-engraved rim enclosing a superbly carved, high-relief chilong eyeing the tail end of a dragon, its head, shoulders and belly emerging from clouds at the opposite end, their hair meticulously and crisply incised, the material ranging in colour from honey, through pale amber to bronze and with a high polish,19cm wide, 14cm high, 476.8g, anda contemporary, and probably original, hardwood stand,pierced and carved as high rocks growing with pine and lingzhi, one side as a torrent, the current resembling a chilong bifid tail (2)IMPORTANT NOTE:This is a premium lot, available for in-room and telephone bidding only. There will be no online bidding available for this lot. In order to leave a bid, you may be asked to pay a deposit, please contact auctions@sworder.co.uk or call 01279 817778.本件拍品将取消网络竞投,给您带来的不便敬请谅解.
Three blue and white Coffee Cups,c.1760, each painted in underglaze blue with complex ribbons, flowers and insects, women and children in a garden, a silver-shaped Tankard,with a house on an island,two eggshell Saucers,finely painted in underglaze blue with flowers and leaves,a Cup,with anhua lotus,Another,with pale blue flowers, andOne with a floral band (9)Provenance: The coffee cups from the Helen Espir Collection Nos. 428, 505 and 752;the tankard with Helen Espir Collection No. 504;the saucers with Helen Espir Collection Nos. 853A and 853B;the cups with Helen Espir Collection Nos. 406A, 504 and 756.清约1760年 青花咖啡杯及碟 一组九件
A small brushwasher, 19th century, of bun form, the brown crazed body applied with iron-black floral meander, 7.6cm, a stoneware pan under an overall mottled-green glaze, 10.3cm, a swankolok bowl and cover, the exterior with scrolling foliage on a metallic iron ground, 9.4cm, and a lacquer wine cup inscribed in red, 10.5cm (5)
A Coffee Cup,Yongzheng (1723-1735), with panels of peony reserved on a red and gilt chainmail ground, andAnother,c.1740, painted en grisaille with peony enclosing the figure of a farmer and his buffalo, the mouth with cell diaper (2)Provenance: The first from the Helen Espir Collection, No. 745;the second from the Helen Espir Collection, No. 888.清雍正 锦地粉彩开光花卉纹咖啡杯 及约1740年 开光牧牛图咖啡杯 一组两件
A famille rose Cup,second half of 18th century, painted in underglaze blue with 'frogs' spawn' and lines enclosing bright flowers,Another,with a shell and cornucopia amongst flowers, berries and leaves, anda Cup,with an iron-red and gilt basket holding various flowers (3)Provenance: The first cup from the Helen Espir Collection, No. 746;the second from the Helen Espir Collection, No. 757;the third from the Helen Espir Collection, No. 479.清十八世纪后半期 粉彩折枝花卉纹咖啡杯 一组三件

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275505 item(s)/page